Domain > www.musicalpointers.co.uk

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2014-10-14	87.106.114.22 (ClassC)
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HTTP/1.1 200 OKContent-Type: text/htmlContent-Length: 17306Connection: keep-aliveKeep-Alive: timeout15Date: Tue, 07 Jan 2025 14:25:44 GMTServer: ApacheLast-Modified: Thu, 19 Dec 2013 18:21:18 GMTETag: 439a-4ede73a555b86Accept-Ranges: bytes

!DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Transitional//EN http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd>html xmlnshttp://www.w3.org/1999/xhtml>!-- InstanceBegin template/Templates/musicalpointersunicode.dwt codeOutsideHTMLIsLockedfalse -->head>!-- InstanceBeginEditable namedoctitle -->title>Musical Pointers/title>!-- InstanceEndEditable -->meta http-equivContent-Type contenttext/html; charsetUTF-8 />!-- InstanceBeginEditable namehead -->style typetext/css>!--.style2 {font-size: medium}-->/style>style typetext/css>!--.style7 {color: #000000}-->/style>style typetext/css>!--.style8 {font-size: smaller}-->/style>style typetext/css>!--.style10 {	font-size: 11px}-->/style>style typetext/css>!--.style11 {font-size: 14px}-->/style>style typetext/css>!--.style14 {font-size: 18px}-->/style>style typetext/css>!--.style19 {	color: #FF0000;	font-weight: bold;}-->/style>script typetext/javascript>function MM_openBrWindow(theURL,winName,features) { //v2.0  window.open(theURL,winName,features);}/script>!-- InstanceEndEditable -->link hrefmp.css relstylesheet typetext/css />script languageJavaScript typetext/JavaScript>!--function MM_reloadPage(init) {  //reloads the window if Nav4 resized  if (inittrue) with (navigator) {if ((appNameNetscape)&&(parseInt(appVersion)4)) {    document.MM_pgWinnerWidth; document.MM_pgHinnerHeight; onresizeMM_reloadPage; }}  else if (innerWidth!document.MM_pgW || innerHeight!document.MM_pgH) location.reload();}MM_reloadPage(true);//-->/script>style typetext/css>!--p.MsoNormal {margin:0cm;margin-bottom:.0001pt;font-size:11.0pt;font-family:Arial;}body {	background-image: url(images/back.gif);}-->/style>/head>body>p aligncenter>img srcimages/logo.gif width282 height61 />/p>table width99%  border0>  tr>    td rowspan4 valigntop>img srcimages/left.gif width85 height400 />/td>    td width83% height38>div aligncenter>strong>a href/index.htm>Home/a> | a href/reviews.html>Reviews/a> | a hrefarticles/generaltopics/general.html>Articles/a> | a hreffestivals.html>Festivals/a> | a hrefcompetitions.html>Competitions/a> | a hrefother.html>Other/a>      | a hrefcontact.html>Contact    Us/a>/strong>/div>/td>    td rowspan4 valigntop>div alignright>img srcimages/right.gif width85 height400 />/div>/td>  /tr>  tr>    td aligncenter>div aligncenter>img srcimages/top.gif width727 height14 />/div>/td>  /tr>  tr>    td alignright>!-- SiteSearch Google -->FORM methodGET actionhttp://www.google.com/search>TABLE>  tr>td>A HREFhttp://www.google.com/>IMG SRChttp://www.google.com/logos/Logo_40wht.gif border0 ALTGoogle />/A>/td>td width227>INPUT TYPEtext nameq size31 maxlength255 value />font size-1>input typehidden namedomains valueMUSICALPOINTERS.CO.UK />br />input typeradio namesitesearch value /> WWW input typeradio namesitesearch valuehttp://www.musicalpointers.co.uk checked /> MUSICALPOINTERSbr />input typesubmit namebtnG valueGoogle Search />/font>/td>  /tr>/TABLE>/FORM>!-- SiteSearch Google -->/td>  /tr>  tr>    td height719 alignleft valigntop>!-- InstanceBeginEditable nameContent -->      p classSubTitle2>Introduction to Musical Pointers 2002-2013 span classstyle11>span classstyle19>Editor  Dr Peter Grahame Woolf br />      img srcimages/pgw_MHRT_article.jpg width208 height181 hspace9 vspace9 alignright />/span>/span>/p>      p classstyle11>span classMainTitle>We regret to inform you that Dr Peter Woolf died br />on the 19th August 2013/span>.br />      span classSmallSubtitle>This site, as it stands, will be kept alive as point of reference, but will not be updated for the forseeable future./span>/p>      p classstyle11>strong>font color#FF0000 classMainTitle>Musical Pointers/font>/strong>br />        is a wide ranging website journal, reviewing selected live events and recordings  worldwide, especially of "niche musics" likely to be overlooked by the print media, and with a lively Articles section. Seea hrefhttp://www.musicalpointers.co.uk/articles/generaltopics/MPLaunch_mission.htm target_blank>      Launch & mission statement (2002)/a>/p>      p>span classstyle11>Dr Woolf (a retired medical doctor) has been a life-long music enthusiast who contributed to many music review publications and had edited Seen&Heard a hrefhttp://www.musicweb-international.com/SandH/listing2001.html>until  2001/a>/span>  span classstyle11>(earlier postings archived at a hrefhttp://www.musicweb-international.com/SandH/earlier_reviews.htm>http://www.strong>SandH/earlier reviews/strong>.htm/a>)./span>/p>      p classstyle11>Musical Pointers embodies the philosophy of font color#FF0000>a hrefhttp://www.musicweb-international.com/SandH/about.htm>i>SEEN & HEARD/i>/a>/font>,   which was previously launched by Dr Woolf, a hrefhttp://www.musicweb-international.com/SandH/2002/Feb02/PGW75.htm target_blank>strong> its Editor Emeritus/strong>/a>. span classSubTitle2>br />        /span>span classstyle8>br />        /span>        Musical Pointers  brings together also some of Dr Woolfs less ephemeral earlier publications from other websites and paper press publications        including strong>The Opera Critic/strong>, b>Classical Net, Early Music Review, /b> b> Classical London, The Organ /b>andb> Piano Journa/b>strong>l/strong>, those including reports of UK and European festivals and competitions,  reviews of unusual recordings and composer obituaries in the National Press. /p>      p classstyle8>strong>DONATIONS/strong> There are substantial costs for maintaining an enterprise like Musical Pointers and even the smallest donations will help us to continue as one of the very best mainly "classical" music sites. We have eschewed advertising hoping thereby to retain fuller independence. /p>p classstyle2 style10>Please do not hesitate to bring any access and navigation problems to our notice by strong onfocusMM_openBrWindow(http://musicalpointers.co.uk/tinc?keyefExYm8I,Feedback,scrollbarsyes,resizableyes,width500,height600)>a hrefhttp://musicalpointers.co.uk onclickMM_openBrWindow(http://musicalpointers.co.uk/tinc?keyefExYm8I,Feedback,toolbaryes,scrollbarsyes,resizableyes,width500,height600)>contacting Musical Pointers/a>/strong>./p>p classstyle8 style14>em>strong>span classstyle19>New Year message 2013:/span>/strong>/em>span classstyle11>em>strong>em>strong>img srcimages2012/PGW--12.gif width129 height201 hspace9 vspace9 alignleft />/strong>/em>/strong>/em>/span>/p>p classstyle11>em>strong>Musical Pointers /strong>/em>wasstrong> a hrefhttp://www.musicalpointers.co.uk/index.htm target_blank>launched in 2002/a>/strong>em> with an avowed emphasis on "niche musics" and we thank our readers and contributors who have helped it to grow steadily during the decade. We hope that our way of Musical Pointing will continue to be what readers want?br />        br />  There have been changes in emphasis, with more reports and reviews of recordings from far afield, and coverage of live events which purposely try not to duplicate too much those to be found  in the newpaper and magazine outlets and in larger websites such as Music Web (whose live music sectionstrong> Seen & Heard/strong>, which is still active, we had founded in 1999). /em>/p>p classstyle11>em>2013 sees a significant change in our approach to reviewing CDs, which are tending to become overtaken by new technological advances. LINKS are more and more integral parts of our reviews, increasing information and allowing for shorter texts; many people have not enough time to reading lengthy reviews. /em>/p>p classstyle11>em>In particular, we have been enthused by parallel coverage of artists on You-Tube, where many newer musicians can be seen, often at recording sessions. Good examples, at random, are the links to be found on our reviews of the Nightingale String Quartet, pianist Sebastian Stanley, and recorder player Jill Kemp to give a few particular examples./em>/p>p classstyle11>em>Inevitably this is time consuming,and comes at the expense of our reviewing fewer of the numerous discs received - until we are joined by some new contributors?/em>/p>p classstyle11>em>We have had some fifty contributors all of whom we thank, but currently, with times hard for performing musicians, the weight of work to keep Musical Pointers afloat is increasingly with your Editor, who has to cope with  greatly increased requests for coverage of live events, especially of chamber music far and wide around the Metropolis./em>/p>p classstyle11>em> There has been a particular increase in the popular lunch time concerts, generally an hour long, which attract large audiences and introduce us to numerous excellent younger musicians with more enterprising repertoire than some of the main promoters and venues are inclined to risk. /em>/p>p classstyle11>em>Reviews of live concerts have become harder  to obtain for events promoters, and we have had to limit oursleves mostly to the London area; travel is harder with advancing age. /em>/p>p classstyle11>em>The multiplication of recordings seeking reviews has been expanding exponentially (some 50 discs and recordings are nowadays received from UK and far abroad each  month). We have increasingly been favouring DVDs over sound-only recordings where there is a choice, believing that music making is a very visual experience. And please  dont overlook our Articles and Festivals sections. /em>/p>p classstyle11>em>There are now some 3,000 reviews and reports on the site, and recently I have began to place new ones next to related reviews of performers and composers, hoping that people will find it interesting to take a look at the other when seeking a particular entry (this does not affect current listings)./em> em>A prime recent example of that/em> em>policy/em> em>is our full page coverage of the remarkable Chinese/American composera hrefhttp://www.musicalpointers.co.uk/reviews/cddvd09/LeiLiang_portrait.html target_blank> Lei Liang/a>./em>/p>p classstyle11>em>The presssures have caused us to shorten reviews, concentrating upon opinion and avoiding copy/pasting of material generally available, which we compensate wth links to more extensive media reviews in publications we respect. /em>/p>p classstyle11>em>Also, because we guess that far fewer people now look for CDs in record shop shelves, we  no longer automatically head our  reviews with cover images, preferring to publish more relevant and attractive illustrations when possible; and for live events often including photos  taken at the venues where that is not forbidden./em>/p>p classstyle11>em>New writers are constantly sought and welcomed. And small donations, received occasionally, are always appreciated, as is all feedback. /em>/p>p classstyle11>em>Lastly,  if any of our readers are computer wizards willing to advise and help, please do get in touch. /em>/p>p classstyle11>em>We do not have a webmaster and have been nervous of advertising and of the newer Social Media, which I am given to believe might enhance significantly our readership and Google ratings ? br />        br />  Peter Grahame Woolf/em>/p>p classstyle2 style10> /p>p alignleft classstyle8>span classCdListing>strong>Musical Pointers contributors/strong>: Peter Grahame Woolf (Editor) span classMsoNormal>Anthony Barker Mark Barnes/span> Alfia Bekova Andrew Benson-Wilson Stephen Beville David Bird Jane Booth Handa Bray Marc Bridle Bob Briggs Elena Brown Fern Bryant Tom Butler Ying Chang/span> span classCdListing stylefont-size:x-small;>Jeremy & Yvonne Clarke/span> span classCdListing>span classMsoNormal>Jill Crossland Steven Daverson Steven Devine Dennis Day /span>Mark Dennis Evan Dickerson Gordon Downie Nina Drucker Mary Dullea Rob Edgar span classstyle1  style7>Melanie Eskenazi/span> Serena Fenwick span classMsoNormal styletext-align:justify;>Duncan Fergusson /span>Harry Gilonis span classMsoNormal> Christine Goodgame-Nobes /span>Mark Greenfest David Griffel Daire Halpin Wieland Hoban John Irving span classMsoNormal>Stewart Jenkin/span> Peter Jones Caroline McGee Mieko Kanno Stephen Medcalf Anna Michel Miriam Nerval Heather ODonnell Tess Ormond Anne Ozorio Ian Pace Nick Palmer Daniel Parkinson Tim Rutherford-Johnson Evis Sammoutis Simon Satori Oliver Schneller Francis Schwartz Kate Semmens Karen Sharf Mihail Shiliaev Dmitri Smirnov Richard Smith span classnote>Benjamin Staern Aleksander Szram Geoffrey Terry Roger Thomas Declan Townsend/span> Alison Truefitt  Laure Valiquette-Talbot Judith Wardman John Warnaby Georgina Whitehead Julie Williams RolandWilliams Alexa Woolf Simon Woolf Theo Wyatt Reynaldo Young/span> /p>p classstyle8>strong>Writers who share our aspirations, including those who enjoy indulging in lateral thinking, are invited to make contact and contribute to em>font color#FF0000>Musical Pointers/font>/em>./strong>/p>p classstyle2 style10> /p>p alignleft classstyle8>strong>Some useful Links: /strong>/p>p classCdListing style8>a hrefhttp://www.musicweb-international.com/SandH/ target_blank>Seen & Heard/a>br />  a hrefhttp://www.musicalcriticism.com/>Musical Criticism/a>br />  a hrefhttp://www.classicalsource.com/ target_blank>Classical Sourcebr />  /a>a hrefhttp://www.classical.net/ target_blank>Classical Net/a> (USA based)br />  a hrefhttp://www.mvdaily.com/ target_blank>Music & Vision /a>(lavish with clips to hear and see)a hrefhttp://www.theorganmag.com/liverevs/rogg.html target_blank>br />    The Organ/a>br />    a hrefhttp://www.kings-music.co.uk/ target_blank>Early Music Reviewbr />    /a>a hrefhttp://www.clavichord.org.uk target_blank>British Clavichord Society/a>br />    a hrefhttp://www.theoperacritic.com/index.php target_blank>The Opera Critic/a> (opera and singers worldwide) br />    a hrefhttp://www.classicstoday.com/ target_blank>Classics Today/a>a hrefhttp://www.operabase.com/ target_blank>br />    Opera Base/a> a hrefhttp://www.byo.org.uk target_blank>br />  British Youth Opera/a> (Opera in UK & British singers)br />  a hrefhttp://www.livingattheopera.com/ target_blank>Living at the Operabr />    /a>a hrefhttp://www.123greetings.com/music target_blank>Musical greetings cards/a>br />      a hrefhttp://www.new-classics.co.uk/ target_blank>New Classicsbr />      /a>a hrefhttp://www.choralfestivalnetwork.org target_blank>Choral Festivals Network /a>br />      a hrefhttp://www.makingmusiclondon.com/clubs/suttonhousemusicsociety.html>Sutton House Music Society/a> (Hackney)br />      a hrefhttp://www.unknownpublic.com>Unknown Public/a>br />      a hrefhttp://soundandmusic.org>Sound & Music/a> (the coming together of  British Music Information Centre (BMIC); Contemporary Music Network (CMN); Sonic Arts Network (SAN) Sonic Arts Network & SPNM (Society for the Promotion of New Music) br />  a hrefhttp://www.musicalpointers.co.uk/reviews/liveevents/Piano4Hands.html target_blank>Tong &     Hasegawa/a>; festival at Bristol October 2009: a hrefhttp://www.pianoduofest.org.uk >http://www.pianoduofest.org.uk/a>  br />  a hrefhttp://www.favorite-classical-composers.com/home-audio-system.html target_blank>favorite-classical-composers.com/home-audio-system.html/a>a hrefhttp://www.sfxsource.com/sound-effects.html target_blank>br />    Architect of sound /a>Adam A. Johnsonbr />    a hrefhttp://www.wissensdrang.com/picds1.htm target_blank>PERIOD INSTRUMENT CDs /a>(Dr. Roger Peters)br />    a hrefhttp://www.bachtrack.com/ target_blank>BACHTRACK/a> (concert, opera and ballet finders + hundreds of reviews)a hrefhttp://www.sma.ac.uk/‎ target_blank>br />    Society for Music Analysis/a>br />    a hrefhttp://www.ilams.org.uk/ target_blank>ILAMS (Iberian and Latin American Music Society)br />    /a>a hrefhttp://www.classicalconnect.com/ target_blank>ClassicalConnect/a>br />  br />/p>p classCdListing>  /p>    !-- InstanceEndEditable -->/td>  /tr>/table>p aligncenter classnote> /p>script srchttp://www.google-analytics.com/urchin.js typetext/javascript>/script>script typetext/javascript>	_uacct  UA-403887-1;	urchinTracker();/script>/body>!-- InstanceEnd -->/html>

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