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HTTP/1.1 200 OKDate: Tue, 10 Sep 2024 01:23:20 GMTServer: ApacheExpires: Thu, 19 Nov 1981 08:52:00 GMTCache-Control: no-store, no-cache, must-revalidatePragma: no-cacheLink: http://www.djayres.com/wp-json/>; relhttps://api.w.org/Set-Cookie: PHPSESSIDab9ee41d012b88fd2573c643c732d342; path/Upgrade: h2Connection: UpgradeVary: Accept-Encoding,User-AgentContent-Length: 64532Content-Type: text/html; charsetUTF-8 !DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Transitional//EN http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd>html xmlnshttp://www.w3.org/1999/xhtml langen-US>head profilehttp://gmpg.org/xfn/11>meta http-equivContent-Type contenttext/html; charsetUTF-8 />title> DJ Ayres/title>link relstylesheet typetext/css hrefhttp://yui.yahooapis.com/3.2.0/build/cssreset/reset-context-min.css>link relstylesheet hrefhttp://www.djayres.com/wp-content/themes/ayres/style.css typetext/css mediascreen />link relpingback hrefhttp://www.djayres.com/xmlrpc.php />/head>body> div classcontainer clearfix> div classsidebar_nav> table> tr> td width300 valigntop background bgcolor#FFF> img srchttp://www.djayres.com/images/ayres-web.jpg border0 usemap#MapMap> map nameMapMap> area shapecircle coords176,81,33 hrefbio target_self /> area shapecircle coords240,415,35 hrefhttp://www.itstherub.com target_self/> area shapecircle coords57,497,33 hrefmailto:holler@djayres.com target_self /> area shapecircle coords113,300,35 hrefhttp://www.tandarecords.com target_self /> area shapecircle coords261,185,34 hrefhttp://store.itstherub.com/ target_self /> area shapecircle coords255,101,49 hrefhttp://www.itstherub.com target_self /> area shaperect coords2,1,298,50 hrefhttp://www.djayres.com target_self />/map> br> /td> /tr> /table> /div> div classentries> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2023/01/05/woodworking-gallery/ relbookmark titlePermanent Link to Woodworking Gallery>Woodworking Gallery/a>/h2> div classcontent> div classwp-block-image>figure classalignleft size-full is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number.jpg>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number.jpg alt classwp-image-2180 width469 height457 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number.jpg 988w, http://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number-300x292.jpg 300w, http://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number-768x749.jpg 768w, http://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number-450x439.jpg 450w, http://www.djayres.com/wp-content/uploads/2023/01/Brand-with-Phone-Number-175x171.jpg 175w sizes(max-width: 469px) 100vw, 469px />/a>figcaption classwp-element-caption>br>I’ve been building furniture and cabinetry since 2015. Here’s a small gallery of my work:/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center.jpg>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-1024x1024.jpg alt classwp-image-2183 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-1024x1024.jpg 1024w, http://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-300x300.jpg 300w, http://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-150x150.jpg 150w, http://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-768x768.jpg 768w, http://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-450x450.jpg 450w, http://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center-175x175.jpg 175w, http://www.djayres.com/wp-content/uploads/2023/01/Carols-Built-In-Media-Center.jpg 1440w sizes(max-width: 1024px) 100vw, 1024px />/a>figcaption classwp-element-caption>br>Built-in media center. More pics here: a hrefhttps://www.instagram.com/p/Cak5ieoO2dL/>https://www.instagram.com/p/Cak5ieoO2dL//a>/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM.png>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM-763x1024.png alt classwp-image-2173 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM-763x1024.png 763w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM-224x300.png 224w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM-768x1031.png 768w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM-450x604.png 450w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM-175x235.png 175w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.07.16-AM.png 930w sizes(max-width: 763px) 100vw, 763px />/a>figcaption classwp-element-caption>br>Sliding barn doors. More pics here: a hrefhttps://www.instagram.com/p/CScTPPul4zw/>https://www.instagram.com/p/CScTPPul4zw//a>/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM.png>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM-732x1024.png alt classwp-image-2172 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM-732x1024.png 732w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM-215x300.png 215w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM-768x1074.png 768w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM-450x629.png 450w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM-175x245.png 175w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.01.56-AM.png 894w sizes(max-width: 732px) 100vw, 732px />/a>figcaption classwp-element-caption>br>Bunkbeds and custom angled corner shelves. More pics: a hrefhttps://www.instagram.com/p/CfUGDabudDt/>https://www.instagram.com/p/CfUGDabudDt//a>/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM.png>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM-1024x818.png alt classwp-image-2174 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM-1024x818.png 1024w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM-300x240.png 300w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM-768x613.png 768w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM-450x359.png 450w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM-175x140.png 175w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.12.54-AM.png 1350w sizes(max-width: 1024px) 100vw, 1024px />/a>figcaption classwp-element-caption>br>Walnut floating shelves. More pics here: a hrefhttps://www.instagram.com/p/CUx-9V4FrZ1/>https://www.instagram.com/p/CUx-9V4FrZ1//a>/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM.png>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-1024x1024.png alt classwp-image-2177 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-1024x1024.png 1024w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-300x300.png 300w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-150x150.png 150w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-768x768.png 768w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-450x450.png 450w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM-175x175.png 175w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.14.40-AM.png 1242w sizes(max-width: 1024px) 100vw, 1024px />/a>figcaption classwp-element-caption>br>Cherry coffee table/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM.png>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM-725x1024.png alt classwp-image-2178 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM-725x1024.png 725w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM-212x300.png 212w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM-768x1085.png 768w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM-450x636.png 450w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM-175x247.png 175w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.36.19-AM.png 876w sizes(max-width: 725px) 100vw, 725px />/a>figcaption classwp-element-caption>br>Coat closet with shoe storage. More pics here: a hrefhttps://www.instagram.com/p/B6v91HVFHKN/>https://www.instagram.com/p/B6v91HVFHKN//a>/figcaption>/figure>/div>div classwp-block-image>figure classalignleft size-large is-resized>a hrefhttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM.png>img decodingasync srchttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-1016x1024.png alt classwp-image-2179 width500 srcsethttp://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-1016x1024.png 1016w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-298x300.png 298w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-150x150.png 150w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-768x774.png 768w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-450x454.png 450w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM-175x176.png 175w, http://www.djayres.com/wp-content/uploads/2023/01/Screen-Shot-2023-01-05-at-9.39.11-AM.png 1238w sizes(max-width: 1016px) 100vw, 1016px />/a>figcaption classwp-element-caption>br>Radiator cover/figcaption>/figure>/div> /div> small>January 5th, 2023/small>cite>Categories: a hrefhttp://www.djayres.com/category/woodworking/ relcategory tag>Woodworking/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/04/07/ruff-ryders-mix/ relbookmark titlePermanent Link to Ruff Ryders Mix>Ruff Ryders Mix/a>/h2> div classcontent> p>iframe loadinglazy scrollingno idhearthis_at_track_5810568 width100% height150 srchttps://app.hearthis.at/embed/5810568/transparent_black/?hcolor&color&style2&block_size2&block_space1&background1&waveform0&cover0&autoplay0&css frameborder0 allowtransparency allowautoplay>/p>p>Listen to a hrefhttps://hearthis.at/djayres/dj-ayres-ruff-ryders-mix/ target_blank>DJ Ayres – Ruff Ryders Mix/a> span>by/span>a hrefhttps://hearthis.at/djayres/ target_blank >Ayres Haxton/a> span>on/span> a hrefhttps://hearthis.at/ target_blank>hearthis.at/a>/p>p>/iframe>/p>p>Eve – Let’s Talk About (ft. Drag-On)br />Jay-Z – Jigga My N****br />Ja Rule – New York (Jadakiss only)br />Ghostface – Run (ft. Jadakiss)br />Gang Starr – Rite Where You Stand (ft. Jadakiss)br />The Lox – Recognizebr />Ruff Ryders – Got It All (Eve & Jadakiss)br />Jay-Z – Money, Cash, Hoes (ft. DMX)br />Jay-Z – More Money, More Cash, More Hoes (ft. Beanie Sigel)br />Cam’ron & DMX – Pull Itbr />Jadakiss – The Champ Is Herebr />Eve – Double R What (ft. The Lox)br />Mase – 24 Hours to Live (ft. The Lox & DMX)br />LL Cool J – 4, 3, 2, 1 (DMX & LL only)br />DMX – N**** Done Started Something (ft. The Lox & Mase)br />Jadakiss – Kiss of Deathbr />DMX – X Gon’ Give It To Yabr />Jadakiss – Who’s Real (ft. Swizz Beats & OJ da Juiceman)br />Eve – Tambourinebr />DMX – Party Upbr />DMX – Get At Me Dogbr />Ruff Ryders – Down Bottom (Swizz Beats, Drag-On & Juvenile)br />Yung Won, DMX & David Banner – Tear it Upbr />DMX – Ruff Ryders Anthembr />Ruff Ryders – WWIII (Jadakiss & Scarface)br />Jadakiss & Styles P – We Gonna Make Itbr />N.O.R.E. – Banned from TV (ft. Nature, Big Pun, Cam’ron, Jadakiss & Styles P)br />DMX – Where The Hood At?br />The Lox – Money, Power & Respect (ft. Lil Kim & DMX)br />Jadakiss – Knock Yourself Out (ft. Pharell)br />The Lox – Ryde or Die Bitch (ft. Eve & Timbaland)br />Styles P – Good Times (I Get High)br />Styles P & Pharoahe Monch – The Lifebr />Styles P – I’m Black (ft. Marsha Ambrosius)br />Akon – Locked Up (ft. Styles P)br />Jadakiss – Why (ft. Anthony Hamilton)br />Aaliyah – Back In One Piece (ft. DMX)br />DMX – How It’s Going Down (ft Faith Evans)br />DMX – Slippin’ (ft. Tamyra Gray)br />Mary J Blige – Sincerity (ft. DMX & Nas)/p> /div> small>April 7th, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/dj-mixes/ relcategory tag>DJ Mixes/a>, a hrefhttp://www.djayres.com/category/downloads/ relcategory tag>Downloads/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/03/09/rub-radio-madlib-invasion/ relbookmark titlePermanent Link to Rub Radio: Madlib Invasion>Rub Radio: Madlib Invasion/a>/h2> div classcontent> p>img decodingasync loadinglazy srchttp://www.itstherub.com/wp-content/uploads/2021/03/Rub-Radio-Producer-Series-Madlib-Invasion-600.jpg alt width500 height500 classalignleft size-full wp-image-7962 />/p>p>iframe loadinglazy width100% height120 srchttps://www.mixcloud.com/widget/iframe/?hide_cover1&light1&feed%2Fbrooklynradio%2Frub-radio-history-of-hip-hop-the-producers-vol-8-madlib-invasion%2F frameborder0>/iframe>/p>p>a hrefhttps://hearthis.at/brooklynradio/madlib-rub-radio/download/?secretOz8C0>DOWNLOAD/a>/p>p>During lockdown, we’ve been huge nostalgia junkies, revisiting all the great records we’ve collected over the years. Rub Radio fans have gotten a taste of our comfort food, as we’ve mixed the catalogs of J. Dilla, Trackmasters and Prince Paul in recent months in our History of Hip Hop: Producers Series (http://www.itstherub.com/category/producer-series/). Madlib is one of our favorites, a beatmaker but also a prolific artist and even a jazz musician who has recorded under a dozen aliases. This mix just scratches the surface of his work with MF Doom, J. Dilla, Lootpack, Freddie Gibbs, Kendrick Lamar, Erykah Badu and a whole lot more, laced throughout with original sample sources./p>p>Let us know which producers we should highlight next, at a hrefhttps://twitter.com/itstherub>@itstherub on Twitter/a> and a hrefhttps://www.instagram.com/itstherub/>Instagram/a>!/p>p>Tracklist: a hrefhttp://www.djayres.com/2021/03/09/rub-radio-madlib-invasion/#more-2147 classmore-link>Read the rest of this entry »/a>/p> /div> small>March 9th, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/dj-mixes/ relcategory tag>DJ Mixes/a>, a hrefhttp://www.djayres.com/category/the-rub/ relcategory tag>The Rub/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/01/25/doom/ relbookmark titlePermanent Link to MF Doom Interview>MF Doom Interview/a>/h2> div classcontent> p>a hrefhttp://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM.png>img decodingasync loadinglazy classalignnone size-large wp-image-2125 srchttp://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM-820x1024.png altScreen Shot 2021-01-25 at 9.56.45 AM width450 height561 srcsethttp://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM-820x1024.png 820w, http://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM-240x300.png 240w, http://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM-450x561.png 450w, http://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM-175x218.png 175w, http://www.djayres.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-25-at-9.56.45-AM.png 962w sizes(max-width: 450px) 100vw, 450px />/a>/p>p>MF Doom, photographed by my wife, Veronika, on Long Beach, Long Island in 1999. He was renting a little room in an old guy’s house; just his bed, clothes and a little bit of music gear. He didn’t have the mask with him when we did the interview so he wrapped his face in an Ace bandage. I remember him being really warm and humble, and every time I ran into him, he remembered me and treated me like a friend./p>p>DJ Eleven and I did mixtapes for Spitkicker, including one hosted by De La Soul (a hrefhttps://www.mixcloud.com/DJEleven/eleven-ayres-spitkicker-collabos-1/>Spitkicker Collabos Vol 1/a>). We ran into Doom outside the studio after we recorded the De La drops, and I told him what we were doing and he gave me drops right on the street. Later we found out he was there to record a hrefhttps://youtu.be/72QkFJgjFyg>Rock co. Kane Flow/a> for The Grind Date./p>p>When MF Grimm got out of jail, Doom introduced us and the three of us had beers in the city a few times. They were so close then, and it felt really special to listen to their stories./p>p>Doom told me the way he recorded the solo songs on Doomsday: he sequenced the beats entirely inside the MPC. Then he would hit play and record himself rapping the song live in one take. And that was it, no stems, no mixing. If he fucked up, he rewound the DAT and started from the top./p>p>a hrefhttp://www.djayres.com/wp-content/uploads/2021/01/ayres-bobbito-doom.jpg>img decodingasync loadinglazy classalignnone size-full wp-image-2132 srchttp://www.djayres.com/wp-content/uploads/2021/01/ayres-bobbito-doom.jpg altayres bobbito doom width471 height580 srcsethttp://www.djayres.com/wp-content/uploads/2021/01/ayres-bobbito-doom.jpg 471w, http://www.djayres.com/wp-content/uploads/2021/01/ayres-bobbito-doom-243x300.jpg 243w, http://www.djayres.com/wp-content/uploads/2021/01/ayres-bobbito-doom-450x554.jpg 450w, http://www.djayres.com/wp-content/uploads/2021/01/ayres-bobbito-doom-175x215.jpg 175w sizes(max-width: 471px) 100vw, 471px />/a>/p>p>Reading this interview 20 years later, I think my fandom really comes across – I was just excited to share the same air as Daniel Dumile, and I was trying to keep it cool and not embarrass myself. I love his music so much, especially Operation: Doomsday. That and the Fondle Em singles are perfect art that hit me at exactly the right time. I’ll really miss him both as a musician and a good soul./p>p>iframe loadinglazy srchttps://www.youtube.com/embed/TBr1ebmBjME width500 height300 frameborder0 allowfullscreenallowfullscreen>/iframe>/p>p>b>Ayres: When I listen to “Operation Doomsday,” I imagine M.F. Doom is this reclusive hermit, traumatized and made bitter by bad record deals. Is that an inaccurate picture?/b>/p>p>MF Doom: It sounds accurate, yeah./p>p>b>What’s the symbolism behind the mask?/b>/p>p>A lot of music today is focused on appearance, and what you got and what you pushing, Bentleys and platinum links and all that and has nothing to do with what the music sounds like. So what we bringing it back to is music as an art form, more than the visual side of it. It’s straight up and down raw rhymes and beats with originality./p>p>b>Why did you pick Doom as an alias?/b>/p>p>Really, Doom kind of picked me. Back in the days when I was young or whatever, you got Doom from my last name, so they called me Doom back in the days since I was a shorty, since the last time I can remember, so I just kept it, knowhatimsayin. That’s what all my mans call me, Doom Doom Doom. Zev was another character, see both of them is actually characters, neither one is really me. I’m playing different parts on the albums, especially the M.F. Doom album, I’m narrating it as well as playing the part of Doom. On the KMD albums I was straight up and down playing Zev Love X through the whole thing./p>p>b>You did the art on the album cover?/b>/p>p>Yeah I did the art. All the album covers that we ever did I did the artwork…/p>p>a hrefhttp://www.djayres.com/wp-content/uploads/2021/01/black-bastards.jpg>img decodingasync loadinglazy classalignnone size-large wp-image-2126 srchttp://www.djayres.com/wp-content/uploads/2021/01/black-bastards-1001x1024.jpg altblack bastards width450 height460 srcsethttp://www.djayres.com/wp-content/uploads/2021/01/black-bastards-1001x1024.jpg 1001w, http://www.djayres.com/wp-content/uploads/2021/01/black-bastards-293x300.jpg 293w, http://www.djayres.com/wp-content/uploads/2021/01/black-bastards-450x460.jpg 450w, http://www.djayres.com/wp-content/uploads/2021/01/black-bastards-175x179.jpg 175w sizes(max-width: 450px) 100vw, 450px />/a>/p>p>b>b>Can you tell the story of the Black Bastards cover?/b>/b>/p>p>That’s a long story. To make a long story short, Elektra Records kind of fronted, we took all the rights, and we free to do whatever we want to do. Whatever the case was, it’s a bunch of different stories out about it, make no never mind though. To me it wasn’t a loss, we G’d off, actually. I rather not be binded by a major label like that. We have more control over artistic expression, more creative control now than we did then. Being financially and economically in control of the situation, it’s definitely better.br />b>b>br />b>How did CM come together, Constipated Monkeys?/b>br />/b>/b>br />CM, that’s the crew from uptown…b>b>/b>/b>/p>p>b>Graff crew?b>/b>/b>/p>p>Graff, we got mad facets to the shit. I used to write, I still write. It consists of artists, musicians, writers. Criminal Minded, get money type shit. I met Jorge when he used to work at Def Jam, and he introduced us to the crew, brought us in the crew.b>b>b>b>/b>/b>/b>/b>/p>p>b>What do you write?/b>/p>p>I write Zev, Zev Love X, I write Doom CM. I want to big up my partners James TOP, KEO. KEO helped me out with the album cover, the coloring. TOP crew, Brooknam.b>b>b>b>/b>/b>/b>/b>/p>p>b>iframe loadinglazy srchttps://www.youtube.com/embed/ayfv0SOjvRs width500 height300 frameborder0 allowfullscreenallowfullscreen>/iframe>/b>/p>p>strong>You use a lot of old 80s R&B records on the Doomsday album, is this a departure from the darker type beats?/strong>/p>p>The way I was doing it was using shit that I remembered, shit that was the shit when I was in high school. Some of them joints was love song type joints, some was ill hip hop joints from 85, 86. So I wanted to make it like a mixtape sort of, blends from the R&B shit to the hip hop shit, like a blend tape from back then but with rhymes on it. The whole era is caught on that shit, so motherfuckers can listen to it and reminisce on that old school shit.br />b>b>b>b>br />b>Yeah, that’s how I feel. Who do you make your records for?/b>/b>/b>/b>/b>/p>p>Myself first of all. I have everybody in mind, the whole world. I make it so anybody in the world can understand it and feel it, but I make it for me really.b>b>b>b>b>/b>/b>/b>/b>/b>/p>p>b>I don’t have too many more questions…/b>/p>p>I’m ready to ask you a question. So what made you interested in interviewing Doom?br />b>b>b>b>b>br />b>It’s a completely different style from everybody else is doing. It seems like everybody wants to sample rare funk records…/b>/b>/b>/b>/b>/b>/p>p>Yeahhh.b>b>b>b>b>/b>/b>/b>/b>/b>/p>p>b>…and your shit is smoother and warmer, less about the digging. And the rhyme style is more difficult to comprehend. The way you put words together…/b>/p>p>Yeah it’s still not slacking on the rhymes. That’s good looking then, I like how you caught that shit.br />b>b>b>b>b>br />b>Can I get you to kick a rhyme? /b>br />/b>/b>/b>/b>/b>br />I don’t really feel like rhyming right now… Laughs You know what I’m sayin, that shit is like a job, I don’t really be wanting to do it in my spare time. But, niggas will definitely hear something. I’ll give you a cassette of some shit I did like a half hour ago that’s hot off the presses! But that rhyming shit, I don’t like doing it just to do it. That’s like a motherfucker who could walk a tightrope. Every time you see him you be like, yo, you think you could balance on this rope for us! I be ready to chill./p>p>strong>Laughing Yeah, I hear that./strong>br />b>b>b>b>b>br />iframe loadinglazy srchttps://www.youtube.com/embed/QYp28tEAVvs width500 height300 frameborder0 allowfullscreenallowfullscreen>/iframe>/b>/b>/b>/b>/b>/p>p>b>Veronika, do you remember Gas Face? That was him on that, ‘you look like your host was a ghost on the grill but still…’ The first record you rhymed on went gold! It had a dope video, too./b>/p>p>The video for that had some conceptual shots, it was like three parts. The first was a dude trying to get a record deal, and the guy behind the desk, what’s that guy’s name? Gilbert Godfried! That was filmed in Russell Simmons’ office at Def Jam, how ironic, right? The second part was like in a classroom with a devil teaching tricknology and how to be deceptive. My part was like a gas station scene, a alleyway scene. That’s when rap was fun back then.b>b>b>b>b>/b>/b>/b>/b>/b>/p>p>b>Like the De La Soul videos, it wasn’t like they had Hype Williams on that shit, it wasn’t that slick. It was just the concepts, like when they were riding on the scooter and kids were throwing rocks at them. And the video where they was in the classroom and Mase threw a record and it stuck in that sucker’s head and shit…/b>/p>p>That was the a hrefhttps://youtu.be/P8-9mY-JACM>Me Myself & I/a> video, I was there when they was filming that shit, that was mad fun!/p>p>strong> Now people want to be sittin around with girls, and ice on and shit./strong>b>b>b>b>br />/b>/b>/b>/b>br />Yeah, it should get back to that raw shit. It’s about the sound and about the visuals, not just thrown together, you know throw the hoes in there, throw the mansion, that shit is like a given. Anybody can do that shit. If you win the lottery, how would you live type shit. But how could you freak the medium?b>b>b>b>/b>/b>/b>/b>/p>p>b>Did you see a hrefhttps://youtu.be/_qzacv8dtb4>The Roots video/a> like that, it was the same style, they had a bunch of girls in a bathtub and it said in the caption “Obligatory Hot Tub Shot?” /b>/p>p>Yeah yeah, they was dissin it while they was doin it, that shit was fat! They definitely made the shit known.b>b>b>b>/b>/b>/b>/b>/p>p>strong>Did Subroc’s death have an effect on the music, does that come through on the album?/strong>/p>p>It had an effect on everything. Musically, now I physically have to do two aspects of the shit. Back then he would do one part and I would do another part and we would have more time to do other shit. I’m taking care of the programming, real technical side of the shit that he did when he was here physically. Other than that it’s still the same, exactly how we would have did it. Cuz he still here in spirit.br />b>b>b>b>br />b>It reminds me of SANE SMITH, how one brother passed then the other kept writing both their names next to each other. He took up the slack.br />/b>/b>/b>/b>/b>br />Yeah, exactly like that.b>b>b>b>/b>/b>/b>/b>/p>p>b>a hrefhttp://www.djayres.com/wp-content/uploads/2021/01/kmd-2.jpg>img decodingasync classalignnone size-full wp-image-2128 srchttp://www.djayres.com/wp-content/uploads/2021/01/kmd-2.jpg altkmd 2 width500 srcsethttp://www.djayres.com/wp-content/uploads/2021/01/kmd-2.jpg 611w, http://www.djayres.com/wp-content/uploads/2021/01/kmd-2-300x296.jpg 300w, http://www.djayres.com/wp-content/uploads/2021/01/kmd-2-450x444.jpg 450w, http://www.djayres.com/wp-content/uploads/2021/01/kmd-2-175x172.jpg 175w sizes(max-width: 611px) 100vw, 611px />/a>/b>/p>p>strong>Note: An MF Doom interview which goes deeper into the KMD years is Brian Coleman’s a hrefhttps://medium.com/cuepoint/check-the-technique-kmds-black-bastards-and-the-birth-of-mf-doom-1849f4c0a6f4>KMD’s Black Bastards and the Birth of MF Doom/a> /strong>/p> /div> small>January 25th, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/uncategorized/ relcategory tag>Uncategorized/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/01/24/bobbito-garcia-interview/ relbookmark titlePermanent Link to Bobbito Garcia interview>Bobbito Garcia interview/a>/h2> div classcontent> p>a hrefhttp://www.djayres.com/wp-content/uploads/2021/01/bobbito-500.jpg>img decodingasync loadinglazy classalignnone size-full wp-image-2143 srchttp://www.djayres.com/wp-content/uploads/2021/01/bobbito-500.jpg altbobbito 500 width500 height323 srcsethttp://www.djayres.com/wp-content/uploads/2021/01/bobbito-500.jpg 500w, http://www.djayres.com/wp-content/uploads/2021/01/bobbito-500-300x193.jpg 300w, http://www.djayres.com/wp-content/uploads/2021/01/bobbito-500-450x290.jpg 450w, http://www.djayres.com/wp-content/uploads/2021/01/bobbito-500-175x113.jpg 175w sizes(max-width: 500px) 100vw, 500px />br />/a>br />This feature originally ran in Shadowbox Magazine, a hip-hop journal which was only published for one or two issues. Other interviews in the magazine: Gift of Gab, Juggaknots, El-P, ESPO and Medusa. At the time of the interview, Stretch Armstrong had moved on from the Stretch and Bobbito show on WKCR and was spinning on Hot 97, while Bob and Lord Sear continued to play underground music on the a hrefhttps://hiphopradioarchive.org/browse/shows/C.M+Famalam/>CM Famalam show/a>, in the original time slot on WKCR 89.9, Columbia University radio. In 2015, the documentary a hrefhttps://vimeo.com/ondemand/stretchandbobbito/140348043>Stretch and Bobbito: Radio that Changed Lives/a> was released, and in the last few years, Stretch and Bob have been recording an interview show, released as a a hrefhttps://music.apple.com/us/curator/stretch-and-bobbito-radio/1496850867?appmusic&ls1&at&ctcur_am2_stretchbob_gen&itscg80172&itsctcur_am2_stretchbob_gen>podcast on Apple Music/a>. You can also keep up with a hrefhttps://twitter.com/koolboblove>Bobbito on Twitter,/a> he stays busy! Now on to the interview:/p>p>strong>When party people go to see Bobbito the Barber spin at a jam, they’d do best to check their expectations at the door. /strong>“I bounce all over the place. I like to play shit from the 70s, I like to play shit from the 80s, I like to play shit from the 90s. I like to play shit from 99. When I’m at the club, I really want the people there to have an open mind, and not judge the records by their familiarity, but by their ability to move to them,”/p>p>strong>Most famous as host of the seminal Stretch Armstrong Show on WKCR in New York City, Bobbito also owns Fondle ‘Em Records, sells music and clothes at Footwork stores in NYC & Philly, writes a column for Vibe Magazine, and hosts an MC showcase at Nuyorican Poets Cafe. About being voted “Best Hip-Hop Radio Show of All Time” by The Source, Bob says/strong> “Me and Stretch and Lord Sear had an incredible run for 8 years, a god blessed 8 years. I don’t know if it was deserved because a lot of their readers don’t remember the shows of the 90s that influenced us.”/p>p>strong>Ayres: “Like?”/strong>/p>p>Bobbito: “The Red Alert shows, the Marley Marl and Pete Rock shows, the Mister Magic shows, the Africa Islam shows, etc. But what me andStretch and Sear were doing was so different from what they did. We took a format and completely stomped on it. We just turned it completely upside down, and I think we changed the way people approached doing hip-hop radio, at least for the nineties decade. I definitely have no problem saying we were the most important hip hop show for the nineties. Especially when you witness the fact that we provided the first opportunity for anybody to hear Nas, Biggie Smalls, Mobb Deep, Black Moon, Mad Skills, and we completely resurrected Kool Keith’s career, Godfather Don’s career; we were the first people to play Souls of Mischief, Artifacts, Company Flow, High and Mighty… all the premier groups of the independent circles were first heard on our show. All the premier groups in the major label circles from New York were premiered on our show. And I hope that a lot of the artists I play now will be the premier artists two or three years from now. On major labels. I think that would be incredible, I hope that happens. There’s a lot of great music that people are missing out on. And it’s a lot different from what’s on radio and video. And the kids that do get to hear it have a special bond with the music because they know the next person on the train doesn’t know who the fuck they’re listening to!”/p>p>strong>Do you think you have a lot of power?/strong>/p>p>“What do you think?” (smiles)/p>p>strong>I think you do./strong>/p>p>“Of course I do, but I don’t approach it like that. I’m a pretty humble person for the amount of exposure I can give to someone. Stretch used to call me the patron saint of unsigned MCs because if the kid is unsigned, then his best route is to approach me. When I had my Rap Pages column, I really had shit locked – I could write about you, I could put you on the air, and I could put you on the showcase at Nuyorican Poets. I don’t look at it as power, I look at it as resources. Because I like helping people. I’m glad I can be in a position to do that. A lot of people now see how much money you can make, and so they go for the big artists. But it’s like I’m not really doing this for the money. It’s nice that I can pay my rent, that I can live off it, but I’ve never had a great desire to be filthy rich. If it happens I’m not going to turn it away, but its not my vision, it’s not my goal.”/p>p>strong>Has the independent scene has gotten too big?/strong>/p>p>“No, it can never get too big. It still caps at 25,000.”/p>p>strong>It just seems like a lot of people can get on vinyl./strong>/p>p>“Yeah, there’s not as much quality control. In the late eighties, a lot of major labels jumped on the rap bandwagon and there wasn’t much quality control because the people doing A&R weren’t from a hip hop aesthetic, you know, born people, so they would just sign whatever. The same thing is happening now with independents becoming so popular, people just feel like it’s easier to to do it yourself than waiting for someone to sign you. In the early nineties I used to get crazy more demos, now I get crazy more independent releases, whereas if it was six years ago, those cats wouldn’t be pressing their shit up on vinyl, just making cassettes. Which is good in a way because there’s a lot more good records, but its bad in a way because there’s a fucking lot more shit records.”/p>p>strong>A lot of independent and freestyle hip-hop is really self-reflexive; (the emcees) are apolitical, they don’t talk about women, they don’t talk about much of anything besides themselves./strong>/p>p>“It’s a very insular community. But as with everything else, guys are going to get tired of talking about the same shit. There are a lot of how the pop rap MCs talk about the same independent and unsigned MCs talking about how the pop rap MCs talk about the same thing, and then again all the independent MCS talk about the same thing. Dissing the pop stuff. They’re worse than the pop rappers because they should know better./p>p>strong>It reminds me of news editorials that say “We’re tired of news about Monica Lewinsky.” Then talk about something else!/strong>/p>p>“Yeah! There’s plenty of other newsworthy stuff out there. Talk about how the Rock Steady Anniversary went. We never get coverage, we get five to seven thousand people from around the globe to gather peacefully. I think that’s a newsworthy story. That it’s been going on for six years without one act of violence.”/p>p>strong>Last December 1998, you and Stretch announced that you would no longer be radio partners due to creative differences. Did the split come because he played more Queensbridge, thugged-out rap, and you played more demo tapes?/strong>/p>p>“That was definitely part of it, he has a penchant for those records. I like a lot of Queensbridge stuff too. I love Mobb Deep and Capone ‘N Noreaga, it’s just not the only thing I like, and continually the artists Stretch would want to book would be that type of artists, and continually I wanted to book the bugged-out, funny, or left-field lyricist type of kids. The kids Stretch has a disdain for, he’d call them the backpack kids. So I would want to bring up Siah and Yeshua da poED and he hates them. And he would want to book acts like The Sporty Thieves… they were cool kids and I liked the instrumental, but lyrically I wasn’t crazy about them. And based on lyrics, which is what is being presented when they come up to the show, I didn’t feel like they were a group that should come up. So we kept going through those types of tugs of war. And what would happen would be that Stretch wouldn’t be there, and he wouldn’t like the stuff I would spin, but I wouldn’t have spun it if he was there.”/p>p>“If you know the history of our show, in the early years I would have some advance or demo and I would be like, ‘Stretch, I wanna throw this on’ and he would be like, ‘yeah, go ahead.’ Around 95 he started not liking a lot of the stuff that I liked, so he would just be like, ‘nah, I don’t wanna play it, I don’t want it to be played while I’m here,’ and he started missing the show so often. So I would hold on to the demos, freestyles, and unreleased shit, and the little independent records that I had. Then when he wasn’t there, I would go on and play my shit, and it would be so different from what he would present that listeners started to sense an imbalance between my interests and his interests. And he used to worry that people thought he like Company Flow, or that he liked Juggaknots, the really left field cats, and that’s what it boiled down to. Like, ‘yo, I’m not too crazy about the shit you’re playing and you’re not too crazy about the shit I’m playing.’ It was just the best for both of us, really, and I think for the listeners too, you know. I know there are some kids that listen to Stretch and hate the shit that I play, and there are some kids that hate the shit that Stretch plays. And there are a lot of kids that love both of us. I’ve been having a lot of fun doing the show with Sear, y’know, I’m not sentimental about doing the show with Stretch…”/p>p>strong>Don’t you miss the jokes?/strong>/p>p>“Me and Sear still joke around a lot, we just don’t have someone with a big nose to joke about.” (Laughs)/p>p>strong>Did you ever feel awkward substituting for as nice a DJ as Stretch?/strong>/p>p>“I always felt like the show had to go on, you know what I mean, and I will not front, I started saying “this is my man Cucumber Slice’ on the radio ’cause I didn’t want nobody to know who Cucumber Slice was, ’cause I sucked. Still to this day I don’t feel like I’m up to par as a radio DJ. Definitely early on I would say, ‘DJ Cucumber Slice is on the mix’because I know if I did a train wreck mix it was too embarrassing to let people know it was me. So when I started getting better at blending I would be like, ‘yo, I’m Cucumber Slice. I was proud enough to say it.”/p>p>a hrefhttp://www.djayres.com/wp-content/uploads/2021/01/bobbito-2-500.jpg>img decodingasync loadinglazy classalignnone size-full wp-image-2144 srchttp://www.djayres.com/wp-content/uploads/2021/01/bobbito-2-500.jpg altbobbito 2 500 width500 height601 srcsethttp://www.djayres.com/wp-content/uploads/2021/01/bobbito-2-500.jpg 500w, http://www.djayres.com/wp-content/uploads/2021/01/bobbito-2-500-249x300.jpg 249w, http://www.djayres.com/wp-content/uploads/2021/01/bobbito-2-500-450x540.jpg 450w, http://www.djayres.com/wp-content/uploads/2021/01/bobbito-2-500-175x210.jpg 175w sizes(max-width: 500px) 100vw, 500px />/a>/p>p>strong>As his skills developed, Bobbito began to spin parties with a lot greater frequency. But it’s not always easy to rock parties with the records he likes:/strong>/p>p>“Hip hop is very accessible to people right now, there’s not a lot of people who want to search to hear new music; people go to a club and want to her what’s familiar to them. To me, I have a completely different orientation. I go to a club and I want to hear something I don’t know, I want to go to the DJ and ask him ‘what the fuck are you playing?’ To me, I get a rush when I don’t know the record.”/p>p>strong>From a dancer’s point of view?/strong>/p>p>“From a dancer’s point of view and from a DJ’s point of view. I don’t know if I’m a throwback. When I first started to go to clubs in the eighties, a lot of the songs you heard at the clubs you wouldn’t hear on the radio. That was the whole reason you went to the clubs, as an alternative to the radio. Now clubs are very similar to what’s being played on the radio. Radio affects clubs, but in the 80’s, clubs affected radio. ‘It Takes Two’ was a big record in the club way before commercial radio picked up on it. It’s weird man, every time I spin I’m neverbr />able to hold gigs for more than a couple of months. Either the owner complains because the crowd doesn’t drink enough… you know, cause they’re more like a dancey crowd, or the progressive people don’t come out as much. I’ll be playing progressive records, like album cuts and b-sides, people just don’t respond. I can’t hold a gig. I don’t rely on djing to pay my rent so I can take chances like that. As with the radio show, it took a long time to build a loyal following, I think what I’ve been trying to cultivate as a club DJ will take a long time, but I can feel it happening. When people see me on the street they’re like ‘yo, when is the next time you’re spinning, where are you djing?’ I’m getting a lot of party gigs, a lot out of state and out of country. So I’m starting to feel like there are people out there who appreciate when I play “Youthful Expression’ instead of ‘Can I Kick It’ or play the remix to ‘They Reminisce Over You’ instead of the album version or… whatever other crazy shit I fucking play.”/p>p>strong>I remember seeing you play at 2I’s a few years ago…/strong>/p>p>“2I’s was fun.”/p>p>strong>It was a lot of fun./strong>/p>p>“People are still talking about that, and that is a perfect example. People were complaining, the owner wasn’t feeling it and he asked me to change my music and I said no, so he said that’s it then, and I said alright.”/p>p>strong>To go to a club and hear soul and dance jazz at the beginning of the night, and work it up to old school b-boy records at the end, you don’t hear that much./strong>/p>p>“That’s another thing, every time I spin I always try to spin b-boy records cause I’m a member of Rocksteady Crew, I don’t feel comfortable playing a hip hop party and not playing b-boy records. You know what I’m saying, it’s like buying a Playboy and there’s no naked women in there, it’s retarded.”/p>p>strong>A lot of underground mcs are making records that reminisce about hip hop in the eighties, like the Arsonists’ “Flashback,” Common’s “Like They Used to Say,” and All Natural’s “Hip Hop History 101.” The Roots, Mos Def, there are so many examples. Can new hip hop capture the energy of the 80’s?/strong>/p>p>“Of course, I don’t even think it has to try, it does. When good records are made, it captures the energy of any time period of hip-hop. A group like the Arsonists that’s very live performance and melody-oriented is gonna catch the vibe of that period because most of the records that came out then really had no other purpose than to play out at a party, so the records that came out then were party records. In the eighties, people weren’t there in the clubs to be seen, they weren’t there just to bob their heads, they were there to dance. Specifically they were there to be on the train at 4:30 in the morning, drenched in sweat when it was like 15 degrees outside.”/p>p>iframe loadinglazy srchttps://open.spotify.com/embed/album/1UEFCnP9DYFbUxM9AoywG0 width300 height380 frameborder0 allowtransparencytrue allowencrypted-media>/iframe>/p>p>iframe loadinglazy srchttps://player.vimeo.com/video/140348043 width500 height300 frameborder0 allowfullscreenallowfullscreen>/iframe>/p>p>a hrefhttps://vimeo.com/140348043>Stretch and Bobbito: Radio That Changed Lives/a> from a hrefhttps://vimeo.com/saboteurmedia>Saboteur Media/a> on a hrefhttps://vimeo.com>Vimeo/a>./p> /div> small>January 24th, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/uncategorized/ relcategory tag>Uncategorized/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/01/24/tbt-spitkicker-mixes/ relbookmark titlePermanent Link to TBT: Spitkicker Mixes>TBT: Spitkicker Mixes/a>/h2> div classcontent> p>While you’re here, listen to some mixtapes: /p>p>iframe loadinglazy width100% height120 srchttps://www.mixcloud.com/widget/iframe/?hide_cover1&light1&feed%2FDJEleven%2Feleven-ayres-spitkicker-collabos-1%2F frameborder0 >/iframe>/p>p>Raps from De La Soul, A Tribe Called Quest, Pharoahe Monch, O.C., Gang Starr and more. Full tracklist on a hrefhttp://www.itstherub.com/tbt-dj-ayres-dj-eleven-spitkicker-collabos-1/>The Rub site/a>./p>p>iframe loadinglazy scrollingno idhearthis_at_track_800653 width100% height150 srchttps://app.hearthis.at/embed/800653/transparent_black/?hcolor&color&style2&block_size2&block_space1&background1&waveform0&cover0&autoplay0&css frameborder0 allowtransparency allowautoplay>/p>p>Listen to a hrefhttps://hearthis.at/djayres/eleven-ayres-spitkicker-collabos-volume-2/ target_blank>DJ Eleven & DJ Ayres – Spitkicker Collabos Volume 2/a> span>by/span>a hrefhttps://hearthis.at/djayres/ target_blank >Ayres Haxton/a> span>on/span> a hrefhttps://hearthis.at/ target_blank>hearthis.at/a>/p>p>/iframe>/p>p>Raps from MF Doom, MF Grimm, Madvillain, Organized Konfusion, M.O.P., Jungle Brothers and more. Tracklist is on a hrefhttps://www.discogs.com/Various-Spitkicker-Collabos-Volume-2/release/3083480>Discogs/a>. /p> /div> small>January 24th, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/dj-mixes/ relcategory tag>DJ Mixes/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/01/23/tbt-check-the-technique-vol-2-mix/ relbookmark titlePermanent Link to TBT: Check The Technique Vol 2 Mix>TBT: Check The Technique Vol 2 Mix/a>/h2> div classcontent> h2>/h2>div classcontent>p>iframe loadinglazy srchttp://www.mixcloud.com/widget/iframe/?feedhttp%3A%2F%2Fwww.mixcloud.com%2Fbrooklynradio%2Fthe-rub-check-the-technique-vol-2%2F&embed_uuidf9812bfd-c281-411b-bdcc-3fcd4771ac0b&replace0&embed_typewidget_standard width400 height400 frameborder0>/iframe>/p>p>strong>The Rub x Brian Coleman – Check The Technique 2/strong>/p>p>A Mixtape for Hip-Hop Junkies selected by DJ Ayres and DJ Eleven frombr />the new book a hrefhttp://www.waxfactspress.com/>Check The Technique Volume 2/a> by Brian Coleman.br />(For more, visit a hrefhttp://www.waxfactspress.com/>www.WaxFactsPress.com/a>)/p>p>a hrefhttps://www.mediafire.com/listen/3xuq77qsc4h5t0b/therub-127-checkthetechnique2.mp3>Download/a>/p>p>a hrefhttps://itunes.apple.com/us/podcast/brooklyn-radio-the-rub/id357413899?mt2>Subscribe to Rub Radio on iTunes/a>/p>p>a hrefhttp://www.itstherub.com/category/history-of-hip-hop/>The Rub History of Hip-Hop/a> 31 Mixes from 1979 – 2010/p>p> /p>p>Tracklist (after the jump)/p>p>1. Wild Style – Subway Themebr />2. Mantronix – Fresh Is The Wordbr />3. Stetsasonic – Sallybr />4. DJ Jazzy Jeff & The Fresh Prince – Brand New Funkbr />5. Lord Finesse – Funky Technicianbr />6. The Beatnuts – No Equalbr />7. Masta Ace – Jeep Ass Niguh (OG + Bizcapella)br />8. Company Flow – Vital Nerve (feat. BMS)br />9. Smif-N-Wessun – Timz N Hood Chekbr />10. Jeru the Damaja – D. Originalbr />11. Raekwon ft. Ghostface Killa & Nas – Verbal Intercoursebr />12. Gravediggaz ft. Shabazz the Disciple & Killah Priest – Diary of A Madmanbr />13. Dr. Octagon – Blue Flowersbr />14. KMD – What A Nigga Know (remix feat. MF Grimm)br />15. Kool G. Rap – On The Run (Al Capone Remix)br />16. Naughty By Nature – Ghetto Bastardbr />17. 3rd Bass – Wordz of Wizdombr />18. Nice & Smooth – Sometimes I Rhyme Slowbr />19. Diamond D – Freestyle (Yo That’s That Shit)br />20. Black Sheep – Gimme The Fingabr />21. Kwame – The Rhythmbr />22. Ed O.G. – I Got To Have Itbr />23. Mos Def & Talib Kweli feat. Common – Respirationbr />24. The Coup – Me and Jesus The Pimp in a ’79 Granada Last Nightbr />25. Ice Cube – Once Upon A Time in the Projects/p>p>Huge thanks to Brian for writing an extraordinary book and letting us pay tribute with this mix, and to Prince Paul for coming through with the drops!/p>p>a hrefhttp://www.waxfactspress.com/>br />Buy the book today!/a>/p>/div> /div> small>January 23rd, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/dj-mixes/ relcategory tag>DJ Mixes/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2021/01/22/rub-radio-jan-2021/ relbookmark titlePermanent Link to Rub Radio Jan 2021>Rub Radio Jan 2021/a>/h2> div classcontent> p>iframe loadinglazy width100% height120 srchttps://www.mixcloud.com/widget/iframe/?hide_cover1&light1&feed%2Fbrooklynradio%2Frub-radio-january-2021%2F frameborder0 >/iframe>/p>p>a hrefhttps://hearthis.at/brooklynradio/rub-radio-jan-2021/download/>DOWNLOAD/a>/p>p>New music to start 2021 off right, from R&B to instrumental hip-hop to Afrobeats to throwback house and more! Mixed as always by Brooklyn’s premier party-rocking crew, The Rub./p>p>Eli Escobar – zombielandbr />Madlib – Hopprockbr />Jazmine Sullivan – Girl Like Me (ft. H.E.R.)br />Melii – You Ain’t Worth It (ft. 6LACK)br />dvsn – So What (ft. Popcaan)br />Wizkid – No Stressbr />Wale – Good Vibes (Za)br />THEY. – Play Fight (ft. Tinashe)br />Preditah – Distant Memory (ft. WSTRN)br />Disclosure – Birthday (ft. Kehlani & SYD) MJ Cole Remixbr />Riton x Nightcrawlers – Friday (ft. Mufasa & Hypeman) Dopamine Re-Editbr />Melanie C – Who I Am (Joe Goddard Remix)br />Zhané – Hey Mr. DJ (Keys N Krates Flip)/p> /div> small>January 22nd, 2021/small>cite>Categories: a hrefhttp://www.djayres.com/category/dj-mixes/ relcategory tag>DJ Mixes/a>, a hrefhttp://www.djayres.com/category/flyers/ relcategory tag>Flyers/a>, a hrefhttp://www.djayres.com/category/the-rub/ relcategory tag>The Rub/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2020/07/17/twitch/ relbookmark titlePermanent Link to Twitch>Twitch/a>/h2> div classcontent> p>a hrefhttps://www.twitch.tv/djayres>img decodingasync loadinglazy srchttp://www.djayres.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-17-at-10.10.41-AM.png altScreen Shot 2020-07-17 at 10.10.41 AM width800 height592 classalignnone size-full wp-image-2121 srcsethttp://www.djayres.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-17-at-10.10.41-AM.png 800w, http://www.djayres.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-17-at-10.10.41-AM-300x222.png 300w, http://www.djayres.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-17-at-10.10.41-AM-450x333.png 450w, http://www.djayres.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-17-at-10.10.41-AM-175x129.png 175w sizes(max-width: 800px) 100vw, 800px />/a>/p>p>During Quarantine, I’m DJing on weekdays from 12-2 (EST) at a hrefhttps://www.twitch.tv/djayres>Twitch.tv/DJAyres/a>. Come join me!/p> /div> small>July 17th, 2020/small>cite>Categories: a hrefhttp://www.djayres.com/category/dj-mixes/ relcategory tag>DJ Mixes/a>, a hrefhttp://www.djayres.com/category/flyers/ relcategory tag>Flyers/a>/cite> /div> div classsingle_entry> h2>a hrefhttp://www.djayres.com/2019/10/15/rub-radio-oct-2019/ relbookmark titlePermanent Link to Rub Radio Oct 2019>Rub Radio Oct 2019/a>/h2> div classcontent> p>iframe loadinglazy width100% height120 srchttps://www.mixcloud.com/widget/iframe/?hide_cover1&light1&feed%2Fbrooklynradio%2Frub-radio-october-2019%2F frameborder0 >/iframe>/p>p>Rub Radio October 2019 is a fat pumpkin full of hip-hop treats, from trap to twerk to pop to backpack rap! Be sure to come party with us at The Bell House on October 26. Buy your tickets a hrefhttps://www.eventbrite.com/e/the-rub-halloween-tickets-67023570303>right here/a>./p>p>a hrefhttps://hearthis.at/brooklynradio/rub-radio-october-2019/download/>DOWNLOAD Rub Radio October 2019/a>/p>p>Lil Tjay – F.N.br />Dreamville – Costa Ricabr />DaBaby – RAW Shit (ft. Migos)br />Chance The Rapper – GRoCERIES (ft. TisaKorean)br />Travis Scott – Highest in the Roombr />Lil Tecca – Did It Againbr />Lizzo – Truth Hurts Remix (ft. DaBaby)br />IDK – Lillybr />Polo G – Pop Out Remix (ft. Lil Tjay, Lil Baby & Gunna)br />Big Sean – Berzerk (ft. A$AP Ferg & Hit Boy)br />Saweetie – My Type Remix (ft. Jhene Aiko & City Girls)br />Anderson .Paak – Jet Black (ft. Brandy)br />Big K.R.I.T. – Addiction (ft. Lil Wayne & Saweetie)br />Gang Starr – Family & Loyalty (ft. J. Cole)br />Skyzoo & Pete Rock – It’s All Goodbr />Danny Brown – 3 Tearz (ft. Run The Jewels)/p> /div> small>October 15th, 2019/small>cite>Categories: a hrefhttp://www.djayres.com/category/flyers/ relcategory tag>Flyers/a>/cite> /div> div classnavigation> div classalignleft>a hrefhttp://www.djayres.com/page/2/ >« Older Entries/a>/div> div classalignright>/div> /div> /div> div classsidebar> ul> li classevents> h2>Dates/h2> ul> li> a hrefhttp://www.djayres.com/2021/01/22/rub-radio-jan-2021/>img width175 height175 srchttp://www.djayres.com/wp-content/uploads/2021/01/Rub-Radio-January-2021-175x175.jpg classattachment-small-flyer size-small-flyer wp-post-image alt decodingasync loadinglazy srcsethttp://www.djayres.com/wp-content/uploads/2021/01/Rub-Radio-January-2021-175x175.jpg 175w, http://www.djayres.com/wp-content/uploads/2021/01/Rub-Radio-January-2021-150x150.jpg 150w, http://www.djayres.com/wp-content/uploads/2021/01/Rub-Radio-January-2021-300x300.jpg 300w, http://www.djayres.com/wp-content/uploads/2021/01/Rub-Radio-January-2021-450x450.jpg 450w, http://www.djayres.com/wp-content/uploads/2021/01/Rub-Radio-January-2021.jpg 902w sizes(max-width: 175px) 100vw, 175px />/a> h4>a hrefhttp://www.djayres.com/2021/01/22/rub-radio-jan-2021/>Rub Radio Jan 2021/a>/h4> /li> li> h4>a hrefhttp://www.djayres.com/2020/07/17/twitch/>Twitch/a>/h4> /li> li> h4>a hrefhttp://www.djayres.com/2019/10/15/rub-radio-oct-2019/>Rub Radio Oct 2019/a>/h4> /li> /ul> /li> li classmailing> form methodpost actionhttp://ymlp.com/subscribe.php?YMLPIDguqujhygmge targetYMLP_popup onSubmitwindow.open(http://ymlp.com/subscribe.php?YMLPIDguqujhygmge,YMLP_popup,scrollbarsyes,width600,height450); return true;> h2>Join The Rub mailing list!/h2> h3>E-mail address:/h3> input nameYMP0 size20 typetext /> input typesubmit valueJoin! /> /form> /li> li classtwitter> a classtwitter-timeline hrefhttps://twitter.com/djayres data-widget-id524320702862602240>Tweets by @djayres/a> script>!function(d,s,id){var js,fjsd.getElementsByTagName(s)0,p/^http:/.test(d.location)?http:https;if(!d.getElementById(id)){jsd.createElement(s);js.idid;js.srcp+://platform.twitter.com/widgets.js;fjs.parentNode.insertBefore(js,fjs);}}(document,script,twitter-wjs);/script> /li> li classmusic> h2>Music/h2> ul> li> img srchttp://djayres.com/wp-content/uploads/2014/01/Beautiful-People-EP1.jpg /> h3>a hrefhttp://djayres.com/MP3/tanda/BP/Beautiful%20People.zip target_blank>Beautiful People/a>/h3> /li> li> img srchttp://djayres.com/wp-content/uploads/2013/06/The-Rub-EP-web-300x300.jpg /> h3>a hrefhttp://www.itstherub.com/the-rub-ep-on-itunes/ target_blank>The Rub EP/a>/h3> /li> /ul> /li> li classbookmarks> ul> li>a hrefhttp://www.djayres.com/bio>Bio/a>/li> li>a hrefmailto:holler@djayres.com>Contact/a>/li> li>a hrefhttp://www.djayres.com>DJ Ayres/a>/li> li>a hrefhttp://www.djayres.com/category/downloads>Downloads/a>/li> li>a hrefhttp://www.djayres.com/links>Links/a>/li> li>a hrefhttp://www.djayres.com/category/photos>Photos/a>/li> li>a hrefhttp://www.djayres.com/category/press>Press/a>/li> li>a hrefhttp://store.itstherub.com/>Store/a>/li> li>a hrefhttp://www.itstherub.com>The Rub/a>/li> li>a hrefhttp://www.djayres.com/top-tens>Top Tens/a>/li> /ul> /li> li classcategories>h2>Categories/h2>ul> li classcat-item cat-item-14>a hrefhttp://www.djayres.com/category/dj-mixes/>DJ Mixes/a>/li> li classcat-item cat-item-11>a hrefhttp://www.djayres.com/category/flashing-lights/>Flashing Lights/a>/li> li classcat-item cat-item-12>a hrefhttp://www.djayres.com/category/flyers/>Flyers/a>/li> li classcat-item cat-item-17>a hrefhttp://www.djayres.com/category/heavy-warmup/>Heavy Warmup/a>/li> li classcat-item cat-item-18>a hrefhttp://www.djayres.com/category/small-talk-podcast/>Small Talk Podcast/a>/li> li classcat-item cat-item-13>a hrefhttp://www.djayres.com/category/ta-records/>T&A Records/a>/li> li classcat-item cat-item-6>a hrefhttp://www.djayres.com/category/the-rub/>The Rub/a>/li> li classcat-item cat-item-1>a hrefhttp://www.djayres.com/category/uncategorized/>Uncategorized/a>/li> li classcat-item cat-item-7>a hrefhttp://www.djayres.com/category/veronikas-news/>Veronika's News Corner/a>/li> li classcat-item cat-item-15>a hrefhttp://www.djayres.com/category/videos/>Videos/a>/li> li classcat-item cat-item-19>a hrefhttp://www.djayres.com/category/vinyl-mondays/>Vinyl Mondays/a>/li> li classcat-item cat-item-25>a hrefhttp://www.djayres.com/category/woodworking/>Woodworking/a>/li> li classcat-item cat-item-16>a hrefhttp://www.djayres.com/category/young-robots/>Young Robots/a>/li>/ul>/li> li> form rolesearch methodget idsearchform classsearchform actionhttp://www.djayres.com/> div> label classscreen-reader-text fors>Search for:/label> input typetext value names ids /> input typesubmit idsearchsubmit valueSearch /> /div> /form> /li> /ul> /div> /div> div classfooter> p>© 2010 DJ Ayres | Site built by a hrefhttp://www.maude_rewrite.com>maude_rewrite/a>/p> /div>/body>/html>
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