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Domain > www.richardhearns.com
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NameServer
NS2.BLACKNIGHT.COM
Created
2006-09-18 15:43:18
Changed
2019-09-18 09:30:02
Registrar
eNom, LLC
DNS Resolutions
Date
IP Address
2019-05-27
78.153.214.25
(
ClassC
)
2024-07-21
172.67.190.56
(
ClassC
)
Port 80
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Port 443
HTTP/1.1 200 OKDate: Sun, 21 Jul 2024 10:57:35 GMTContent-Type: text/htmlTransfer-Encoding: chunkedConnection: keep-aliveX-SERVER: 3082Last-Modified: Sat, 08 Jun 2024 15:02:52 GMTCache-Control: max-age0Expires: Sun, 21 Jul 2024 10:57:35 GMTVary: Accept-Encoding,User-AgentCF-Cache-Status: DYNAMICReport-To: {endpoints:{url:https:\/\/a.nel.cloudflare.com\/report\/v4?sJfafsXAefye0NRuOwmNXLozSnJCXdG2mMNEHFFd9N4m5jhWtoQjbj9u95wQgalpsccoljGYaK66Sx9ABsCoHqalkQ%2FhE4lRNis2gKqStHS2kdqx2EBeoKBtYI827Txctefg5biQ8oyA%3D},group:cf-nel,max_age:604800}NEL: {success_fraction:0,report_to:cf-nel,max_age:604800}Server: cloudflareCF-RAY: 8a6aabc5ce6c7658-SEAalt-svc: h3:443; ma86400 !DOCTYPE html>html idtop langen> head> meta charsetUTF-8 /> meta http-equivX-UA-Compatible contentIEedge /> meta nameviewport contentwidthdevice-width, initial-scale1.0 /> !--link relicon typeimage/x-icon hrefhttps://richardhearns.com/rhicon.ico> --> link relpreconnect hrefhttps://fonts.googleapis.com /> link relpreconnect hrefhttps://fonts.gstatic.com crossorigin /> script async srchttps://www.googletagmanager.com/gtag/js?idUA-1868968-9>/script>script> window.dataLayer window.dataLayer || ; function gtag(){dataLayer.push(arguments);} gtag(js, new Date()); gtag(config, UA-1868968-9);/script>!-- Google tag (gtag.js) -->script async srchttps://www.googletagmanager.com/gtag/js?idG-6ZXM075R1H>/script>script> window.dataLayer window.dataLayer || ; function gtag(){dataLayer.push(arguments);} gtag(js, new Date()); gtag(config, G-6ZXM075R1H);/script> link hrefhttps://fonts.googleapis.com/css2?familyAmiri:ital@0;1&familyMontserrat:ital,wght@0,100;0,300;0,500;1,100;1,300&displayswap relstylesheet /> link hrefdist/output.css?v3.1 relstylesheet /> title>Richard Hearns/title> meta namedescription contentRichard Hearns paints in the wild landscape of The Burren National Park in County Clare, Ireland. >!-- Facebook Meta Tags -->meta propertyog:url contenthttps://richardhearns.com/>meta propertyog:type contentwebsite>meta propertyog:title contentRichard Hearns>meta propertyog:description contentRichard Hearns paints in the wild landscape of The Burren National Park in County Clare, Ireland. >meta propertyog:image contenthttps://richardhearns.com/dist/img/corbel-in-landscape-social.jpg>!-- Twitter Meta Tags -->meta nametwitter:card contentsummary_large_image>meta propertytwitter:domain contentrichardhearns.com>meta propertytwitter:url contenthttps://richardhearns.com/>meta nametwitter:title contentRichard Hearns>meta nametwitter:description contentRichard Hearns paints in the wild landscape of The Burren National Park in County Clare, Ireland. >meta nametwitter:image contenthttps://richardhearns.com/dist/img/corbel-in-landscape-social.jpg>!-- Meta Tags Generated via https://www.opengraph.xyz --> /head> body classfree-to-roam> style> .loader { border: 3px solid #f3f3f3; border-radius: 50%; border-top: 3px solid #3498db; width: 50px; height: 50px; -webkit-animation: spin 2s linear infinite; /* Safari */ animation: spin 2s linear infinite; } /* Safari */ @-webkit-keyframes spin { 0% { -webkit-transform: rotate(0deg); } 100% { -webkit-transform: rotate(360deg); } } @keyframes spin { 0% { transform: rotate(0deg); } 100% { transform: rotate(360deg); } } /style> div classpreloader z-50 fixed bg-white w-full h-full flex items-center justify-center>div classloader>/div>/div> header classrh-site-header z-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 rh-site-header-top drop-shadow-sm > a href#top> div> img classh-20 rh-logo-white srcdist/img/rh-logo-white-text.svg /> img classh-8 rh-logo-black srcdist/img/rh-logo-black-text.svg /> /div>/a> button classrh-hamburg-btn md:hidden z-10> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 micky fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2 > path stroke-linecapround stroke-linejoinround dM4 6h16M4 12h16M4 18h16 /> /svg> /button> div classrh-desktop-navbar hidden items-center justify-center 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href#works classtext-4xl>WORKS/a> /li> li classmb-6>a classtext-4xl href#biography>ABOUT/a> ul classhidden sub-menu text-xl> li> a href#biography>BIOGRAPHY/a>/li> li>a href#essays>ESSAYS/a>/li> li>a href#cv>CURRICULUM VITAE/a> /li> /ul> /li> li classmb-6>a classtext-4xl href#press>PRESS/a> ul classhidden sub-menu text-xl> li> a href#upcoming-events>UPCOMING EVENTS/a>/li> li>a href#press>PRESS/a> /li> /ul> /li> li classmb-6>a classtext-4xl href#contact>CONTACT/a> ul classhidden sub-menu text-xl> li> a href#business-sales>BUSINESS & SALES/a>/li> li>a href#newsletter>NEWSLETTER/a>/li> li>a href#gallery-studio>GALLERY & STUDIO/a> /li> /ul> /li> /ul>/div>/div> section classhomepage-splash relative> img srcdist/img/placeholder.png classobject-cover homePhoto w-full h-full relative z-0 altImage alt text /> div classabsolute z-10 bg-black opacity-20 top-0 left-0 w-full h-full >/div> /section> div classcontainer mx-auto px-4> p classtext-center py-7 font-sans mb-14> span classblock homePhotoCaption font-light subpixel-antialiased italic text-xl sm:text-2xl stylefont-variant: small-caps >Corbel - Enclave Series - 2021/span >span classblock font-serif italic text-lg homePhotoCaptionSub >Private Collection, London/span > /p> h2 classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mb-12 > span classrh-sub-section-head relative>UPCOMING/span> /h2> h3 classfont-sans font-light subpixel-antialiased sm:text-xl text-center > THE LIVING MOUNTAIN /h3> p classfont-serif text-center sm:text-lg mb-12> Solo Exhibition - Cadogan Gallery, Milan: May 14 to July 27, 2024br /> a styletext-decoration: underline; hrefhttps://website-cadogancontemporary2.artlogic.net/viewing-room/30e5428155c742b0b728084f122398db/ target_blank aria-labelView private viewing room>Private viewing room/a> /p> h3 classfont-sans font-light subpixel-antialiased sm:text-xl text-center > CADOGAN /h3> p classfont-serif text-center sm:text-lg mb-12> Group Exhibition - Cadogan Gallery, London: October 3, 2024br /> /p> /div>!-- BEGIN VIDEO -->div styleborder-top:2px solid #eee>div classcontainer mx-auto px-4 py-12>h2classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mb-12>span classrh-sub-section-head relative>VIDEO/span>/h2>!-- Slider main container -->div classswiper videoSwiper w-full>symbol idicon-play3 viewBox0 0 32 32> path dM6 4l20 12-20 12z>/path>/symbol>!-- Additional required wrapper -->div classswiper-wrapper> !-- Slides --> div classswiper-slide> div data-modalrh-news-modal8 data-video-srcrh-vid5 classmodal-toggle play-video-link cursor-pointer> div classrelative> img classlazy relative z-0 data-srcdist/img/vid5.jpg /> div classvideo-overlay absolute z-10 w-full h-full bg-black opacity-50 top-0 >/div> img classplay-icon srcdist/img/play-icon.png /> /div> /div> h3 classfont-sans pt-2> RICHARD HEARNS - IN A NEW YORK MINUTE /h3> br />br />br /> /div> div classswiper-slide> div data-modalrh-news-modal9 data-video-srcrh-vid6 classmodal-toggle play-video-link cursor-pointer> div classrelative> img classlazy relative z-0 data-srcdist/img/vid6.jpg /> div classvideo-overlay absolute z-10 w-full h-full bg-black opacity-50 top-0 >/div> img classplay-icon srcdist/img/play-icon.png /> /div> /div> h3 classfont-sans pt-2>RICHARD HEARNS - ADARE MANOR/h3> br />br />br /> /div> div classswiper-slide> div data-modalrh-news-modal4 data-video-srcrh-vid1 classmodal-toggle play-video-link cursor-pointer> div classrelative> img classlazy relative z-0 data-srcdist/img/vid1.jpg /> div classvideo-overlay absolute z-10 w-full h-full bg-black opacity-50 top-0 >/div> img classplay-icon srcdist/img/play-icon.png /> /div> /div> h3 classfont-sans pt-2>RICHARD HEARNS - ENCLAVE/h3> br />br />br /> /div> div classswiper-slide> div data-modalrh-news-modal6 data-video-srcrh-vid3 classmodal-toggle play-video-link cursor-pointer> div classrelative> img classlazy relative z-0 data-srcdist/img/vid3.jpg /> div classvideo-overlay absolute z-10 w-full h-full bg-black opacity-50 top-0 >/div> img classplay-icon srcdist/img/play-icon.png /> /div> /div> h3 classfont-sans pt-2>RICHARD HEARNS: LONDON 2018/h3> br />br />br /> /div> div classswiper-slide> div data-modalrh-news-modal7 data-video-srcrh-vid4 classmodal-toggle play-video-link cursor-pointer> div classrelative> img classlazy relative z-0 data-srcdist/img/vid-crucible.jpg /> div classvideo-overlay absolute z-10 w-full h-full bg-black opacity-50 top-0 >/div> img classplay-icon srcdist/img/play-icon.png /> /div> /div> h3 classfont-sans pt-2> RICHARD HEARNS - CRUCIBLE /h3> br />br />br /> /div> div classswiper-slide> div data-modalrh-news-modal5 data-video-srcrh-vid2 classmodal-toggle play-video-link cursor-pointer> div classrelative> img classlazy relative z-0 data-srcdist/img/vid-barcelona.jpg /> div classvideo-overlay absolute z-10 w-full h-full bg-black opacity-50 top-0 >/div> img classplay-icon srcdist/img/play-icon.png /> /div> /div> h3 classfont-sans pt-2> RICHARD 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classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal9 data-video-srcrh-vid6> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer max-w-4xl> div classvideo-container> iframe idrh-vid6 srchttps://player.vimeo.com/video/274481369?hd44c08b819&badge0&autopause0&player_id0&app_id58479 width640 height360 frameborder0 allowautoplay; fullscreen; picture-in-picture allowfullscreen>/iframe>/div>/div> /div>/div> /div> !-- TESTIMONIAL DIVIDE --> div classrelative press-testimonial hidden stylebackground-image:url(dist/img/testimonials/testimonial-gallery.jpg);background-size: cover;background-position: left top;> div classabsolute opacity-50 bg-black w-full h-full z-10>/div> div classrelative h-full flex items-center flex-col text-center justify-center z-20 font-serif text-3xl lg:text-5xl text-white > “One of Ireland’s premier contemporary artists”br />div classblock text-2xl>Kevin Cullen, Boston Globe/div> /div> /div> !-- BEGIN WORKS--> div classcontainer mx-auto px-4 py-12> h2 idworks classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mb-12 > span classrh-sub-section-head relative>WORKS/span> /h2> div classlg:flex gap-10> !-- --> div data-modalrh-news-modal9090 classmodal-toggle relative mb-10 lg:w-1/3 cursor-pointer> img classlazy mb-2 data-srcdist/img/series/landmarks/living-mountain-cover.jpg /> h3 classfont-sans font-medium text-xl>THE LIVING MOUNTAIN & LANDMARKS/h3> div styleborder-color: #6dcff6 classtoggleText inline-flex pr-2 items-center text-sm py-2 border-b-2 >svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1 font-serif text-base>View Series/span> /div> /div> div data-modalrh-news-modal9099 classmodal-toggle relative mb-10 lg:w-1/3 cursor-pointer> img classlazy mb-2 data-srcdist/img/sublime-cover2.jpg /> h3 classfont-sans font-medium text-xl>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/h3> div styleborder-color: #6dcff6 classtoggleText inline-flex pr-2 items-center text-sm py-2 border-b-2 >svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1 font-serif text-base>View Series/span> /div> /div> div data-modalrh-news-modal66 classmodal-toggle relative mb-10 lg:w-1/3 cursor-pointer> img classlazy mb-2 data-srcdist/img/nomad-cover.jpg /> h3 classfont-sans font-medium text-xl>NOMAD/h3> div styleborder-color: #6dcff6 classtoggleText inline-flex pr-2 items-center text-sm py-2 border-b-2 >svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1 font-serif text-base>View Series/span> /div> /div> /div> div classlg:flex gap-10> div data-modalrh-news-modal12 classmodal-toggle relative mb-10 lg:w-1/3 cursor-pointer> img classlazy mb-2 data-srcdist/img/enclave.jpg /> h3 classfont-sans font-medium text-xl>ENCLAVE/h3> div styleborder-color: #6dcff6 classtoggleText inline-flex pr-2 items-center text-sm py-2 border-b-2 >svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1 font-serif text-base>View Series/span> /div> /div> div data-modalrh-news-modal669 classmodal-toggle relative mb-10 lg:w-1/3 cursor-pointer> img classlazy mb-2 data-srcdist/img/series/time-tide/time-tide-cover.jpg /> h3 classfont-sans font-medium text-xl> TIME & TIDE /h3> div styleborder-color: #6dcff6 classtoggleText inline-flex pr-2 items-center text-sm py-2 border-b-2 >svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1 font-serif text-base>View Series/span> /div> /div> div data-modalrh-news-modal10 classmodal-toggle relative mb-10 lg:w-1/3 cursor-pointer> img classlazy mb-2 data-srcdist/img/journey-cover.jpg /> h3 classfont-sans font-medium text-xl>JOURNEY/h3> div styleborder-color: #6dcff6 classtoggleText inline-flex pr-2 items-center text-sm py-2 border-b-2 >svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1 font-serif text-base>View Series/span> /div> /div> /div> /div>!-- BEGIN WORKS MODALS -->!-- LANDMARKS-->div idrh-news-modal9090 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal9090> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer px-4 lg:px-8> div classswiper sublimeSwiper> !-- Additional required wrapper --> div classswiper-wrapper> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>The Living Mountain /h3> p classfont-serif text-slate-400>2023 oil on linenbr>178cm x 690cm (70 x 272)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/living-mountain.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Landmark I /h3> p classfont-serif text-slate-400>2024 oil on linenbr>100cm x 100cm (39 x 39)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmark1.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Amethyst /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/Amethyst.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Arcadian /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/arcadian.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Ceremonial Dance /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/ceremonial-dance.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Corrie /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/corrie.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Fairies Dell /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/faries-dell.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Firth /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/firth.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Meridian /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/meridian.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Opalescent /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/opaclescent.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Oracle /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/oracle.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Terra Nullius /h3> p classfont-serif text-slate-400>2024 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/terra-nullius.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Threshold /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/threshold.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Valley of the moon /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/valley-moon.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Verdant /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/verdant.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Zenith /h3> p classfont-serif text-slate-400>2023 oil on linenbr>60cm x 45cm (24 x 18)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/zenith.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Blue Effigy /h3> p classfont-serif text-slate-400>2024 oil on linenbr>25cm x 20cm (10 x 8)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/blue-effigy.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Firmament /h3> p classfont-serif text-slate-400>2024 oil on linenbr>25cm x 20cm (10 x 8)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/firmament.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Whisp /h3> p classfont-serif text-slate-400>2024 oil on linenbr>25cm x 20cm (10 x 8)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/whisp.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Tondo (sunburst) /h3> p classfont-serif text-slate-400>2024 oil on linenbr>25cm x 20cm (10 x 8)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/tondo.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Living Ember /h3> p classfont-serif text-slate-400>2024 oil on linenbr>76cm x 50cm (30 x 20)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/living-ember.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Landmarks /h3> p classfont-serif text-slate-400>2023 oil on linenbr>100cm x 100cm (39 x 39)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Tangier /h3> p classfont-serif text-slate-400>2023 oil on linenbr>75cm x 50cm (30 x 20)/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/tangier.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>THE LIVING MOUNTAIN/span>br>Niall Williams /h3> p classfont-serif text-slate-400>Niall Williams reading The Living Mountain./p> /div> /div> div classlg:w-2/3 order-1 lg:order-2> div styleposition: relative; overflow: hidden; width: 100%; padding-top: 66.66%;>iframe styleposition: absolute; top: 0; left: 0; bottom: 0; right: 0; width: 100%; height: 100%; width100% height100 scrollingno frameborderno allowautoplay srchttps://w.soundcloud.com/player/?urlhttps%3A//api.soundcloud.com/tracks/1812693579&color%23ff5500&auto_playfalse&hide_relatedfalse&show_commentstrue&show_usertrue&show_repostsfalse&show_teasertrue&visualtrue>/iframe>/div> /div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Somewhere is lost to me /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Boston/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks2.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>The Mountain Quivered /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks3.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Green was the Forest /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks4.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Drenched with Shadows /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks5.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Boolevin /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks6.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Warmer then the Hills /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks7.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Celestial /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks8.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Pebbles started to pour /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks9.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>The Moon Darkened at Dawn /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Vermont/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks10.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Matera /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks11.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Tregardock /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks12.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Running Dunes /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Collection of the Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks13.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Irridesence /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks14.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>The Forest Glade /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Cadogan Gallery, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks15.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Valley of the Moon /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Collection of the Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks16.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>To the Ocean /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Cadogan Gallery, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks17.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Until Times End /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks18.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4 uppercase> span classfont-sans font-medium text-sm text-slate-400>LANDMARKS/span>br>Two Movements /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>60 cm x 45 cm (24 x 18)/p> p classfont-serif text-slate-400 italic>Collection of the Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/landmarks/landmarks19.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide--> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> /div> div classlg:w-2/3 order-1 lg:order-2>div stylepadding:56.28% 0 0 0;position:relative;>iframe srchttps://player.vimeo.com/video/884336925?badge0&autopause0&quality_selector1&player_id0&app_id58479 frameborder0 allowautoplay; fullscreen; picture-in-picture styleposition:absolute;top:0;left:0;width:100%;height:100%; titleRichard Hearns LANDMARKS>/iframe>/div>script srchttps://player.vimeo.com/api/player.js>/script>/div> /div> /div>!-- end slide--> /div> /div> div idsublime-next classswiper-button-next>/div> div idsublime-prev classswiper-button-prev>/div> /div>!-- end landmarks container--> /div>/div>div idrh-news-modal10 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal10> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex relative z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer px-4 lg:px-8> div classswiper absenseSwiper> !-- Additional required wrapper --> div classswiper-wrapper> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>ABSTRACKTEN /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Florida/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey1.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>KOMPOSITION /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey2.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURMEY SERIES/span>br>PYTHEAS VOYAGE /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Hamburg/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey3.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>UTOPIA /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, New Zealand/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey4.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>COMMERCIUM /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey5.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>COLLIDER /h3> p classfont-serif text-slate-400>2018 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey6.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>BRISANCE /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Collection of the artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey7.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>COSMOS /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Toronto/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey8.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>FONT /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey9.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>EVENT /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, San Francisco/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey10.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>VERHALTNIS /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey11.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>ODIN /h3> p classfont-serif text-slate-400>2016 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey12.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>PHOENIX /h3> p classfont-serif text-slate-400>2017 oil on canvasbr>270 cm x 178 cm (70 x 106)/p> p classfont-serif text-slate-400 italic>Collection of Naomi House Childrens Hospice, Winchester/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey13.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>SYMPHONY I /h3> p classfont-serif text-slate-400>2018 oil on canvasbr>50 cm x 100 cm each (20 x 40 each)/p> p classfont-serif text-slate-400 italic>Collection of Adare Manor, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey14.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>JOURNEY SERIES/span>br>SYMPHONY II /h3> p classfont-serif text-slate-400>2018 oil on canvasbr>50 cm x 100 cm each (20 x 40 each)/p> p classfont-serif text-slate-400 italic>Collection of Adare Manor, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/journey/journey15.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-journey.png />/div>/div> /div> /div>!-- end slide --> /div> /div> div idabsense-next classswiper-button-next>/div> div idabsense-prev classswiper-button-prev>/div> /div>!-- end absense container--> /div>/div> !-- ************************************************************ --> div idrh-news-modal9099 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal9099> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer px-4 lg:px-8> div classswiper sublimeSwiper> !-- Additional required wrapper --> div classswiper-wrapper> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/span>br>BUAILE /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/sublime/sublime1-buaile.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/span>br>AGHAWINNAUN /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/sublime/subline-2-Aghawinnaun.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/span>br>MONEEN /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Cadogan Gallery, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/sublime/subline-3-Moneen.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/span>br>OUGHTAMA /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Cadogan Gallery, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/sublime/sublime-4-Oughtmama.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/span>br>POULDOODY /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Cadogan Gallery, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/sublime/sublime-5-Pouldoody.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>SUBLIME LANDSCAPE - MEMORIAL TERRAIN/span>br>POULNABRUCKY /h3> p classfont-serif text-slate-400>2023 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Norfolk/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/sublime/sublime-6-Poulnabrucky.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-sublime.jpg />/div>/div> /div> /div>!-- end slide --> /div> /div> div idsublime-next classswiper-button-next>/div> div idsublime-prev classswiper-button-prev>/div> /div>!-- end sublime container--> /div>/div>!-- *************************************************************** --> div idrh-news-modal66 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal66> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer px-4 lg:px-8> div classswiper crucibleSwiper> !-- Additional required wrapper --> div classswiper-wrapper> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>BEDOIN /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad1-bedouin.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>VESSEL /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad2-vessel.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>LINK /h3> p classfont-serif text-slate-400>2022 oil on linenbr>46 cm x 61 cm (18 x 24)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad3-link.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>MANTLE /h3> p classfont-serif text-slate-400>2022 oil on linenbr>46 cm x 61 cm (18 x 24)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad5-mantle.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>CAVALCADE /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad4-cavalcade.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>THOLE /h3> p classfont-serif text-slate-400>2022 oil on linenbr>40 cm x 50 cm (15 x 19)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad6-thole.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>ARROYO /h3> p classfont-serif text-slate-400>2022 oil on linenbr>46 cm x 61 cm (18 x 24)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad7-arroyo.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>IDYLL /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Collection of Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad8-idyll.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>WAYFARER /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Collection of Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad9-wayfarer.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>PILGRIM /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Collection of Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad10-pilgrim.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>ICARUS /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Collection of Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad11-icarus.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>OAR /h3> p classfont-serif text-slate-400>2022 oil on linenbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Collection of Artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad12-oar.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>NOMAD SERIES/span>br>VINCULUM /h3> p classfont-serif text-slate-400>2022 oil on linenbr>178 cm x 132 cm (52 x 70)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/nomad/nomad12-vinculum.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> /div> /div> div idcrucible-next classswiper-button-next>/div> div idcrucible-prev classswiper-button-prev>/div> /div>!-- end noamd container--> /div>/div> div idrh-news-modal12 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal12> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer px-4 lg:px-8> div classswiper enclaveSwiper> !-- Additional required wrapper --> div classswiper-wrapper> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>span classuppercase>Kārwān/span> /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2> img data-srcdist/img/series/enclave/enclave00.jpg classswiper-lazy /> div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div> /div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>KEYSTONE /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Mexico City/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2> img data-srcdist/img/series/enclave/enclave1a.jpg classswiper-lazy /> div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div> /div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>VOUSSOIR /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img data-srcdist/img/series/enclave/enclave2a.jpg classswiper-lazy />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>TOUCHSTONE /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Hampshire, UK/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img data-srcdist/img/series/enclave/enclave3a.jpg classswiper-lazy />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>CORBEL /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave4a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>CAMBER /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Hampshire, UK/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave5a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>CHIMERA /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Portugal/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave6a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>INTRADOS /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave7a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>EXTRADOS /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave8a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>TOME /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, Ireland/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave9a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>VESTIGE /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, London/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave10a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>TROUGH /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>132 cm x 178 cm (70 x 52)/p> p classfont-serif text-slate-400 italic>Private Collection, New York/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave11a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400>ENCLAVE SERIES/span>br>MOUNT /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>60 cm x 50 cm (24 x 20)/p> p classfont-serif text-slate-400 italic>Collection of the artist/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2>img classswiper-lazy data-srcdist/img/series/enclave/enclave12a.jpg />div classswiper-lazy-preloader>img srcdist/img/slider-placeholder-enclave.png />/div>/div> /div> /div>!-- end slide --> /div> /div> div idenclave-next classswiper-button-next>/div> div idenclave-prev classswiper-button-prev>/div> /div>!-- end absense container--> /div>/div> !-- **************** TIME TIDE ****************************************************************************************************** -->div idrh-news-modal669 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal669> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classflex z-30 w-full h-full top-0 bottom-0 left-0 right-0 justify-center items-center> div classcontainer px-4 lg:px-8> div classswiper enclaveSwiper> !-- Additional required wrapper --> div classswiper-wrapper> !-- Slides --> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400> TIME & TIDE I - XXX /span>br>span classuppercase hidden>Kārwān/span> /h3> p classfont-serif text-slate-400>2021 oil on linen panelbr>30 cm x 30 cm (11.8 x 11.8)/p> p classfont-serif text-slate-400 italic>Private Collections, Ireland, Europe and the United States/p> /div> /div> div classlg:w-2/3 order-1 lg:order-2> img data-srcdist/img/series/time-tide/one.jpg classswiper-lazy /> div classswiper-lazy-preloader>img srcdist/img/series/time-tide/time-tide-blank.png />/div> /div> /div> /div> div classswiper-slide> div classflex relative flex-col lg:flex-row lg:gap-x-36> div classflex items-center lg:w-1/3 order-2 lg:order-1> div>h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400> TIME & TIDE /span>br>span classuppercase hidden>KEYSTONE/span> /h3> p classfont-serif text-slate-400>2021 oil on canvasbr>190 cm x 190 cm (74.8 x 74.8)/p> p classfont-serif text-slate-400 italic>Private Collection, Philadelphia./p> /div> /div> div classlg:w-2/3 order-1 lg:order-2> img data-srcdist/img/series/time-tide/two.jpg classswiper-lazy /> div classswiper-lazy-preloader>img srcdist/img/series/time-tide/time-tide-blank.png />/div> /div> /div> /div> /div> /div> div idenclave-next classswiper-button-next>/div> div idenclave-prev classswiper-button-prev>/div> /div>!-- end absense container--> /div>/div> !-- *************************************************************** --> !-- TESTIMONIAL DIVIDE --> div classrelative press-testimonial hidden stylebackground-image:url(dist/img/testimonials/testimonial-gallery2.jpg);background-size: cover;background-position: center center;> div classabsolute opacity-50 bg-black w-full h-full z-10>/div> div classrelative h-full flex items-center flex-col text-center max-w-4xl mx-auto justify-center z-20 font-serif text-3xl lg:text-5xl text-white > “A leading light of Irish Contemporary Art... his star is in the ascendency”br />div classblock text-2xl>Hilary White, Irish Independent/div> /div> /div> !-- BEGIN ABOUT SECTION --> div classcontainer mx-auto px-4 py-12> h3 idbiography classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mb-12 > span classrh-sub-section-head relative>BIOGRAPHY/span> /h3> div classflex relative flex-col mb-12 lg:flex-row lg:gap-x-36> div classfont-serif order-1 lg:text-lg lg:w-1/2 lg:order-2> p classleading-8 mb-4> Richard Hearns paints in the wild landscape of The Burren National Park in County Clare, Ireland. Each painting is an extension of his physical surroundings - earth, sea and sky - materialising the artist’s experiences and memories of colour and natural phenomena. Born in Beirut and raised in Ireland, Hearns is deeply aware of the unique cultural backgrounds of both aspects of his heritage. Articulated in his abstract paintings, his experiences and connections with the traditions of these separate locations and cultures combine to form a triangular history. He endeavours to express his understandings of exploration, discovery and identity through the medium of paint. /p> p classleading-8 mb-6> Hearns paintings document a search for an idyll. Meditative layers are applied in a physical expression of form drawn from the rhythmic nature of rural life. His work is palpably physical: marks are an extension of his arm, the canvases mirror his height, and his energy is channelled through the brush onto the canvas. The exuberant colours of his works express his experiences of nature and its intensity, inviting the viewer to participate in this celebration of memory, colour and form. Only an allusion to landscape, Hearns raw, indecipherable marks drive the composition to the edge of the canvas creating a distinct language of undulation, recession and space. /p> p classtext-4xl leading-10 mb-4> My dual heritage has greatly influenced and inspired my paintings. The Irish have always had an outward looking perspective and a unique identity in the world. Likewise, throughout history, the Lebanese people have covered great expanses in order to explore, learn, trade and grow.br />br />span classitalic> - Richard Hearns/span > /p> /div> div classorder1 lg:w-1/2 lg:order-2 mb-16> img srcdist/img/rh-portrait.jpg /> /div> /div> /div> div styleborder-top:2px solid #eee> div classcontainer mx-auto px-4 py-12> h3 idessays classrelative font-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mt-4 pb-12 > span classrh-sub-section-head relative>ESSAYS/span> /h3> div classmb-10 lg:flex gap-10> div classrelative h-96 mb-4 lg:w-1/3> div classz-0 absolute w-full h-full bg-cover stylebackground-image: url(dist/img/essay-mountain1.jpg); >/div> div classz-10 absolute w-full h-full bg-black opacity-20>/div> div classz-20 w-full pl-6 pr-8 pb-6 h-full relative flex flex-col justify-end > h2 classtext-3xl mb-4 text-slate-200>THE LIVING MOUNTAIN/h2> div> button data-modalrh-news-modal114classmodal-toggle bg-white hover:bg-black font-sans hover:text-white py-2 px-4 > READ ESSAY /button> /div> /div> /div> div classrelative h-96 mb-4 lg:w-1/3> div classz-0 absolute w-full h-full bg-cover stylebackground-image: url(dist/img/essay-mountain2.jpg); >/div> div classz-10 absolute w-full h-full bg-black opacity-20>/div> div classz-20 w-full pl-6 pr-8 pb-6 h-full relative flex flex-col justify-end > h2 classtext-3xl mb-4 text-slate-200>THE LIVING MOUNTAIN/h2> div> button data-modalrh-news-modal1114classmodal-toggle bg-white hover:bg-black font-sans hover:text-white py-2 px-4 > READ ESSAY /button> /div> /div> /div> div classrelative h-96 mb-4 lg:w-1/3> div classz-0 absolute w-full h-full bg-cover stylebackground-image: url(dist/img/essay2.jpg); >/div> div classz-10 absolute w-full h-full bg-black opacity-20>/div> div classz-20 w-full pl-6 pr-8 pb-6 h-full relative flex flex-col justify-end > h2 classtext-3xl mb-4 text-slate-200>COMPLETING THE CIRCLE/h2> div> button data-modalrh-news-modal14classmodal-toggle bg-white hover:bg-black font-sans hover:text-white py-2 px-4 > READ ESSAY /button> /div> /div> /div> /div> div classmb-24 lg:flex gap-10> div classrelative h-96 mb-4 lg:w-1/3> div classz-0 absolute w-full h-full bg-cover stylebackground-image: url(dist/img/essay3.jpg) ; >/div> div classz-10 absolute w-full h-full bg-black opacity-20>/div> div classz-20 w-full pl-6 pr-8 pb-6 h-full relative flex flex-col justify-end > h2 classtext-3xl mb-4 text-slate-200>WHAT IS IT? IT IS HIM!/h2> div> button data-modalrh-news-modal15classmodal-toggle bg-white hover:bg-black font-sans hover:text-white py-2 px-4 > READ ESSAY /button> /div> /div> /div> div classrelative h-96 mb-4 lg:w-1/3> div classz-0 absolute w-full h-full bg-cover stylebackground-image: url(dist/img/essay1-detail.jpg); >/div> div classz-10 absolute w-full h-full bg-black opacity-20>/div> div classz-20 w-full pl-6 pr-8 pb-6 h-full relative flex flex-col justify-end > h2 classtext-3xl mb-4 text-slate-200>AUTONOMOUS YET REFERENTIAL/h2> div> button data-modalrh-news-modal13classmodal-toggle bg-white hover:bg-black font-sans hover:text-white py-2 px-4 > READ ESSAY /button> /div> /div> /div> div classrelative h-96 mb-4 lg:w-1/3>/div> /div>!-- ESSAY MODALS -->div idrh-news-modal13 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 bg-white > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal13> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button>/div> div classcontainer px-4 mx-auto py-16>div classflex flex-col mb-16 lg:flex-row lg:gap-x-36> div classfont-serif lg:text-lg order-1 lg:w-1/2 lg:order-2> h3 classfont-sans uppercase text-2xl mb-4 md:mt-8> span classfont-sans font-medium text-sm text-slate-400 >ESSAY/span >br />Richard Hearns: Autonomous Yet Referential /h3> p classleading-8 mb-4> By Raphy Sarkissian /p> p classleading-8 mb-4> span classitalic>I make sense of paint. I journey with it. I live through themedium. For me there is sort of a salvation that exists inthe act of painting/span>. –Richard Hearns /p>p classleading-8 mb-4> Executed through a highly gestural syntax, Keystone of Richard Hearns captivates the viewerthrough a hazy luminosity induced by its electrifying tints and shades of blue smeared upon,lying beneath and skirting the white, black and grey brushstrokes. As the painting displays a setof interchanges between forms of abstraction and vaguely decipherable pictorial references, themateriality of oil paint evokes the opticality of bodies of water, land, mist and sky. Glowing anddim, dense and sparse, substantive and imperceptible, Keystone comes across as autonomousand referential at once./p>p classleading-8 mb-4> Enigmatically titled through such architectural terms as voussoir, keystone, intrados and extrados, the paintings of the recently executed suite Enclave exuberate opulent color palettes through painterly bravura and chromatic undulations of planarity and recession, flatness and space. Demonstrating the artist’s distinct command of raw mark-making that drives the composition to the threshold of the landscape, Enclave can be read as an exceptional tribute to the legacy of Abstract Expressionism, a term used by Alfred Barr Jr. in 1929 to characterize the non-representational paintings of Vasily Kandinsky. While these paintings by Hearns recall the visual syntax of such modernist masters as Arshile Gorky due to their sweeping drips, Franz Kline due to their gestural bravura, and Mark Rothko due to their blurred edges, it is perhaps a number of paintings by Willem de Kooning executed in the late fifties through 1960 with which the recent works of Hearns conjure up the most powerful aesthetic interactions./p>p classleading-8 mb-4> Action Painting, the term coined by the art critic Harold Rosenberg in 1953 to characterize the immediacy of the painter’s handling of the brush to produce gestural traces upon the surface of the canvas, remains inseparable from our interpretation of the paintings of the Enclave series. In his pivotal article “The American Action Painters,” Rosenberg notes, “The painter no longer approached his easel with an image in his mind; he went up to it with material in his hand to do something to that other piece of material in front of him. The image would be the result of this encounter. … Art as action rests on the enormous assumption that the artist accepts as real only that which he is in the process of creating.” 1 Rosenberg’s emphasis on the process of painting as an end in itself sheds light on the aesthetic directions of such modernist painters as Gorky, Kline, Rothko and de Kooning. Having assimilated formalist elements from the visual syntax of these modernist masters with supreme fluency, Hearns expands the potentialities of Abstract Expressionism. With its pictorial allusiveness to the landscape genre, barely decipherable phantoms of architectonic forms, colored materiality and recurrent architectural titles, the distinct pictorial language of Hearns redefines and reinvents the expressive possibilities of the medium of oil on canvas through its singular set of parameters. This preoccupation of the artist with pairing nature and architecture abstractly and linguistically reactivates the historical and phenomenological questions posed by Filippo Brunelleschi’s so-called scientific perspective. While Hearns “registers,” “records” and “marks” his observations of the atmospheric fluctuations within nature and upon architectural surfaces and forms, he also “registers,” “records” and marks his observations of painting’s own historical and conceptual fluctuations./p>p classleading-8 mb-4>The thoroughly painterly and seemingly nonmimetic features of Keystone remind us of the visible brushwork and blurred, soft edges of Rothko’s translucent painting Untitled (1948), while the palette of Keystone evokes the luminous Blue and Gray (1962) of Rothko, both at the Fondation Beyeler in Riehen, Switzerland. With its dynamism of bold strokes of paint, Keystone also initiates a compelling dialogue with Meryon (1960-61) of Kline at the Tate, as both paintings majestically celebrate the highly subjective language of abstraction through impulsive sweeps of paint. In turn, the flowing drips within Keystone are reminiscent of a number of paintings by Gorky, such as How My Mother’s Embroidered Apron Unfolds in My Life (1944) of the Seattle Art Museum in Washington. Though Gorky’s painting displays biomorphic forms through transparencies of colors and the dissolution of contours into drips, the sweeping strokes and drips of Keystone appear atop, behind and in between one another, exhibiting the sheer materiality of the textured surface and evoking an utterly dreamy, atmospheric realm./p> p classleading-8 mb-4>With their elusive compositions, sweeping brushstrokes, dribbles and splatters, such gesturally executed paintings of Hearst as Tome, Corbel, Extrados and Camber call to mind a set of monumental paintings by de Kooning, including Montauk Highway (1958) of the Los Angeles County Museum of Art, Merritt Parkway (1959) of the Detroit Institute of Arts, A Tree at Naples (1950) of the Museum of Modern Art in New York, Villa Borghese (1960) at the Solomon R. Guggenheim Museum and Door to the River (1960) at the Whitney Museum of American Art. In the paintings of both de Kooning and Hearst, abstraction often remains in dialogue with the landscape genre through compositional elements, chromatic implications or titles. These paintings by both artists reveal instances of pictorial shallowness, self-referentiality and autonomy, despite their paradoxical allusions to spatiality, natural settings, suburban localities, the countryside, distant views, open spaces or architectonic forms./p> p classleading-8 mb-4>The intriguingly formulated visual grammar of Hearns can thus be read as founded upon innumerable instances of modernist abstraction, with the exuberant gesture as a decisive means of improvisation. Floating upon the picture surface of Keystone we witness interactions among shades of cream, grey, Argentinian blue, Celtic blue, Spanish blue, Delft blue and sapphire. A symphony of blues orchestrated upon the canvas that measures just under six by four-and-a-half feet, the scale of the painting resonates with the artist’s physicality, conceptually recalling Leonardo da Vinci’s ink-on-paper drawing Vitruvian Man of around 1490 at the Gallerie dell’Accademia in Venice. Through the extension of the human figure’s four outstretched limbs so as to establish correlations between the body, circle and rectangle, Vitruvian Man maps the human body to architecture, the anthropometric to the geometric, the real to the ideal./p> p classleading-8 mb-4>Yet within the paintings of the Enclave series, architectonic forms virtually dissolve into fields of formlessness. Through their chromatic exuberance and materiality or thingness (dinghaftigkeit) of paint, the purely gestural abstractions of Hearns recall the concept of the “abstract sublime.” In his influential article “The Abstract Sublime,” published in 1961 in Art News, Robert Rosenblum interpreted paintings by Clyfford Still, Mark Rothko, Jackson Pollock and Barnett Newman through the concept of the sublime initially formulated by Edmund Burke in his treatise A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, published in 1757. In his discussion of Rothko’s painterly vernacular Rosenblum explains, “In his Critique of Judgment (1790), Kant tells us that whereas ‘the Beautiful in nature is connected with the form of the object, which consists in having boundaries, the Sublime is to be found in a formless object, so far as in it, or by occasion of it, boundlessness is represented.’ . . . Indeed, such a breathtaking confrontation with a boundlessness in which we also experience an equally powerful totality is a motif that continually links the painters of the Romantic Sublime with a group of recent American painters who seek out what might be called the ‘Abstract Sublime.’ In the context of two sea meditations by two great Romantic painters, Caspar David Friedrich’s Monk by the Sea of about 1809 and Joseph Mallord William Turner’s Evening Star, Mark Rothko’s Light Earth over Blue of 1954 reveals affinities of vision and feeling. . . . Rothko, like Friedrich and Turner, places us on the threshold of those shapeless infinities discussed by the estheticians of the Sublime.” 2 Though the Enclave paintings of Hearns remain attached to the discourses surrounding the “Romantic sublime” and “abstract sublime,” their architectural titles expand the possibilities of interpretation. Camber, for instance, reveals a pulsating orchestration of patches of blues, greys and creams. The picture surface here is punctuated through the irregularity of the partially arched motif rendered in charcoal grey, bisecting the composition vertically, as if the distinctions between the voussoirs, extrados and impost of an architectural structure have been dissolved through the process of Surrealist automatism—expression that is spontaneous, unedited and aims toward the unconscious. Having thus attached the volatility of mark-making to the linguistic signifier “camber,” this painting of Hearns interrogates the problematic of visual representation./p> p classleading-8 mb-4>As the imagery of Enclave evokes translucence, haze, coats of fog, mist or steam, how are we to decode the architectural terms that Hearns has perplexingly assigned to the paintings? Along with the observer’s attempt in the detection of a given brushstroke as a signifier of a keystone or voussoir, or the reading of the set of gestural lines on the lower left corner of Keystone, for instance, as symbolic of transverse lines in perspectival representation of architectural planes, the paintings of Hearns activate a discourse between image and title, between gesture and speech. But internally as well, within the pictorial realm itself, there exists a dialectic between the purely painterly, formless gesture and the loosely geometricized phantom of the architectonic shape. In his expansive essay on perspectival representation, the following theoretical thoughts of Erwin Panofsky provide us with an insight on the recent painterly project of Hearns: “It is now finally clear that the perspectival view of space (and not merely perspectival construction) could also be contested from two quite different sides: Plato condemned it already in its modest beginnings because it distorted the ‘true proportions’ of things, and replaced reality and the nomos (law) with subjective appearance and arbitrariness; whereas the most modern aesthetic thinking accuses it, on the contrary, of being the tool of a limited and limiting rationalism.”/p> p classleading-8 mb-4>Since a given work of the Enclave series consists of the dichotomy of the visual and verbal, it also brings to mind two of the momentous theoretical texts of Hubert Damisch: A Theory of /Cloud/ and The Origin of Perspective. While the former book of Damisch compellingly addresses visual representation through Renaissance and Baroque paintings based upon semiological analysis, the latter focuses upon the epistemological tenets of architectural representation of the Renaissance. With such architectural titles as Keystone, Camber, Mount, Corbel, Voussoir, Intrados and Extrados assigned to paintings that embody gestural abstraction, an attempt to interpret this corpus of Hearns through the methodology of semiotics seems to be particularly pertinent./p> p classleading-8 mb-4>As theorized by Ferdinand de Saussure at the outset of the twentieth century, the formation of meaning can be explained as relying upon a differential system, one that can further be extended to such signifiers as: architecture versus cloud, the measurable versus immeasurable, the definable versus undefinable, illusion versus abstraction. It is such semiotic or structuralist set of concepts upon which Damisch bases his discourse in the afore-mentioned books, although phenomenological and philosophical thoughts throughout both texts of Damisch ultimately guide the reader toward a poststructuralist direction, whereby the interpretation of art incorporates the essence of formalism and broader epistemological inquiries./p> p classleading-8 mb-4>Damisch describes Brunelleschi’s first experiment on one-point perspective by writing, “On a small panel (tavoletta) about half a meter square, Brunelleschi had produced a painting in imitation (assimilitudine) of the baptistery of San Giovanni, in which he had depicted whatever his eye could seize upon from one particular vantage point . . . But Brunelleschi made no attempt to depict the sky; he merely showed it (dimostrare) . . . When the observer applied his eye to the back of the panel and, through the peephole made at the vanishing point of the composition, looked at the reflection of the painted image in a mirror placed at the appropriate distance, all that he in fact saw of the ‘sky’ was the reflection of a reflection.”/p> p classleading-8 mb-4>Hence it is the shapelessness and temporally conditioned nature of the sky and cloud that suffices to signal at pictorial representation’s phenomenological paradox. Having assigned an architectural title to an otherwise primarily abstract expressionistic painting, Keystone generates interchanges among the reality of the exterior world, our visual perception of it, and the possibilities of pictorial representation. “Perspective only needs to ‘know’ things that it can reduce to its own order, things that occupy a place and the contour of which can be defined by lines. But the sky does not occupy a place, and cannot be measured; and as for clouds, nor can their outlines be fixed or their shaped analyzed in terms of surfaces,” writes Damisch. “A cloud belongs to the class of ‘bodies without surfaces,’ as Leonardo da Vinci was to put it, bodies that have no precise form or extremities and whose limits interpenetrate with those of other clouds.”/p> p classleading-8 mb-4>Through a series of arresting photographs, Eoin Collins has absorbingly captured the painted canvases of Hearns, exhibited outdoors, mounted upon the sedimentary rocks in the Burren National Park, located in northwestern County Clare in Ireland. Though the chromatically pulsating paintings of Hearns, with their rectangular formats, seem to resist to integrate visually with their primarily monochromatic backgrounds, a sense of amorphousness is conveyed through the paintings and their surrounding habitat. In other photographs by Collins, Hearns appears hauling a large canvas upon the hillside, where the sky asserts the illumination of tangible surfaces on the ground. “I journey with it. I live the medium. For me there is sort of a salvation that exists in the act of painting,” Hearns has stated. We are here reminded of Rosenberg’s words: “The act-painting is of the same metaphysical substance as the artist’s existence. The new painting has broken down every distinction between art and life.” 6 And yet with architectural titles, the Enclave series of Hearns uncannily recalls the historical and theoretical tenets of Damisch. Within such color-drenched canvases as Intrados, Extrados, Voussoir, Corbel, Camber, Keystone and Mount, Hearns has incorporated gestural abstraction and architectonic forms, reframing our perception of pictorial representation. The Enclave paintings of Richard Hearns have rendered form and formlessness, architecture and cloud, history and observation, reference and autonomy decidedly discursive./p> p classleading-8 mb-4>-New York, May 2021/p> /div> div classorder1 lg:w-1/2 lg:order-2 mb-8> img classlazy data-srcdist/img/essay1-detail.jpg /> /div>/div>/div>/div>!-- end modal content-->div idrh-news-modal14 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 bg-white > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal14> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button>/div> div classcontainer px-4 mx-auto py-16>div classflex flex-col mb-16 lg:flex-row lg:gap-x-36> div classfont-serif lg:text-lg order-1 lg:w-1/2 lg:order-2> h3 classfont-sans uppercase text-2xl mb-4 md:mt-8> span classfont-sans font-medium text-sm text-slate-400 >ESSAY/span >br />Completing the Circle /h3> p classleading-8 mb-4> A Collaborative Essay by Mark Redden and Richard Hearns /p> p classleading-8 mb-4> Approaching the canvas with a loaded brush. In comfort or with pressure to perform. But always with the truthand acceptance that this is what you should be doing. That there is nothing else to do. You are removed fromyourself and the painter is working. Not as a painter making pictures, but as an artist painting paint. /p>p classleading-8 mb-4> In conversation with Richard Hearns we discuss the possibilities and challenges of paint. How to build trust, resist doubt, resist outside interference. He knows the paint. The techniques and traditions of oil painting. How to apply it to make a representational image. But in this body of work he wishes to disassociate from the quantifiable and the known. The spiritual quality of the paint take precedence./p>p classleading-8 mb-4> We talk a lot about spirit, how to feed a painting with spirit. How the medium of paint is charged and how weattempt to render, capture and recognise the moment that paint, emotion and skill come together. When thecircle is complete and the energy that is spent is balanced and floating in meaningful ratios on the canvas.Richard Hearns gives life to a flat surface. He wills the image into existence without a preconceived idea of howit must be. Each approach to the canvas is loaded with emotions. Bundles of emotions all channeled to the tipof his brush. And then the physical action of painting at this scale. The trained body. Trained by Martial Arts, byexercise. The physical exertion at the moment in front of the canvas. Relying on your training and a profoundintent./p>p classleading-8 mb-4> All thoughts and emotions, spinning in a huge circular chamber, looking for an opening. Like the Large Hadron Collider, which was built to address some of the unsolved questions of Physics, his emotions are running at quantum speed. “It’s as if you are in a boxing ring, standing alone in the centre of the square canvas. You open your eyes to an opponent and you must use the force of the opponent to defeat it. But there is no opponent - only yourself to counterweight, parry, and engage”./p>p classleading-8 mb-4>The artist is a huge emotional machine, a channel. He is working to prove something that can be felt but not fully understood. To create and discover something new and exciting. Essentially he believes that through the possibilities of paint there is an answer to lifes unresolved questions and that through paint something fundamental or god-like can be revealed./p> /div> div classorder1 lg:w-1/2 lg:order-2 mb-8> img classlazy data-srcdist/img/essay2.jpg /> /div>/div>/div>/div>!-- end modal content-->div idrh-news-modal114 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 bg-white > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal114> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classcontainer px-4 mx-auto py-16> div classflex flex-col mb-16 lg:flex-row lg:gap-x-36> div classfont-serif lg:text-lg order-1 lg:w-1/2 lg:order-2> h3 classfont-sans uppercase text-2xl mb-4 md:mt-8> span classfont-sans font-medium text-sm text-slate-400 >ESSAY/span >br />The Living Mouintain /h3> p classleading-8 mb-4> By Raphy Sarkissian, New York, May 2024 /p> p classleading-8 mb-4> The paintings of Richard Hearns within the exhibition titled “The Living Mountain” are in compelling dialogue with representational works by such forerunners of modernism as J. M. W. Turner and Paul Cézanne, along with works by such practitioners of abstraction as Mark Rothko and Helen Frankenthaler. Comprised of five medium-scale panels, The Living Mountain (2024) of Hearns is a highly evocative depiction of the Turlough Mountain in the Burren in Ireland. Viewed from a far distance, the painting presents itself as a figurative representation of the vastness of nature, where water, land and sky prompt man’s phenomenological experience of the world. As the viewer proceeds toward the canvases to examine them up close, the materiality of the vigorous brushstrokes and the lavishness of the surface texture redefine the work as highly abstract. One of the pleasures of confronting The Living Mountain lies within the recurrent interchanges between our visually perceived world and the gesturally articulated marks on the picture plane. /p> p classleading-8 mb-4> On the verge of abstraction and figuration, the austere oil painting Landmark I (2024) by Hearns greets the viewer with its restricted configuration and long, spontaneous brushstrokes in shades of pine green, midnight blue and light grey combined with hints of pale pink. Imparting a sense of the unfamiliar and nameless, Landmark I recalls the French philosopher Maurice Merleau-Ponty’s notion of the primordial world, a pre-human world that is in a constantly changing process while being perceived. As Gilles Deleuze and Félix Guattari write, “Phenomenology needs art as logic needs science; Erwin Straus, Merleau-Ponty, or Maldiney need Cézanne or Chinese painting.” The accidental drips of color and traces of brushstrokes on the surface of Landmark I operate as signs of primordiality, emanating sensations of raindrops falling upon real and imaginary mountains, valleys and hills. /p> p classleading-8 mb-4> Such paintings of Richard Hearns as The Living Mountain and Landmark I acclaim, rearticulate and reinvent the aesthetic paths envisaged by Cézanne and Chinese painting. /p> /div> div classorder1 lg:w-1/2 lg:order-2 mb-8> img classlazy data-srcdist/img/essay-mountain1a.jpg /> /div> /div> /div> /div>!-- end modal content--> div idrh-news-modal1114 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 bg-white > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal1114> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button> /div> div classcontainer px-4 mx-auto py-16> div classflex flex-col mb-16 lg:flex-row lg:gap-x-36> div classfont-serif lg:text-lg order-1 lg:w-1/2 lg:order-2> h3 classfont-sans uppercase text-2xl mb-4 md:mt-8> span classfont-sans font-medium text-sm text-slate-400 >ESSAY/span >br />The Living Mouintain /h3> p classleading-8 mb-4> By Niall Williams /p> p classleading-8 mb-4> I am sitting in Richard Hearns’ studio in the Burren in County Clare. Before me are the five large paintings of ‘The Living Mountain.’ Behind me, out the western window that occupies most of the opposite wall, is the mountain itself, grey and impassive. /p> p classleading-8 mb-4> The paintings look out at the mountain, and the mountain looks back. /p> p classleading-8 mb-4> The paintings themselves are neither grey nor impassive. They are charged. They pulse first with energy, urgency and colour, and then, as you sit longer, tenderness and delicacy. In my novel, ‘This is Happiness’ there is a line that says, ‘It seems to me the quality that makes any book, music, or painting worthwhile is life.’ And what I feel, sitting here in the company of these works, is just that. The life that is in them. It is as though the mountain has travelled down and through the artist and arrived in another form here in front of me. Sit before these five large paintings and you feel the mountain come alive. You feel its otherness and its individuality, its strangeness and its beauty. And you know you are amongst works that revere and honour place. /p> p classleading-8 mb-4>That place is The Burren. /p> p classleading-8 mb-4>The Burren, which draws its name from the Irish word for ‘rocky place,’ is a unique landscape. Composed principally of a limestone pavement, it holds within it an insoluble contradiction, for although at first sight simply rocky, it is in fact a mosaic of habitats. Here both acid- and lime-loving plants can exist side by side, Arctic and Alpine in the same place. Woodland plants grow where there are no trees. In Maytime, from its million crevices, burst gentians, orchids, cranesbill, wood anemones, and dozens more. /p> p classleading-8 mb-4>But it is also a place of stone. Filled with prehistoric monuments, cairns, walls. People have been living here for millennia and have left their marks. Which reminds me of Robert McFarlane’s celebrated book, ‘Landmarks’ and Nan Shepherd’s ‘the Living Mountain’, both of which I know Richard has read, and which, in turn, have left their mark on him. /p> p classleading-8 mb-4>When Richard shows me an aerial photograph of this mountain that he lives beside, I expand the image to extreme closeup, and immediately it feels like a detail from one of the smaller paintings. /p> p classleading-8 mb-4>I turn to them along the northern wall. Each has the force of a concentrated essence. I feel a robustness and energy not only in the colours but in the shapes, and in the brushstrokes themselves. Here is a meeting of vision and action, stillness and motion. I let my eye stay on a single canvas, see the absolute individuality of its character, and then pull away to see it as part of a living whole. /p> p classleading-8 mb-4>The same thing occurs with the large paintings. Trace the flicker of blue across all five canvases, think water in all its iterations, and then remember that the mountain is called Turlough Mountain, and that the word ‘Turlough’ comes from the Irish words for ‘disappearing lake.’ The lake appears and disappears even as I am looking at it, the next moment the blue is a mirror of fallen sky. Then of course it is neither of these. It is itself, inexplicable and irreducible, beautiful, and also, somehow right. This, it seems to me, is the response we all feel in the presence of great art. It is the thing that calms the soul. /p> p classleading-8 mb-4>To be clear, Richard is not looking at the mountain when he paints. But in front of these canvases what I feel is that the mountain is not only looking at him but is in him. He has been walking and climbing in it for years, he wakes and sleeps with it right there at every breath. So though he works with his back to it, inevitably it is here. The paintings are not representations in the ordinary sense, but are in the extraordinary one, the mountain re-presented, presented again, in a different medium, with all of its contradictory and mysterious and ultimately unknowable character remade here through the hand and the spirit of a remarkable artist. /p> p classleading-8 mb-4>It is alive. And like all living things, the longer you look the more you see. /p> p classleading-8 mb-4>But I must leave the studio soon, and so pick a favourite to study. And moments later — span stylefont-style: italic> at the fringe of white light leaking down in this one/span> — pick a different favourite. /p> p classleading-8 mb-4>Don’t bother choosing, I tell myself, they are all part of one, living expression. Just sit and know that you are in the company of the extraordinary. /p> p classleading-8 mb-4>Soon after, driving away, I look to the mountain itself. It seems changed now. It is changed by my experience of it in the paintings. No longer grey and impassive, it is more full of character, mystery, beauty, and yes, life than when I arrived./p> /div> div classorder1 lg:w-1/2 lg:order-2 mb-8> img classlazy data-srcdist/img/essay-mountain2a.jpg /> /div> /div> /div> /div>!-- end modal content-->div idrh-news-modal15 classmodal hidden fixed overflow-y-auto w-full h-full top-0 bottom-0 left-0 right-0 bg-white z-50> div classz-40 fixed w-full flex justify-between items-center px-4 py-5 md:px-8 bg-white > div> img classh-8 srcdist/img/rh-logo-black-text.svg /> /div> button classmodal-close data-modalrh-news-modal15> svg xmlnshttp://www.w3.org/2000/svg classh-8 w-8 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM6 18L18 6M6 6l12 12 /> /svg> /button>/div> div classcontainer px-4 mx-auto py-16>div classflex flex-col mb-16 lg:flex-row lg:gap-x-36> div classfont-serif lg:text-lg order-1 lg:w-1/2 lg:order-2> h3 classfont-sans uppercase text-2xl mb-4 md:mt-8> span classfont-sans font-medium text-sm text-slate-400 >ESSAY/span >br />What is it? It is him. /h3> p classleading-8 mb-4> By Dr. Marguerite Helmers, Department of English University of Wisconsin Oshkosh /p> p classleading-8 mb-4> Art pleases us and challenges us to think in new ways. Richard Hearns achieves these two qualities in his new work for the exhibition, Crucible. My twenty students from the University of Wisconsin Oshkosh visited Richard in his studio at the Burren College of Art on May 20th to see the works in their final stages. This visit made a lasting impression on the group: they had never met a working artist or been inside a studio of art where the paint was stillwet. /p>p classleading-8 mb-4> With his characteristic openness, Richard welcomed the students to experience the paintings without over-intellectualizing them—which also became a greater invitation to experience what is around them in daily life, to not fear that which is unfamiliar, to find joy in what they do. During the rest of our visit to Ireland, the students returned to that message of joy. It became a mantra for writing in journals and composing poetry in Dublin./p>p classleading-8 mb-4> People often say that they don’t understand abstract art. I often hear the question, ‘What is it?’/p>p classleading-8 mb-4> When Richard spoke about these abstract works, we learned that a painting can be the size of a man; that the mark on the canvas is an extension of his arm; that color is emotion. Richard lifted and turned one of the canvases to show us how its size mirrored the size of his body. Between his outstretched arms, the canvas was lightly turned. Richard’s work is palpably physical./p>p classleading-8 mb-4>What is it? It is him./p> /div> div classorder1 lg:w-1/2 lg:order-2 mb-8> img classlazy data-srcdist/img/essay3.jpg /> /div>/div>/div>/div>!-- end modal content-->/div>!-- end container for biog and essays-->/div> !-- TESTIMONIAL DIVIDE --> div classrelative press-testimonial stylebackground-image:url(dist/img/testimonials/IMG_4597.jpeg);background-size: cover;background-position: center center;> div classhidden absolute opacity-50 bg-black w-full h-full z-10>/div> div classhidden relative h-full flex items-center flex-col text-center justify-end z-20 font-serif text-white > div classblock text-xl sm:text-2xl mb-2>“Kārwān” at Sothebys New Bond Street Galleries, London/div> /div> /div>div classcontainer mx-auto px-4 py-12 styleborder-top:2px solid #eee> h3 idcv classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mt-4 mb-12 > span classrh-sub-section-head relative>CURRICULUM VITAE/span> /h3> table cellspacing0 cellpadding0 classtable-auto richie-table font-serif text-lg mb-10> tr> th colspan2 classtext-left font-sans pb-4>SELECTED SOLO SHOWS/th> /tr> tr> td classpr-2 align-text-top>2024/td> td>The Living Mountain, Cadogan Gallery, Milano/td> /tr> tr> td classpr-2 align-text-top>2023/td> td>Sheshia Retrospective, Clare, Ireland/td> /tr> tr> td classpr-2 align-text-top>2022/td> td>‘Nomad’, Cadogan Gallery, London/td> /tr> tr> td classpr-2 align-text-top>2021/td> td>‘Enclave’, Cadogan Gallery, London/td> /tr> tr> td classpr-2 align-text-top>2019/td> td> ‘The Cardinal’s Portrait’ The Sheen Centre for Thought and Culture, New York /td> /tr> tr> td classpr-2 align-text-top>2018/td> td>‘Journey’, Cadogan Gallery, London/td> /tr> tr> td classpr-2 align-text-top>2016/td> td>Where Your Treasure Is The Sheen Centre for Thought and Culture, New York/td> /tr> tr> td classpr-2 align-text-top>2014/td> td> ‘Raw/Cooked: Last of the Summer Mackerel’, Galerie La Cornue, Paris /td> /tr> tr> td classpr-2 align-text-top>2013/td> td> The Rural Idyll Jorgensen Fine Art, Dublin /td> /tr> tr> td classpr-2 align-text-top>2012/td> td> ‘Paintings by Richard Hearns’, Offices of the Cardinal of New York, New York /td> /tr> tr> td classpr-2 align-text-top>2007/td> td> ‘Towards an Island’, Wonksiri Gallery, Koh Mak, Trad Provience, Thailand /td> /tr> /table> table cellspacing0 cellpadding0 classtable-auto richie-table font-serif text-lg mb-10> tr> th colspan2 classtext-left font-sans pb-4>GROUP SHOWS/th> /tr> tr> td classpr-2 align-text-top>2024/td> td>MIART, Viale Lodovico Scarampo, Milan/td> /tr> tr> td classpr-2 align-text-top>2023/td> td>Sothebys, 76 rue du faubourg Saint-Honoré, Paris/td> /tr> tr> td classpr-2 align-text-top>2022/td> td>Sothebys New Bond Street Galleries, London/td> /tr> tr> td classpr-2 align-text-top>2022/td> td>Houston City University, Texas/td> /tr> tr> td classpr-2 align-text-top>2022/td> td>Sotheby’s at the Royal Hibernian Academy, Gallagher Gallery, 15 Ely Place, Dublin/td> /tr> tr> td classpr-2 align-text-top>2022/td> td>Groundzero360, Houston Baptist Universty, Houston, Texas/td> /tr> tr> td classpr-2 align-text-top>2017/td> td>‘Iomramh’, Espronceda Center for Arts and Culture, Barcelona/td> /tr> tr> td classpr-2 align-text-top>2014/td> td> Kunstler International Symposium, Villa Bohm, Neustradt an der Weinstrasse, Germany /td> /tr> tr> td classpr-2 align-text-top>2013/td> td> VUE, Royal Hibernian Academy, Gallagher Gallery, 15 Ely Place, Dublin /td> /tr> tr> td classpr-2 align-text-top>2012/td> td> The 182nd Royal Hibernian Academy Annual Exhibition, 15 Ely Place, Dublin /td> /tr> /table> table cellspacing0 cellpadding0 classtable-auto richie-table font-serif text-lg mb-10> tr> th colspan2 classtext-left font-sans pb-4>EDUCATION/th> /tr> tr> td classpr-2 align-text-top>2004/td> td>H DIP Art Craft and Design Education NCAD/td> /tr> tr> td classpr-2 align-text-top>2002/td> td>BFA Fine Art Interdisciplinary Digital Media IADT/td> /tr> tr> td classpr-2 align-text-top>2001/td> td>DIPLOMA Fine Art Interdisciplinary Digital Media IADT/td> /tr> /table> table cellspacing0 cellpadding0 classtable-auto richie-table font-serif text-lg mb-10> tr> th colspan2 classtext-left font-sans pb-4>AWARDS & RESIDENCIES/th> /tr> tr> td classpr-2 align-text-top>2015/td> td> Abstract Painting at the Kunstakademie, Bad Reichenhall, Germanybr /> Selected to present work to the Prince of Wales on behalf of the Burren College of Art and NUI Galwaybr /> Artist in residence, Nave 12, Barcelona, Spain /td> /tr> tr> td classpr-2 align-text-top>2014/td> td> International Artist Symposium, City of Neustadt an der Weinstrasse, Germany 2012 /td> /tr> tr> td classpr-2 align-text-top>2012/td> td> The Art Students League of New York, USA /td> /tr> tr> td classpr-2 align-text-top>2011/td> td> Artist in residence, Custom House Studios, Westport Quay, Co. Mayobr /> Fingal County Enterprise Board, Export Grant Initiative Awardbr /> /td> /tr> tr> td classpr-2 align-text-top>2010/td> td> Artist in residence, Cill Rialaig Foundation, Bolas Head, Co. Kerry /td> /tr> tr> td classpr-2 align-text-top>2009/td> td> Artist in residence, The Burren College of Art, Ballyvaughan, Co. Clare /td> /tr> tr> td classpr-2 align-text-top>2006/td> td> Artist in residence, The Mantua Art Project, Mantua Co. Roscommon /td> /tr> /table> table cellspacing0 cellpadding0 classtable-auto richie-table font-serif text-lg mb-10> tr> th classtext-left font-sans pb-4>COLLECTIONS/th> /tr> tr> td> Dublin City University, IRE /td> /tr> tr> td> Irish State Collection /td> /tr> tr> td> Galgorm Group, N. IRE /td> /tr> tr> td> St Patricks Cathedral, NYC /td> /tr> tr> td> Naomi House Childrens Hospice, UK /td> /tr> tr> td> Aston Wealth Management, IRE /td> /tr> tr> td> ITC company, IRE /td> /tr> tr> td> SEPIL, IRE /td> /tr> /table> /div> !-- end about section container --> !-- TESTIMONIAL DIVIDE --> div classrelative press-testimonial stylebackground-image:url(dist/img/testimonials/DSC00106.jpeg);background-size: cover;background-position: center center;> div classhidden absolute opacity-50 bg-black w-full h-full z-10>/div> div classhidden relative h-full flex items-center flex-col text-center max-w-2xl mx-auto justify-end z-20 font-serif text-white > div classblock text-xl sm:text-2xl mb-2>Works from NOMAD at Richard Hearns Studio/div> /div> /div> div classcontainer mx-auto px-4 pt-16 pb-12> h3 idpress classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mb-12 > span classrh-sub-section-head relative>PRESS/span> /h3> div classflex flex-col mb-16 lg:flex-row lg:gap-x-36> div classfont-serif text-lg order-1 lg:w-1/2 lg:order-2> h3 classfont-sans text-2xl mb-4> span classfont-sans font-medium text-sm text-slate-400 >WHITEHOT MAGAZINE OF CONTEMPORARY ART/span >br />RICHARD HEARNS: AUTONOMOUS YET REFERENTIALbr />span classfont-serif text-xl text-slate-400>By Raphy Sarkissan, June 2021/span> /h3> div classblock mb-4 lg:hidden> img classlazy data-srcdist/img/tome-burren.jpg /> p classfont-serif pt-2> Richard Hearns carrying Tome (2021) at the Burren National Park, County Clare, Ireland, 2021 /p> /div> p classleading-8 mb-4> Demonstrating the artist’s distinct command of raw mark-making that drives the composition to the threshold of the landscape, Enclave can be read as an exceptional tribute to the legacy of Abstract Expressionism, a term used by Alfred H. Barr Jr. in 1929 to characterize the non-representational paintings of Vasily Kandinsky. While these paintings by Hearns recall the visual syntax of such modernist masters as Arshile Gorky due to their sweeping drips, Franz Kline due to their gestural bravura, and Mark Rothko due to their blurred edges, it is perhaps a number of paintings by Willem de Kooning executed in the late fifties through 1960 with which the recent works of Hearns conjure up the most powerful aesthetic interactions. /p> p classleading-8 mb-6> Action Painting, the term coined by the art critic Harold Rosenberg in 1953 to characterize the immediacy of the painter’s handling of the brush to produce gestural traces upon the surface of the canvas, remains inseparable from our interpretation of the paintings of the Enclave series. In his pivotal article “The American Action Painters,” Rosenberg notes, “The painter no longer approached his easel with an image in his mind; he went up to it with material in his hand to do something to that other piece of material in front of him. The image would be the result of this encounter. … Art as action rests on the enormous assumption that the artist accepts as real only that which he is in the process of creating.” Rosenberg’s emphasis on the process of painting as an end in itself sheds light on the aesthetic directions of such modernist painters as Gorky, Kline, Rothko and de Kooning. Having assimilated formalist elements from the visual syntax of these modernist masters with supreme fluency, Hearns expands the potentialities of Abstract Expressionism. With its pictorial allusiveness to the landscape genre, barely decipherable phantoms of architectonic forms, colored materiality and recurrent architectural titles, the distinct pictorial language of Hearns redefines and reinvents the expressive possibilities of the medium of oil on canvas through its singular set of parameters. This preoccupation of the artist with pairing nature and architecture abstractly and linguistically reactivates the historical and phenomenological questions posed by Filippo Brunelleschi’s so-called scientific perspective. While Hearns “registers,” “records” and “marks” his observations of the atmospheric fluctuations within nature and upon architectural surfaces and forms, he also “registers,” “records” and “marks” his observations of painting’s own historical and conceptual fluctuations. /p> div> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://whitehotmagazine.com/articles/richard-hearns-autonomous-yet-referential/5046 target_blank >svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1>Link to article/span> /a> /div> /div> div classhidden lg:block order1 lg:w-1/2 lg:order-2 mb-16> img classlazy data-srcdist/img/tome-burren.jpg /> p classfont-serif text-sm pt-2> Richard Hearns carrying Tome (2021) at the Burren National Park, County Clare, Ireland, 2021 /p> /div> /div> div classlg:flex lg:gap-10> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/Richard.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>STYLE LEGENDS/span>The Living Mountain. Mostra a Milano/h3> p classfont-serif text-base text-slate-400> April 30 2024 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttp://www.stylelegends.com/2024/04/richard-hearns-living-mountain-mostra.html target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/arte.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>ARTE.it/span> RICHARD HEARNS. THE LIVING MOUNTAIN/h3> p classfont-serif text-base text-slate-400> May 17 2024 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.arte.it/calendario-arte/milano/mostra-richard-hearns-the-living-mountain-97291 target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/press-rail.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>THE BROOKLYN RAIL/span>Richard Hearns: Nomad/h3> p classfont-serif text-base text-slate-400> By Raphy Sarkissian, December 22, 2022 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://brooklynrail.org/2022/12/artseen/Richard-Hearns-Nomad target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> /div> div classlg:flex lg:gap-10> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/ezgif-2-deac222ee8.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>CLARE CHAMPION/span>Artist still exploring even after putting down roots in Clare/h3> p classfont-serif text-base text-slate-400> December 13 2022 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://clarechampion.ie/artist-still-exploring-even-after-putting-down-roots-in-clare/ target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/press-independent.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>IRISH INDEPENDENT/span> Artist Richard Hearns: ‘I saw magentas and yellows radiating in jungles, and turquoise and cyan waters’/h3> p classfont-serif text-base text-slate-400> By Niall MacMonagle, December 04 2022 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.independent.ie/entertainment/theatre-arts/artist-richard-hearns-i-saw-magentas-and-yellows-radiating-in-jungles-and-turquoise-and-cyan-waters-42191664.html target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/press2.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>CLARE ECHO/span>Beirut explosions 'left city on its knees' - Burren artist Richard Hearns - Clare Echo/h3> p classfont-serif text-base text-slate-400> By Cian O Brion, October 4, 2020 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.clareecho.ie/beirut-explosions-left-city-on-its-knees-burren-artist-richard-hearns/ target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> /div> div classlg:flex lg:gap-10> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/press-clare1.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>CLARE ECHO/span>Richard Hearns gives an explosion of colour from the Burren Landscape/h3> p classfont-serif text-base text-slate-400> By Paraic McMahon, September 2019 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.clareecho.ie/richard-hearns-gives-an-explosion-of-colour-from-the-burren-landscape/ target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/press-wallst.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>WALL STREET INTERNATIONAL MAGAZINE/span>Richard Hearns: exhibition preview/h3> p classfont-serif text-base text-slate-400> September 13 2018 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.meer.com/en/42619-richard-hearns target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/press4.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>THE NATIONAL ARTS & CULTURE MIDDLE EAST/span>Richard Hearns is an abstract artist with an abstract cv/h3> p classfont-serif text-base text-slate-400> By Seth Jacobson, November 1 2018 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.thenationalnews.com/arts-culture/art/richard-hearns-is-an-abstract-artist-with-an-abstract-cv-1.787043 target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> /div> div classlg:flex lg:gap-10> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/boston.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>BOSTON GLOBE/span>Artist draws inspiration from rich palette of dual heritage/h3> p classfont-serif text-base text-slate-400> By Kevin Cullen, April 15 2016 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.bostonglobe.com/lifestyle/travel/2016/04/13/his-life-story-rivals-his-vibrant-art/xX53pqrGB7FvC7HJ96Uw6H/story.html target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3> img classlazy mb-2 data-srcdist/img/independent.jpg /> h3 classfont-sans font-medium uppercase text-xl>span classblock text-sm text-slate-400>IRISH INDEPENDENT/span>Darkness to light through love and inspiration for artist Richard Hearns/h3> p classfont-serif text-base text-slate-400> By Hilary A White, December 28 2015 /p> a styleborder-color: #6dcff6 classinline-flex pr-2 items-center text-sm py-2 border-b-2 hrefhttps://www.independent.ie/entertainment/theatre-arts/darkness-to-light-through-love-and-inspiration-for-artist-richard-hearns-34311426.html target_blank > svg xmlnshttp://www.w3.org/2000/svg classh-6 w-6 fillnone viewBox0 0 24 24 strokecurrentColor stroke-width2> path stroke-linecapround stroke-linejoinround dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 /> /svg> span classpl-1 font-serif>Link to article/span> /a> /div> div classrelative mb-10 lg:w-1/3>/div> /div> /div> !-- END NEWS SECTION--> !-- TESTIMONIAL DIVIDE --> div classrelative press-testimonial stylebackground-image:url(dist/img/testimonials/IMG_4622.jpg);background-size: cover;background-position: center center;> div classhidden absolute opacity-50 bg-black w-full h-full z-10>/div> div classhidden relative h-full flex items-center flex-col text-center max-w-2xl mx-auto justify-end z-20 font-serif text-white > div classblock text-xl sm:text-2xl mb-2> ‘Arroyo’ and ‘Bedouin’ at Cadogan Gallery/div> /div> /div> !-- BEGIN CONTACT SECTION--> div classcontainer mx-auto px-4 pt-16 pb-48> h2 idcontact classfont-sans text-2xl sm:text-3xl font-medium subpixel-antialiased text-center mb-12 > span classrh-sub-section-head relative>CONTACT/span> /h2> div classlg:flex lg:gap-10> div classrelative mb-12 lg:w-1/3> h2 idnewsletter classrelative font-sans mb-4 text-2xl > NEWSLETTER /h2> p class pb-4 font-serif> If you would like to be the first to hear about upcoming events, including invitation only exhibitions and open studio engagements please subscribe to my quarterly newsletter by entering your email address and clicking the subscribe button below. /p>!-- Begin Mailchimp Signup Form -->link hrefhttps://cdn-images.mailchimp.com/embedcode/classic-10_7_dtp.css relstylesheet typetext/css>style typetext/css> #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; } /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. *//style>div idmc_embed_signup>form actionhttps://richardhearns.us9.list-manage.com/subscribe/post?u7efa6653e8f906c80595a9967&idfc4e283f6b methodpost idmc-embedded-subscribe-form namemc-embedded-subscribe-form classvalidate target_blank novalidate stylepadding:0> div idmc_embed_signup_scroll> h2>/h2>div classmc-field-group> input typeemail value placeholderenter email address nameEMAIL classrequired email idmce-EMAIL>/div> div idmce-responses classclear foot> div classresponse idmce-error-response styledisplay:none>/div> div classresponse idmce-success-response styledisplay:none>/div> /div> !-- real people should not fill this in and expect good things - do not remove this or risk form bot signups--> div styleposition: absolute; left: -5000px; aria-hiddentrue>input typetext nameb_7efa6653e8f906c80595a9967_fc4e283f6b tabindex-1 value>/div> div classoptionalParent> div classclear foot> input typesubmit valueSubscribe namesubscribe idmc-embedded-subscribe classbutton> p classbrandingLogo>a hrefhttps://eepurl.com/h5r6vz titleMailchimp - email marketing made easy and fun>img srchttps://eep.io/mc-cdn-images/template_images/branding_logo_text_dark_dtp.svg>/a>/p> /div> /div> /div>/form>/div>!--End mc_embed_signup--> /div> div classrelative mb-12 lg:w-1/3> h2 idbusiness-sales classrelative font-sans mb-4 text-2xl > ENQUIRIES /h2> p class pb-4 font-serif> For commercial enquiries including exhibitions, events, partnerships and press, please make contact through the following email link: /p> div classinline-flex pr-2 items-center text-sm py-2 border-b border-b-2 > svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1>a href/cdn-cgi/l/email-protection#56333827233f243f332516243f353e3724323e33372438257835393b>span class__cf_email__ data-cfemail8beee5fafee2f9e2eef8cbf9e2e8e3eaf9efe3eeeaf9e5f8a5e8e4e6>email protected/span>/a>/span> /div> /div> div classrelative mb-12 lg:w-1/3> h2 idgallery-studio classrelative font-sans mb-4 text-2xl > STUDIO /h2> p class pb-4 font-serif> To schedule a visit to my studio in The Burren, Co. Clare, please contact me for availability through the link below. /p> div classinline-flex pr-2 items-center text-sm py-2 border-b border-b-2 > svg xmlnshttp://www.w3.org/2000/svg classh-5 w-5 viewBox0 0 20 20 fillcurrentColor > path fill-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z clip-ruleevenodd /> /svg> span classpl-1>a href/cdn-cgi/l/email-protection#46353233222f2906342f252e2734222e23273428356825292b>span class__cf_email__ data-cfemailabd8dfdecfc2c4ebd9c2c8c3cad9cfc3cecad9c5d885c8c4c6>email protected/span>/a>/span> /div> /div> /div> /div>!-- END CONTACT SECTION -->!-- BEGIN FOOTER-->div stylebackground-color:#1c1c1c classpy-24> div classcontainer mx-auto px-4> div classflex flex-col sm:flex-row justify-between items-center> div> img classh-20 pb-8 sm:pb-0 srcdist/img/rh-logo-white-text.svg /> /div> div classflex> a classmx-2 sm:ml-6 sm:mr-0 hrefhttps://www.facebook.com/richard.hearns.9 target_blank>img classh-8 sm:h-10 srcdist/img/facebook2.svg>/a> a classmx-2 sm:ml-6 sm:mr-0 hrefhttps://www.instagram.com/richard_hearns/ target_blank>img classh-8 sm:h-10 srcdist/img/instagram.svg>/a> a classmx-2 sm:ml-6 sm:mr-0 hrefhttps://www.linkedin.com/in/richardhearns/ target_blank>img classh-8 sm:h-10 srcdist/img/linkedin2.svg>/a> a classmx-2 sm:ml-4 sm:mr-0 hrefhttps://vimeo.com/richardhearns target_blank>img classh-8 sm:h-10 srcdist/img/vimeo.svg>/a> /div> /div> /div>/div> script data-cfasyncfalse src/cdn-cgi/scripts/5c5dd728/cloudflare-static/email-decode.min.js>/script>script srcdist/scripts.js?v3.6>/script> /body>/html>
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