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Domain > www.michaelrowe.net
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DNS Resolutions
Date
IP Address
2021-08-18
13.226.29.99
(
ClassC
)
2025-06-03
3.175.34.110
(
ClassC
)
Port 80
HTTP/1.1 301 Moved PermanentlyServer: CloudFrontDate: Tue, 03 Jun 2025 04:01:54 GMTContent-Type: text/htmlContent-Length: 167Connection: keep-aliveLocation: https://www.michaelrowe.net/X-Cache: Redirect from cloudfrontVia: 1.1 44ea7c219a80368d470c706d6491f204.cloudfront.net (CloudFront)X-Amz-Cf-Pop: HIO52-P3Alt-Svc: h3:443; ma86400X-Amz-Cf-Id: iMw5day1-_x3K4ojzWMbpB3ZIxih_538DdoTwingON5VfbMuLtXHmg html>head>title>301 Moved Permanently/title>/head>body>center>h1>301 Moved Permanently/h1>/center>hr>center>CloudFront/center>/body>/html>
Port 443
HTTP/1.1 200 OKContent-Type: text/htmlContent-Length: 8295Connection: keep-aliveDate: Tue, 03 Jun 2025 04:01:56 GMTCache-Control: max-age3600Last-Modified: Sun, 01 Jun 2025 00:34:47 GMTx-amz-expiration: expiry-dateTue, 02 Jun 2026 00:00:00 GMT, rule-idExpire old versionsx-amz-version-id: nOo_NEhAZCrDK6auZIBn7XLthD0J2X8GETag: eb890febba3b2ac9f01fc06d1f2a4159Server: AmazonS3X-Cache: Miss from cloudfrontVia: 1.1 c705ee033a363383cd13caf9803ae766.cloudfront.net (CloudFront)X-Amz-Cf-Pop: HIO52-P3Alt-Svc: h3:443; ma86400X-Amz-Cf-Id: z3ulUV-z0aXvyt4v96nLCfffsTPL5LeSDSP2oOr_0P1XLzHpemgYdw !doctype html>html data-color-schemelight>meta charsetutf-8>meta nameviewport contentwidthdevice-width,initial-scale1>title>michaelrowe.net/title>link relstylesheet href/css/rocinante.min.css>link relstylesheet typetext/css href/css/local.93a3f29e4e776859770a065041c234410686b7121efa0cf31d1144377bec5e9c.css>link relshortcut icon href/img/favicon.png>link relalternate typeapplication/rss+xml href/index.xml titlemichaelrowe.net>body>header>h2>› michaelrowe.net/h2>/header>main>div classabout>div classpost>div classtitle-group>div classtitle>h1>Michael Rowe/h1>/div>/div>article classcontent>img src/img/michael.jpg width220px classright>p>I have been a professional software engineer, architect, and manager for many years. I’ve worked across a range of industries on many different technologies and in a wide variety of team environments. I’m very interested in the practices and methods that teams can adopt to improve their effectiveness and the quality of their output./p>p>For even longer, I have been interested in theatre. I have worked in commercial and amateur venues around Melbourne as both tech crew and lighting designer. These days I mostly light shows for community and independent theatre./p>p>At various times I have been keen on photography. I was the official photographer for my high school magazine for a few years, and had a small darkroom at home. I let it lapse as the digital age (and a growing family) took over. Right now I’m riding a wave of renewed enthusiasm for this, but who knows how long that will last for./p>p>I was studying for a Bachelor of Arts at Deakin University, majoring in English and Philosophy. This is currently on indefinite hold./p>p>I sometimes post on various public sites at:/p>ul>li>span>a relme hrefhttps://zirk.us/@mrowe>@mrowe@zirk.us/a>/span> on Mastodon - random del>shitposting/del> thoughts/li>li>span>a hrefhttps://pixelfed.art/mrowe>@mrowe@pixelfed.art/a>/span> on Pixelfed - photos and snapshots/li>li>span>a hrefhttps://glass.photo/mrowe>glass.photo/mrowe/a>/span> - photographs/li>li>span>a hrefhttps://app.thestorygraph.com/profile/mrowe>@mrowe/a>/span> on The StoryGraph - books I’m reading/li>/ul>hr>p>This site collects pieces I have written across of these interests. Much of it was originally published on other sites, including:/p>ul>li>a href//mikerowecode.com>mikerowecode.com/a> - my software and technology-focussed blog/li>li>a href//mikeroweblog.com>mikeroweblog.com/a> - my personal blog and diary/li>li>a href//rowe.lighting>rowe.lighting/a> - my lighting design portfolio, with occasional extended notes on my design work/li>li>a hrefhttps://medium.com/back-of-the-stalls target_blank>back-of-the-stalls/a> - a project I almost started early in 2020 to review live theatre—it stalled because there was no live theatre/li>/ul>p>There is also some work published only on this site. This is primarily draft and in progress pieces, and (undergraduate) papers and essays I have written as part of my study./p>p>Go to an a href/writing/>archive of all posts/a>, or browse by category below:/p>/article>/div>/div>div classsetion>h2>Creative Writing/h2>ul>h3>2021/h3>li hugo-nav/writing/2021/west-38th/>a href/writing/2021/west-38th/>West 38th/a> - For the third time today, Ford picks up the phone and hears nothing but the buzz and click and background hum of a busy call centre. He doesn’t normally answer calls from random numbers…/li>h3>2020/h3>li hugo-nav/writing/2020/the-grass-sled-gift/>a href/writing/2020/the-grass-sled-gift/>The Grass Sled Gift/a> - The running of the 3rd annual em>Grass Sled Gift/em>, January 1978./li>li hugo-nav/writing/2020/my_writing_life/>a href/writing/2020/my_writing_life/>My writing life/a> - An essay I wrote in response to the topic em>Write a creative reflection on ‘My writing life’/em> for a Professional Writing course at La Trobe University./li>li hugo-nav/writing/2020/southeastern-australia-weather-outlook/>a href/writing/2020/southeastern-australia-weather-outlook/>Southeastern Australia Seasonal Temperature Outlook/a> - The Southeastern Australia Seasonal Temperature Outlook, in the style of Dylan Thomas./li>li hugo-nav/writing/2020/cinderella/>a href/writing/2020/cinderella/>Cinderella retold/a> - A first person, as-it-happens retelling of the closing paragraphs of the Cinderella fable, rendered as a series of Twitter posts./li>/ul>h2>Critical Reviews/h2>ul>h3>2021/h3>li hugo-nav/writing/2021/the_hard_boiled_detective/>a href/writing/2021/the_hard_boiled_detective/>Crime Fiction - the hard boiled detective/a> - A synopsis of the key argument of Felicity Plunkett’s 2002 article “The Monkey’s Mask and the Poetics of Excision” and demonstration of how it is relevant to Raymond Chandler’s The Big Sleep and Dorothy Porter’s The Monkey’s Mask./li>li hugo-nav/writing/2021/a_love_story_or_a_warning/>a href/writing/2021/a_love_story_or_a_warning/>A Spike Jonze love story, or a philosophical warning?/a> - Spike Jonze’s film em>Her/em> raises many interesting questions about what it means to be human. It explores the boundary between machine and human by presenting an idiosyncratically rosy view of the near-future, and then uses this to reflect on the potential impact of artificial intelligence on the nature of human relationships./li>li hugo-nav/writing/2021/whose_story_is_it_anyway/>a href/writing/2021/whose_story_is_it_anyway/>Whose story are we telling here anyway?/a> - Sarah Polley’s em>Stories We Tell/em> is an autobiographical documentarythat explores Polley’s family history and her personal journey to uncover her identity./li>h3>2020/h3>li hugo-nav/writing/2020/blackbuster/>a href/writing/2020/blackbuster/>Blackbuster/a> - A short review of the film em>Blackbuster/em>, written and directed by S.F. Tusa./li>li hugo-nav/writing/2020/critical-reflection-on-a-view-from-the-bridge-design-note/>a href/writing/2020/critical-reflection-on-a-view-from-the-bridge-design-note/>Critical Analysis of A View from the Bridge Design Note/a> - A critical analysis of my design notes from em>A View From the Bridge/em>./li>h3>2019/h3>li hugo-nav/writing/2019/a-view-from-the-bridge/>a href/writing/2019/a-view-from-the-bridge/>A View From the Bridge/a> - Design notes from a production of Arthur Miller’s em>A View From the Bridge/em> that I lit in 2019./li>/ul>h2>Philosophy/h2>ul>h3>2023/h3>li hugo-nav/writing/2023/self_in_dharmic_religions/>a href/writing/2023/self_in_dharmic_religions/>How is the permanence/non-permanence of self explained in Dharmic religions?/a> - Hinduism says the self is permanent, Buddhism says the self is impermanent. How are these doctrines explained in each religion?/li>h3>2021/h3>li hugo-nav/writing/2021/a_love_story_or_a_warning/>a href/writing/2021/a_love_story_or_a_warning/>A Spike Jonze love story, or a philosophical warning?/a> - Spike Jonze’s film em>Her/em> raises many interesting questions about what it means to be human. It explores the boundary between machine and human by presenting an idiosyncratically rosy view of the near-future, and then uses this to reflect on the potential impact of artificial intelligence on the nature of human relationships./li>/ul>h2>Reflections/h2>ul>h3>2019/h3>li hugo-nav/writing/2019/remembering_mum/>a href/writing/2019/remembering_mum/>Remembering mum/a> - A eulogy for Gwen Rowe./li>/ul>/div>hr>br>div classcolophon>h2>Colophon/h2>p>Built with a href//gohugo.io/>Hugo/a> and a modified a href//github.com/mavidser/hugo-rocinante>Rocinante/a> theme./p>a hrefmailto:mrowe@mojain.com classemail-hook idabout-email titleClick to show email>michaelrowe.net/a> -span>a relme hrefhttps://zirk.us/@mrowe>@mrowe@zirk.us/a>/span> -span classcopyright>All content Copyright ©2019-2023Michael Rowe. All rights reserved./span>/div>/main>footer>/footer>script>const emailIdatob(bXJvd2VAbW9qYWluLmNvbQ)/script>script src/js/rocinante.min.js>/script>/body>/html>
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