Domain > selmancelik.info

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Whois

Property	Value
Name	Selman Celik
Organization	SelmanCelik
Email	selman@selmancelik.info
Address	Istanbul
Zip Code	34670
City	Istanbul
State	Istanbul
Country	TR
Phone	+90.5350000000
Fax	+90.2120000000
NameServer	ns2.natrohost.com
Created	2006-12-20 09:07:58
Changed	2015-11-19 11:45:18
Expires	2016-12-20 09:07:58
Registrar	Nics Telekomunikasyo

DNS Resolutions

Date	IP Address
2024-11-07	94.73.146.33 (ClassC)

HTTP/1.1 200 OKConnection: Keep-AliveKeep-Alive: timeout5, max100content-type: text/htmllast-modified: Wed, 12 Jun 2024 17:30:27 GMTaccept-ranges: bytescontent-length: 20303date: Thu, 07 Nov 2024 09:34:59 GMTserver: LiteSpeed

!DOCTYPE html>html langtr>head>    meta charsetUTF-8>    meta nameviewport contentwidthdevice-width, initial-scale1.0>    meta namedescription contentDr. Selman ÇELİK - Resmi Web Sitesi />	meta namekeywords contentselman, selman celik, selman çelik, celikselman, çelikselman, dr selman çelik, dr. selman çelik, Dr. Selman Çelik, Dr. Selman ÇELİK, DR. SELMAN ÇELİK />    title>Dr. Selman ÇELİK - Resmi Web Sitesi/title>  !--favicon-img-->   link relicon typeimage/png hrefimages/favicon.png>   !--favicon-img-->   !--main css file should not be removed -->    link relstylesheet hrefcss/index.css>    !--main css file-->    script srcjs/gsap.min.js>/script>/head>body>    !--contains all the div-->    div idall>    !--mouse  follower-->        div classcursor>/div>    !--mouse  follower-->    !--loader-->        div idloader>            span classcolor>Dr./span>Selman ÇELİK        /div>    !--loader-end-->    !--link-screen-->        div idbreaker>        /div>        div idbreaker-two>        /div>    !--link-screen-->        !--Main-Section-->        !--Navigator-fullscreen-->        div idnavigation-content>            div classnavigation-close>                span classclose-first>/span>                span classclose-second>/span>            /div>            div classnavigation-links>                a href# data-textANASAYFA idhome-link >ANASAYFA/a>                a href# data-textHAKKINDA idabout-link >HAKKINDA/a>                a href# data-textMAKALELER idblog-link >MAKALELER/a>                a href# data-textŞİİRLER idportfolio-link >ŞİİRLER/a>                a href# data-textİLETİŞİM idcontact-link >İLETİŞİM/a>            /div>        /div>        !--Navigator-Fullscreen END-->          !--Home Page-->        !--Menubar-->        div idnavigation-bar>            div classmenubar>                span classfirst-span>/span>                span classsecond-span>/span>                span classthird-span>/span>            /div>        /div>        !--Menubar End-->          !--Header-->        div idheader>            div idparticles>/div>              !--Social Media Links-->            div classsocial-media-links>               a hrefhttps://www.instagram.com/celikselman target_blank>img srcimages/instagram.png classsocial-media>/a>              a hrefhttps://twitter.com/celikselman target_blank>img srcimages/twitter.png classsocial-media>/a>              a hrefhttps://www.linkedin.com/in/celikselman/ target_blank>img srcimages/linkedin.png classsocial-media>/a>               a hrefhttps://www.facebook.com/celikselman target_blank>img srcimages/facebook.png classsocial-media>/a>            /div>            !--Social Media Links end-->            div classheader-content>                div classheader-content-box>                div classfirstline>span classcolor>Dr. /span>br>Selman ÇELİK/div>                div classsecondline>            span classtxt-rotate color data-period1200data-rotate  Mimar,  Yönetici,  Akademisyen >/span>            span classslash>|/span>        /div>            /div>            /div>            !--header image-->            div classheader-image>            img srcimages/celikselman.jpg altlogo>            /div>            !--header image end-->        /div>           !--Header End-->        !--HomePage End-->        !--Main-Section End-->        !--about-->        div idabout>            !--about content-->            div idabout-content>                div classabout-header>                    Dr. Selman ÇELİK span classcolor>kimdir?/span>                /div>                div classabout-main>            div classabout-first-paragraph wow>            !--about description-->               span classabout-first-line>                    Mimar,                    span classcolor>Akademisyen/span>                     & Yönetici/span>                     br>               span classabout-second-line> 1989 İstanbul doğumlu olup aslen Mardinlidir.br>br>İstanbul Kültür Üniversitesi (İKÜ) Mimarlık Bölümü’nden 2010 yılında mezun olarak ‘Mimar’ ünvanı almıştır.br>br>Goldsmiths, University of London (Goldsmiths, Londra Üniversitesi) MA in Research Architecture (Mimari Araştırmalar-Yüksek Lisans) programından 2013 yılında mezun olarak ‘Yüksek Mimar’ ünvanı almıştır.br>br>Yıldız Teknik Üniversitesi (YTÜ) Fen Bilimleri Enstitüsü Mimarlık Anabilim Dalı Mimarlık Tarihi ve Kuramı programından 2021 yılında mezun olarak ‘Doktor’ ünvanı almıştır.br>br>ABD/New York’ta Genel İngilizce ve İngiltere/Londra’da Akademik İngilizce Eğitimi almış olup ileri düzeyde İngilizce bilmektedir.br>br>Evli ve bir çocuk babasıdır./span>            /div>            !--about picture-->            div classabout-img>                img srcimages/kimdir.jpg altYour Image>            /div>            /div>            /div>            div classfooter>             div classfooter-text>                 img src./images/copyright.png altcopyright-img classimages height14px> 2006-2024 Dr. Selman ÇELİK             /div>            /div>    !--copyright-section-->        /div>        !--about end-->        !--portfolio-->        div idportfolio>            div classportfolio-header> Şiirler          /div>             div idportfolio-content>                 div classportfolio portfolio-first>                     div classportfolio-image>                        img srcimages/siir.jpg altportfolio-first>                     /div>                     div classportfolio-text>                         h2>ALAY-57/h2>                         p>Cihad aşkı hakkı içünbr>Mehmed kanı mahbub celalbr>Din-i mübini daim içünbr>Ecdad ruhu daim emsalbr>br>Selman ÇELİKbr>19.03.2015br>00:40/p>                     /div>                 /div>                 div classportfolio portfolio-second>                    div classportfolio-image>                        img srcimages/siir.jpg altportfolio-second>                    /div>                    div classportfolio-text>                        h2>AR/h2>                        p>Kırılan kelam olsunbr>Edep tamam olmadıkçabr>Meydan mahşer olsunbr>Dil sünnet kokmadıkçabr>br>Selman ÇELİKbr>24.02.2016br>23:54/p>                    /div>                /div>                div classportfolio portfolio-third>                    div classportfolio-image>                        img srcimages/siir.jpg altportfolio-third>                    /div>                    div classportfolio-text>                        h2>ARZ/h2>                        p>Meşveretsiz iş etmemektir gayebr>Lakin bize sahip gerekbr>Hem dünyevi hem uhrevibr>Bize o dem bir ehil gerekbr>br>O ki El-Fettah, El-Mucib!br>Arz ederiz bize ehil gerekbr>Tatbik için derd-i cihanıbr>Bize her vakit salih ehil gerekbr>br>Selman ÇELİKbr>31.10.2014br>22:05/p>                    /div>                /div>                div classportfolio portfolio-fourth>                    div class portfolio-image>                        img srcimages/siir.jpg altportfolio-fourth>                    /div>                    div classportfolio-text>                        h2>AŞK-I ARŞ/h2>                        p>Düşmüyor yağmur menzilebr>Silmiyor güneşi hatırdanbr>Cürüm kokan gözlerebr>Umut salınıyor ufuk satırındanbr>br>Selman ÇELİKbr>29.09.2014br>00:55/p>                    /div>                /div>                div classportfolio portfolio-fourth>                    div class portfolio-image>                        img srcimages/siir.jpg altportfolio-fourth>                    /div>                    div classportfolio-text>                        h2>AYMAZ/h2>                        p>Yek müselman sevmezbr>Ağzı ateş sönmezbr>Sorsan edep bilmezbr>Ölüm var ey karındaş!br>br>Selman ÇELİKbr>01.06.2015br>00:32/p>                    /div>                /div>                div classportfolio portfolio-fourth>                    div class portfolio-image>                        img srcimages/siir.jpg altportfolio-fourth>                    /div>                    div classportfolio-text>                        h2>BAHT/h2>                        p>Hak müstahak demedikçebr>Ay bulutu görür mü ki?br>Yağmur güle değmedikçebr>Arş gönül bağlar mı ki?br>br>Selman ÇELİKbr>22.01.2015br>01:17/p>                    /div>                /div>                 /div>                    !--copyright-section You Can Remove After Downloading-->            div classfooter>                div classfooter-text>                    img src./images/copyright.png altcopyright-img classimages height14px> 2006-2024 Dr. Selman ÇELİK                /div>               /div>       !--copyright-section-->             /div>        !--portfolio end-->        !--blog-->        div idblog>        div classblog-header> Makaleler/span>            /div>            div classblog-content>                 div classblogs>                     a hrefmakaleler/31072021.pdf target_blank>                     div classimg>                         img srcimages/31072021.jpg altblog-one>                        div classblog-date>31.07.2021/div>                     /div>                     div classblog-text>                         h3>A Lost Ottoman Square in a Lost Harbour of Istanbul: Kontaskalion / Kadirga Harbour / Kadirga Square/h3>                         br>                         p>Squares, which are one of the architectural features of cities, have an important place in the field of history of architecture. In the literature, starting from the first ages especially, the notion of square is reached through architectural factors like agora, forum, piazza and etc. and regional and periodic typologies were tried to be produced. However, these studies are limited to general studies, such as Ancient Greek squares, Ancient Roman squares, Medieval squares, Renaissance squares, etc. and the large urban squares known around the world. Neighbourhood squares have been ignored. In addition, because the concept of the square in the Ottoman period was tried to be evaluated through the concept of the square in European countries in the sources, the Ottoman’s unique understanding of the square have been overlooked. In this study, Kadirga Square, located in the historical peninsula of Istanbul, has been chosen among the Ottoman squares. Kadirga Square, its functions and its historical process have been examined by taking the notion of square into the centre. The function and effect of Kadirga Harbour, the formation process of Kadirga Square, the elements forming the square and its intended uses, the transformation process into a park and the process of the disappearance of the square’s functions have been evaluated in terms of the history of architecture. Through Kadirga Square in the Ottoman period, it was aimed to contribute to the field of history of architecture by making an evaluation of a neighbourhood square that was not designed./p>                     /div>/a>                 /div>                 div classblogs>                    a hrefmakaleler/14092013.pdf target_blank>                    div classimg>                        img srcimages/14092013.jpg altblog-two>                        div classblog-date>14.09.2013/div>                    /div>                    div classblog-text>                        h3>The Pyramidal Unconscious/h3>                        p>Thousands of workers are moving the sand and stones to reveal a pyramid which will be the last complementary element of the phar- aoh’s power before he dies. The River Nile is very busy to carry the ships transporting uvqpgu htqo swcttkgu vq vjg eqpuvtwevkqp qh the pyramid. But! One minute! Something happened and a worker suddenly disappeared in a cloud of dust. All the workers are now icvjgtkpi vq ヮpf qwv yjcv jcu lwuv jcr- pened... “Oh! No! He couldn’t make it!” said the chief. “Unfortunately he lost his life un- der a pyramid stone, but he is now blessed with the other gods’ and the semi-god phar- aoh’s sake as he was serving for his country and pharaoh.”/p>                    /div>/a>                /div>                div classblogs>                  a hrefmakaleler/24042013.pdf target_blank>                    div classimg>                        img srcimages/24042013.jpg altblog-three>                        div classblog-date>24.04.2013/div>                    /div>                    div classblog-text>                        h3>Taksim Square - A Spatial Centre of the Political Conflicts in Turkey/h3>                        p>The Republic of Turkey was established after the Ottoman Empire in 1923 and the political regime completely changed. In the years between 1923‐1945, after the establishment of the republic, the country had only one political party in the parliament – Republican People’s Party (CHP). It can be said that the political process of Turkey just started to get shaped through the multi‐party system and the establishment of non‐governmental organizations in the country in the 1950s. The main purpose of this essay is to argue that Turkey has had an internal political battle from the 1950s to the present. To arrive at the claim of the internal political battle, the political process of Turkey will be discussed in three parts – 1923 to 1950, 1950 to 2002 and 2002 to 2013. In other words, the process of the one‐party system, the effects of the multi‐party system and the AK Party (Justice and Development Party – the existing government) period will be analyzed in terms of political conflicts./p>                    /div>/a>                /div>                div classblogs>                  a hrefmakaleler/13112012.pdf target_blank>                    div classimg>                        img srcimages/13112012.jpg altblog-four>                        div classblog-date>13.11.2012/div>                    /div>                    div classblog-text>                        h3>The Death of the Architect/h3>                        p>Strict rules and sharp distinctions of architecture, as well as other disciplines and arts, have been criticized by thinkers and theorists of postmodernism. As a result of this, architecture today is considered multidisciplinary and is connected to other phenomenons such as politics, philosophy, psychology and sociology. It can be said that a common factor is human beings for these disciplines. However, how can people be involved in the design of buildings? Why and how are they essential? In general terms, architecture provides spaces to live, enjoy and maintain a life for human. Although architects are the most essential in designing spaces, it has been argued that inhabitants of buildings can be also effective as buildings are in the progress of design (Jencks 1977:9, Knevitt 1985:9). Architects, in this context, need to respond to inhabitants’ desires as well as practising their unique style. The relationship between architecture and human beings is so unavoidable that Churchill outlines the fact that “We shape our buildings, and afterwards our buildings shape us”./p>                    /div>/a>                /div>                div classblogs>                  a hrefmakaleler/31082012.pdf target_blank>                    div classimg>                        img srcimages/31082012.jpg altblog-five>                        div classblog-date>31.08.2012/div>                    /div>                    div classblog-text>                        h3>Has Postmodern Architecture Killed Modern Architecture?/h3>                        p>Before the term ‘postmodern’ has been begun to be discussed, in many areas, many thinkers tried to make absolute truths in the first half of the 20th century. This was possibly an effect of the enlightenment era upon modernism. However, the next epoch ‘postmodernism’ came after the 1950s and, as Lyotard (1984:71‐82) stated, there can no longer be Truth, but truths. Although postmodernist theorists mentioned many other changes and effects of postmodernism, architecture was most affected by the thinking regarding style and view (Jencks 1977:9‐38, Jameson 1991:97‐102)./p>                    /div>/a>                /div>            /div>               !--copyright-section You Can Remove After Downloading-->               div classfooter>                div classfooter-text>                    img src./images/copyright.png altcopyright-img classimages height14px> 2006-2024 Dr. Selman ÇELİK                /div>               /div>       !--copyright-section-->        /div>        !--blog end-->        !--contact-->     div idcontact>         div classcontact-header>İletişim         /div>        div classcontact-content>            !--Contact information-->             div classcontact-info>                div classcontact-info-header>                /div>                div classcontact-info-content>                div classcontect-info-content-line>                    img src./images/icon-name.png classicon altname-icon>                    div classcontact-info-icon-text>                        h6>Dr./h6>                        p>Selman ÇELİK/p>                  /div>                /div>                div classcontect-info-content-line>                  img src./images/icon-location.png classicon altlocation-icon>                  div classcontact-info-icon-text>                      h6>Konum/h6>                      p>İstanbul, TÜRKİYE/p>                /div>              /div>              div classcontect-info-content-line>                  img src./images/icon-phone.png classicon altphone-icon>                  div classcontact-info-icon-text>                      h6>Telefon/h6>                      p>+90 850 303 22 69/p>                /div>              /div>              div classcontect-info-content-line>                  img src./images/icon-email.png classicon altemail-icon>                  div classcontact-info-icon-text>                      h6>E-Posta/h6>                      p>selman@selmancelik.info/p>                /div>              /div>                /div>            !--Contact information end-->           /div>        /div>                    !--copyright-section You Can Remove After Downloading-->                    div classfooter>                        div classfooter-text>                            img src./images/copyright.png altcopyright-img classimages height14px> 2006-2024 Dr. Selman ÇELİK                        /div>                       /div>               !--copyright-section-->     /div>        !--contact end-->    /div>    !--all the divisions-->    script srcjs/jquery.min.js>/script>    script srcjs/index.js>/script>/body>/html>

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