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Domain > www.whirligigzine.com
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More information on this domain is in
AlienVault OTX
Is this malicious?
Yes
No
DNS Resolutions
Date
IP Address
2015-07-07
184.168.27.42
(
ClassC
)
2024-08-12
107.180.63.56
(
ClassC
)
Port 80
HTTP/1.1 200 OKContent-Type: text/htmlLast-Modified: Wed, 30 Oct 2019 15:47:09 GMTAccept-Ranges: bytesETag: cbe0154a398fd51:0Server: Microsoft-IIS/10.0X-Powered-By: ASP.NETX-Powered-By-Plesk: PleskWinDate: Mon, 12 Aug 2024 04:13:54 GMTContent-Length: 14026 !DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Transitional//EN http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd>html xmlnshttp://www.w3.org/1999/xhtml>!-- InstanceBegin template/Templates/home.dwt codeOutsideHTMLIsLockedfalse -->!-- DW6 -->head>!-- Copyright 2005 Macromedia, Inc. All rights reserved. -->!-- InstanceBeginEditable namedoctitle -->title>The Whirligig Zine - Pulp with a Pulse/title>!-- InstanceEndEditable -->meta http-equivContent-Type contenttext/html; charsetutf-8 />link relstylesheet hrefstyles-combined.css typetext/css />link relstylesheet hrefeffects-combined.css typetext/css />script languageJavaScript typetext/javascript>//--------------- LOCALIZEABLE GLOBALS ---------------var dnew Date();var monthnamenew Array(January,February,March,April,May,June,July,August,September,October,November,December);//Ensure correct for language. English is January 1, 2004var TODAY monthnamed.getMonth() + + d.getDate() + , + d.getFullYear();//--------------- END LOCALIZEABLE ---------------/script>style typetext/css>!--.style1 { color: #333333}.style4 { font-size: 18px}.style5 { font-family: Courier New, Courier, monospace; font-weight: bold;}-->/style>!-- InstanceBeginEditable namehead -->!-- InstanceEndEditable -->/head>body>table width950 border0 cellpadding0 cellspacing0 bgcolor#F6EAD0> tr bgcolor#F6EAD0> td width4>img srcmm_spacer.gif alt width1 height1 border0 />/td> td width187>img srcmm_spacer.gif alt width1 height1 border0 />/td> td width50>img srcmm_spacer.gif alt width1 height1 border0 />/td> td width639>img srcmm_spacer.gif alt width1 height1 border0 />/td> td width63>img srcmm_spacer.gif alt width1 height1 border0 />/td> td width2 rowspan6 bgcolor#993300>img srcmm_spacer.gif alt width1 height1 border0 />/td> /tr> !--table width971 border0 cellpadding0 cellspacing0 bgcolor#F6EAD0> tr bgcolor#F6EAD0> td width4> /td> td width188> /td> td width20>img src../mm_spacer.gif alt width20 height1 border0 />/td> td width520> /td> td width50>img src../mm_spacer.gif alt width50 height1 border0 />/td> td width152> /td> td width5> /td> /tr>--> tr bgcolor#F6EAD0> td width4 rowspan4> /td> td width188 valigntop rowspan2>img srcimg/whirligig-in-cloud-drk.jpg alt"Flier" by Dorothy Thompson width210 height240 border3 />/td> td width20 height184> /td> td width520 height184 alignleft valignbottom nowrapnowrap idlogo>img srcimg/whirligig-title.gif width321 height73 />/td> td width50> /td> td width152 rowspan4 alignleft valigntop>img srcimg/interstel-col-flesh.gif width152 height841 /> br /> div aligncenter> form actionhttps://www.paypal.com/cgi-bin/webscr methodpost> p> input typehidden namecmd value_xclick> input typehidden namebusiness valuejdfinch@pshift.com> input typehidden nameitem_name valueHelp Whirligigzine Continue To Pay Its Writers> input typehidden nameno_shipping value0> input typehidden nameno_note value1> input typehidden namecurrency_code valueUSD> input typehidden nametax value0> input typehidden namelc valueUS> input typehidden namebn valuePP-DonationsBF> input typeimage srchttps://www.paypal.com/en_US/i/btn/x-click-butcc-donate.gif border0 namesubmit altMake payments with PayPal - its fast, free and secure!> img alt border0 srchttps://www.paypal.com/en_US/i/scr/pixel.gif width1 height1>/p> Help Whirligigzine Continue to Pay Its Writers /form> /div>/td> td width5> /td> /tr> tr bgcolor#F6EAD0> td width20 height53> /td> td width520 height53 alignleft valigntop classstyle4 idtagline_diff> span classtagline>Pulp with a Pulse /span>/td> td width50> /td> td width5> /td> /tr> !-- tr bgcolor#99CC66> td height20 colspan7 bgcolor#6F5215 iddateformat> script languageJavaScript typetext/javascript> document.write(TODAY); /script> /td> /tr> --> tr> td colspan4 bgcolor#5C743D>img srcspacer.gif alt width1 height2 border0 />/td> td width5> /td> /tr> tr> td width188 valigntop bgcolor#F3E3C2>table border0 cellspacing0 cellpadding0 width182 idnavigation> tr> td width182 alignleft valignbottom nowrapnowrap >a hrefindex.html>span classnavTextTop>Home/span>/a>/td> /tr> tr> td width182 alignleft valignbottom nowrapnowrap>a hrefabout_us.html>span classnavTextTop>About Us/span>/a>/td> /tr> tr> td width182 alignleft classquote>em>strong>Fiction/a>/strong>/em>/td> /tr> tr> td width182>a href2.0_mamatas.html classnavText>Nick Mamatas/a>/td> /tr> tr> td width182>a href2.0_jeffsomers.html classnavText>Jeff Somers/a>/td> /tr> tr> td width182>a href2.0_augustbjorn.html classnavText>August H. Bjorn/a>/td> /tr> tr> td width182>a href2.0_kevindole2.html classnavText>Kevin Dole 2/a>/td> /tr> tr> td width182>a href2.0_karlkoweski.html classnavText>Karl Koweski/a>/td> /tr> tr> td width182>a href2.0_mikaelcovey.html classnavText>Mikael Covey/a>/td> /tr> tr> td width182 alignleft classquote>em>strong>Non-Fiction/a>/strong>/em>/td> /tr> tr> td width182>a href2.0_editorial.html classnavText>Editorial/a>/td> /tr> tr> td width182>a href2.0_op_ed.html classnavText>Op-Ed/a>/td> /tr> tr> td width182>a href2.0_letters.html classnavText>Letters/a>/td> /tr> tr> td width182>a href2.0_essays.html classnavText>Essays/a>/td> /tr> tr> td width182 alignleft classquote>em>strong>Poetry/strong>/em>/td> /tr> tr> td width182>a href2.0_panthonyliccione.html classnavText>Anthony Liccione/a>/td> /tr> tr> td width182>a href2.0_pmichaelgrover.html classnavText>Michael Grover/a>/td> /tr> tr> td width182>a href2.0_pjohnsweet.html classnavText>John Sweet/a>/td> /tr> tr> td>a href2.0_pglenncooper.html classnavText>Glenn Cooper/a>/td> /tr> tr> td width182>a href2.0_pvictorschwartzman.html classnavText>Victor Schwartzman/a>/td> /tr> /table>/td> td width20>img srcmm_spacer.gif alt width50 height1 border0 />/td> td valigntop width520>table width520 border0 cellpadding0 cellspacing0> tr> td width520 height206 valigntop>!-- InstanceBeginEditable nameWelcome --> !-- InstanceEndEditable --> !-- InstanceBeginEditable nameBodytext --> p>span classsubHeader>Welcome to the Whirligigzine/span> p>span classbodyText>Hello!/span> p>span classbodyText>Welcome! Bienvenue! Willkommen! Bienvenido! /span> p>span classbodyText>Its a small world after all! /span> p>span classbodyText>But if youre looking for fancy bells and whistles, youve come to the wrong place. And if youre looking for stories and poems that youd enjoy reading in the Oak Room of the Algonquin, you will certainly be surprised to find instead echoes of the Chelsea Hotel and its boho ghosts flying around your head as you enjoy the Whirligigzines rough and tumble, yet literate offerings. So, minimize all your other open windows, get a cup of coffee/snifter of brandy/a few tall boys and enter the fictional world offered by some of the most unusual talents to be found in todays lit world. /span> p>span classbodyText>Over at that corner table we have Mr. Mamatas and Mr. Somers whove both been here before, when the Whirligigzine was much younger and didnt fly its zinedom flag in its title. One of them looks like hed kidnap your wife and take her to Mexico for the weekend, while the other looks like he wants to shoot a stream of seltzer down your pants. The hard part is deciding who looks like whom. Interesting, these two, who helped build the reputation of the original Whirligig, both deal with the odd ways we age in their stories April 29th and When The Man Comes Around. /span> p>span classbodyText>That quartet playing poker at the big center table includes Karl Koweski, Mikael Covey, Kevin Dole 2 and August Bjorn. Bjorns a high roller from out of town who needs a big score and hell get it as soon as his picaresque novel i>The Prodigal/i> hits the shelves. (If T. Coraghessan Boyle sat in on a few hands hed be in danger of losing his shirt to Bjorn.) Koweski is the favorite to take the big pots though, storming fearlessly through losing hands and bluffing until he wins. Good thing he keeps all the real violence away from his game and in his story Blood and Greasepaint at the Tombstone Bar and Grille. Newcomer Dole 2, who the others call The Kid, has more than a few tricks -- theyre not up his sleeve -- and more than a few shocks in his humorously macabre tale Weeds Is Weeds, Dead Is Dead. And Covey, giving nothing away, plays it close to the vest though he doesnt shy away from asking the the tough questions like Whos in charge here? as he does in his story At Sea. /span> p>span classbodyText>But dont think were going to go soft with our poetry. Let me point out that the Whirligigzines poetry editor, Rob Plath was once tutored by Allen Ginsberg. Of this association Rob says, If youve ever read my writing you would definitely notice that I carry on his tradition of candor. Candor indeed. Id say keep your eye on anyone who soaked in the aura of the man responsible for i>Howl/i> and i>Reality Sandwiches/i>. /span> p>span classbodyText>Robs own visionary, yet gritty and down-to-earth poetry will be very influential on the worldwide poetry scene as it is disseminated here at the Whirligigzine and elsewhere, both online and in the real world. And it is his vision that also allows him to spot some of the best poetry around and make it part of the Whirligigzine. /span> p>span classbodyText>I see poets writing about anything and everything, says Rob. I see a looser, uninhibited poetry than ever before. I see the most freedom there has even been in poetry -- right now. The poems Ive selected show no boundaries, have mega guts, are unaplogetically uncensored, and are raw, like 22 ounce ribeyes in the butchers window. But there are also those that are delicate, joyful or optimistic, sprung from different impulses, but with the same result -- great poems. Some of them, in a real artistic highwire act, are even a mix of the two impulses. All of them pay careful attention to craft, but never allow mere craftmanship to overshadow the element of emotional release, a trap fallen into by too many academic poets, forced to create within their artistic cubicles. The poems Ive gathered for the Whirligigzine represent modern poety at full throttle. /span> p>span classbodyText>Flying around in this thing we are a ragtag bunch, some who we have ridden with before, some new to the beast. The previous version of me, Frank Marcopolos did a good job of feeding the Gig some fine meaty meals, while somehow still keeping the animal hungry for more. It was hard to up the ante when what appeared in the early Whirligigs engendered comments like Stephanie Holmes in the zinesters bible, i>Xerography Debt/i>: I can only strain to imagine what these writers lives are like and what their day jobs are. /span> p>span classbodyText>But its still a tough crowd we have here and really, I wouldnt have it any other way. /span> p classbodyText>J.D. Finch, Editor/p> !-- InstanceEndEditable -->/td> /tr> /table>/td> td width50>img srcmm_spacer.gif alt width50 height1 border0 />/td> td width5> /td> /tr> tr> td width4> /td> td width188> /td> td width20>img srcmm_spacer.gif alt width50 height1 border0 />/td> td width520 aligncenter classfooter>© 2007 Whirligigzine/td> td width50>img srcmm_spacer.gif alt width50 height1 border0 />/td> td width152> /td> td width5> /td> /tr>/table>/body>!-- InstanceEnd -->/html>
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