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NS10318.DIZINC.COM
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2011-06-07 00:00:00
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PDR LTD. D/B/A PUBLI
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HTTP/1.1 301 Moved PermanentlyDate: Mon, 23 Sep 2024 05:18:02 GMTContent-Type: text/htmlContent-Length: 166Connection: keep-aliveLocation: https://shoujie.net/Server: Cargo html>head>title>301 Moved Permanently/title>/head>body>center>h1>301 Moved Permanently/h1>/center>hr>center>openresty/center>/body>/html>
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HTTP/1.1 200 OKDate: Mon, 23 Sep 2024 05:18:02 GMTContent-Type: text/html; charsetutf-8Content-Length: 44592Connection: keep-aliveX-Cache-Status: C3-HITServer: Cargo !DOCTYPE html>html classwf-initial-load> head> meta charsetutf-8> meta nameviewport contentwidthdevice-width, initial-scale1, shrink-to-fitno> title>shou jie eng/title> script>window.__PRELOADED_STATE__{structure:{byParent:{root:G4120952749,D3154487562,L1726044883},bySort:{G4120952749:4,D3154487562:5,L1726044883:0},indexById:{G4120952749:null,D3154487562:null,L1726044883:0},liveIndexes:{}},site:{id:2429692,direct_link:https://shoujie.net,display_url:shoujie.net,site_url:shoujie,domain:shoujie.net,domain_active:true,domain_purchased:false,domain_pending:false,css_url:https://shoujie.net/stylesheet,rss_url:https://shoujie.net/rss,favicon_url:https://freight.cargo.site/t/original/i/J1836443521908393521871926515728/cropped-IMG_2196B.ico,website_title:shou jie eng,access_level:public,is_private:false,is_deleted:false,is_upgraded:false,is_template:false,show_cargo_logo:false,has_annex_upgrade:true,has_domain_addon:true,has_commerce_addon:false,has_storage_addon:false,can_duplicate:false,can_copy:false,site_password_enabled:false,recent_date:2024-06-23 03:17:27,upgrade_expire_date:,version:Cargo3,total_file_size:12268909,meta_tags:,homepage_id:null,homepage_purl:null,mobile_homepage_id:null,mobile_homepage_purl:null,screenshot:{id:42790388,name:screenshot-3799526063.jpg,hash:V1982316207846139608749022042128,width:1792,height:1120,file_size:null,file_type:jpg,mime_type:image/jpeg,is_image:true,is_video:false},site_preview_type:screenshot,site_preview_image:,site_preview_url:https://freight.cargo.site/w/1000/i/V1982316207846139608749022042128/screenshot-3799526063.jpg,has_site_description:true,site_description:shou jie eng,custom_html:,shop_id:null,fonts:{family:Diatype Variable,provider:cargo},{family:Diatype Mono Variable,provider:cargo},tags:},pages:{byId:{G4120952749:{id:G4120952749,title:Left Info Panel — desktop,purl:left-info-panel---desktop,page_type:page,content:\u003ch1>\u003ca href\#\ rel\home-page\>Shou\u003c/a> Jie Eng\u003c/h1>\u003cbr />\u003cbr />\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShou Jie Eng is a writer and architectural\ndesigner. His work addresses the spatial and embodied narratives that are\npresent in histories of labour and cultures of craft. Originally from\nSingapore, he runs Left Field Projects, \u003cbr />\na multi-disciplinary design practice\nlocated in Hartford, CT. He received his MArch from the Rhode Island\nSchool of Design.\u003cbr />\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003cbr />\nHis writing\nhas appeared or is forthcoming in \n\u003ci>\nThe Los Angeles Review,\n\nTupelo Quarterly, Posit, \u003c/i> the anthology \u003ci>New Singapore Poetries \u003c/i>(Gaudy Boy), and\nelsewhere. He was a finalist for the 2024 Kenyon Review Poetry Contest.\u003cbr />\n\n\n\u003cbr />\nAlongside\nhis practice, Shou Jie teaches courses in architectural drawing and other\nrepresentational topics at the Rhode Island School of Design.\n\n\n\n\n\n\n\u003cbr />\u003cbr />\u003ca href\contact-form\ rel\history\ target\_blank\>Email\u003c/a>\u003cbr />\n\u003ca href\https://www.instagram.com/leftfieldprojects/\ target\_blank\>Instagram\u003c/a>\u003cbr />\u003ca href\https://leftfield.site\ target\_blank\>Left Field Projects\u003c/a>\u003cbr />\u003ca href\https://www.risd.edu/academics/architecture/faculty/shou-jie-eng\ target\_blank\>\nRISD Architecture\u003c/a>\u003cbr />,local_css:id\G4120952749\ .page-layout {\n\tmax-width: 25%;\n}\n\nid\G4120952749\.page {\n\tjustify-content: flex-start;\n\tmin-height: var(--viewport-height);\n}\n\nid\G4120952749\ .page-content {\n\talign-items: flex-start;\n},display:true,stack:false,pin:true,overlay:false,password_enabled:false,page_count:null,page_design_options:null,backdrops:{activeBackdrop:none,backdropSettings:{wallpaper:{activeImage:V1836292147133314666121854900240,alignments:{V1836292147133314666121854900240:{x:42.25806451612903,y:7.615379218241787}},image-fit:fill,opacity:1}}},pin_options:{screen_visibility:desktop,position:top,overlay:true,fixed:true,adjust:false},overlay_options:{},thumb_media_id:38362025,thumbnail:{id:38362025,name:scan010-01B.jpg,hash:V1836292147133314666121854900240,width:4171,height:3251,file_size:4240189,file_type:jpg,mime_type:image/jpeg,is_image:true,is_video:false,is_url:false,has_audio_track:null,duration:null,url:null,url_id:null,url_thumb:null,url_type:null,created_at:2024-06-23 03:33:17.149864,updated_at:2024-06-23 03:33:17.149864},thumb_meta:,media:{id:38362025,name:scan010-01B.jpg,hash:V1836292147133314666121854900240,width:4171,height:3251,file_size:4240189,file_type:jpg,mime_type:image/jpeg,is_image:true,is_video:false,is_url:false,in_use:true,created_at:2024-06-23T03:33:17.149864Z,updated_at:2024-06-23T03:33:17.149864Z},tags:,access_level:public},D3154487562:{id:D3154487562,title:Left Info Panel — mobile,purl:left-info-panel---mobile,page_type:page,content:\u003ca href\#\ rel\home-page\>\u003ch2>Shou Jie Eng\u003c/h2>\u003c/a>\u003cbr />\u003cbr />\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShou Jie Eng is a writer and architectural\ndesigner. His work addresses the spatial and embodied narratives that are\npresent in histories of labour and cultures of craft. Originally from\nSingapore, he runs Left Field Projects, a multi-disciplinary design practice\nlocated in Hartford, CT. He received his MArch from the Rhode Island\nSchool of Design.\n\n\n\n\u003cbr />\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003cbr />\nHis writing\nhas appeared or is forthcoming in \u003ci>The Los Angeles Review, Tupelo Quarterly, Posit, \u003c/i> the anthology \u003ci>New Singapore Poetries \u003c/i>(Gaudy Boy), and\nelsewhere. He was a finalist for the 2024 Kenyon Review Poetry Contest.\n\n\u003cbr />\n\n\n\u003cbr />Alongside\nhis practice, Shou Jie teaches courses in architectural drawing and other\nrepresentational topics at the Rhode Island School of Design.\n\n\u003cbr />\u003cbr />\n\u003ca href\contact-form\ rel\history\ target\_blank\>Email\u003c/a>\u003cbr />\n\u003ca href\https://www.instagram.com/leftfieldprojects/\ target\_blank\>Instagram\u003c/a>\u003cbr />\u003ca href\https://leftfield.site\ target\_blank\>Left Field Projects\u003c/a>\u003cbr />\u003ca href\https://www.risd.edu/academics/architecture/faculty/shou-jie-eng\ target\_blank\>RISD Architecture\u003c/a>\n\n\u003cbr />\n\u003cbr />\n\u003chr />,local_css:id\D3154487562\ .page-layout {\n\tmax-width: 25%;\n}\n\nid\D3154487562\.page {\n\tjustify-content: flex-start;\n},display:true,stack:false,pin:true,overlay:false,password_enabled:false,page_count:null,page_design_options:null,backdrops:{activeBackdrop:none},pin_options:{screen_visibility:mobile,position:top,overlay:true,fixed:false,adjust:true},overlay_options:{},thumb_media_id:null,thumbnail:null,thumb_meta:,media:,tags:,access_level:public},L1726044883:{id:L1726044883,title:Page 1,purl:page-1,page_type:page,content:\u003ccolumn-set gutter\2rem\>\u003ccolumn-unit slot\0\>\u003c/column-unit>\u003ccolumn-unit slot\1\>\u003c/column-unit>\u003ccolumn-unit slot\2\>\n\u003ch2>Journals and Magazines\u003cbr />\n\u003cbr />\n\u003c/h2>\u003ci>Posit:\u003c/i> ‘Animal Geometries’, ‘Storm King Wavefield, 2007-08’, ‘Why We Kept Relocating’, ‘In Graz’ (forthcoming 2025)\u003cbr />\n\u003cbr />\n\n\u003ci>Kitchen Table Quarterly: \u003c/i>‘Shoreline Sketch’ (forthcoming 2025)\u003cbr />\n\u003cbr />\n\n\u003ci>\nThe Los Angeles Review: \u003c/i>‘On Learning that Chiquita Brands Financed Paramilitary Killings in Colombia’ (forthcoming)\u003ci>\u003cbr />\n\n\n\u003cbr />\nThe Westchester Review: \u003c/i>‘Jeanne-Claude’, ‘Extractive Capital, Found in Two Folios at the Whaling Museum’ (forthcoming)\n\n\u003cbr />\n\u003cbr />\u003ci>the tiny journal: \u003c/i>‘Ode to a Small Wood Model, Made Up Over the Weekend’ (forthcoming)\u003cbr />\n\u003cbr />\n\u003ci>Grist: \u003c/i>‘Ghazal Across a Series of Construction Lines Marked \nA'\n\n through\nG' ’ (forthcoming)\n\n\n\n\n\u003cbr />\n\u003cbr />\n\n\n\n\u003ci>Common Ground Review: \u003c/i>\u003ca href\https://www.cgreview.org/magazine/our-building-remembers\ target\_blank\>‘Our Building Remembers’\u003c/a>, \u003ca href\https://www.cgreview.org/magazine/ewr\ target\_blank\>‘EWR’\u003c/a> \n\n\u003cbr />\n\u003cbr />\n\u003ci>Cathexis Northwest: \u003c/i>\u003ca href\https://www.cathexisnorthwestpress.com/july-august-2023\ target\_blank\>‘Lay Like Rope Across the Deck, Stranded’\u003c/a>\u003cbr />\n\u003cbr />\n\u003ci>\u003c/i>\n\u003ci>SOFTBLOW Poetry Journal\u003c/i>: \u003ca href\http://www.softblow.org/shoujieeng.html\ target\_blank\>‘Four Divers’\u003c/a>\u003cbr />\n\u003cbr />\n\u003ci>Tupelo Quarterly: \u003c/i>\u003ca href\https://www.tupeloquarterly.com/editors-selections/four-divers-by-shou-jie-eng/\ target\_blank\>‘Four Divers’\u003c/a> \u003cbr />\nwith an \u003ca href\https://www.tupeloquarterly.com/editors-selections/an-introduction-to-shou-jie-eng-by-seth-brady-tucker/\ target\_blank\>introduction\u003c/a> by Seth Brady Tucker\u003cbr />\n\u003cbr />\n\u003ci>Speculative Nonfiction:\u003c/i> \u003ca href\https://www.speculativenonfiction.org/contributions/2020/12/15/hopkins-house-condominium-association\ target\_blank\>‘Hopkins House Condominium Association’\u003c/a>\u003cbr />\n\u003cbr />\n\n\u003ci>\u003c/i>\u003ci>The Ekphrastic Review: \u003c/i>\u003ca href\https://www.ekphrastic.net/the-ekphrastic-review/three-ghosts-by-shou-jie-eng\ target\_blank\>‘Three Ghosts’\u003c/a>\n\n\u003cbr />\n\u003cbr />\n\u003ci>Singapore Unbound SP Blog\u003c/i>\u003ci>: \u003c/i>\u003ca href\https://singaporeunbound.org/blog/2020/10/14/three-ghosts\ target\_blank\>‘Three Ghosts’\u003c/a>\u003cbr />\n\u003cbr />\n\n\n\u003ci>Singapore Unbound SP Blog: \n\u003ca href\https://singaporeunbound.org/blog/2020/7/6/the-right-to-vote-the-stories-of-overseas-singaporeans\ target\_blank\>‘\u003c/a>\u003c/i>\u003ca href\https://singaporeunbound.org/blog/2020/7/6/the-right-to-vote-the-stories-of-overseas-singaporeans\>I leave at eleven in the morning, and return at midnight’\u003c/a>\n\n\n\n\u003cbr />\n\n\u003ch2>\u003cbr />\nAnthologies\u003cbr />\n\u003cbr />\n\u003c/h2>\n\u003ci>\n\n\n\u003ca href\https://singaporeunbound.org/new-singapore-poetries\ target\_blank\>New Singapore Poetries\u003c/a>\u003c/i> (New York, NY: Gaudy Boy)\u003ci>\u003cbr />\n\u003cbr />\nThe Earth Of: Writing Through a Time of Rupture \u003c/i>(Averill Park, NY: Arts Letters & Numbers)\u003ci>\n\n\u003cbr />\n\u003cbr />\n\u003ca href\https://queer.archive.work/urgencyreader2/\ target\_blank\>Urgency Reader 2\u003c/a> \u003c/i>(Providence, RI: Queer.Archive.Work)\u003ci>\u003cbr />\n\u003cbr />\n\u003ca href\https://www.wendyssubway.com/publishing/titles/ritual-and-capital\ target\_blank\>Ritual and Capital\u003c/a> \u003c/i>(New York, NY: Wendy’s Subway and Bard Graduate Centre)\u003cbr />\n\n\n\n\n\n\n\u003ch2>\n\u003cbr />\nEssays\u003cbr />\n\u003cbr />\n\u003c/h2>\n\n\u003ci>CARTHA Magazine: \u003c/i>\u003ca href\https://www.carthamagazine.com/issue/5-2/\ target\_blank\>‘Christine’s Shining Stones’\u003c/a> \u003ca href\https://www.carthamagazine.com/wp-content/uploads/2021/02/CARTHA_2020_INVISIBLE-STRUCTURES_Shou-Jie-Eng.pdf\ target\_blank\>(pdf)\u003c/a>\u003cbr />\n\u003cbr />\n\u003ci>Paprika!\u003c/i>: \u003ca href\https://yalepaprika.com/folds/provisionally-together/simultaneity-in-the-city-of-ladies\ target\_blank\>‘Simultanaeity in the City of Ladies’\u003c/a>\u003cbr />\n\u003cbr />\n\u003ci>Paprika!\u003c/i>: \u003ca href\https://yalepaprika.com/folds/borders-as-practice/disciplinary-candy\ target\_blank\>‘Disciplinary Candy’\u003c/a>\u003cbr />\n\u003cbr />\n\u003ci>We Begin When We Finish When We Begin\u003c/i> (Providence, RI: Rhode Island School of Design): ‘recordings:detroit and the Geographies of Collaborative Work’\u003cbr />\n\u003cbr />\u003cbr />\n\n\u003c/column-unit>\u003c/column-set>,local_css:id\L1726044883\.page {\n\tmin-height: var(--viewport-height);\n}\n\nid\L1726044883\ .page-content {\n\talign-items: 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--buffer-background-color: rgba(0, 0, 0, 0.03); --progress-background-color: rgba(0, 0, 0, 0.075); --border-lines: 1px solid rgba(0, 0, 0, 0.2); font-size: 1.2rem; width: 32rem; height: 2.75em; font-family: Diatype Variable; font-style: normal; font-weight: 400; font-variation-settings: slnt 0, MONO 0; line-height: normal; letter-spacing: 0em; margin-bottom: 0.5em; border-radius: 10em;}audio-player::part(button) { --icon-color: rgba(0, 0, 0, 0.85); --icon-size: 32%; --play-text: ; --pause-text: ; width: 3.15em; display: inline-flex; justify-content: center; cursor: pointer;}audio-player::part(play-icon) { padding-left: 0.6em;}audio-player::part(pause-icon) { padding-left: 0.4em;}audio-player::part(progress-indicator) { border-right: 1px solid rgba(0, 0, 0, 0); height: 100%; cursor: ew-resize;}audio-player::part(separator) { border-right: var(--border-lines);}body.mobile audio-player { max-width: 100%;}/style>style idmobile-offset-styles>/style>style idtext-style-font-sizes>/style>style idlink-styles>/style>style idfont-feature-settings-styles>/style>div classcontent>div idG4120952749 page-urlleft-info-panel---desktop classpage pinned pinned-top fixed >a idleft-info-panel---desktop>/a>div classpage-layout>div classpage-content>bodycopy style--fit-height: 10px; --resize-parent-width: 100%;>h1>a href# relhome-page>Shou/a> Jie Eng/h1>br />br />Shou Jie Eng is a writer and architecturaldesigner. His work addresses the spatial and embodied narratives that arepresent in histories of labour and cultures of craft. Originally fromSingapore, he runs Left Field Projects, br />a multi-disciplinary design practicelocated in Hartford, CT. He received his MArch from the Rhode IslandSchool of Design.br /> br />His writinghas appeared or is forthcoming in i>The Los Angeles Review,Tupelo Quarterly, Posit, /i> the anthology i>New Singapore Poetries /i>(Gaudy Boy), andelsewhere. He was a finalist for the 2024 Kenyon Review Poetry Contest.br />br />Alongsidehis practice, Shou Jie teaches courses in architectural drawing and otherrepresentational topics at the Rhode Island School of Design.br />br />a hrefcontact-form relhistory target_blank>Email/a>br />a hrefhttps://www.instagram.com/leftfieldprojects/ target_blank>Instagram/a>br />a hrefhttps://leftfield.site target_blank>Left Field Projects/a>br />a hrefhttps://www.risd.edu/academics/architecture/faculty/shou-jie-eng target_blank>RISD Architecture/a>br />/bodycopy>/div>/div>style>id"G4120952749" .page-layout { max-width: 25%;}id"G4120952749".page { justify-content: flex-start; min-height: var(--viewport-height);}id"G4120952749" .page-content { align-items: flex-start;}/style>style idmobile-offset-styles-G4120952749>/style>/div>div stylemargin-top: 0px; margin-bottom: 0px; classpages>div data-directionup classpagination-watcher >/div>div data-containerset data-idroot>div idL1726044883 page-urlpage-1 classpage >div classbackdrop >div style--backdrop-width: 800px; --backdrop-height: 800px; classbackdrop-contents inside >div classwallpaper>/div>/div>/div>a idpage-1>/a>div classpage-layout>div classpage-content>bodycopy style--fit-height: 10px; --resize-parent-width: 100%;>column-set gutter2rem>column-unit slot0>/column-unit>column-unit slot1>/column-unit>column-unit slot2>h2>Journals and Magazinesbr />br />/h2>i>Posit:/i> ‘Animal Geometries’, ‘Storm King Wavefield, 2007-08’, ‘Why We Kept Relocating’, ‘In Graz’ (forthcoming 2025)br />br />i>Kitchen Table Quarterly: /i>‘Shoreline Sketch’ (forthcoming 2025)br />br />i>The Los Angeles Review: /i>‘On Learning that Chiquita Brands Financed Paramilitary Killings in Colombia’ (forthcoming)i>br />br />The Westchester Review: /i>‘Jeanne-Claude’, ‘Extractive Capital, Found in Two Folios at the Whaling Museum’ (forthcoming)br />br />i>the tiny journal: /i>‘Ode to a Small Wood Model, Made Up Over the Weekend’ (forthcoming)br />br />i>Grist: /i>‘Ghazal Across a Series of Construction Lines Marked A' throughG' ’ (forthcoming)br />br />i>Common Ground Review: /i>a hrefhttps://www.cgreview.org/magazine/our-building-remembers target_blank>‘Our Building Remembers’/a>, a hrefhttps://www.cgreview.org/magazine/ewr target_blank>‘EWR’/a> br />br />i>Cathexis Northwest: /i>a hrefhttps://www.cathexisnorthwestpress.com/july-august-2023 target_blank>‘Lay Like Rope Across the Deck, Stranded’/a>br />br />i>/i>i>SOFTBLOW Poetry Journal/i>: a hrefhttp://www.softblow.org/shoujieeng.html target_blank>‘Four Divers’/a>br />br />i>Tupelo Quarterly: /i>a hrefhttps://www.tupeloquarterly.com/editors-selections/four-divers-by-shou-jie-eng/ target_blank>‘Four Divers’/a> br />with an a hrefhttps://www.tupeloquarterly.com/editors-selections/an-introduction-to-shou-jie-eng-by-seth-brady-tucker/ target_blank>introduction/a> by Seth Brady Tuckerbr />br />i>Speculative Nonfiction:/i> a hrefhttps://www.speculativenonfiction.org/contributions/2020/12/15/hopkins-house-condominium-association target_blank>‘Hopkins House Condominium Association’/a>br />br />i>/i>i>The Ekphrastic Review: /i>a hrefhttps://www.ekphrastic.net/the-ekphrastic-review/three-ghosts-by-shou-jie-eng target_blank>‘Three Ghosts’/a>br />br />i>Singapore Unbound SP Blog/i>i>: /i>a hrefhttps://singaporeunbound.org/blog/2020/10/14/three-ghosts target_blank>‘Three Ghosts’/a>br />br />i>Singapore Unbound SP Blog: a hrefhttps://singaporeunbound.org/blog/2020/7/6/the-right-to-vote-the-stories-of-overseas-singaporeans target_blank>‘/a>/i>a hrefhttps://singaporeunbound.org/blog/2020/7/6/the-right-to-vote-the-stories-of-overseas-singaporeans>I leave at eleven in the morning, and return at midnight’/a>br />h2>br />Anthologiesbr />br />/h2>i>a hrefhttps://singaporeunbound.org/new-singapore-poetries target_blank>New Singapore Poetries/a>/i> (New York, NY: Gaudy Boy)i>br />br />The Earth Of: Writing Through a Time of Rupture /i>(Averill Park, NY: Arts Letters & Numbers)i>br />br />a hrefhttps://queer.archive.work/urgencyreader2/ target_blank>Urgency Reader 2/a> /i>(Providence, RI: Queer.Archive.Work)i>br />br />a hrefhttps://www.wendyssubway.com/publishing/titles/ritual-and-capital target_blank>Ritual and Capital/a> /i>(New York, NY: Wendy’s Subway and Bard Graduate Centre)br />h2>br />Essaysbr />br />/h2>i>CARTHA Magazine: /i>a hrefhttps://www.carthamagazine.com/issue/5-2/ target_blank>‘Christine’s Shining Stones’/a> a hrefhttps://www.carthamagazine.com/wp-content/uploads/2021/02/CARTHA_2020_INVISIBLE-STRUCTURES_Shou-Jie-Eng.pdf target_blank>(pdf)/a>br />br />i>Paprika!/i>: a hrefhttps://yalepaprika.com/folds/provisionally-together/simultaneity-in-the-city-of-ladies target_blank>‘Simultanaeity in the City of Ladies’/a>br />br />i>Paprika!/i>: a hrefhttps://yalepaprika.com/folds/borders-as-practice/disciplinary-candy target_blank>‘Disciplinary Candy’/a>br />br />i>We Begin When We Finish When We Begin/i> (Providence, RI: Rhode Island School of Design): ‘recordings:detroit and the Geographies of Collaborative Work’br />br />br />/column-unit>/column-set>/bodycopy>/div>/div>style>id"L1726044883".page { min-height: var(--viewport-height);}id"L1726044883" .page-content { align-items: flex-start;}/style>style idmobile-offset-styles-L1726044883>/style>/div>/div>div data-directiondown classpagination-watcher >/div>/div>/div> script srchttps://build.cargo.site/frontend/9ee4d0/index.js async typemodule>/script> /body>/html>
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