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Domain > www.sclayton.net
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More information on this domain is in
AlienVault OTX
Is this malicious?
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DNS Resolutions
Date
IP Address
2015-12-03
66.96.130.13
(
ClassC
)
2024-10-27
66.96.149.32
(
ClassC
)
Port 80
HTTP/1.1 200 OKDate: Mon, 29 Jul 2024 15:06:57 GMTContent-Type: text/htmlContent-Length: 6748Connection: keep-aliveServer: ApacheLast-Modified: Wed, 30 May 2018 22:52:26 GMTETag: 1a5c-56d7434651136Acc !DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Strict//EN http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd>html xmlnshttp://www.w3.org/1999/xhtml> head> title>Sam Clayton - Art/title> meta http-equivContent-Type contenttext/html; charsetutf-8 /> link hrefsca.css relstylesheet typetext/css /> meta namekeywords contentart, painting, figure painting, figurative painting, drawing, figure drawing, figurative drawing, collage, fine arts, works on paper, sculpture, oil painting, artist, art, painter, sculptor, fine art, collage, works on paper, oil painting, figurative oil painting, collage drawings, collage paintings, paintings on wood, sculpted paintings, prints, creative art, creative artist, sam clayton, sclayton, sclayton.net, samclayton.org> meta namedescription contentArtist, painter Sam Clayton has explored the nature of personal experience as expressed through image and form since the nineteen seventies. His work achieves its power from the visceral resonance of its physical presence. The work is intuitively constructed and suggests possibilities, inviting the viewer to find or recognise aspects of their own life experience or reality.The subject is making art, the object is whatever form and image makes it happen.STATEMENT:visual art ... visual poetryThe stuff that art is made of is often only half the story. A work of visual art involves material, intention and chance or discovery. The significance of these variables when considered individually is somewhat immaterial, its about how the sum really is greater than its parts. Consider the collages and sculptures of Kurt Schwitters; carried on in Robert Rauschenbergs Combines, Card Birds and Gluts; John Chamberlains crushed painted auto pieces; and on into the iconoclastic yet intimate works of Richard Tuttle. In each case the creative voice is unique. What they share in common is a transformative moment where intention meets material, often unorthodox material in service of an esthetic end. The poetry is expressed not only in the actions taken, but in the choice
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