Domain > worldmakingastechne.mdhosale.com

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Date	IP Address
2021-05-18	174.127.108.116 (ClassC)
2026-03-05	206.217.208.6 (ClassC)

HTTP/1.1 200 OKdate: Thu, 05 Mar 2026 06:23:19 GMTcontent-type: text/htmlcontent-length: 14204vary: Accept-Encodingserver: Apachex-provided-by: StackCDNlast-modified: Mon, 03 Feb 2025 19:41:09 GMTetag: 377c-62d4212eedf40vary: Accept-Encodingx-origin-cache-status: MISSaccept-ranges: bytesx-via: DFW1x-cdn-node-is-at-origin: 1x-cdn-cache-status: MISS

!DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Transitional//EN http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd>html xmlnshttp://www.w3.org/1999/xhtml xml:langen-gb langen-gb dirltr slick-uniqueid3>head>!-- base hrefhttps://www.worldmakingastechne.net/ -->	meta http-equivcontent-type contenttext/html; charsetUTF-8>	meta namekeywords contentActive Observer, Autopoiesis, Embodiment, Emergence, Generative Praxis, Machine Aesthetics, Microcomposition, Second-Order Cybernetics, Technoscience, Transvergence, WorldMaking as Téchne, Sana Murrani, Alberto de Campo, Mark-David Hosale, Sofian Audry, Philip Beesley, Laura Beloff, Peter Blasser, James Coupe, Alberto de Campo, Heinz von Foerster, Felix Guattari, Mark-David Hosale, Kathrine Elizabeth Johansson, Sang Lee, Sana Murrani, Dan Overholt, Andrew Pickering, Esben Bala Poulsen, Chris Salter, Nicolas Schöffer, Edward Shanken, Graham Wakefield>	meta namedescription contentWorldmaking as Techné: Participatory Art, Music, and Architecture>	meta namegenerator contentJoomla! - Open Source Content Management>	title>About/title>	link hreffiles/favicon.ico relshortcut icon typeimage/vnd.microsoft.icon>	style typetext/css>#wrapper { margin: 0 auto; width: 800px;padding:0;}	.s-c-s #colmid { left:0px;}	.s-c-s #colright { margin-left:-0px;}	.s-c-s #col1pad { margin-left:0px;}	.s-c-s #col2 { left:0px;width:0px;}	.s-c-s #col3 { width:0px;}		.s-c-x #colright { left:0px;}	.s-c-x #col1wrap { right:0px;}	.s-c-x #col1 { margin-left:0px;}	.s-c-x #col2 { right:0px;width:0px;}		.x-c-s #colright { margin-left:-0px;}	.x-c-s #col1 { margin-left:0px;}	.x-c-s #col3 { left:0px;width:0px;}	/style>	script typeapplication/json classjoomla-script-options new>{csrf.token:1cd19e8cbd53e09d19de8aa399049ad1,system.paths:{root:,base:}}/script>	script srcfiles/jquery.min.js typetext/javascript>/script>	script srcfiles/jquery-noconflict.js typetext/javascript>/script>	script srcfiles/jquery-migrate.min.js typetext/javascript>/script>	script srcfiles/caption.js typetext/javascript>/script>	script srcfiles/mootools-core.js typetext/javascript>/script>	script srcfiles/core.js typetext/javascript>/script>	script srcfiles/mootools-more.js typetext/javascript>/script>	script typetext/javascript>jQuery(window).on(load,  function() {				new JCaption(img.caption);			});jQuery(function($) {			 $(.hasTip).each(function() {				var title  $(this).attr(title);				if (title) {					var parts  title.split(::, 2);					var mtelement  document.id(this);					mtelement.store(tip:title, parts0);					mtelement.store(tip:text, parts1);				}			});			var JTooltips  new Tips($(.hasTip).get(), {maxTitleChars: 50,fixed: false});		});	/script>link relstylesheet hreffiles/system.css typetext/css>link relstylesheet hreffiles/styles.css typetext/css mediascreen,projection>/head>body>div classtopground>/div>div idmain>  div idwrapper classground>      div idheader>                        div classlogo>            a href/ idlogo titleWorldMaking As Téchne>img srcfiles/logo.png altWorldMaking As Téchne>/a>        /div>      /div>    div idnav>           div classlevy>img srcfiles/levy.png alt>/div>               div classpravy>img srcfiles/pravy.png alt>/div>            div classmenu>        ul classnav menu mod-list>li classitem-101 default current active>a href/>About/a>/li>li classitem-104>a hrefeditors.html>the editors/a>/li>li classitem-105>a hrefisea-panel.html>the isea panel/a>/li>li classitem-106>a hrefcontact.html>contact/a>/li>/ul>/div>    /div>    div idmessage>        div idsystem-message-container>	/div>    /div>            div idmain-content classs-c-s>            div idcolmask>                div idcolmid>                    div idcolright>                        div idcol1wrap>              div idcol1pad>                              div idcol1>                                                      div classcomponent>                                        div classblog itemscope itemtypehttps://schema.org/Blog>										div classitems-leading clearfix>							div classleading-0 itempropblogPost itemscope itemtypehttps://schema.org/BlogPosting>						h2>strong classauthor-g-5ghsz122ze7r419kn1rb>span classauthor-g-5ghsz122ze7r419kn1rb i>Worldmaking as Techné: Participatory Art, Music, and Architecture/span>/strong>/h2>p>strong>span classauthor-g-5ghsz122ze7r419kn1rb i>Edited by Mark-David Hosale, Sana Murrani, and Alberto de Campo/span>/strong>br>strong>span classauthor-g-5ghsz122ze7r419kn1rb i>with a Foreword by Roy Ascott/span>span classauthor-g-5ghsz122ze7r419kn1rb>br>/span>/strong>/p>p>span classauthor-g-5ghsz122ze7r419kn1rb>Riverside Architectural Press, Hardcover, 433pp, June 15, 2018br>ISBN: 978-1-988366-09-8/span>/p>p>strong>Hard copy/strong> available at a hrefhttps://www.amazon.com/Worldmaking-As-Techn%C3%A9-Participatory-Architecture/dp/1988366097/refsr_1_1?ieUTF8&qid1535089805&sr8-1&keywordsworldmaking+as+techne target_blank relnoopener noreferrer>amazon.com,/a> a hrefhttps://www.amazon.co.uk/gp/product/1988366097?pf_rd_pd1f45e03-8b73-4c9a-9beb-4819111bef9a&pf_rd_r3SG6028XVVE1HGEDSE96>amazon.co.uk/a>, and at a hrefhttp://www.ubcpress.ca/worldmaking-as-techne>http://www.ubcpress.ca/worldmaking-as-techne/a>/p>p>strong>eBook/strong> available at: a hrefhttps://www.amazon.ca/Worldmaking-Techn%C3%A9-Participatory-Music-Architecture-ebook/dp/B08218WKDS/refsr_1_1?keywordsworldmaking+as+techne&qid1575492110&sr8-1>Amazon/a>, a hrefhttps://books.apple.com/book/id1489295185>Apple Books/a>, a hrefhttps://books.google.ca/books?id1vLADwAAQBAJ&pgPT940&dqworldmaking+as+techne+mark+david&hlen&saX&ved0ahUKEwjXxo_9jazmAhUKmeAKHeWmCAIQ6AEIKTAA#vonepage&qworldmaking%20as%20techne%20mark%20david&ffalse>GoogleBooks/a>, a hrefhttps://www.barnesandnoble.com/w/worldmaking-as-techn-mark-david-hosale/1130879976?ean9781988366265>Barnes and Noble/a>, and a hrefhttps://www.kobo.com/ww/en/ebook/worldmaking-as-techne>Kobo/a> br>(as well as bibliotheca, Bookmate.com, BookShout!, ciando.com, CNPeReading, Dangdang, E-Sentral.com, Ekonyv.hu, Gardners.com, Google Play Books, Mackin.com, Odilo.es, overdrive.com, playster.com, Scribd, Tolino)/p>ul>li>span classauthor-g-5ghsz122ze7r419kn1rb>a href/WMTSynopsis.pdf>download the synopsis/a> • a href/WmT_Front.pdf>download the front matter, including the Foreward, Introduction, and Table of Contents/a>/span>/li>li>a hrefhttps://www.leonardo.info/review/2019/03/review-of-worldmaking-as-techne-participatory-art-music-and-architecture?fbclidIwAR2SovVLt9YRzI8GS2dX1DaQ3guRMho0tLqBkzRo4YhYhjGceOxGtmTKJGE target_blank relnoopener noreferrer>span classauthor-g-5ghsz122ze7r419kn1rb>Read the review from Brian Reffin Smith in Leonardo (March 2019)/span>/a>/li>li>a hrefhttp://neural.it/2019/01/edited-by-mark-david-hosale-sana-murrani-alberto-de-campo-worldmaking-as-techne-participatory-art-music-and-architecture/ target_blank relnoopener noreferrer>Also reviewed in Neural 61, Speculative Pink (Autumn 2018)/a>/li>/ul>div idmagicdomid10>span classauthor-g-5ghsz122ze7r419kn1rb>img styleborder: 0; float: left; padding: 5; srcfiles/WMTCover.png width205 border0>/span>/div>p>strong>Worldmaking as Techné: Participatory Art, Music, and Architecture/strong> outlines a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realties as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of making. In particular a kind of practice that embodies the enactment of theoretical approach that helps determine the significance of the work, how it was made, and why. By positioning worldmaking as a kind of techné, we seek to create a discourse of art making as an enframing of the world that results in the expression of ontological propositions through the creation of art-worlds. br>br>The volume focuses on the involvement of the techné of worldmaking in participatory art practice. Such practice can be found in all areas of art, however, under scrutiny for this particular book are: interactive, generative, and prosthetic art, architecture, and music practices that depend for their vitality and development on the participation of their observers.br>br>The book is organized into three sections: po(i)etic, machinic, and cybernetic, which explore the aesthetics, systems, methods, and ontological underpinnings of a worldmaking based practice. Each section contains historical texts alongside new texts. The texts were carefully chosen to highlight the integration of theory and practice in their approach. While the foundation of this worldmaking is deeply philosophical and rigorous in its approach, there is a need to connect this work to the World of our everyday experience. As we contemplate issues of why we might want to make a world, we are confronted with the responsibilities of making the world as well. br>br>strong>Contributors/strong>br>Sofian Audry, Philip Beesley, Laura Beloff, Peter Blasser, James Coupe, Alberto de Campo, Heinz von Foerster, Felix Guattari, Mark-David Hosale, Kathrine Elizabeth L. Johansson, Sang Lee, Sana Murrani, Dan Overholt, Andrew Pickering, Esben Bala Skouboe, Chris Salter, Nicolas Schöffer, Edward Shanken, Graham Wakefield/p>p>span classauthor-g-5ghsz122ze7r419kn1rb>Please do not hesitate to contact us with any queries you may have: span idcloak20ed119a5873b7c9cb9f8bb8213746df>a titleeditors@worldmakingastechne.net hrefmailto:editors@worldmakingastechne.net>editors@worldmakingastechne.net/a>/span>script typetext/javascript>				document.getElementById(cloak20ed119a5873b7c9cb9f8bb8213746df).innerHTML  ;				var prefix  ma + il + to;				var path  hr + ef + ;				var addy20ed119a5873b7c9cb9f8bb8213746df  editors + @;				addy20ed119a5873b7c9cb9f8bb8213746df  addy20ed119a5873b7c9cb9f8bb8213746df + worldmakingastechne + . + net;				var addy_text20ed119a5873b7c9cb9f8bb8213746df  editors + @ + worldmakingastechne + . + net;document.getElementById(cloak20ed119a5873b7c9cb9f8bb8213746df).innerHTML + a titleeditors@worldmakingastechne.net  + path + \ + prefix + : + addy20ed119a5873b7c9cb9f8bb8213746df + \>+addy_text20ed119a5873b7c9cb9f8bb8213746df+\/a>;		/script>/span>/p>div idmagicdomid25>span classauthor-g-5ghsz122ze7r419kn1rb u>span styletext-decoration: underline;>Mark-David Hosale/span>/span>/div>div idmagicdomid26>span classauthor-g-5ghsz122ze7r419kn1rb url>a hrefhttp://www.mdhosale.com/ target_blank relnoopener noreferrer>http://www.mdhosale.com/a>/span>/div>div idmagicdomid27> /div>div idmagicdomid28>span classauthor-g-5ghsz122ze7r419kn1rb u>span styletext-decoration: underline;>Sana Murrani/span>/span>/div>div idmagicdomid29>span classauthor-g-5ghsz122ze7r419kn1rb url>a hrefhttp://sanamurrani.me.uk/ target_blank relnoopener noreferrer>http://sanamurrani.me.uk/a>/span>/div>div>div> /div>div idmagicdomid22>span classauthor-g-5ghsz122ze7r419kn1rb u>span styletext-decoration: underline;>Alberto de Campo/span>/span>/div>div idmagicdomid23>span classauthor-g-5ghsz122ze7r419kn1rb url>a hrefhttp://medienhaus.udk-berlin.de/pages/Dr._Alberto_De_Campo target_blank relnoopener noreferrer>http://medienhaus.udk-berlin.de/pages/Dr._Alberto_De_Campo/a>/span>/div>div styletext-align: center;> /div>div styletext-align: center;> /div>div styletext-align: center;>table stylewidth: 100%; margin-left: auto; margin-right: auto; cellspacing10 cellpadding3>tbody>tr>td>img srcfiles/YorkULogo_Hor_k.png alt width200>/td>td>img styledisplay: block; margin-left: auto; margin-right: auto; srcfiles/plym%20logo%20alt.png alt width200>/td>td>img styledisplay: block; margin-left: auto; margin-right: auto; srcfiles/UDK_logoBW.png alt width200>/td>/tr>/tbody>/table>/div>div styletext-align: center;> /div>div styletext-align: center;>img srcfiles/las_logo.png alt width175>/div>div styletext-align: center;> /div>div styletext-align: center;>span classauthor-g-5ghsz122ze7r419kn1rb url>RIVERSIDE ARCHITECTURAL PRESS (a hrefhttp://riversidearchitecturalpress.ca/>riversidearchitecturalpress.ca/a>)br>/span>/div>div styletext-align: center;> /div>div styletext-align: center;>span classauthor-g-5ghsz122ze7r419kn1rb url>img srcfiles/catWmT.jpg width426>br>Recommended by Neo Neko the cat.br>/span>/div>/div>div classitem-separator>/div>				/div>									/div>!-- end items-leading -->						/div>                                    /div>                                                /div>              /div>                        /div>                                            /div>                /div>            /div>        /div>      /div>                                  div idfooter>        div classcopy>    © 2025 de Campo, Hosale, Murrani      /div>          /div>        div iddebug>      /div>/div>         /body>/html>

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Date	Domain	IP
www.ndstudiolab.mdhosale.com	2026-03-05	206.217.208.6
worldmakingastechne.mdhosale.com	2026-03-05	206.217.208.6
www.worldmakingastechne.mdhosale.com	2026-03-05	206.217.208.6
webdisk.mdhosale.com	2026-03-05	206.217.208.6

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