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HTTP/1.1 200 OKContent-Type: text/html; charsetutf-8Date: Tue, 10 Sep 2024 18:54:15 GMTEtag: W/28185-mbrwHm5P16hYbe8usTX8X6emMOwStrict-Transport-Security: max-age31536000Vary: Accept-EncodingX-Content-Type-Options: nosniffX-Frame-Options: ALLOW-FROM https://amplify.notified.comX-Powered-By: ExpressTransfer-Encoding: chunked !DOCTYPE html>html langen>head> link relcanonical hrefhttps://pressroom.arkdes.se/> title>ArkDes (The Swedish centre for architecture and de/title> base href/> link relicon idappFavicon hrefcontent/imgs/logos/favicon.png> meta charsetutf-8> meta nameviewport contentwidthdevice-width, initial-scale1>link relstylesheet hrefstyles.59cea37f4d550494.css>link hrefhttps://use.typekit.net/vsl5stq.css typetext/css relstylesheet mediascreen,print idtypekit-font>meta propertyog:url contentpressroom.arkdes.se>meta propertyog:title contentArkDes (The Swedish centre for architecture and de>meta propertyog:type contentwebsite>meta propertyog:image contenthttps://cdn.filestackcontent.com/ADl2KZuKDRbS7BbbwOreQz/auto_image/resizewidth:1200,height:627,fit:clip,align:top/fonlzGOS8mUKBsHzuKXw>meta propertyog:image:width content1200>meta propertyog:image:height content627>meta propertyog:description contentArkDes is Sweden’s national centre for architecture and design. 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#fff; background-color: #b432ff; border-color: #b432ff; }ngb-pagination .page-link:hover { color: #b432ff;}.press-kit-card .media-list .dataobject-item .info-container { background-color: #b432ff;}/style> style idcustom_styles>h1,h2,h3,h4,h5,h6{ font-family: Bezel}body{ font-family: Bezel}.btn{ font-family: Bezel} .newsroom-hero-container .buttons-container { display: none !important;}.newsroom-hero-container { height: 85vh;}.newsroom-hero-container .content .title { font-size: 85px; font-weight: 705;}.newsroom-hero-container .content .subtitle { font-size: 45px; font-style: normal;}.newsroom-hero-container .content .title-seperator { border-width: 5px; border-color: #fff; max-width: 400px;}.navbar .navbar-brand img { height: 40px;}.navbar .navbar-brand { top: 16px;}@media only screen and (max-width: 600px) { .navbar .navbar-brand img { height: 32px;}.navbar .navbar-brand { top: 23px;}}/style> notified-newsroom _nghost-sc21 ng-version15.2.10 ng-server-contextother>router-outlet _ngcontent-sc21>/router-outlet>ng-component>!---->div classnewsroom-wrapper newsroom-frontpage>div classnewsroom-top-nav>nav idmain-navbar classnavbar navbar-expand-lg navbar-light bg-faded fixed-top>a classnavbar-brand hrefhttps://arkdes.se/en/>!---->/a>!---->!---->button typebutton data-togglecollapse data-target#navbarSupportedContent aria-controlsnavbarSupportedContent aria-expandedfalse aria-labelToggle navigation classnavbar-toggler>span classnavbar-toggler-icon>/span>/button>div classcollapse navbar-collapse>button typebutton classmobile-toggle-cancel>i classicon-cancel-1>/i>/button>ul classnavbar-nav ml-auto>li classnav-item>a routerlinkactiveactive classnav-link active href/>Home/a>/li>!---->li classnav-item>a routerlinkactiveactive classnav-link href/posts>News/a>/li>!---->li classnav-item>a routerlinkactiveactive classnav-link href/presskits>Content/a>/li>!---->li classnav-item>a routerlinkactiveactive classnav-link href/contacts>Contacts/a>/li>!---->li classnav-item>a classnav-link hrefhttps://pressrum.arkdes.se>Swedish/a>/li>!---->!---->!---->!---->!---->!---->!---->!---->li idfollow-button-menu classnav-item>button typebutton classbtn btn-default pr-4 pl-4>Follow/button>/li>/ul>/div>/nav>/div>!---->!---->div classnewsroom-content>router-outlet>/router-outlet>ng-component>div idfrontpage class>section class>!---->newsroom-header>div classnewsroom-hero-container>div classcontent>!---->!---->!---->div idfollow-button-header classbuttons-container>button classbtn btn-round btn-white stylecolor:#5cc7ca;background-color:#fff;>Follow/button>/div>/div>!---->div classimage-overlay stylebackground-color:rgba(255,255,255,0.13);>/div>!---->div classimage-container stylebackground-image:url(https://cdn.filestackcontent.com/fonlzGOS8mUKBsHzuKXw);filter:blur(0px);>/div>!---->/div>!---->/newsroom-header>/section>section class>!---->featured-items-widget _nghost-sc27 idwidget-18134 classwidget-container>div _ngcontent-sc27 classcontent-container>div _ngcontent-sc27 classcontainer>div _ngcontent-sc27 classrow>div _ngcontent-sc27 classcol-lg-12>h1 _ngcontent-sc27>Utvalda poster span _ngcontent-sc27 classseperator>/span>/h1>!---->div _ngcontent-sc27 classfeatured-widget>ul _ngcontent-sc27 idnewsroomslider>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/joar-nangos-girjegumpi-the-sami-architecture>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/OmM2SnpQi6seAFY6pSBD);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/joar-nangos-girjegumpi-the-sami-architecture>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2022-12-20 09:03/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>Joar Nangos Girjegumpi, the Sámi Architecture Library,.../h4>div _ngcontent-sc27 classsummary>For over fifteen years, architect and artist Joar Nango has been assembling an archive of books about issues relevant to Indigenous architecture. In 2018, Girjegumpi first opened to a public. In 20.../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/weird-sensation-feels-good-is-extended-at-lon>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/IOwsZN4PTvCJ3VBHvi9e);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/weird-sensation-feels-good-is-extended-at-lon>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2022-09-26 14:28/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>WEIRD SENSATION FEELS GOOD is extended at Londons Desi.../h4>div _ngcontent-sc27 classsummary>WEIRD SENSATION FEELS GOOD, the first museum exhibition to explore the creative field of ASMR, has been extended at the Design Museum in London due to popular demand./div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/documentary-reveals-ideas-and-process-behind>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/u98SfpKvSPSPqtSsHdVf);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/documentary-reveals-ideas-and-process-behind>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2021-06-15 07:41/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>Documentary Reveals Ideas and Process Behind Studio Ossid.../h4>div _ngcontent-sc27 classsummary>ArkDes presents Studio Ossidiana: Utomhusverket 2021 — a documentary film detailing the design intentions, construction, and first moments of public activity at the museum’s outdoor installation fo.../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/sigurd-lewerentz-major-new-monograph-of-swede>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/orTauuMgSgKYevkDiPhs);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/sigurd-lewerentz-major-new-monograph-of-swede>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2021-06-08 12:47/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>Sigurd Lewerentz. Major new monograph of Sweden’s most re.../h4>div _ngcontent-sc27 classsummary>Sweden’s most revered architect Sigurd Lewerentz, regarded as one of the most importantand enigmatic figures of modern European architecture, is the subject of a major newmonograph, published in .../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/studio-ossidiana-creates-an-experimental-publ>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/Z5L3rfjcSaWIcdUSXidr);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/studio-ossidiana-creates-an-experimental-publ>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2021-05-11 06:02/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>Studio Ossidiana Creates Experimental Public Space at ArkDes/h4>div _ngcontent-sc27 classsummary>For the summer of 2021 Exercisplan at ArkDes becomes a place to discover new ways of being together. The Rotterdam-based architecture practice Studio Ossidiana designs an outdoor space for everyone.../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/joar-nangos-virtual-library-to-be-launched-in>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/woaalPXUSiuNmwpFhCRZ);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/joar-nangos-virtual-library-to-be-launched-in>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2021-01-29 06:29/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>Joar Nangos virtual library to be launched in collaborati.../h4>div _ngcontent-sc27 classsummary>ArkDes (Sweden’s national centre for architecture and design) participates together with Sámi architect and Indigenous artist Joar Nango in The World Around Summit 2021, presenting a digital manife.../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/relive-the-virtual-vernissage-of-weird-sensat>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/knLWHM8bTOFp1zY7D7AS);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/relive-the-virtual-vernissage-of-weird-sensat>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2020-04-14 11:00/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>Relive the Virtual Vernissage of WEIRD SENSATION FEELS GOOD!/h4>div _ngcontent-sc27 classsummary>On April 7, 2020, ArkDes broadcast a virtual vernissage of the exhibition WEIRD SENSATION FEELS GOOD live from Stockholm. We invite you to relive this opening from a comfortable spot and through yo.../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>li _ngcontent-sc27>div _ngcontent-sc27 classslider-item>a _ngcontent-sc27 href/posts/pressreleases/new-exhibition-and-virtual-vernissage-kiruna>div _ngcontent-sc27 classslider-image stylebackground-image:url(https://cdn.filestackcontent.com/LISCIZiQnyKTC8WPzD6w);>/div>/a>div _ngcontent-sc27 classslider-content-wrapper>a _ngcontent-sc27 href/posts/pressreleases/new-exhibition-and-virtual-vernissage-kiruna>div _ngcontent-sc27 classslider-content>span _ngcontent-sc27 classpublished>2020-03-03 12:40/span>span _ngcontent-sc27 classtype stylecolor:#b432ff;>Press release/span>h4 _ngcontent-sc27 classtitle>New exhibition and virtual vernissage: Kiruna Forever/h4>div _ngcontent-sc27 classsummary>New exhibition: Kiruna Forever. Kiruna – a city in the northernmost part of Sweden – is experiencing one of the biggest urban transformation projects in recent history. The city centre is being rel.../div>button _ngcontent-sc27 typebutton classbtn btn-default btn-sm mt-3>Read more/button>/div>/a>/div>/div>/li>!---->/ul>!---->/div>/div>/div>/div>/div>!---->/featured-items-widget>!---->/section>!---->!---->!---->!---->!---->!---->!---->!---->!---->!---->!---->!---->section class>!---->items-widget idwidget-18135 classodd widget-container>div classcontent-container>div classcontainer>div classrow>div classcol-lg-12>h1>News span classseperator>/span>/h1>!---->!---->!---->div classview-more-button-container>!---->a classbtn btn-read-more href/posts>View more/a>!---->/div>!---->!---->!---->/div>/div>/div>/div>!---->/items-widget>/section>!---->!---->!---->!---->!---->!---->section class>!---->tag-based-items-widget _nghost-sc28 idwidget-18136 classwidget-container>div _ngcontent-sc28 classcontent-container>div _ngcontent-sc28 classcontainer>div _ngcontent-sc28 classrow>div _ngcontent-sc28 classcol-lg-12>h1 _ngcontent-sc28>About us in media span _ngcontent-sc28 classseperator>/span>/h1>!---->ul _ngcontent-sc28 idtag-slider-18136 classhidden>!---->/ul>!---->!---->!---->!---->!---->div _ngcontent-sc28 classnewsroom-section-loader mb-0>svg _ngcontent-sc28 viewBox25 25 50 50 classcircular>circle _ngcontent-sc28 cx50 cy50 r20 fillnone stroke-width2 stroke-miterlimit10 classpath>/circle>/svg>/div>!---->!---->!---->/div>/div>/div>/div>!---->/tag-based-items-widget>/section>!---->!---->!---->!---->!---->!---->!---->!---->!---->section class>!---->html-widget idwidget-18138 classodd widget-container>div classcontent-container>div classcontainer>div classrow>div classcol-lg-12>h1>About ArkDes span classseperator>/span>/h1>!---->div classcompany-info-about pre-wrap>p>ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship./p>/div>/div>/div>/div>/div>!---->/html-widget>/section>!---->!---->!---->!---->!---->!---->section class>!---->contact-widget idwidget-18139 classwidget-container>div classcontent-container>div classcontainer>div classrow>div classcol-lg-12>h1>Contacts span classseperator>/span>/h1>!---->div classcontacts-big-list>div classcontacts-list row>div classcol-lg-6 col-sm-12 col-xs-12 contact-col>div classcontact-item contact-col>img classcontact-image srchttps://cdn.filestackcontent.com/SvYXC774SIei9cGsx6xS altMaria Östman>!---->div classcontact-info>!---->h5 classcontact-name> Maria Östman /h5>!---->!---->ul>li>i classicon-mail-1>/i>a classpointer hrefmailto:maria.ostman@arkdes.se>maria.ostman@arkdes.se/a>/li>!---->li>i classicon-phone>/i> +46 (0)73 273 36 00 /li>!---->!---->!---->!---->!---->/ul>/div>/div>/div>div classcol-lg-6 col-sm-12 col-xs-12 contact-col>div classcontact-item contact-col no-image>!---->div classcontact-info>div classtitle stylecolor:#b432ff;>Publik chef/div>!---->h5 classcontact-name> Emma Weinerhall /h5>!---->!---->ul>li>i classicon-mail-1>/i>a classpointer hrefmailto:Emma.weinerhall@arkdes.se>Emma.weinerhall@arkdes.se/a>/li>!---->li>i classicon-phone>/i> 073-738 97 68 /li>!---->!---->!---->!---->!---->/ul>/div>/div>/div>!---->/div>/div>/div>/div>/div>/div>!---->/contact-widget>/section>!---->!---->!---->!---->!---->!---->!---->!---->!---->!---->/div>/ng-component>!---->/div>div classpowered-by-footer>div classcontainer>div classrow justify-content-center>div classsubscribe-rss col-lg-6>div classicon-rss-1>Follow us/div>ul classrss-feed-list>li>a relnofollow target_blank classml-1 hrefhttps://api.client.notified.com/api/rss/publish/view/16506?typenews>News (RSS)/a>/li>li>a relnofollow target_blank classml-1 hrefhttps://api.client.notified.com/api/rss/publish/view/16506?typepress>Press releases (RSS)/a>/li>li>a relnofollow target_blank classml-1 hrefhttps://api.client.notified.com/api/rss/publish/view/16506?typeblog>Blog posts (RSS)/a>/li>/ul>/div>div classcol-lg-6>a hrefhttps://notified.com relnofollow target_blank>img src../../content/imgs/logos/logo_square.svg altNotified logo>Powered by Notified/a>/div>/div>/div>/div>/div>loader-container>!---->/loader-container>/ng-component>!---->/notified-newsroom> script srchttps://cdnjs.cloudflare.com/ajax/libs/limonte-sweetalert2/6.9.1/sweetalert2.min.js>/script> script srchttps://cdnjs.cloudflare.com/ajax/libs/jquery/3.5.0/jquery.min.js>/script> script srccontent/js/lightslider.min.js>/script> script srccontent/js/webfont.js>/script>script srcruntime.d8d7b20a66dbf5e1.js typemodule>/script>script srcpolyfills.21a690296e1f4fb9.js typemodule>/script>script srcmain.8079d9c3301456b5.js typemodule>/script>script idnotified-newsroom-state typeapplication/json>{&q;viewModelKey&q;:{&q;name&q;:&q;ArkDes (The Swedish centre for architecture and de&q;,&q;sluggedName&q;:&q;arkdes-the-swedish-centre-for-architecture-an&q;,&q;roomId&q;:16506,&q;isPublic&q;:true,&q;cameViaCustomDomain&q;:true,&q;googleAnalyticsTrackingId&q;:null,&q;googleAnalytics4TrackingId&q;:null,&q;googleAnalyticsDisabled&q;:false,&q;cookieConsentEnabled&q;:true,&q;googleSiteVerificationToken&q;:&q;QqariH2POLRr_c28twIFpRK8Bd-rR8Wp2IQr_wiel9k&q;,&q;companyInfo&q;:{&q;publishRoomId&q;:16506,&q;about&q;:&q;ArkDes is Sweden’s national centre for architecture and design. 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Find out more by reading our &l;a href&s;https://www.intrado.com/en/legal-privacy&s;&g;privacy policy&l;/a&g;&q;,&q;accept&q;:&q;Accept&q;,&q;reject&q;:&q;Reject&q;,&q;photographer&q;:&q;Photographer&q;},&q;customFonts&q;:{&q;id&q;:2050,&q;fontName&q;:&q;Bezel&q;,&q;eotUrl&q;:&q;&q;,&q;woffUrl&q;:&q;&q;,&q;woff2Url&q;:&q;https://cdn.filestackcontent.com/gOIsTyrdTr2k80NqZPu5&q;,&q;ttfUrl&q;:&q;&q;,&q;otfUrl&q;:&q;&q;},&q;gnwPressReleaseFeedUrl&q;:null,&q;hasRegulatoryPressReleases&q;:false},&q;frontPageKey&q;:{&q;featuredItems&q;:{&q;id&q;:181220,&q;title&q;:&q;Joar Nango&s;s &s;Girjegumpi&s;, the Sámi Architecture Library,...&q;,&q;summary&q;:&q;For over fifteen years, architect and artist Joar Nango has been assembling an archive of books about issues relevant to Indigenous architecture. In 2018, Girjegumpi first opened to a public. In 20...&q;,&q;description&q;:&q;&l;h5&g;For over fifteen years, architect and artist &l;strong&g;Joar Nango&l;/strong&g; has been assembling an archive of books about issues relevant to Indigenous architecture. In 2018, &l;strong&g;&l;em&g;Girjegumpi &l;/em&g;&l;/strong&g;first opened to a public.&l;/h5&g;\n&l;h5&g;In 2023, this structure, social space, and source of knowledge around S&a;aacute;mi architecture will travel to the Nordic Countries Pavilion at the 18th International Architecture Exhibition &a;ndash; &l;em&g;La Biennale di Venezia&l;/em&g; in Venice. The pavilion officially represents Finland (Arkkitehtuurimuseo, Helsinki), Norway (Nasjonalmuseum, Oslo), and Sweden (ArkDes, Stockholm).&l;/h5&g;\n&l;p&g;&l;em&g;Girjegumpi&l;/em&g; is a spatialisation of conversations and research initiated by Joar Nango over two decades of practice at the intersection of architecture and art. As an itinerant, collective library, the project has evolved and expanded as it has travelled. This journey involves multiple collaborations, including artists and craftspeople such as &l;strong&g;Katarina Spik Skum&l;/strong&g;, &l;strong&g;Anders Sunna&l;/strong&g;, and &l;strong&g;Ken Are Bongo&l;/strong&g;.&l;/p&g;\n&l;p&g;Central to &l;em&g;Girjegumpi&l;/em&g; is the archive that it contains and shares &a;ndash; from rare titles to contemporary books, the collection of more than 500 editions embraces topics such as S&a;aacute;mi architecture and design, traditional and ancestral building knowledge, activism, and decoloniality. As a gathering space, it hosts large groups of people. As a reading room, it offers an environment for solitary study and reflection. As a critical project, it builds spaces for Indigenous imagination.&l;/p&g;\n&l;p&g;Nomadic by design, &l;em&g;Girjegumpi&l;/em&g; is a living project addressing the relevance of Indigenous culture in architectural discourse and construction today: the importance of collaborative work, building techniques and use of resources in rapidly changing climate conditions, the use of locally grounded material flow and sensitive approaches to landscapes and nature. It highlights the architect&a;rsquo;s position towards a more polyphonic understanding of the world.&l;/p&g;\n&l;p&g;In 2023, &l;em&g;Girjegumpi&l;/em&g; travels to the Nordic Pavilion at the 18&l;sup&g;th&l;/sup&g; International Architecture Exhibition &a;ndash; &l;em&g;La Biennale di Venezia&l;/em&g;. The pavilion, designed by Sverre Fehn in 1962, was conceived to represent forms of cooperation across the Nordic countries. In this context, &l;em&g;Girjegumpi&l;/em&g; opens to an international audience to continue building bodies of knowledge, collaboration and solidarity that transcend national boundaries.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/VbopwpDoTUu8KQ62bxui\&q; alt\&q;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes&l;/em&g;&l;/p&g;\n&l;h5&g;About &l;em&g;Girjegumpi&l;/em&g;&l;/h5&g;\n&l;p&g;The word &l;em&g;Girjegumpi&l;/em&g; is derived from two Northern S&a;aacute;mi words: &a;lsquo;Girji&a;rsquo;, meaning book, and &a;lsquo;Gumpi&a;rsquo; &a;ndash; a small mobile reindeer herder cabin on sledges, often pulled by a snowmobile. This wordplay refers to a library, an archive, and the construction in which these are stored and transported.&a;nbsp;&l;/p&g;\n&l;p&g;&l;em&g;Girjegumpi&l;/em&g; has unfolded in many locations since 2018. When it is not travelling, it is based at the S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art) in K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok. A sister version of &l;em&g;Girjegumpi&l;/em&g; is held by the National Gallery of Canada in Od&a;agrave;w&a;agrave;g/Ottawa.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/PaXn64kgTmi0M8EWI5wg\&q; alt\&q;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;&l;em&g;Girjegumpi &l;/em&g;&l;/strong&g;&l;strong&g;collaborators include, among others:&l;br /&g;&l;/strong&g;Katarina Spik Skum, Anders Sunna, Petter Tjikkom, H&a;aring;vard Arnhoff, Mathias Danbolt, Tobias Aputsiaq Prytz, Astrid Fadnes, Eirin Hammari, Anne Henriette Nilut, Ken Are Bongo, Ole-Henrik Einejord, Anders Rimpi, Grete Johanna Minde, Magnus Antaris Tuolja, Ole Thomas Nilut, Četil Somby, SDG, FINN, &a;Aacute;jtte, Arne Terje S&a;aelig;ther, Eystein Talleraas, Tone Huse, Anna Stina Svakko, Anne Kare Kemi, Petri Henriksson, Katrine Rugeldal, Robert Julian Hvistendahl.&l;/p&g;\n&l;p&g;&l;strong&g;Timeline and Locations of&a;nbsp;&l;em&g;Girjegumpi&l;/em&g;:&l;/strong&g;&l;/p&g;\n&l;ul&g;\n&l;li&g;&l;strong&g;2018:&l;/strong&g; H&a;aacute;rstt&a;aacute;k/Harstad, Arctic Arts Festival; M&a;aacute;rkomeannu, S&a;aacute;mi Culture and Music Festival; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art)&l;/li&g;\n&l;li&g;&l;strong&g;2019:&l;/strong&g; D&a;aacute;lvvadis/Jokkmokk, Jokkmokk&a;rsquo;s Market; G&a;auml;llivare; Ottawa, National Gallery of Canada&l;/li&g;\n&l;li&g;&l;strong&g;2020:&l;/strong&g; Bergen, Bergen Kunsthall; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art); Virtual Girjegumpi, ArkDes&l;/li&g;\n&l;li&g;&l;strong&g;2021:&l;/strong&g; H&a;aacute;rstt&a;aacute;k/Harstad, Arctic Arts Festival; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art); Oslo, Nasjonalmuseet Norway&l;/li&g;\n&l;li&g;&l;strong&g;2022:&l;/strong&g; Helsinki, Kiasma, &l;em&g;ARS22&l;/em&g;; Montr&a;eacute;al, Canadian Centre for Architecture, &l;em&g;ᐊᖏᕐᕋᒧᑦ&l;/em&g;&l;em&g; / Ruovttu Guvlui / Towards Home&l;/em&g;; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art&l;/li&g;\n&l;li&g;&l;strong&g;2023:&l;/strong&g;&a;nbsp;Nordic Countries Pavilion, 18&l;sup&g;th&l;/sup&g;&a;nbsp;International Architecture Exhibition &a;ndash;&l;em&g; La Biennale di Venezia&l;/em&g;&l;/li&g;\n&l;/ul&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/DjO1lUk2QK6wefFhJmzv\&q; alt\&q;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes&l;/em&g;&l;/p&g;\n&l;h5&g;About Joar Nango&l;strong&g;&l;br /&g;&l;/strong&g;&l;/h5&g;\n&l;p&g;&l;strong&g;Joar Nango&l;/strong&g; (born in 1979, &a;Aacute;lt&a;aacute;) is an architect and artist based in Romsa/Troms&a;oslash;, Norway. His work is rooted in S&a;aacute;pmi &a;ndash; the traditional S&a;aacute;mi territory covering the northern regions of Norway, Sweden, Finland and the Kola Peninsula in Russia. Through building, site-specific interventions, design collaborations, photography, publications and video, Nango&a;rsquo;s work explores the role of S&a;aacute;mi and Indigenous architecture and craft in contemporary thought.&l;/p&g;\n&l;p&g;Nango&a;rsquo;s work, including the long-term project &l;em&g;Girjegumpi&l;/em&g;, is nurtured by parallel collaborations with other artists, architects, and craftspeople. Among many other initiatives across two decades of practice, he is a founding member of the architecture collective FFB (2010). Currently, he is collaborating with choreographer and director Elle Sofe Sara on a dance performance with Carte Blanche, premiering at the Norwegian National Opera and Ballet. Following a winning proposal in 2021, Nango alongside Sn&a;oslash;hetta, Econor, and 70&a;deg;N arkitektur are designing the new S&a;aacute;mi National Theatre and S&a;aacute;mi High School and Reindeer Husbandry School&a;nbsp;in Guovdageaidnu/Kautokeino, currently under construction.&l;/p&g;\n&l;p&g;Trained at the Norwegian University of Science and Technology (NTNU) in Trondheim, Nango graduated in Architecture in 2008. Since then, his work has been presented at documenta 14, Bergen Kunsthall, National Museum Oslo &a;ndash; Architecture, Canadian Centre for Architecture, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art), and Kiasma.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/ynUo05TRIOX47kA82i7Q\&q; alt\&q;Joar Nango in Venice, 2022. Photo: Knut &a;Aring;serud\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango in Venice, 2022. Photo: Knut &a;Aring;serud&l;/em&g;&l;/p&g;\n&l;h5&g;About the Nordic Countries Pavilion at the 18th &l;em&g;Biennale Architettura&l;/em&g;&l;/h5&g;\n&l;p&g;The International Architecture Exhibition &a;ndash;&a;nbsp;&l;em&g;La Biennale di Venezia&l;/em&g;&a;nbsp;takes place every two years in Venice, Italy. The&a;nbsp;Nordic Countries Pavilion&a;nbsp;officially represents Finland, Norway and Sweden. The&a;nbsp;18&l;sup&g;th&l;/sup&g;&a;nbsp;International Architecture Exhibition, which will take place between&a;nbsp;20 May and 26 November 2023, is curated by Lesley Lokko.&l;/p&g;\n&l;p&g;In 2023,&a;nbsp;ArkDes is commissioner and Nasjonalmuseum (Oslo, Norway) and Arkkitehtuurimuseo (Museum of Finnish Architecture, Helsinki, Finland) are deputy commissioners.&l;/p&g;\n&l;p&g;In 2018, &l;strong&g;Eero Lund&a;eacute;n&l;/strong&g; presented&a;nbsp;&l;em&g;Another Generosity&l;/em&g;. In 2021, &l;strong&g;Helen &a;amp; Hard&l;/strong&g;&a;nbsp;&l;s&g;and&l;/s&g;&a;nbsp;presented&a;nbsp;&l;em&g;What We Share&l;/em&g;. In 2022, during the&a;nbsp;&l;em&g;Biennale Arte&l;/em&g;, the&a;nbsp;Nordic Countries Pavilion&a;nbsp;&l;s&g;transformed into&l;/s&g;&a;nbsp;presented the exhibition entitled&a;nbsp;&l;em&g;The S&a;aacute;mi Pavilion&l;/em&g; with a project commissioned by Office for Contemporary Art Norway (OCA)&a;nbsp;with Museum of Contemporary Art Kiasma / The Finnish National Gallery and Moderna Museet,&a;nbsp;featuring the artists &l;strong&g;Pauliina Feodoroff&l;/strong&g;, &l;strong&g;M&a;aacute;ret &a;Aacute;nne Sara&l;/strong&g;, and &l;strong&g;Anders Sunna&l;/strong&g;.&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/uhQVOAklS74ys2ZQrWHO\&q; alt\&q;Logos\&q; /&g;&l;/p&g;\n&l;h5&g;&a;nbsp;&l;/h5&g;\n&l;h5&g;Notes to Editors&l;/h5&g;\n&l;p&g;Complete and updated information about the 18th Biennale Architettura can be found &l;a href\&q;https://www.labiennale.org/en/news/biennale-architettura-2023-laboratory-future\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&l;/p&g;\n&l;p&g;Information about the architecture of the Nordic Countries Pavilion can be found &l;a href\&q;https://www.sfv.se/vara-fastigheter/sok/utrikes/europa/venedig-italien-nordiska-paviljongen/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&l;/p&g;\n&l;p&g;See an announcement interview with Joar Nango on our &l;a href\&q;https://arkdes.se/utstallning/joar-nango-girjegumpi/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;website&l;/a&g;.&l;/p&g;\n&l;p&g;For more information: &l;a href\&q;mailto:maria.ostman@arkdes.se\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se&l;/a&g;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/OmM2SnpQi6seAFY6pSBD&q;,&q;imageDescription&q;:&q;Joar Nango at the Nordic Countries Pavilion, Venice, 2022. Photo: Knut Åserud.&q;,&q;imageAlt&q;:&q;Joar Nango at the Nordic Countries Pavilion, Venice, 2022. Photo: Knut Åserud.&q;,&q;published&q;:&q;2022-12-20T09:03:31.918Z&q;,&q;created&q;:&q;2022-12-20T09:03:31.918&q;,&q;sluggedName&q;:&q;joar-nangos-girjegumpi-the-sami-architecture&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/joar-nangos-girjegumpi-the-sami-architecture&q;},{&q;id&q;:174666,&q;title&q;:&q;&s;WEIRD SENSATION FEELS GOOD&s; is extended at London&s;s Desi...&q;,&q;summary&q;:&q;WEIRD SENSATION FEELS GOOD, the first museum exhibition to explore the creative field of ASMR, has been extended at the Design Museum in London due to popular demand.&q;,&q;description&q;:&q;&l;h5&g;&l;em&g;WEIRD SENSATION FEELS GOOD&l;/em&g;, the first museum exhibition to explore the creative field of ASMR that originated at ArkDes, has been extended at the &l;a href\&q;https://designmuseum.org/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Design Museum&l;/a&g; in London due to popular demand.&l;/h5&g;\n&l;p&g;&l;em&g;WEIRD SENSATION FEELS GOOD: The World of ASMR&l;/em&g;, which has been &l;a href\&q;https://designmuseum.org/exhibitions/weird-sensation-feels-good-the-world-of-asmr\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;on display at London&s;s Design Museum&l;/a&g; since May 2022, has been extended by six months. Following extensive coverage and a high demand for tickets, the exhibition&a;mdash;with architecture by ĒTER and graphic design by Agga Mette Stage and Alexander S&a;ouml;der&a;mdash;will continue to receive visitors until April 10th, 2023.&l;/p&g;\n&l;h4&g;Released today: &l;em&g;Life of the ASMRtists&l;/em&g;&l;/h4&g;\n&l;p&g;To coincide with the exhibition extension, a short documentary film &l;a href\&q;https://www.nowness.com/story/life-of-the-asmrtists-the-design-museum\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;premieres today on&a;nbsp;&l;em&g;NOWNESS&l;/em&g;&l;/a&g;. Directed by Jamie Jones, the film goes behind the scenes to explore the creative practices of three ASMRtists: &l;strong&g;Caring Whispers&l;/strong&g;, &l;strong&g;Ruby Netherwood&l;/strong&g;, and &l;strong&g;Atlas&l;/strong&g;. Watch the film &l;a href\&q;https://www.nowness.com/story/life-of-the-asmrtists-the-design-museum\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&a;nbsp;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/1OYFlBaVRhtdGsYdFZIF\&q; alt\&q;&s;Life of the ASMRtists&s; by Jamie Jones on NOWNESS\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Still from &s;Life of the ASMRtists&s; by Jamie Jones on NOWNESS&l;/em&g;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/BL71SMoTXWx2Ri6CQ4dn\&q; alt\&q;The ASMR Arena. Photo: Ed Reeve for the Design Museum\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;&s;WEIRD SENSATION FEELS GOOD: The World of ASMR&s;. Photo: Ed Reeve for the Design Museum&l;/em&g;&l;/p&g;\n&l;h4 style\&q;text-align: left;\&q;&g;The Design Movement of ASMR&l;/h4&g;\n&l;p&g;A short film exploring the exhibition, created by &l;a href\&q;https://www.dezeen.com/2022/05/19/asmr-exhibition-design-museum-video/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;Dezeen&l;/em&g;&l;/a&g;.&l;/p&g;\n&l;div class\&q;tiny-mce-custom-video-object\&q;&g;&l;a class\&q;tiny-mce-custom-video-object-link\&q; href\&q;https://youtu.be/YOg0wnHXtFA\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;img style\&q;max-width: 100%; height: auto; width: 100%;\&q; src\&q;https://process.filestackapi.com/ADl2KZuKDRbS7BbbwOreQz/watermarkfile:OkyJ53U5SrijSHm54I1Q,size:40/https://img.youtube.com/vi/YOg0wnHXtFA/0.jpg\&q; /&g;&l;/a&g;&l;/div&g;\n&l;div class\&q;tiny-mce-custom-video-object\&q;&g;&l;iframe class\&q;tiny-mce-custom-video-object-iframe\&q; src\&q;https://www.youtube-nocookie.com/embed/YOg0wnHXtFA\&q; width\&q;560\&q; height\&q;315\&q; frameborder\&q;0\&q; allowfullscreen\&q;\&q;&g;&l;/iframe&g;&l;/div&g;\n&l;div class\&q;tiny-mce-custom-video-object\&q;&g;&l;a class\&q;tiny-mce-custom-video-object-link\&q; href\&q;https://youtu.be/__k6MRZaqsA\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;img style\&q;max-width: 100%; height: auto; width: 100%;\&q; src\&q;https://process.filestackapi.com/ADl2KZuKDRbS7BbbwOreQz/watermarkfile:OkyJ53U5SrijSHm54I1Q,size:40/https://img.youtube.com/vi/__k6MRZaqsA/0.jpg\&q; /&g;&l;/a&g;&l;/div&g;\n&l;h4 class\&q;tiny-mce-custom-video-object\&q;&g;ASMR and the brain with Dr. Giulia Poerio&l;/h4&g;\n&l;p&g;An interview with Dr. Giulia Poerio in the exhibition, created by the&a;nbsp;&l;em&g;New Scientist.&l;/em&g;&l;/p&g;\n&l;div class\&q;tiny-mce-custom-video-object\&q;&g;&l;iframe class\&q;tiny-mce-custom-video-object-iframe\&q; src\&q;https://www.youtube-nocookie.com/embed/__k6MRZaqsA\&q; width\&q;560\&q; height\&q;315\&q; frameborder\&q;0\&q; allowfullscreen\&q;\&q;&g;&l;/iframe&g;&l;/div&g;\n&l;p&g;&l;strong&g;Notes to editors&l;br /&g;&l;/strong&g;The exhibition is a collaboration between the &l;a href\&q;https://designmuseum.org/exhibitions/weird-sensation-feels-good\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Design Museum&l;/a&g; and &l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;ArkDes&l;/a&g;, where it was first shown in 2020. It is curated by James Taylor-Foster, curator of contemporary architecture and design (ArkDes). The new closing date for the exhibition is April 10, 2023.&l;strong&g;&l;br /&g;&l;/strong&g;&l;/p&g;\n&l;p&g;&l;strong&g;About the exhibition&l;br /&g;&l;/strong&g;&l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;WEIRD SENSATION FEELS GOOD&l;/em&g;&l;/a&g; is the first exhibition of its kind to lift ASMR out from your screen and into public space. Bringing together a global group of ASMRtists and creatives, visitors are invited to step into an acoustically tuned environment and understand how new and existing tools and materials are being deployed to negotiate a complex world. Find out more about the exhibition &l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&l;/p&g;\n&l;p&g;&l;strong&g;About the Design Museum&l;/strong&g;&l;br /&g;Founded in 1989 by Sir Terence Conran and located on High Street Kensington in West London, the Design Museum is one of the United Kingdom&s;s foremost museums of contemporary design and architecture. Visit the Design Museum&s;s &l;a href\&q;https://designmuseum.org\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;website&l;/a&g;.&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/IOwsZN4PTvCJ3VBHvi9e&q;,&q;imageDescription&q;:&q;WEIRD SENSATION FEELS GOOD: The World of ASMR at the Design Museum (Nelta Kasparian, 2022)&q;,&q;imageAlt&q;:&q;WEIRD SENSATION FEELS GOOD: The World of ASMR at the Design Museum (Nelta Kasparian, 2022)&q;,&q;published&q;:&q;2022-09-26T14:28:00.000Z&q;,&q;created&q;:&q;2022-09-26T14:28:00&q;,&q;sluggedName&q;:&q;weird-sensation-feels-good-is-extended-at-lon&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/weird-sensation-feels-good-is-extended-at-lon&q;},{&q;id&q;:143371,&q;title&q;:&q;Documentary Reveals Ideas and Process Behind Studio Ossid...&q;,&q;summary&q;:&q;ArkDes presents Studio Ossidiana: Utomhusverket 2021 — a documentary film detailing the design intentions, construction, and first moments of public activity at the museum’s outdoor installation fo...&q;,&q;description&q;:&q;&l;h5&g;ArkDes presents&a;nbsp;&l;em&g;Studio Ossidiana: Utomhusverket 2021&l;/em&g; &a;mdash; a documentary film detailing the design intentions, construction, and first moments of public activity at the museum&a;rsquo;s outdoor installation for 2021.&l;/h5&g;\n&l;p&g;Revealing the process behind the project, the film presents Studio Ossidiana&a;rsquo;s unique approach to the hand-built craft of concrete and terrazzo casting in their own words and alongside the craftspeople that they collaborate with.&l;/p&g;\n&l;p&g;The film streams on &l;a href\&q;https://www.e-flux.com/video/401414/studio-ossidiana-nbsp-utomhusverket-2021/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;e-flux Video &a;amp; Film&l;/a&g;&s;s start page between Monday, June 7, 6pm CET through Monday, June, 14, 11:59pm CET. It is available in perpetuity on &l;a href\&q;https://arkdes.se/en/arkdes-play/studio-ossidiana-utomhusverket-2021/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;ArkDes Play&l;/a&g;.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/CeWlhDjNSkSZOit0J1R1\&q; alt\&q;\&q; /&g;&l;/p&g;\n&l;p&g;Conceived as an &a;ldquo;archipelago&a;rdquo; of activities and encounters between people, plants, birds, and minerals,&a;nbsp;&l;em&g;Utomhusverket 2021&l;/em&g;&a;nbsp;celebrates the potential of public space. A planted pond offers relief from the summer heat for both birds and people. Tall perches, designed for migratory birds, cast shadows across a ground of shells, loam, and gravels. The ground elements combine to create new soils that can be shaped by digging, walking, lying, playing, and more. A sundial marks the passing of time, while radiating the captured heat of the sun. An enclosed garden offers shade, shelter, and berries to birdlife. Handcrafted terrazzo &a;lsquo;rocks&a;rsquo; afford opportunities for play, display, and gathering.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/ZepA0rjHT92O0ru5YhK0\&q; alt\&q;\&q; /&g;&l;/p&g;\n&l;p&g;This film is released in connection to &l;a href\&q;https://arkdes.se/en/utstallning/utomhusverket-studio-ossidiana/\&q;&g;Studio Ossidiana&s;s installation&a;nbsp;&l;em&g;Utomhusverket 2021&l;/em&g;&l;/a&g; at ArkDes, the Swedish Centre for Architecture and Design, in Stockholm, Sweden, on view seven days a week and twenty-four hours a day between June 4 and October 10.&l;/p&g;\n&l;p&g;&l;strong&g;Studio Ossidiana&l;/strong&g; &l;br /&g;&l;a href\&q;http://www.studio-ossidiana.com/\&q;&g;Studio Ossidiana&l;/a&g;&a;nbsp;is an architecture, design, and research practice based in The Netherlands, founded in 2015. Led by Alessandra Covini and Giovanni Bellotti, the studio works to blur the boundary between architecture, design, art, landscape, and urban strategies. Playfulness, tactility, and inclusivity thread their projects: stories are told and objects are brought to life through materials and spaces that call for action, discovery, and wonder.&l;/p&g;\n&l;p&g;Presenting:&a;nbsp;&l;strong&g;Studio Ossidiana (Alessandra Covini, Giovanni Bellotti), James Taylor-Foster (Curator of Contemporary Architecture and Design)&l;/strong&g; &l;br /&g;A film by:&a;nbsp;&l;strong&g;Performing Pictures (Geska Helena Brečević, Robert Brečević)&l;/strong&g; &l;br /&g;Second Unit (Rotterdam):&a;nbsp;&l;strong&g;Kyulim Kim, Daniel Donato&l;/strong&g; &l;br /&g;Production Coordinator:&a;nbsp;&l;strong&g;Sujy Lee&l;/strong&g;&l;/p&g;\n&l;hr /&g;\n&l;p&g;&l;strong&g;&l;em&g;Studio Ossidiana: Utomhusverket 2021&l;/em&g;&l;/strong&g; &l;br /&g;June 4&a;ndash;October 10, 2021 &l;br /&g;Skeppsholmen, Stockholm&l;/p&g;\n&l;p&g;Studio Ossidiana:&l;strong&g;&a;nbsp;Alessandra Covini, Giovanni Bellotti&l;/strong&g; &l;br /&g;Curator:&a;nbsp;&l;strong&g;James Taylor-Foster&l;/strong&g; &l;br /&g;Producer:&a;nbsp;&l;strong&g;Johanna Fogel&l;/strong&g; &l;br /&g;Graphic Identity:&a;nbsp;&l;strong&g;EWO (Emil Engel Andersson, William J Andersson, Oskar Laurin)&l;/strong&g; &l;br /&g;Build Coordinator:&a;nbsp;&l;strong&g;Johan von Geijer&l;/strong&g; &l;br /&g;Exhibition Coordinator:&a;nbsp;&l;strong&g;Elisabet Norin&l;/strong&g; &l;br /&g;Installation:&a;nbsp;&l;strong&g;Nord Skateparks (Sweden), Tomaello (The Netherlands)&l;/strong&g; &l;br /&g;&l;br /&g;Team at Studio Ossidiana:&a;nbsp;&l;strong&g;Daniele Ceragno, Mariagiulia Pistonese, Lyubov Viller, Han Sol Hwang, Baukje Trenning&l;/strong&g; &l;br /&g;Team at Nord Skateparks:&a;nbsp;&l;strong&g;Daniel Malmberg, Mathew Marek, Stefan Jonsson, William Cramp, Carl &a;Aring;str&a;ouml;m, Pontus Robin, Tom Stellmar, Henrik Ribbing, Marcus Adolfsson, Leo Str&a;ouml;m&l;/strong&g; &l;br /&g;Team at Tomaello:&a;nbsp;&l;strong&g;Said Jama, Ali Hassan Tohow, Lauris Keiss, Ed Clarijs, Peter Mersch, Bert Hacquebard, Marcel Derksen, Andre Bonk, Giulio Tomaello, Gevorg Gabriljan, Baukje Trenning&l;/strong&g;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/u98SfpKvSPSPqtSsHdVf&q;,&q;imageDescription&q;:&q;Still from &s;Studio Ossidiana: Utomhusverket 2021&s;, a 20 minute-long documentary released on June 7&q;,&q;imageAlt&q;:null,&q;published&q;:&q;2021-06-15T07:41:31.177Z&q;,&q;created&q;:&q;2021-06-15T07:41:31.177&q;,&q;sluggedName&q;:&q;documentary-reveals-ideas-and-process-behind&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/documentary-reveals-ideas-and-process-behind&q;},{&q;id&q;:143274,&q;title&q;:&q;Sigurd Lewerentz. Major new monograph of Sweden’s most re...&q;,&q;summary&q;:&q;Sweden’s most revered architect Sigurd Lewerentz, regarded as one of the most important\nand enigmatic figures of modern European architecture, is the subject of a major new\nmonograph, published in ...&q;,&q;description&q;:&q;&l;p&g;SIGURD LEWERENTZ: ARCHITECT OF DEATH AND LIFE&l;/p&g;\n&l;p&g;Major new monograph of Sweden&a;rsquo;s most revered architect. &l;br /&g;Accompanying exhibition at ArkDes.&l;/p&g;\n&l;p&g;Sweden&a;rsquo;s most revered architect Sigurd Lewerentz, regarded as one of the most important and enigmatic figures of modern European architecture, is the subject of a major new monograph, published in May 2021 by Park Books in collaboration with ArkDes, Sweden&a;rsquo;s national centre for architecture and design in Stockholm.&l;/p&g;\n&l;p&g;This vast new book offers the most comprehensive survey to date of Lewerentz&a;rsquo;s achievements, newly researched from original objects and archival material uncovered across Sweden, featuring over 700 pages of photographs, drawings, and sketches with essays by leading experts exploring Lewerentz&a;rsquo;s life, work and legacy.&l;/p&g;\n&l;p&g;Edited by Kieran Long, Director of ArkDes, and Johan &a;Ouml;rn, curator of collections at ArkDes, and co-edited by Mikael Andersson, architectural historian and critic, this landmark book will be a significant moment of reassessment. An accompanying exhibition opening at ArkDes on 1st October 2021, curated by Kieran Long and designed by Caruso St John, will be the first major monographic exhibition of Lewerentz&a;rsquo;s work in over 30 years. Lewerentz, who was born in Bj&a;auml;rtr&a;aring;, &a;Aring;ngermanland, in northern Sweden in 1885 and died in Lund 1975, is a mythologised figure in the history of 20th century architecture. Arguably Sweden&a;rsquo;s most distinguished modernist, his influence is admired today by a generation of the world&a;rsquo;s leading architects.&l;/p&g;\n&l;p&g;Architecture devotees from around the world travel to visit his projects, from his late&a;nbsp; masterpieces St Mark&a;rsquo;s Church in Bjorkhagen and St Peter&a;rsquo;s Church in Klippan, to Stockholm&a;rsquo;s iconic woodland cemetery Skogskyrkog&a;aring;rden, now a UNESCO World Heritage site.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/7m4cAwnScWoH4mkOLtW5\&q; alt\&q;ArkDes will produce a landmark new book in connection with the exhibition, which will be the first ever published with full access to Lewerentz&a;rsquo;s archive. Designed by award-winning graphic designer Malmsten Hellberg, it will contain 700 pages of drawings, photographs and models, plus excerpts from Lewerentz&a;rsquo;s personal archive and library.\&q; /&g;&l;/p&g;\n&l;p&g;Cred: Jenny K&a;auml;llman.&l;/p&g;\n&l;p&g;Designed by award-winning graphic designer Malmsten Hellberg, this new book features new photography of all of Lewerentz&a;rsquo;s major works by the architect and architectural photographer Johan Dehlin, as well as never-before-seen drawings and plans for buildings, furniture and interiors from Lewerentz&a;rsquo;s collection at ArkDes.&l;/p&g;\n&l;p&g;Kieran Long, Director of ArkDes and Editor of Sigurd Lewerentz: Architect of Death and Life, said:&l;em&g; &a;ldquo;This monograph is a long-awaited addition to contemporary architecture publishing. There is no Swedish architect with more influence on contemporary architecture today, or with more passionate advocates across the globe, than Sigurd Lewerentz. His work was ubiquitous in the education of all the best architects I had grown up with in my twenty years of writing about, curating and teaching architecture.&a;rdquo;&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;Title information:&l;/strong&g;&l;/p&g;\n&l;p&g;Sigurd Lewerentz: Architect of Death and Life&l;br /&g;Published by Park Books in collaboration with ArkDes&l;br /&g;Eds. Kieran Long and Johan &a;Ouml;rn. Co-ed. Mikael Andersson&l;br /&g;1st edition, 2021&l;br /&g;Hardback&l;br /&g;720 pages&l;br /&g;23 x 30 cm&l;br /&g;ISBN 978-3-03860-232-3&l;br /&g;Design: Malmsten Hellberg.&l;br /&g;New photos of Lewerentz built work: Johan Dehlin.&l;/p&g;\n&l;p&g;Press Enquiries:&l;br /&g;Maria &a;Ouml;stman, &l;a href\&q;mailto:maria.ostman@arkdes.se,\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se,&l;/a&g; 073-273 36 00&l;/p&g;\n&l;p&g;NOTES TO EDITORS&l;/p&g;\n&l;p&g;Contributers&l;br /&g;Kieran Long has been director of Stockholm&a;rsquo;s ArkDes since 2017. Prior to that h&l;br /&g;established the new Department of Design, Architecture and Digital at the V&a;amp;A, London.&l;br /&g;Johan &a;Ouml;rn is an architectural historian and curator of collections at ArkDes.&l;br /&g;Mikael Andersson is an architectural historian and critic.&l;/p&g;\n&l;p&g;Sigurd Lewerentz&l;br /&g;Sigurd Lewerentz was born in the north of Sweden, in Bj&a;auml;rtr&a;aring;, V&a;auml;sternorrland County, on 29 July 1885, the son of Gustaf Adolf and Hedvig Matilda Lewerentz. He initially trained as a mechanical engineer and an architect at the Chalmers University of Technology in Gothenburg and followed his education with apprenticeships in Berlin and Munich.&l;/p&g;\n&l;p&g;When Lewerentz set up an independent practice in Stockholm in 1911, he was joined by his colleague Torsten Stubelius. His first breakthrough came in 1915 when he was awarded first prize in the competition for a new cemetery in Stockholm (The Woodland Cemetery), a proposal created in collaboration with Gunnar Asplund. For the Woodland Cemetery, Lewerentz designed the neoclassical Resurrection Chapel, completed in 1925. A year following his success in the competition of 1915, he won first prize in the competition for a new cemetery in Malm&a;ouml;.&l;/p&g;\n&l;p&g;During the 1930s, while Lewerentz was working on the two cemeteries, he made major contributions to the Stockholm Exhibition of 1930 by way of buildings, furniture, and graphic design. Around this time he also realised two major office buildings in Stockholm. He started to design and produce steel windows and other architectural fittings, a side of his practice that gradually absorbed more and more of his time. In the 1940s, he set up his own factory for these purposes in Eskilstuna.&l;/p&g;\n&l;p&g;In the mid 1940s Lewerentz oversaw the completion of the Chapels of St. Knut and St. Gertrud, and the Malm&a;ouml; City Theatre &a;ndash; two projects that he had worked on for many years. His notoriety came with the late churches, however: St. Marks in Bj&a;ouml;rkhagen (1960), and St. Peters in Klippan (1966). When Lewerentz died in Lund in 1975, he was regarded as a legend of Swedish architecture.&l;/p&g;\n&l;p&g;ArkDes&l;br /&g;ArkDes, located on the island of Skeppsholmen in central Stockholm, is Sweden&a;rsquo;s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship. It is housed in a beautiful building by Rafael Moneo and more recently ArkDes&a;acute; new studio gallery, called Boxen, designed by Dehlin Brattg&a;aring;rd Architects.&l;/p&g;\n&l;p&g;Park Books&l;br /&g;Park Books is a European publishing house for architecture and related fields, and an&l;br /&g;international platform for architectural book projects. Park Books has been established in 2012 as an affiliate of the renowned art, photography, and architectural publishers&l;br /&g;Scheidegger &a;amp; Spiess in Z&a;uuml;rich and likewise attaches great importance to the design and material quality of its publications. The books are published predominantly in English and German and thanks to a competent and extensive sales and marketing network, our program is distributed worldwide. The company is independently owned and run by dedicated employees who bring their various strengths and experience to bear on their work.&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/orTauuMgSgKYevkDiPhs&q;,&q;imageDescription&q;:&q;ArkDes will produce a landmark new book in connection with the exhibition, which will be the first ever published with full access to Lewerentz’s archive. Designed by award-winning graphic designer Malmsten Hellberg.&q;,&q;imageAlt&q;:null,&q;published&q;:&q;2021-06-08T12:47:00.000Z&q;,&q;created&q;:&q;2021-06-08T12:47:00&q;,&q;sluggedName&q;:&q;sigurd-lewerentz-major-new-monograph-of-swede&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/sigurd-lewerentz-major-new-monograph-of-swede&q;},{&q;id&q;:129694,&q;title&q;:&q;Studio Ossidiana Creates Experimental Public Space at ArkDes&q;,&q;summary&q;:&q;For the summer of 2021 Exercisplan at ArkDes becomes a place to discover new ways of being together. The Rotterdam-based architecture practice Studio Ossidiana designs an outdoor space for everyone...&q;,&q;description&q;:&q;&l;h5&g;&l;strong&g;For the summer of 2021 Exercisplan at ArkDes becomes a place to discover new ways of being together. The Rotterdam-based architecture and research practice Studio Ossidiana designs an outdoor space for everyone to make their own and celebrate public space and public life.&l;/strong&g;&l;/h5&g;\n&l;p&g;The COVID-19 pandemic has redefined the way&l;ins cite\&q;mailto:Kieran%20Long\&q; datetime\&q;2021-05-06T15:23\&q;&g; &l;/ins&g;we use our public spaces, and revealed just how important they are to us. Studio Ossidiana&a;mdash;an architecture, design and research practice led by &l;strong&g;Alessandra Covini&l;/strong&g; and &l;strong&g;Giovanni Bellotti&l;/strong&g;&a;mdash;responds to this shifting reality with this year&a;rsquo;s summer installation at ArkDes. &l;a href\&q;https://arkdes.se/en/utstallning/utomhusverket-studio-ossidiana/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;Utomhusverket 2021&l;/em&g;&l;/a&g;&l;em&g;&a;nbsp;&l;/em&g;creates a place for outdoor gathering in the centre of Stockholm.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/nJ8ZIUrqTaOvlF0mZPm7\&q; alt\&q;Fragment view of &s;Studio Ossidiana: Utomhusverket 2021&s; (2021). Drawing by Studio Ossidiana.\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Fragment view of &s;Studio Ossidiana: Utomhusverket 2021&s; (2021). Drawing by Studio Ossidiana. Courtesy of ArkDes.&l;br /&g;&l;/em&g;&l;/p&g;\n&l;p&g;The installation is the latest in an ongoing series of projects outside the museum, experimenting with the public spaces of Skeppsholmen &a;ndash; a cultural island in the heart of the Swedish capital. Conceived as an &a;ldquo;archipelago of activities,&a;rdquo; Studio Ossidiana&a;rsquo;s installation is a celebration of the potential of public life. Presenting the practice&a;rsquo;s unique approach to the handbuilt craft of concrete casting, the project imagines new forms of public space that invite us to sit, relax and read, play and perform, meditate and more.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/toq7CMqwSXCwspke8iE4\&q; alt\&q;Construction process of &s;Studio Ossidiana: Utomhusverket 2021&s;. Still: Kyulim Kim\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Construction process of &s;Studio Ossidiana: Utomhusverket 2021&s;. Still: Kyulim Kim. Courtesy of ArkDes.&l;br /&g;&l;/em&g;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/bhcVES3wRwOY9dHxEgBQ\&q; alt\&q;Construction process of &s;Studio Ossidiana: Utomhusverket 2021&s;. Image: Kyulim Kim\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Construction details of &s;Studio Ossidiana: Utomhusverket 2021&s;. Image: Kyulim Kim. Courtesy of ArkDes.&l;br /&g;&l;/em&g;&l;/p&g;\n&l;p&g;Alessandra Covini and Giovanni Bellotti (Studio Ossidiana) say:&l;/p&g;\n&l;blockquote&g;\n&l;p&g;We have envisioned a collective platform for encounters between people, plants, birds, and minerals. The project is designed as a vast garden-map, within which we reimagine the public realm as a stage for agricultural and urban rituals to unfold. It&a;rsquo;s a place where domestic and territorial scales overlay, making room for intimate moments and public performances alongside symbolic and earthly experiences.&l;/p&g;\n&l;p&g;&a;nbsp;We want to show ways in which public space can be an arena for action; a place to transform, cultivate, and curate. We believe that humans and non-human life are more than mere &a;ldquo;users&a;rdquo;: we are explorers, gardeners, lovers, collectors, cartographers, and more.&l;/p&g;\n&l;/blockquote&g;\n&l;p&g;The projects consists of a landscape of civic encounters. The ground is made up of a composition of shells, loam and gravel that intersects with a central water pond. Studio Ossidiana continue:&l;/p&g;\n&l;blockquote&g;\n&l;p&g;These ground elements combine to create new soils that can be shaped by digging, walking, lying down, playing, and more. The planted pond itself offers relief from the summer heat to both water birds and people. Tall perches, designed for migratory birds, cast shadows onto the ground. A sundial marks the passing of time, all the while its mass radiating the captured heat of the sun. An enclosed garden offers shade, shelter and berries to the birdlife of Skeppsholmen. Finally, handcrafted terrazzo &a;ldquo;rocks&a;rdquo; afford opportunities for play, display, gathering, and intimacy.&l;/p&g;\n&l;/blockquote&g;\n&l;p&g;&l;em&g; &l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/FNRZeThRg5S5ftiG77gQ\&q; alt\&q;Map of &s;Studio Ossidiana: Utomhusverket 2021&s;. Drawing by Studio Ossidiana (2021)\&q; /&g;&l;/em&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Map of &s;Studio Ossidiana: Utomhusverket 2021&s;. Drawing by Studio Ossidiana (2021). Courtesy of ArkDes.&l;br /&g;&l;/em&g;&l;/p&g;\n&l;p&g;&l;a href\&q;https://arkdes.se/en/utstallning/utomhusverket-studio-ossidiana/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;Utomhusverket 2021&l;/em&g;&l;/a&g; by Studio Ossidiana will be augmented by family workshops and a public programme of activities throughout the summer. Visitors are invited to come and sit in the sun, read a book, have lunch or a &l;em&g;fika&l;/em&g; at Caf&a;eacute; Blom, paddle in the pool, or take the time to birdwatch. The project will be open 24/7, allowing everyone to make the most of the bright early mornings and late Nordic light.&l;/p&g;\n&l;p&g;Kieran Long, Director of ArkDes, says:&l;/p&g;\n&l;blockquote&g;\n&l;p&g;We want Skeppsholmen to be developed into a beautiful, cultural public space in the centre of Stockholm. The pandemic has made us think hard about how we share the city&a;rsquo;s spaces, and we all need to be able to take part in inspiring cultural experiences in a safe way. This is the third time that ArkDes has invited talented architects and designers to create a new outdoor project on Exercisplan, and we are proud to be presenting Studio Ossidiana in 2021.&l;/p&g;\n&l;/blockquote&g;\n&l;p&g;James Taylor-Foster, Curator of Contemporary Architecture and Design at ArkDes and curator of the installation, says:&l;/p&g;\n&l;blockquote&g;\n&l;p&g;&l;em&g;Utomhusverket 2021&l;/em&g; challenges preconceptions about public space, and foregrounding its capacity to make room for civic agency and joy. The world of encounters that Studio Ossidiana have created offers a new lens on what it means to share and spend time in public &a;ndash; with others, with nature, and with our surroundings.&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;/blockquote&g;\n&l;div&g;&l;hr size\&q;3\&q; width\&q;100%\&q; /&g;&l;/div&g;\n&l;h5&g;&l;strong&g;About Utomhusverket&l;/strong&g;&l;/h5&g;\n&l;p&g;&l;em&g;Utomhusverket&l;/em&g; is ArkDes&a;rsquo;s annual summer outdoor installation. With each commission, it stitches the spaces of the museum to the streets of the city by way of a large-scale outdoor installation, creating a testing ground that makes room for architects and designers to imagine new possibilities for public life. Each iteration seeks to demonstrate the potential of inclusive and design-driven public space, enabling individual and collective action in the heart of the city.&l;/p&g;\n&l;p&g;In 2018, the association &l;a href\&q;https://arkdes.se/en/utstallning/public-luxury/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Dansbana! built a public dancefloor&l;/a&g; outside the museum, which remained for the summer of 2019. In 2020, Australian artist &l;a href\&q;https://arkdes.se/en/utstallning/infield-by-linda-tegg/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Linda Tegg built &l;em&g;Infield&l;/em&g;&l;/a&g;, which turned the space outside the museum in to a living meadow.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/nMwi1JewS3KDJWIY18d6\&q; alt\&q;Exercisplan at ArkDes. Photo: Louise Helmfrid\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Exercisplan at ArkDes. Photo: Louise Helmfrid&l;/em&g;&l;/p&g;\n&l;div&g;&l;hr size\&q;3\&q; width\&q;100%\&q; /&g;&l;/div&g;\n&l;h5&g;&l;strong&g;About Studio Ossidiana&l;/strong&g;&l;/h5&g;\n&l;p&g;&l;a href\&q;http://www.studio-ossidiana.com/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Studio Ossidiana&l;/a&g; is an architecture, design, and research practice based in The Netherlands, founded in 2015. Led by Alessandra Covini and Giovanni Bellotti, the studio works to blur the boundary between architecture, design, art, landscape, and urban strategies. Playfulness, tactility, and inclusivity thread their projects: stories are told and objects are brought to life through materials and spaces that call for action, discovery, and wonder.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/wMoFIvKTBuyIxzOnOJ7A\&q; alt\&q;Studio Ossidiana and Coco in Rotterdam. Image: Kyulim Kim\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Studio Ossidiana and Coco in Rotterdam. Image: Kyulim Kim. Courtesy of ArkDes&l;br /&g;&l;/em&g;&l;/p&g;\n&l;div&g;&l;hr size\&q;3\&q; width\&q;100%\&q; /&g;&l;/div&g;\n&l;h5&g;&l;strong&g;Further Information&l;/strong&g;&l;/h5&g;\n&l;p&g;&l;em&g;Studio Ossidiana: Utomhusverket 2021 &l;/em&g;will be open to the public twenty-four hours a day and seven days a week between &l;strong&g;June 4, 2021&l;/strong&g; and &l;strong&g;October 10, 2021&l;/strong&g;. A public and education programme accompanies the installation.&l;/p&g;\n&l;p&g;The installation will launch alongside a documentary film that reveals the process and ideas behind the project. The film will be available to watch from June 4, 2021.&l;/p&g;\n&l;p&g;&l;em&g;Utomhusverket 2021 &l;/em&g;is curated by &l;strong&g;James Taylor-Foster&l;/strong&g; (Curator of Contemporary Architecture and Design, ArkDes) and produced by &l;strong&g;Johanna Fogel&l;/strong&g; (Producer, ArkDes). The project is realised by Nord Skateparks AB and Tomaello BV in collaboration with Studio Ossidiana.&l;/p&g;\n&l;p&g;&l;strong&g;Build Coordinator:&l;/strong&g; Johan von Geijer&l;br /&g;&l;strong&g;Production Assistant:&l;/strong&g; Elisabet Norin&l;br /&g;&l;strong&g;Graphic Identity:&a;nbsp;&l;/strong&g;&l;a href\&q;https://www.oskarlaurin.se\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Oskar Laurin&l;/a&g;&l;br /&g;&l;strong&g;Production (Public Program):&l;/strong&g; Elisabet Sch&a;ouml;n&l;br /&g;&l;strong&g;Educational Program:&a;nbsp;&l;/strong&g;Jakob Kjellberg, Madel&a;eacute;ne Beckman&l;br /&g;&l;strong&g;Film Production:&l;/strong&g; &l;a href\&q;https://www.performingpictures.se/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Performing Pictures&l;/a&g; (&l;span class\&q;aCOpRe\&q;&g;Geska Helena Brečević, Robert Brečević&l;/span&g;) with Kyulim Kim, Daniel Donato, Hugo Johansson&l;/p&g;\n&l;p&g;More information can be found on &l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;arkdes.se&l;/a&g;.&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/Z5L3rfjcSaWIcdUSXidr&q;,&q;imageDescription&q;:&q;Studio Ossidiana (Giovanni Bellotti, Alessandra Covini). Photo: Loes van Duijvendijk&q;,&q;imageAlt&q;:&q;Portrait of Studio Ossidiana (Giovanni Bellotti, Alessandra Covini). Photo: Loes van Duijvendijk&q;,&q;published&q;:&q;2021-05-11T06:02:00.000Z&q;,&q;created&q;:&q;2021-05-11T06:02:00&q;,&q;sluggedName&q;:&q;studio-ossidiana-creates-an-experimental-publ&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/studio-ossidiana-creates-an-experimental-publ&q;},{&q;id&q;:130220,&q;title&q;:&q;Joar Nangos virtual library to be launched in collaborati...&q;,&q;summary&q;:&q;ArkDes (Sweden’s national centre for architecture and design) participates together with Sámi architect and Indigenous artist Joar Nango in The World Around Summit 2021, presenting a digital manife...&q;,&q;description&q;:&q;&l;p&g;&l;strong&g;ArkDes (Sweden&a;rsquo;s national centre for architecture and design) &l;/strong&g;&l;strong&g;participates together with S&a;aacute;mi architect and Indigenous artist Joar Nango in The World Around Summit 2021, presenting a digital manifestation of &l;em&g;Girjegumpi&a;nbsp; &l;/em&g;- The S&a;aacute;mi Architecture Library. Nango&a;acute;s work investigates the nomadic conception of home, focusing on different ways of dealing with materiality, movement and space. The talk will also include a presentation on ArkDes&a;acute; recent exhibition &l;em&g;Kiruna Forever.&l;/em&g;&l;/strong&g;&l;/p&g;\n&l;p&g;&l;em&g;Read m&l;/em&g;&l;em&g;ore about the program and click to register here: &l;/em&g;&l;em&g;&l;a href\&q;https://theworldaround.com\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;https://theworldaround.com&l;/a&g;&l;/em&g;&l;br /&g;&l;br /&g;&l;span style\&q;font-size: 12pt;\&q;&g;Online. &l;strong&g;Admission free.&l;/strong&g; Preregistration. In English. &l;strong&g;Saturday 30 January, 10 Eastern Time (4 pm Swedish time)&l;/strong&g; Online. Admission free &l;/span&g;&l;/p&g;\n&l;p&g;&l;span style\&q;font-size: 14pt;\&q;&g;&l;em style\&q;mso-bidi-font-style: normal;\&q;&g;&l;span style\&q;line-height: 115%; font-family: &s;Times New Roman&s;, serif; color: #382929;\&q;&g;\&q;Joar Nango&s;s long-term project Girjegumpi, the S&a;aacute;mi Architecture Library, is an unprecedented effort to re-center indigenous culture and architecture into a global discourse around cities, design and public life.\&q;,&l;/span&g;&l;/em&g;&l;em style\&q;mso-bidi-font-style: normal;\&q;&g;&l;span style\&q;line-height: 115%; font-family: &s;Times New Roman&s;, serif;\&q;&g; Carlos M&a;iacute;nguez Carrasco, Head Curator at ArkDes.&l;/span&g;&l;/em&g;&l;/span&g;&l;/p&g;\n&l;p&g;&l;strong&g;About Girjegumpi&l;br /&g;&l;/strong&g;Joar Nango is one of the few S&a;aacute;mi who hold a professional degree in architecture. Nango&s;s project Girjegumpi is a mobile S&a;aacute;mi architectural library with 200+ titles addressing issues relevant to Indigenous architecture, resistance and decolonisation. The library moves to different temporary locations and hosts workshops, conversations and debates around the role of S&a;aacute;mi architecture&a;rsquo;s tools and techniques in a rapidly changing world. In collaboration with ArkDes. Experience Girjegumpi at &l;em&g;&l;a href\&q;https://gumpi.space\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;https://gumpi.space&l;/a&g;&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;About The World Around&l;/strong&g;&l;br /&g;The World Around is a non-profit organization dedicated to telling the most impactful stories of architectural culture today. This year, our annual summit will take place online in the residence at the Solomon R. Guggenheim Museum i New York City. Bringing together some of the world&a;acute;s the most innovative international practitioners, the 2021 speaks to critical och interconnected issues that face designers today including politics, indigenous rights, racial justice, education, and health. Offering a virtual and live tour of cities and cultural institutions on almost every continent, the 2021 Summit will feature both streamed and local in-person discussions in 10 international cities.&l;/p&g;\n&l;p&g;For more info: Maria &a;Ouml;stman, &l;a href\&q;mailto:maria.ostman@arkdes.se\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se&l;/a&g;&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;h1&g;&a;nbsp;&l;/h1&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/woaalPXUSiuNmwpFhCRZ&q;,&q;imageDescription&q;:&q;Image: Girjegumpi installed in Jokkmokk during the annual winter-market in\nFebruary, 2018. Photo: Astrid Fadnes\n&q;,&q;imageAlt&q;:null,&q;published&q;:&q;2021-01-29T06:29:00.000Z&q;,&q;created&q;:&q;2021-01-29T06:29:00&q;,&q;sluggedName&q;:&q;joar-nangos-virtual-library-to-be-launched-in&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/joar-nangos-virtual-library-to-be-launched-in&q;},{&q;id&q;:88198,&q;title&q;:&q;Relive the Virtual Vernissage of WEIRD SENSATION FEELS GOOD!&q;,&q;summary&q;:&q;On April 7, 2020, ArkDes broadcast a virtual vernissage of the exhibition WEIRD SENSATION FEELS GOOD live from Stockholm. We invite you to relive this opening from a comfortable spot and through yo...&q;,&q;description&q;:&q;&l;h5&g;ASMR is a term that describes a physical sensation: euphoria or deep calm, sometimes a tingling in the body. In recent years an online audience of millions has grown, dedicated to watching the work of designers and content creators who try to trigger this feeling in their viewers.&l;/h5&g;\n&l;h5&g;&l;em&g;&l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q;&g;WEIRD SENSATION FEELS GOOD&l;/a&g;&l;/em&g; is the first museum exhibition dedicated to this feeling and the emerging field of creativity that has grown up around it.&l;/h5&g;\n&l;p&g;On April 7, 2020, ArkDes broadcast a &l;a href\&q;https://www.e-flux.com/video/325072/arkdes-nbsp-presents-a-virtual-vernissage-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;virtual vernissage&l;/a&g; live from Stockholm in collaboration with &l;a href\&q;https://www.e-flux.com/video/325072/arkdes-nbsp-presents-a-virtual-vernissage-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;e-flux&l;/a&g;. We invite you to relive this opening from a comfortable spot and through your favourite pair of headphones!&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/nslgtK2hQCK2ynCysFfI\&q; alt\&q;\&q; /&g;&l;/p&g;\n&l;h5 style\&q;text-align: center;\&q;&g;&l;a href\&q;https://arkdes.se/en/arkdes-play/virtual-vernissage-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;strong&g;Watch the virtual vernissage on ArkDes Play &a;rarr;&l;/strong&g;&l;/a&g;&l;/h5&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;strong&g;This broadcast is also embeddable. Find the embed link on &l;a href\&q;https://vimeo.com/405384228\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Vimeo&l;/a&g;.&l;/strong&g;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/76rGRFumQFiFyna719Gy\&q; alt\&q;\&q; /&g;&l;/p&g;\n&l;h5&g;Presenting (in order of appearance):&l;/h5&g;\n&l;p&g;ASMRtists: &l;a href\&q;https://www.youtube.com/channel/UCaVRk90IytEpDyw9hWNlq6g\&q;&g;&l;strong&g;PierreG ASMR&l;/strong&g;&l;/a&g;, &l;a href\&q;https://www.youtube.com/channel/UCxMEPB9qCXzKViRKW0xmgAw\&q;&g;&l;strong&g;WhisperingLife ASMR&l;/strong&g;&l;/a&g;, &l;a href\&q;https://www.youtube.com/channel/UCwYosniCbUHMyj6HWOlZd9w\&q;&g;&l;strong&g;UNO ASMR&l;/strong&g;&l;/a&g;, &l;a href\&q;https://www.youtube.com/channel/UC88Qzl8DnaiR0Pxadh56iQw\&q;&g;&l;strong&g;Life with MaK&l;/strong&g;&l;/a&g;, &l;strong&g;&l;a href\&q;https://www.youtube.com/channel/UCi8QgZckGYg3RFvEbdkMWfg\&q;&g;ASMRctica&l;/a&g;&l;/strong&g;, &l;a href\&q;https://www.youtube.com/user/WhisperMister1\&q;&g;&l;strong&g;FredsVoice ASMR&l;/strong&g;&l;/a&g;, &l;a href\&q;https://www.youtube.com/user/videomissasmr\&q;&g;&l;strong&g;MissASMR&l;/strong&g;&l;/a&g;, &l;a href\&q;https://www.youtube.com/channel/UCsuYEYtsPwJEhJpUt1dTVWA\&q;&g;&l;strong&g;anoASMR&l;/strong&g;&l;/a&g;, and &l;strong&g;&l;a href\&q;https://www.youtube.com/user/MadeInFranceASMR\&q;&g;Made in France ASMR&l;/a&g;&l;/strong&g;&l;br /&g;&l;strong&g;Kieran Long&l;/strong&g; (Director, ArkDes) above&l;br /&g;&l;strong&g;James Taylor-Foster&l;/strong&g; (Curator of Contemporary Architecture and Design, ArkDes)&l;br /&g;&l;strong&g;Jennifer Allen &l;/strong&g;(who coined the term \&q;ASMR\&q; in 2010)&l;br /&g;&l;a href\&q;https://www.essex.ac.uk/people/poeri14804/giulia-poerio\&q;&g;&l;strong&g;Giulia Poerio&l;/strong&g;&l;/a&g; (Researcher, University of Essex)&l;br /&g;&l;a href\&q;https://www.su.edu/faculty-staff/faculty/craig-richard/\&q;&g;&l;strong&g;Craig Richard&l;/strong&g;&l;/a&g; (Researcher, University of Shenandoah)&l;br /&g;&l;a href\&q;http://www.jamielaurenkeiles.com/\&q;&g;&l;strong&g;Jamie Lauren Keiles&l;/strong&g;&l;/a&g; (Journalist)&l;br /&g;&l;a href\&q;https://www.oru.se/english/employee/helga_sadowski\&q;&g;&l;strong&g;Helga Sadowski&l;/strong&g;&l;/a&g; (Researcher, &l;span class\&q;st\&q;&g;&a;Ouml;rebro and&l;/span&g; Uppsala Universities) below&l;br /&g;&l;strong&g;Justina H&a;uuml;ll&l;/strong&g; (Digital Communications, ArkDes)&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/plckPIp9T6iHlp5AaGdk\&q; alt\&q;\&q; /&g;&l;/p&g;\n&l;p&g;You can learn more about the exhibition and the world of ASMR in &l;em&g;The Guardian &l;/em&g;(\&q;&l;a href\&q;https://www.theguardian.com/artanddesign/2020/mar/31/this-way-for-a-braingasm-asmr-gets-a-tingly-exhibition\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;This way for brain tingles: ASMR gets a shiver-inducing exhibition&l;/a&g;\&q;), &l;em&g;Surface Magazine&l;/em&g; (\&q;&l;a href\&q;https://www.surfacemag.com/articles/asmr-arkdes-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;The Thrilling and Complicated World of ASMR&l;/a&g;\&q;), and on &l;a href\&q;https://www.tv4.se/nyheterna/klipp/f%C3%B6rf%C3%B6rs-eller-f%C3%B6rfasas-av-ljuden-p%C3%A5-museet-12579933\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;TV4&l;/em&g;&l;/a&g; (in Swedish).&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/F24Vlf5oRCup9jiZAlxT\&q; alt\&q;\&q; /&g;&l;/p&g;\n&l;p&g;Due to the novel coronavirus, ArkDes is currently temporarily closed to visitors. &l;em&g;WEIRD SENSATION FEELS GOOD &l;/em&g;&a;ndash; the first exhibition of its kind to explore ASMR &a;ndash; is scheduled to close on &l;strong&g;November 1, 2020&l;/strong&g;.&l;/p&g;\n&l;p&g;Follow our social channels to keep abreast of our digital projects, and keep up to date with our upcoming plans!&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/knLWHM8bTOFp1zY7D7AS&q;,&q;imageDescription&q;:&q;WEIRD SENSATION FEELS GOOD in Boxen at ArkDes opened with a virtual vernissage, broadcast live from Stockholm on April 7, 2020. Photo: Johan Dehlin&q;,&q;imageAlt&q;:&q;WEIRD SENSATION FEELS GOOD in Boxen at ArkDes. Photo: Johan Dehlin&q;,&q;published&q;:&q;2020-04-14T11:00:00.000Z&q;,&q;created&q;:&q;2020-04-14T11:00:00&q;,&q;sluggedName&q;:&q;relive-the-virtual-vernissage-of-weird-sensat&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/relive-the-virtual-vernissage-of-weird-sensat&q;},{&q;id&q;:85911,&q;title&q;:&q;New exhibition and virtual vernissage: Kiruna Forever&q;,&q;summary&q;:&q;New exhibition: Kiruna Forever. Kiruna – a city in the northernmost part of Sweden – is experiencing one of the biggest urban transformation projects in recent history. The city centre is being rel...&q;,&q;description&q;:&q;&l;p&g;Kiruna Forever - exhibition and virtual vernissage.&l;/p&g;\n&l;p&g;2 June 2020 - 7 February 2021.&l;/p&g;\n&l;p&g;&l;strong&g;Kiruna &a;ndash; a city in the northernmost part of Sweden &a;ndash; is experiencing one of the biggest urban transformation projects in recent history. The city centre is being relocated three kilometres northeast due to the extension of the iron ore mine around which Kiruna was built. A third of the city population must relocate, housing blocks and landmark buildings are being demolished or moved, and a new city is taking shape. But how do you move a city?&l;/strong&g;&l;/p&g;\n&l;p&g;&l;em&g;For interviews, pressinfo and catalogue please contact: &l;strong&g;&l;a href\&q;mailto:maria.ostman@arkdes.se\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se &l;/a&g;&l;/strong&g;&l;/em&g;&l;/p&g;\n&l;p&g;ArkDes is excited to invite you to the virtual vernissage of &s;Kiruna Forever&s; in 360&a;deg;&a;ndash; an exhibition about one of the biggest urban transformation projects in recent history. Tune in from 12.00 CEST on June 1st.&l;br /&g;&l;br /&g;🌐 Where: &l;a href\&q;https://www.dezeen.com/vdf/arkdes/?fbclidIwAR25S0dXCFfLKGmhEzK6azjTw_Eub4BbYfMlKwow01bSDZ2gUU6hYvw6EU0\&q; target\&q;_blank\&q; rel\&q;nofollow noopener\&q; data-lynx-mode\&q;hover\&q; data-lynx-uri\&q;https://l.facebook.com/l.php?uhttps%3A%2F%2Fwww.dezeen.com%2Fvdf%2Farkdes%2F%3Ffbclid%3DIwAR25S0dXCFfLKGmhEzK6azjTw_Eub4BbYfMlKwow01bSDZ2gUU6hYvw6EU0&a;amp;hAT35JQWTJlPSe1nf1yR31qaVFPL0y26jQKnx-WZtQVMxMsnchX66WFRPpq3sY_PT2gnJHtSythLEXzAPHg3e-T1vj4ZSNPF7S-uWFMhKhz-Ed_t3RxJ3kIqdj6dq4k00zA\&q;&g;https://www.dezeen.com/vdf/arkdes/&l;/a&g;&l;br /&g;🕔 When: June 1, 12.00 CEST &l;br /&g;🎧 Language: English &a;amp; Swedish&l;br /&g;&l;br /&g;At this virtual vernissage, broadcast live from ArkDes in Stockholm and presented in collaboration with Dezeen Design Festival, we&s;ll investigate how to move a city together with some of our collaborating artist.&l;em&g;&l;br /&g;&l;br /&g;&l;/em&g;&l;em&g;Kiruna Forever&l;/em&g; examines the current relocation of the city exhibiting over 100 works by architects, urban planners and artists who have transformed the community and addressed the challenges that have shaped the region &a;ndash; from the first industrial development and onward into the future.&l;/p&g;\n&l;p&g;Architects and artists include: Iwan Baan, Anne Dessing and Michiel van Iersel; Design Earth, Henning Larsen, Ingela Johansson, Britta Marakatt-Labba, Joar Nango, New Mineral Collective, Outi Pieski, Sandellsandberg Architects, Studio Folder, Territorial Agency, Anja &a;Ouml;rn, Tomas &a;Ouml;rn, and Fanny Carinasdotter; Liselotte Wajstedt, White Arkitekter with Ghilardi+Hellsten Arkitekter, and more.&l;/p&g;\n&l;p&g;Including original works by Hakon Ahlberg, Ralph Erskine, Per Olof Hallman, &a;Ouml;rjan L&a;uuml;ning. Helmer Osslund, Artur von Schmalensee, Nils Nilsson Skum, Axel T&a;ouml;rneman,&a;nbsp;Gustaf Wickman, Carl Wilhelmson, and more.&a;nbsp;&a;nbsp;&l;/p&g;\n&l;p&g;Putting the relocation of Kiruna into a historical and geographical context, the exhibition reflects on the big questions that such a complex project provokes. What is the limit of our natural resources? What happens to residents&a;rsquo; identity and security when their homes are demolished?&a;nbsp; How do we decide whether cultural heritage should be preserved or sacrificed? How does the relocation affect the lives of the Indigenous population, the S&a;aacute;mi? How permanent are the cities we live in?&l;/p&g;\n&l;p&g;The exhibition includes interviews with Kiruna residents, a 1:1 scale replica of the recently demolished Kiruna City Hall, and original drawings and models from the ArkDes collections.&l;/p&g;\n&l;p&g;&l;strong&g;Discover ArkDes new book &a;lsquo;Kiruna Forever&a;rsquo;&l;br /&g;&l;/strong&g;ArkDes is pleased to present the catalogue of Kiruna Forever. &l;br /&g;Edited by Daniel Golling and Carlos M&a;iacute;nguez Carrasco&l;br /&g;Graphic Design by Magdalena Czarnecki&l;br /&g;Language: Swedish and English&l;/p&g;\n&l;p&g;More info about the book for 349 sek in Arkitektur F&a;ouml;rlags&a;rsquo; &l;a href\&q;http://arkitektur.se/butik\&q;&g;online store.&l;/a&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/sIpkPkTzSm2Nx2tuRfTJ\&q; alt\&q;Cred: Jessica Nild&a;eacute;n, The pic was taken on 2017-08-31 when the house was moved.\nBuilding: Ingenj&a;ouml;rsvillan. \nInfo: Ingenj&a;ouml;rsvillan is LKAB&a;rsquo;s 39th building in order and was completed in year 1900.\n\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Cred: Jessica Nild&a;eacute;n, The pic was taken on 2017-08-31 when the house was moved. Building: Ingenj&a;ouml;rsvillan. I&l;/em&g;&l;/p&g;\n&l;p&g;&l;em&g;The exhibition is produced by ArkDes, the Swedish Centre for Architecture and Design. There is a parallel exhibition at Konstmuseet i Norr, Norrbotten&a;rsquo;s new County Art Museum, located in Kiruna. Some of the works have jointly been specially commissioned and are on show simultaneously at both venues.&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;Curator:&l;/strong&g; Carlos M&a;iacute;nguez Carrasco&l;br /&g;&l;strong&g;Assistant Curator:&l;/strong&g; Sujy Lee&l;br /&g;&l;strong&g;Exhibition Producer:&l;/strong&g; Johanna Fogel&l;br /&g;&l;strong&g;Exhibition Design:&l;/strong&g; Pernilla Ohrstedt&l;br /&g;&l;strong&g;Graphic Design:&l;/strong&g; Magdalena Czarnecki&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/LISCIZiQnyKTC8WPzD6w&q;,&q;imageDescription&q;:&q;The new city hall pulls the next phases of Kiruna’s bold move eastwards as if by a magnet. \nCredit: Photo by Hufton + Crown, Courtesy of Henning Larsen (2018) \n&q;,&q;imageAlt&q;:null,&q;published&q;:&q;2020-03-03T12:40:00.000Z&q;,&q;created&q;:&q;2020-03-03T12:40:00&q;,&q;sluggedName&q;:&q;new-exhibition-and-virtual-vernissage-kiruna&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/new-exhibition-and-virtual-vernissage-kiruna&q;},&q;widgets&q;:{&q;id&q;:18134,&q;publishRoomId&q;:16506,&q;title&q;:&q;Utvalda poster&q;,&q;widgetType&q;:&q;featuredItemsWidget&q;,&q;tagWidgetRenderType&q;:null,&q;tagWidgetItemCount&q;:null,&q;tagWidgetTagIds&q;:,&q;tagWidgetSearchProfileIds&q;:,&q;tagWidgetSearchProfilePostTypes&q;:,&q;tagWidgetLoadMore&q;:false,&q;featuredItemsWidgetSpeed&q;:5,&q;featuredItemsWidgetAutoplay&q;:true,&q;htmlWidgetHtml&q;:null,&q;sortOrder&q;:0,&q;isEnabled&q;:true,&q;itemWidgetRenderType&q;:0,&q;itemWidgetItemTypes&q;:,&q;itemWidgetItemCount&q;:0,&q;itemWidgetTopicIds&q;:,&q;itemWidgetLoadMore&q;:false},{&q;id&q;:18135,&q;publishRoomId&q;:16506,&q;title&q;:&q;News&q;,&q;widgetType&q;:&q;itemsWidget&q;,&q;tagWidgetRenderType&q;:null,&q;tagWidgetItemCount&q;:null,&q;tagWidgetTagIds&q;:,&q;tagWidgetSearchProfileIds&q;:,&q;tagWidgetSearchProfilePostTypes&q;:,&q;tagWidgetLoadMore&q;:false,&q;featuredItemsWidgetSpeed&q;:null,&q;featuredItemsWidgetAutoplay&q;:false,&q;htmlWidgetHtml&q;:null,&q;sortOrder&q;:1,&q;isEnabled&q;:true,&q;itemWidgetRenderType&q;:&q;masonry&q;,&q;itemWidgetItemTypes&q;:&q;pressRelease&q;,&q;news&q;,&q;itemWidgetItemCount&q;:6,&q;itemWidgetTopicIds&q;:,&q;itemWidgetLoadMore&q;:false},{&q;id&q;:18136,&q;publishRoomId&q;:16506,&q;title&q;:&q;About us in media&q;,&q;widgetType&q;:&q;tagBasedItemWidget&q;,&q;tagWidgetRenderType&q;:&q;carousel&q;,&q;tagWidgetItemCount&q;:9,&q;tagWidgetTagIds&q;:,&q;tagWidgetSearchProfileIds&q;:43763,&q;tagWidgetSearchProfilePostTypes&q;:,&q;tagWidgetLoadMore&q;:false,&q;featuredItemsWidgetSpeed&q;:null,&q;featuredItemsWidgetAutoplay&q;:false,&q;htmlWidgetHtml&q;:null,&q;sortOrder&q;:2,&q;isEnabled&q;:true,&q;itemWidgetRenderType&q;:0,&q;itemWidgetItemTypes&q;:,&q;itemWidgetItemCount&q;:0,&q;itemWidgetTopicIds&q;:,&q;itemWidgetLoadMore&q;:false},{&q;id&q;:18137,&q;publishRoomId&q;:16506,&q;title&q;:&q;Blog posts&q;,&q;widgetType&q;:&q;itemsWidget&q;,&q;tagWidgetRenderType&q;:null,&q;tagWidgetItemCount&q;:null,&q;tagWidgetTagIds&q;:,&q;tagWidgetSearchProfileIds&q;:,&q;tagWidgetSearchProfilePostTypes&q;:,&q;tagWidgetLoadMore&q;:false,&q;featuredItemsWidgetSpeed&q;:null,&q;featuredItemsWidgetAutoplay&q;:false,&q;htmlWidgetHtml&q;:null,&q;sortOrder&q;:3,&q;isEnabled&q;:false,&q;itemWidgetRenderType&q;:&q;box&q;,&q;itemWidgetItemTypes&q;:&q;blog&q;,&q;itemWidgetItemCount&q;:6,&q;itemWidgetTopicIds&q;:,&q;itemWidgetLoadMore&q;:false},{&q;id&q;:18138,&q;publishRoomId&q;:16506,&q;title&q;:&q;About ArkDes&q;,&q;widgetType&q;:&q;htmlWidget&q;,&q;tagWidgetRenderType&q;:null,&q;tagWidgetItemCount&q;:null,&q;tagWidgetTagIds&q;:,&q;tagWidgetSearchProfileIds&q;:,&q;tagWidgetSearchProfilePostTypes&q;:,&q;tagWidgetLoadMore&q;:false,&q;featuredItemsWidgetSpeed&q;:null,&q;featuredItemsWidgetAutoplay&q;:false,&q;htmlWidgetHtml&q;:&q;&l;p&g;ArkDes is Sweden&a;rsquo;s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;sortOrder&q;:4,&q;isEnabled&q;:true,&q;itemWidgetRenderType&q;:0,&q;itemWidgetItemTypes&q;:,&q;itemWidgetItemCount&q;:0,&q;itemWidgetTopicIds&q;:,&q;itemWidgetLoadMore&q;:false},{&q;id&q;:18139,&q;publishRoomId&q;:16506,&q;title&q;:&q;Contacts&q;,&q;widgetType&q;:&q;contactWidget&q;,&q;tagWidgetRenderType&q;:null,&q;tagWidgetItemCount&q;:null,&q;tagWidgetTagIds&q;:,&q;tagWidgetSearchProfileIds&q;:,&q;tagWidgetSearchProfilePostTypes&q;:,&q;tagWidgetLoadMore&q;:false,&q;featuredItemsWidgetSpeed&q;:null,&q;featuredItemsWidgetAutoplay&q;:false,&q;htmlWidgetHtml&q;:null,&q;sortOrder&q;:5,&q;isEnabled&q;:true,&q;itemWidgetRenderType&q;:0,&q;itemWidgetItemTypes&q;:,&q;itemWidgetItemCount&q;:0,&q;itemWidgetTopicIds&q;:,&q;itemWidgetLoadMore&q;:false},&q;contacts&q;:{&q;id&q;:15785,&q;name&q;:&q;Maria Östman&q;,&q;sortOrder&q;:1,&q;title&q;:null,&q;description&q;:null,&q;picture&q;:&q;https://cdn.filestackcontent.com/SvYXC774SIei9cGsx6xS&q;,&q;email&q;:&q;maria.ostman@arkdes.se&q;,&q;phone&q;:&q;+46 (0)73 273 36 00&q;,&q;phone2&q;:null,&q;twitterHandle&q;:null,&q;instagramUsername&q;:null,&q;linkedInUsername&q;:null,&q;enabledInNewsroom&q;:true},{&q;id&q;:40212,&q;name&q;:&q;Emma Weinerhall&q;,&q;sortOrder&q;:2,&q;title&q;:&q;Publik chef&q;,&q;description&q;:null,&q;picture&q;:null,&q;email&q;:&q;Emma.weinerhall@arkdes.se&q;,&q;phone&q;:&q;073-738 97 68&q;,&q;phone2&q;:null,&q;twitterHandle&q;:null,&q;instagramUsername&q;:null,&q;linkedInUsername&q;:null,&q;enabledInNewsroom&q;:true}},&q;itemsKey-18135&q;:{&q;items&q;:{&q;id&q;:192840,&q;title&q;:&q;ArkDes’ renewal – reimagining the visitor experience&q;,&q;summary&q;:&q;In September 2024, ArkDes, Sweden&s;s national museum of architecture and design, will unveil a new experience for its visitors. In its historic buil...&q;,&q;description&q;:&q;&l;p&g;&l;strong&g;In September 2024, ArkDes, Sweden&s;s national museum of architecture and design, will unveil a new experience for its visitors. In its historic buildings, next to Moderna Museet in the centre of Stockholm, ArkDes&a;rsquo; will create new spaces for a radical rethinking of how to exhibit architecture and design, with the direction of the award-winning architectural firm Arrhov Frick. A strong focus is placed on open, welcoming meeting spaces, a new collections exhibition, space for temporary exhibitions and events, new access to outdoor areas, and more space for play. &l;/strong&g;&l;/p&g;\n&l;p&g;At the heart of this comprehensive rethinking of ArkDes&a;rsquo; spaces will be a new exhibition of Swedish architecture and design between 1880 and the present day, bringing to light never-before-seen, original works from ArkDes&a;rsquo; world class collection of four million objects. At the same time, ArkDes is pursuing new stories hidden in the collection, including research into the many women whose decisive roles in Swedish architecture and design history have been hidden or forgotten.&l;/p&g;\n&l;p&g;&l;strong&g;&a;nbsp;\&q;&l;/strong&g;&l;em&g;Sweden&s;s history of architecture and design is unique and our collection is one of the country&a;rsquo;s major cultural treasures. Nowhere else in the world has architecture had such a strong connection with building a modern society. Now all our focus is on building a new ArkDes with the ambition to become one of world&a;rsquo;s most important museums for architecture and design&l;/em&g;, &l;em&g;combining a new historical narrative with a wide range of the work of contemporary architects and designers\&q;, &l;/em&g;says Kieran Long, director of ArkDes.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/auto_image/4pdbet2EQr2jc8fWAIEW\&q; alt\&q;In June 2024, ArkDes, Sweden&s;s national museum of architecture and design, will unveil a new experience for its visitors. In its historic buildings, next to Moderna Museet in the centre of Stockholm, ArkDes&a;rsquo; will create new spaces for a radical rethinking of how to exhibit architecture and design, with the direction of the award-winning architectural firm Arrhov Frick. A strong focus is placed on open, welcoming meeting spaces, a new collections exhibition, space for temporary exhibitions and events, new access to outdoor areas, and more space for play. \&q; /&g;&l;/p&g;\n&l;p&g;Architecture. Arrhov Frick photo: Olivier Campagne&l;/p&g;\n&l;p&g;The location is the same as before, but otherwise ArkDes will be something completely new. The early conceptual drawings from architects Arrhov Frick demonstrate their approach, creating an elegant new interior from a radical approach to reusing materials. Their plan includes a new entrance to the museum, which will be the site of an annual commission for a spectacular entrance portal.&l;/p&g;\n&l;p&g;Inside, the full breadth of ArkDes&a;rsquo; work will be present, from historic collections to contemporary exhibitions. A new space dedicated to practice-based research and policy work will invite the public into the debate about the future of Swedish cities. ArkDes will create a new education programme and an annual commission aimed at young people and children. ArkDes&a;rsquo; renowned programme of temporary exhibitions will continue in 2024 with Designing Motherhood, an exhibition about design&a;rsquo;s role in pregnancy, birth and motherhood in countries and cultures around the world.&l;/p&g;\n&l;p&g;&l;strong&g;The architects &a;ndash; Arrhov Frick&l;/strong&g;&l;/p&g;\n&l;p&g;Since spring 2022, Johan Arrhov and Henrik Frick have been working on the plans for what will become the new ArkDes. Their first step was an inventory of materials already used at ArkDes, including steel, wood, and glass. With that treasure trove of materials, the architect duo decided to start creating a new museum from what already exists. The design of the objects is therefore largely defined by the existing components. Larger, curtained pavilion structures will enable dark and climate-controlled areas for sensitive objects and provide a spatial drama to the journey through the museum.&l;/p&g;\n&l;p&g;&l;em&g;\&q;Arrhov Frick&s;s work is characterized by a clear artistic process where recurring themes include everything that is important for a museum; how to create open and free public spaces where a variety of movement and life is possible. Their proposal is reminiscent of the Palais de Tokyo in Paris, using a found space to create new possibilities for the display of architecture and design. Their work is always based on questioning the necessity of using carbon-intensive new materials and the aesthetic results of their meticulous process of reuse and repurposing are very compelling\&q;&l;/em&g;, says Kieran Long, director at ArkDes&l;/p&g;\n&l;p&g;Arrhov Frick (founded in 2010 in Stockholm) has been described as one of Sweden&a;rsquo;s most important emerging architectural firms. They have been nominated for several different awards, such as the Mies van der Rohe Award and the Kasper Salin prize for the best building of the year in Sweden. Their work has been published in several international books and journals and over the years the office has had two monographs published: 2G International Architectural Magazine (2018) and by the prestigious magazine El Croquis (2022). And at home in Sweden, they won the TV4 award Grand Designs House of the Year 2022. They teach at Academy of Architecture in Mendrisio, Switzerland, one of the world&a;rsquo;s most important schools of architecture.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/auto_image/gPCZRLNR9CBBjvWoUNEQ\&q; alt\&q;In June 2024, ArkDes, Sweden&s;s national museum of architecture and design, will unveil a new experience for its visitors. In its historic buildings, next to Moderna Museet in the centre of Stockholm, ArkDes&a;rsquo; will create new spaces for a radical rethinking of how to exhibit architecture and design, with the direction of the award-winning architectural firm Arrhov Frick. A strong focus is placed on open, welcoming meeting spaces, a new collections exhibition, space for temporary exhibitions and events, new access to outdoor areas, and more space for play. \&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;In June 2024, ArkDes, Sweden&s;s national museum of architecture and design, will unveil a new experience for its visitors. Photo: Matti &a;Ouml;stling.&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;Short facts:&l;/strong&g;&l;/p&g;\n&l;p&g;ArkDes&a;rsquo; holds the national collection of architecture in Sweden, consisting of over four million objects.&l;/p&g;\n&l;p&g;ArkDes has the task from the Swedish government to be a museum, and a node for research and policy thinking on architecture and design in Sweden.&l;/p&g;\n&l;p&g;With the new collection exhibition, this unique Swedish cultural treasure comes to light for the first time.&l;/p&g;\n&l;p&g;The collection exhibition replaces an existing permanent exhibition from 1998.&l;/p&g;\n&l;p&g;The first temporary exhibition will be Designing Motherhood.&l;/p&g;\n&l;p&g;A new space will be created to show ArkDes&a;rsquo; extensive work in practice-based research, managed by the ArkDes Think Tank team.&l;/p&g;\n&l;p&g;ArkDes will close for remodeling on August 28, 2023.&l;/p&g;\n&l;p&g;ArkDes reopens on &a;nbsp;27th September 14, 2024.&l;/p&g;\n&l;p&g;The architects are Arrhov Frick.&l;/p&g;\n&l;p&g;The project lead is Karin Nilsson, operations manager, and deputy director at ArkDes.&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden&a;rsquo;s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/auto_image/6l0eNIlLQQOGfT323PPL&q;,&q;imageDescription&q;:&q;Kieran Long, director ArkDes and Karin Nilsson, operations manager ArkDes. Henrik Frick and Johan Arrhov, Arrhov Frick. Photo: Viktor Fremling. &q;,&q;imageAlt&q;:null,&q;published&q;:&q;2023-05-24T13:03:00.000Z&q;,&q;created&q;:&q;2023-05-24T13:03:00&q;,&q;sluggedName&q;:&q;arkdes-renewal-reimagining-the-visitor-experi&q;,&q;isFeatured&q;:false,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:{&q;id&q;:10798,&q;name&q;:&q;Architecture&q;,&q;count&q;:4,&q;sortOrder&q;:null},{&q;id&q;:30328,&q;name&q;:&q;arrhov frick&q;,&q;count&q;:1,&q;sortOrder&q;:null},&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/arkdes-renewal-reimagining-the-visitor-experi&q;},{&q;id&q;:192369,&q;title&q;:&q; Pavilion of Nordic Countries Joar Nango – Girjegumpi: The Sámi Architecture Library at the 18th International Architecture Exhibition – La Biennale di Venezia&q;,&q;summary&q;:&q;For over fifteen years, architect and artist Joar Nango has been assembling an archive of books about issues relevant to Indigenous architecture. T...&q;,&q;description&q;:&q;&l;p&g;For over fifteen years, architect and artist &l;strong&g;Joar Nango &l;/strong&g;has been assembling an archive of books about issues relevant to Indigenous architecture. This year Nango, alongside a team of collaborators, unfolds &l;em&g;Girjegumpi:&l;/em&g; &l;em&g;The S&a;aacute;mi Architecture Library&l;/em&g;&a;mdash;a structure, social space, and source of knowledge around architecture in Sapmi&a;mdash;at the Nordic Countries Pavilion at the 18th International Architecture Exhibition &a;ndash; La Biennale di Venezia. The pavilion officially represents Finland, Norway and Sweden through the Museum of Finnish Architecture, The National Museum of Norway, and ArkDes &a;ndash; The Swedish Centre for Architecture and Design.&l;/p&g;\n&l;p&g;&l;em&g;Girjegumpi &l;/em&g;is a spatialisation of conversations and research initiated by Joar Nango over two decades of practice at the intersection of architecture and art. As an itinerant, collective library, the project has evolved and expanded with site-specific adaptations as it has travelled to different locations in Sapmi and the broader Nordic region. This journey involves multiple collaborations, including artists and craftspeople such as &l;strong&g;Katarina Spik Skum&l;/strong&g;, &l;strong&g;Anders Sunna&l;/strong&g;, &l;strong&g;Ken Are Bongo&l;/strong&g;, and &l;strong&g;Anders Rimpi&l;/strong&g;, among others.&l;/p&g;\n&l;p&g;Central to &l;em&g;Girjegumpi &l;/em&g;is the archive that it contains and shares &a;ndash; from rare titles to contemporary books, the collection of more than 500 editions embraces topics such as Sami architecture and design, traditional and ancestral building knowledge, activism, and decoloniality. This archive also comprises artworks, materials, design details, and found objects. As a gathering space, it hosts large groups of people. As a reading room, it offers an environment for solitary study and reflection. As a critical project, it builds spaces for Indigenous imagination.&l;/p&g;\n&l;p&g;Nomadic by design, &l;em&g;Girjegumpi &l;/em&g;is a living project addressing the relevance of Indigenous culture in architectural discourse and construction today: the importance of collaborative work, building techniques and use of resources in rapidly changing climate conditions, the use of locally grounded material flow and sensitive approaches to landscapes and nature. It highlights the architect&a;rsquo;s position towards a more polyphonic understanding of the world.&l;/p&g;\n&l;p&g;The Nordic Countries Pavilion, designed by Sverre Fehn in 1962, was conceived to represent forms of cooperation across the Nordic countries. In this context, &l;em&g;Girjegumpi &l;/em&g;opens to an international audience to continue building bodies of knowledge, collaboration and solidarity that transcend national boundaries.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/auto_image/euXnMcqPToi4jumhD5oB\&q; alt\&q;Girjegumpi: The S&a;aacute;mi Architecture\nLibrary by Joar Nango and collaborators at the Nordic Countries Pavilion (18th International Architecture\nExhibition &a;ndash; La Biennale di Venezia). Photo: Laurian Ghinițoiu (2023). CC BY-SA 4.0.\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Girjegumpi: The S&a;aacute;mi Architecture Library by Joar Nango and collaborators at the Nordic Countries Pavilion (18th International Architecture Exhibition &a;ndash; La Biennale di Venezia). Photo: Laurian Ghinițoiu (2023). CC BY-SA 4.0.&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;About &l;/strong&g;&l;strong&g;&l;em&g;Girjegumpi&l;br /&g;&l;/em&g;&l;/strong&g;The word &l;em&g;Girjegumpi &l;/em&g;is derived from two Northern Sami words: &a;lsquo;girji&a;rsquo;, meaning book, and &a;lsquo;gumpi&a;rsquo; &a;ndash; a small mobile reindeer herder cabin on sledges, often pulled by a snowmobile. This wordplay refers to a library, an archive, and the construction in which these are stored and transported. &l;em&g;Girjegumpi &l;/em&g;has unfolded in many locations since 2018. When it is not travelling, it is based at the &l;strong&g;S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; &l;/strong&g;(Sami Centre for Contemporary Art) in Kara&a;scaron;johka/Karasjok. A sister version of &l;em&g;Girjegumpi &l;/em&g;is held by the National Gallery of Canada in Odawag/Ottawa.&l;/p&g;\n&l;p&g;&l;strong&g;&l;em&g;Girjegumpi&a;rsquo;&l;/em&g;&l;/strong&g;&l;strong&g;s collaborators include, among others:&l;br /&g;&l;/strong&g;Havard Arnhoff, Ken Are Bongo, Petter Bratland, Stefano Crosera + Margherita Pasqualato (Cantiere Daniele Manin), Mathias Danbolt, Ole-Henrik Einejord, Astrid Fadnes, Jenni Hakovirta, Eirin Hammari, Elin Haugdal, Petri Henriksson, Tone Huse, Robert Julian Hvistendahl, Iver Jaks + Jon Ole Andersen, Anne Kare Kemi, Annik Kristiansen Hagen, maka design, Grete Johanna Minde, Karen Inger Anne Nango, Nils John Nango, Anne Henriette Nilut, Ole Thomas Nilut, Raisa Porsanger, Tobias Aputsiaq Prytz, Anders Rimpi, Katrine Rugeldal, Wimme Saari, Sami Architecture Dictionary Group, Arne-Terje Sather, Katarina Spik Skum, Mary Ailonieida Somban Mari, Četil Somby, Anders Sunna, Anna-Stina Svakko, Eystein Talleraas, Petter Tjikkom, Magnus Antaris Tuolja Collaborating institutions include: Ajtte, Arctic Arts Festival &a;ndash; Festspillene i Nord-Norge, Sami Daiddaguovdda&a;scaron; (SDG), RDM &a;ndash; Samiid Vuorka-Davvirat, UiT &a;ndash; The Arctic University of Norway&l;/p&g;\n&l;p&g;&l;strong&g;Timeline and Locations of &l;/strong&g;&l;strong&g;&l;em&g;Girjegumpi&l;/em&g;&l;/strong&g;&l;/p&g;\n&l;p&g;&a;bull; &l;strong&g;2018: &l;/strong&g;Harsttak/Harstad, Arctic Arts Festival; Markomeannu, Sami Culture and Music Festival; Kara&a;scaron;johka/Karasjok, Sami Daiddaguovdda&a;scaron; (Sami Centre for Contemporary Art).&l;/p&g;\n&l;p&g;&a;bull; &l;strong&g;2019: &l;/strong&g;Dalvvadis/Jokkmokk, Jokkmokk&a;rsquo;s Market; Gallivare; Ottawa, National Gallery of Canada.&l;/p&g;\n&l;p&g;&a;bull; &l;strong&g;2020: &l;/strong&g;Bergen, Bergen Kunsthall; Kara&a;scaron;johka/Karasjok, Sami Daiddaguovdda&a;scaron; (Sami Centre for Contemporary Art); &l;em&g;Virtual Girjegumpi&l;/em&g;, ArkDes.&l;/p&g;\n&l;p&g;&a;bull; &l;strong&g;2021: &l;/strong&g;Harsttak/Harstad, Arctic Arts Festival; Kara&a;scaron;johka/Karasjok, Sami Daiddaguovdda&a;scaron; (Sami Centre for Contemporary Art); Oslo, Nasjonalmuseet Norway.&l;/p&g;\n&l;p&g;&a;bull; &l;strong&g;2022: &l;/strong&g;Helsinki, Kiasma, ARS22; Montreal, Canadian Centre for Architecture, ᐊᖏᕐᕋᒧᑦ &l;em&g;/ Ruovttu &l;/em&g;&l;em&g;Guvlui / Towards Home&l;/em&g;; Kara&a;scaron;johka/Karasjok, Sami Daiddaguovdda&a;scaron; (Sami Centre for Contemporary Art.&l;/p&g;\n&l;p&g;&a;bull; &l;strong&g;2023: &l;/strong&g;Nordic Countries Pavilion, 18th International Architecture Exhibition &a;ndash; &l;em&g;La Biennale di Venezia&l;/em&g;; following Venice, &l;em&g;Girjegumpi &l;/em&g;will continue to travel.&l;/p&g;\n&l;p&g;&l;strong&g;About Joar Nango&l;br /&g;&l;/strong&g;Joar Nango (born in 1979, Alta) is an architect and artist based in Romsa/Tromso, Norway. His work is rootedin Sapmi &a;ndash; the traditional Sami territory covering the northern regions of Norway, Sweden, Finland and the Kola Peninsula in Russia. Through building, site-specific interventions, design collaborations, photography, publications and video, Nango&a;rsquo;s work explores the role of Sami and Indigenous architecture and craft in contemporary thought. Nango&a;rsquo;s work, including the long-term project &l;em&g;Girjegumpi&l;/em&g;, is nurtured by parallel collaborations with other artists, architects, and craftspeople. Among many other initiatives across two decades of practice, he is a founding member of the architecture collective FFB (2010). He has recently collaborated with choreographer and director Elle Sofe Sara on a dance performance with Carte Blanche, which premiered at the Norwegian National Opera and Ballet in 2022. Following a winning proposal in 2021, Nango alongside Snohetta, Econor, and 70&a;deg;N arkitektur are designing the new Sami National Theatre and Sami High School and Reindeer Husbandry School in Guovdageaidnu/Kautokeino, currently under construction. Trained at the Norwegian University of Science and Technology (NTNU) in Trondheim, Nango graduated in Architecture in 2008. Since then, his work has been presented at documenta 14, Bergen Kunsthall, National Museum Oslo &a;ndash; Architecture, Canadian Centre for Architecture, Chicago Architecture Biennale 2019, Sami Daiddaguovdda&a;scaron; (Sami Centre for Contemporary Art), and Kiasma.&l;/p&g;\n&l;p&g;&l;strong&g;Notes to Editors&l;/strong&g;&l;/p&g;\n&l;p&g;&a;bull; The 18th International Architecture Exhibition &a;ndash; &l;em&g;La Biennale di Venezia &l;/em&g;takes place between 20 May and 26 November, 2023.&l;/p&g;\n&l;p&g;&a;bull; The Nordic Countries Pavilion in Venice is co-owned by Sweden, Finland, and Norway; in 2023, ArkDes (The Swedish Centre for Architecture and Design) is in charge of organising the project on behalf of commissioners Kieran Long (ArkDes), Carina Jaatinen, (Museum of Finnish Architecture/MFA), and Stina Hogkvist (The National Museum of Norway).&l;/p&g;\n&l;p&g;&a;bull; The team at ArkDes includes curators Carlos Minguez Carrasco and James Taylor-Foster, project manager Luba Kuzovnikova, with support from Elisabet Norin, Stefan Mossfeldt, and Johanna Fogel.&l;/p&g;\n&l;p&g;&a;bull; Production support in Venice is provided by M+B Studio and eiletz ortigas | architects.&l;/p&g;\n&l;p&g;&a;bull; &l;em&g;Girjegumpi &l;/em&g;is a project first initiated in 2013 by Joar Nango and Festspillene i Nord-Norge.&l;/p&g;\n&l;p&g;&l;strong&g;&a;nbsp;&l;/strong&g;&l;strong&g;Media Contacts&l;/strong&g;&l;/p&g;\n&l;p&g;&a;bull; Maria Ostman (Press Liason, ArkDes) &a;ndash; &l;a href\&q;mailto:maria.ostman@arkdes.se\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se&l;/a&g;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/auto_image/ZcCvUHHcQ1iKmFShdfkh&q;,&q;imageDescription&q;:&q;Girjegumpi: The Sámi Architecture\nLibrary by Joar Nango and collaborators at the Nordic Countries Pavilion (18th International Architecture\nExhibition – La Biennale di Venezia). Photo: Laurian Ghinițoiu (2023). CC BY-SA 4.0.&q;,&q;imageAlt&q;:&q;Girjegumpi: The Sámi Architecture\nLibrary by Joar Nango and collaborators at the Nordic Countries Pavilion (18th International Architecture\nExhibition – La Biennale di Venezia). Photo: Laurian Ghinițoiu (2023). CC BY-SA 4.0.&q;,&q;published&q;:&q;2023-05-18T05:25:00.000Z&q;,&q;created&q;:&q;2023-05-18T05:25:00&q;,&q;sluggedName&q;:&q;pavilion-of-nordic-countries-joar-nango-girje&q;,&q;isFeatured&q;:false,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:{&q;id&q;:10798,&q;name&q;:&q;Architecture&q;,&q;count&q;:4,&q;sortOrder&q;:null},{&q;id&q;:30130,&q;name&q;:&q;Joar Nango&q;,&q;count&q;:1,&q;sortOrder&q;:null},&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/pavilion-of-nordic-countries-joar-nango-girje&q;},{&q;id&q;:190225,&q;title&q;:&q;&s;Public Space with Private Intentions&s; is exhibited at ALCOVA 2023 in Milan&q;,&q;summary&q;:&q;As part of ALCOVA 2023, Mira Bergh and Josefin Zachrisson exhibit an extension of Utomhusverket, commissioned and first presented at ArkDes in 2022...&q;,&q;description&q;:&q;&l;h5&g;As part of &l;a href\&q;https://alcova.xyz\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;ALCOVA 2023&l;/a&g;, Mira Bergh and Josefin Zachrisson exhibit an extension of &l;em&g;Utomhusverket&l;/em&g;, commissioned and first presented at ArkDes in 2022. Their &l;em&g;Public Space with Private Intentions&l;/em&g; occupies the entrance to the exhibition, which took place in tandem with &l;em&g;Fuorisalone&l;/em&g; &a;ndash; Milan Design Week 2023.&l;/h5&g;\n&l;p&g;Following a successful exhibition period at ArkDes between June 2022 and April 2023,&a;nbsp;&l;em&g;Utomhusverket&l;/em&g; has traveled to Italy to form part of &l;a href\&q;https://alcova.xyz/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;ALCOVA 2023&l;/a&g; &a;ndash; a platform that \&q;seeks to shine a spotlight on the most forward-looking design being produced today.\&q; Occupying the entrance space to the Porta Vittoria&a;nbsp;abattoir on Via Molise in Milan, the exhibition ran from the 17-23 April.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/auto_image/AQmECdr1QQiLHsUQRAgM\&q; alt\&q;&s;Public Space with Private Intentions&s; by Mira Bergh and Josefin Zachrisson at ALCOVA 2023. Photo: @agnesebedini @piercarloquecchia @dslstudio_1. Courtesy of Swedish Girls.\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;&s;Public Space with Private Intentions&s; by Mira Bergh and Josefin Zachrisson at ALCOVA 2023. Photo: @agnesebedini @piercarloquecchia @dslstudio_1. Courtesy of Swedish Girls. &l;/em&g;&l;/p&g;\n&l;blockquote&g;\n&l;p&g;We believe that some public spaces should have private intentions. If the public space of the city appeals to a broad and normative public, such neutrality often works to expand some parts of the public realm while restricting others.&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;Through the lenses of pleasure and the emotional relationships we forge with the spaces we share, this installation challenges tendencies towards &a;lsquo;neutral&a;rsquo; public space. It makes room for visibility and invisibility, trysts, assignation, and play. &a;mdash;Mira Bergh &a;amp; Josefin Zachrisson&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;/blockquote&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/auto_image/LrwPVdDDS3K4MRrOVg3Q\&q; alt\&q;&s;Public Space with Private Intentions&s; by Mira Bergh and Josefin Zachrisson at ALCOVA 2023. Photo: @agnesebedini @piercarloquecchia @dslstudio_1. Courtesy of Swedish Girls.\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;&s;Public Space with Private Intentions&s; by Mira Bergh and Josefin Zachrisson at ALCOVA 2023. Photo: @agnesebedini @piercarloquecchia @dslstudio_1. Courtesy of Swedish Girls.&l;/em&g;&l;/p&g;\n&l;p&g;At ArkDes in Stockholm,&a;nbsp;&l;a href\&q;https://arkdes.se/en/utstallning/mira-bergh-josefin-zachrisson-utomhusverket-2022/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;Utomhusverket 2022&l;/em&g;&l;/a&g; hosted a series of events and performances during the year:&l;/p&g;\n&l;h5&g;An Edible Feast&l;/h5&g;\n&l;p&g;During the vernissage at ArkDes in 2022,&a;nbsp;visitors feasted on&a;nbsp;&l;a href\&q;https://arkdes.se/en/utstallning/mira-bergh-josefin-zachrisson-utomhusverket-2022/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;GRACE / GRAZE / GRAZING LAND&l;/em&g;&l;/a&g;&a;nbsp;&a;ndash; an edible performance led by Moa Marklund.&l;/p&g;\n&l;div class\&q;tiny-mce-custom-video-object\&q;&g;&l;a class\&q;tiny-mce-custom-video-object-link\&q; href\&q;https://vimeo.com/726511707?sharecopy\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;img style\&q;max-width: 100%; height: auto; width: 100%;\&q; src\&q;https://process.filestackapi.com/ADl2KZuKDRbS7BbbwOreQz/watermarkfile:OkyJ53U5SrijSHm54I1Q,size:40/https://i.vimeocdn.com/video/1462592877-24ce4b50ce84cc5fe65d85a0f9265a741c77882f4bdcdd6b16549d0e494c60a7-d_640\&q; /&g;&l;/a&g; &l;iframe src\&q;https://player.vimeo.com/video/726511707\&q; width\&q;640\&q; height\&q;360\&q; frameborder\&q;0\&q; allowfullscreen\&q;\&q;&g;&l;/iframe&g;&l;/div&g;\n&l;h5&g;I Promise You a Rose Garden&l;/h5&g;\n&l;p&g;During the closing weeks of&a;nbsp;&l;em&g;Utomhusverket&a;nbsp;&l;/em&g;2022 visitors took part in &l;a href\&q;https://arkdes.se/en/utstallning/mira-bergh-josefin-zachrisson-utomhusverket-2022/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;a fashion and art performance&l;/a&g; led Ellen X &a;times; AsystemQ.&l;/p&g;\n&l;div class\&q;tiny-mce-custom-video-object\&q;&g;&l;a class\&q;tiny-mce-custom-video-object-link\&q; href\&q;https://vimeo.com/760201990\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;img style\&q;max-width: 100%; height: auto; width: 100%;\&q; src\&q;https://process.filestackapi.com/ADl2KZuKDRbS7BbbwOreQz/watermarkfile:OkyJ53U5SrijSHm54I1Q,size:40/https://i.vimeocdn.com/video/1528621443-f94dcf5a9cd97784b470ee2b3fd549a1911e256c44e5558f4fc299cedd45c3c6-d_640\&q; /&g;&l;/a&g; &l;iframe src\&q;https://player.vimeo.com/video/760201990\&q; width\&q;640\&q; height\&q;360\&q; frameborder\&q;0\&q; allowfullscreen\&q;\&q;&g;&l;/iframe&g;&l;/div&g;\n&l;h5&g;About Mira Bergh &a;amp; Josefin Zachrisson&l;/h5&g;\n&l;p&g;&l;strong&g;Mira Bergh&l;/strong&g; (b. 1993) and &l;strong&g;Josefin Zachrisson&l;/strong&g; (b. 1994) have collaborated since they graduated from Beckmans College of Design in 2019. The duo is based between Milan and Stockholm and works across objects and installations, with a conceptual and experimental approach. By questioning norms and acknowledging values beyond function, they aim to challenge preconceived notions in materials, contexts, and interactions. They are both a part of the art and design collective &l;a href\&q;https://www.swedishgirls.org\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Swedish Girls&l;/a&g;.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/auto_image/gxtDmJvFT0qSkhhxXOTo\&q; alt\&q;Mira Bergh and Josefin Zachrisson (Photo: Pavel Golik. Courtesy of Mira Bergh and Josefin Zachrisson)\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Mira Bergh and Josefin Zachrisson (Photo: Pavel Golik. Courtesy of Mira Bergh and Josefin Zachrisson)&l;/em&g;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/auto_image/TMnX1xacQFytxdlC8DXx&q;,&q;imageDescription&q;:&q;&s;Public Space with Private Intentions&s; by Mira Bergh and Josefin Zachrisson at ALCOVA 2023. Photo: @agnesebedini @piercarloquecchia @dslstudio_1. Courtesy of Swedish Girls.&q;,&q;imageAlt&q;:&q;&s;Public Space with Private Intentions&s; by Mira Bergh and Josefin Zachrisson at ALCOVA 2023. Photo: @agnesebedini @piercarloquecchia @dslstudio_1. Courtesy of Swedish Girls.&q;,&q;published&q;:&q;2023-04-27T12:54:35.944Z&q;,&q;created&q;:&q;2023-04-27T12:54:35.944&q;,&q;sluggedName&q;:&q;public-space-with-private-intentions-is-exhib&q;,&q;isFeatured&q;:false,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:{&q;id&q;:10798,&q;name&q;:&q;Architecture&q;,&q;count&q;:4,&q;sortOrder&q;:null},{&q;id&q;:11764,&q;name&q;:&q;Design&q;,&q;count&q;:1,&q;sortOrder&q;:null},{&q;id&q;:29748,&q;name&q;:&q;ArkDes&q;,&q;count&q;:1,&q;sortOrder&q;:null},&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/public-space-with-private-intentions-is-exhib&q;},{&q;id&q;:181220,&q;title&q;:&q;Joar Nango&s;s &s;Girjegumpi&s;, the Sámi Architecture Library, travels to Venice in 2023&q;,&q;summary&q;:&q;For over fifteen years, architect and artist Joar Nango has been assembling an archive of books about issues relevant to Indigenous architecture. I...&q;,&q;description&q;:&q;&l;h5&g;For over fifteen years, architect and artist &l;strong&g;Joar Nango&l;/strong&g; has been assembling an archive of books about issues relevant to Indigenous architecture. In 2018, &l;strong&g;&l;em&g;Girjegumpi &l;/em&g;&l;/strong&g;first opened to a public.&l;/h5&g;\n&l;h5&g;In 2023, this structure, social space, and source of knowledge around S&a;aacute;mi architecture will travel to the Nordic Countries Pavilion at the 18th International Architecture Exhibition &a;ndash; &l;em&g;La Biennale di Venezia&l;/em&g; in Venice. The pavilion officially represents Finland (Arkkitehtuurimuseo, Helsinki), Norway (Nasjonalmuseum, Oslo), and Sweden (ArkDes, Stockholm).&l;/h5&g;\n&l;p&g;&l;em&g;Girjegumpi&l;/em&g; is a spatialisation of conversations and research initiated by Joar Nango over two decades of practice at the intersection of architecture and art. As an itinerant, collective library, the project has evolved and expanded as it has travelled. This journey involves multiple collaborations, including artists and craftspeople such as &l;strong&g;Katarina Spik Skum&l;/strong&g;, &l;strong&g;Anders Sunna&l;/strong&g;, and &l;strong&g;Ken Are Bongo&l;/strong&g;.&l;/p&g;\n&l;p&g;Central to &l;em&g;Girjegumpi&l;/em&g; is the archive that it contains and shares &a;ndash; from rare titles to contemporary books, the collection of more than 500 editions embraces topics such as S&a;aacute;mi architecture and design, traditional and ancestral building knowledge, activism, and decoloniality. As a gathering space, it hosts large groups of people. As a reading room, it offers an environment for solitary study and reflection. As a critical project, it builds spaces for Indigenous imagination.&l;/p&g;\n&l;p&g;Nomadic by design, &l;em&g;Girjegumpi&l;/em&g; is a living project addressing the relevance of Indigenous culture in architectural discourse and construction today: the importance of collaborative work, building techniques and use of resources in rapidly changing climate conditions, the use of locally grounded material flow and sensitive approaches to landscapes and nature. It highlights the architect&a;rsquo;s position towards a more polyphonic understanding of the world.&l;/p&g;\n&l;p&g;In 2023, &l;em&g;Girjegumpi&l;/em&g; travels to the Nordic Pavilion at the 18&l;sup&g;th&l;/sup&g; International Architecture Exhibition &a;ndash; &l;em&g;La Biennale di Venezia&l;/em&g;. The pavilion, designed by Sverre Fehn in 1962, was conceived to represent forms of cooperation across the Nordic countries. In this context, &l;em&g;Girjegumpi&l;/em&g; opens to an international audience to continue building bodies of knowledge, collaboration and solidarity that transcend national boundaries.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/VbopwpDoTUu8KQ62bxui\&q; alt\&q;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes&l;/em&g;&l;/p&g;\n&l;h5&g;About &l;em&g;Girjegumpi&l;/em&g;&l;/h5&g;\n&l;p&g;The word &l;em&g;Girjegumpi&l;/em&g; is derived from two Northern S&a;aacute;mi words: &a;lsquo;Girji&a;rsquo;, meaning book, and &a;lsquo;Gumpi&a;rsquo; &a;ndash; a small mobile reindeer herder cabin on sledges, often pulled by a snowmobile. This wordplay refers to a library, an archive, and the construction in which these are stored and transported.&a;nbsp;&l;/p&g;\n&l;p&g;&l;em&g;Girjegumpi&l;/em&g; has unfolded in many locations since 2018. When it is not travelling, it is based at the S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art) in K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok. A sister version of &l;em&g;Girjegumpi&l;/em&g; is held by the National Gallery of Canada in Od&a;agrave;w&a;agrave;g/Ottawa.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/PaXn64kgTmi0M8EWI5wg\&q; alt\&q;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;&l;em&g;Girjegumpi &l;/em&g;&l;/strong&g;&l;strong&g;collaborators include, among others:&l;br /&g;&l;/strong&g;Katarina Spik Skum, Anders Sunna, Petter Tjikkom, H&a;aring;vard Arnhoff, Mathias Danbolt, Tobias Aputsiaq Prytz, Astrid Fadnes, Eirin Hammari, Anne Henriette Nilut, Ken Are Bongo, Ole-Henrik Einejord, Anders Rimpi, Grete Johanna Minde, Magnus Antaris Tuolja, Ole Thomas Nilut, Četil Somby, SDG, FINN, &a;Aacute;jtte, Arne Terje S&a;aelig;ther, Eystein Talleraas, Tone Huse, Anna Stina Svakko, Anne Kare Kemi, Petri Henriksson, Katrine Rugeldal, Robert Julian Hvistendahl.&l;/p&g;\n&l;p&g;&l;strong&g;Timeline and Locations of&a;nbsp;&l;em&g;Girjegumpi&l;/em&g;:&l;/strong&g;&l;/p&g;\n&l;ul&g;\n&l;li&g;&l;strong&g;2018:&l;/strong&g; H&a;aacute;rstt&a;aacute;k/Harstad, Arctic Arts Festival; M&a;aacute;rkomeannu, S&a;aacute;mi Culture and Music Festival; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art)&l;/li&g;\n&l;li&g;&l;strong&g;2019:&l;/strong&g; D&a;aacute;lvvadis/Jokkmokk, Jokkmokk&a;rsquo;s Market; G&a;auml;llivare; Ottawa, National Gallery of Canada&l;/li&g;\n&l;li&g;&l;strong&g;2020:&l;/strong&g; Bergen, Bergen Kunsthall; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art); Virtual Girjegumpi, ArkDes&l;/li&g;\n&l;li&g;&l;strong&g;2021:&l;/strong&g; H&a;aacute;rstt&a;aacute;k/Harstad, Arctic Arts Festival; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art); Oslo, Nasjonalmuseet Norway&l;/li&g;\n&l;li&g;&l;strong&g;2022:&l;/strong&g; Helsinki, Kiasma, &l;em&g;ARS22&l;/em&g;; Montr&a;eacute;al, Canadian Centre for Architecture, &l;em&g;ᐊᖏᕐᕋᒧᑦ&l;/em&g;&l;em&g; / Ruovttu Guvlui / Towards Home&l;/em&g;; K&a;aacute;r&a;aacute;&a;scaron;johka/Karasjok, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art&l;/li&g;\n&l;li&g;&l;strong&g;2023:&l;/strong&g;&a;nbsp;Nordic Countries Pavilion, 18&l;sup&g;th&l;/sup&g;&a;nbsp;International Architecture Exhibition &a;ndash;&l;em&g; La Biennale di Venezia&l;/em&g;&l;/li&g;\n&l;/ul&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/DjO1lUk2QK6wefFhJmzv\&q; alt\&q;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango, Girjegumpi in Jokkmokk, 2018. Photo: Astrid Fadnes&l;/em&g;&l;/p&g;\n&l;h5&g;About Joar Nango&l;strong&g;&l;br /&g;&l;/strong&g;&l;/h5&g;\n&l;p&g;&l;strong&g;Joar Nango&l;/strong&g; (born in 1979, &a;Aacute;lt&a;aacute;) is an architect and artist based in Romsa/Troms&a;oslash;, Norway. His work is rooted in S&a;aacute;pmi &a;ndash; the traditional S&a;aacute;mi territory covering the northern regions of Norway, Sweden, Finland and the Kola Peninsula in Russia. Through building, site-specific interventions, design collaborations, photography, publications and video, Nango&a;rsquo;s work explores the role of S&a;aacute;mi and Indigenous architecture and craft in contemporary thought.&l;/p&g;\n&l;p&g;Nango&a;rsquo;s work, including the long-term project &l;em&g;Girjegumpi&l;/em&g;, is nurtured by parallel collaborations with other artists, architects, and craftspeople. Among many other initiatives across two decades of practice, he is a founding member of the architecture collective FFB (2010). Currently, he is collaborating with choreographer and director Elle Sofe Sara on a dance performance with Carte Blanche, premiering at the Norwegian National Opera and Ballet. Following a winning proposal in 2021, Nango alongside Sn&a;oslash;hetta, Econor, and 70&a;deg;N arkitektur are designing the new S&a;aacute;mi National Theatre and S&a;aacute;mi High School and Reindeer Husbandry School&a;nbsp;in Guovdageaidnu/Kautokeino, currently under construction.&l;/p&g;\n&l;p&g;Trained at the Norwegian University of Science and Technology (NTNU) in Trondheim, Nango graduated in Architecture in 2008. Since then, his work has been presented at documenta 14, Bergen Kunsthall, National Museum Oslo &a;ndash; Architecture, Canadian Centre for Architecture, S&a;aacute;mi D&a;aacute;iddaguovdd&a;aacute;&a;scaron; (S&a;aacute;mi Centre for Contemporary Art), and Kiasma.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/ynUo05TRIOX47kA82i7Q\&q; alt\&q;Joar Nango in Venice, 2022. Photo: Knut &a;Aring;serud\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Joar Nango in Venice, 2022. Photo: Knut &a;Aring;serud&l;/em&g;&l;/p&g;\n&l;h5&g;About the Nordic Countries Pavilion at the 18th &l;em&g;Biennale Architettura&l;/em&g;&l;/h5&g;\n&l;p&g;The International Architecture Exhibition &a;ndash;&a;nbsp;&l;em&g;La Biennale di Venezia&l;/em&g;&a;nbsp;takes place every two years in Venice, Italy. The&a;nbsp;Nordic Countries Pavilion&a;nbsp;officially represents Finland, Norway and Sweden. The&a;nbsp;18&l;sup&g;th&l;/sup&g;&a;nbsp;International Architecture Exhibition, which will take place between&a;nbsp;20 May and 26 November 2023, is curated by Lesley Lokko.&l;/p&g;\n&l;p&g;In 2023,&a;nbsp;ArkDes is commissioner and Nasjonalmuseum (Oslo, Norway) and Arkkitehtuurimuseo (Museum of Finnish Architecture, Helsinki, Finland) are deputy commissioners.&l;/p&g;\n&l;p&g;In 2018, &l;strong&g;Eero Lund&a;eacute;n&l;/strong&g; presented&a;nbsp;&l;em&g;Another Generosity&l;/em&g;. In 2021, &l;strong&g;Helen &a;amp; Hard&l;/strong&g;&a;nbsp;&l;s&g;and&l;/s&g;&a;nbsp;presented&a;nbsp;&l;em&g;What We Share&l;/em&g;. In 2022, during the&a;nbsp;&l;em&g;Biennale Arte&l;/em&g;, the&a;nbsp;Nordic Countries Pavilion&a;nbsp;&l;s&g;transformed into&l;/s&g;&a;nbsp;presented the exhibition entitled&a;nbsp;&l;em&g;The S&a;aacute;mi Pavilion&l;/em&g; with a project commissioned by Office for Contemporary Art Norway (OCA)&a;nbsp;with Museum of Contemporary Art Kiasma / The Finnish National Gallery and Moderna Museet,&a;nbsp;featuring the artists &l;strong&g;Pauliina Feodoroff&l;/strong&g;, &l;strong&g;M&a;aacute;ret &a;Aacute;nne Sara&l;/strong&g;, and &l;strong&g;Anders Sunna&l;/strong&g;.&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/uhQVOAklS74ys2ZQrWHO\&q; alt\&q;Logos\&q; /&g;&l;/p&g;\n&l;h5&g;&a;nbsp;&l;/h5&g;\n&l;h5&g;Notes to Editors&l;/h5&g;\n&l;p&g;Complete and updated information about the 18th Biennale Architettura can be found &l;a href\&q;https://www.labiennale.org/en/news/biennale-architettura-2023-laboratory-future\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&l;/p&g;\n&l;p&g;Information about the architecture of the Nordic Countries Pavilion can be found &l;a href\&q;https://www.sfv.se/vara-fastigheter/sok/utrikes/europa/venedig-italien-nordiska-paviljongen/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&l;/p&g;\n&l;p&g;See an announcement interview with Joar Nango on our &l;a href\&q;https://arkdes.se/utstallning/joar-nango-girjegumpi/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;website&l;/a&g;.&l;/p&g;\n&l;p&g;For more information: &l;a href\&q;mailto:maria.ostman@arkdes.se\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se&l;/a&g;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/OmM2SnpQi6seAFY6pSBD&q;,&q;imageDescription&q;:&q;Joar Nango at the Nordic Countries Pavilion, Venice, 2022. Photo: Knut Åserud.&q;,&q;imageAlt&q;:&q;Joar Nango at the Nordic Countries Pavilion, Venice, 2022. Photo: Knut Åserud.&q;,&q;published&q;:&q;2022-12-20T09:03:31.918Z&q;,&q;created&q;:&q;2022-12-20T09:03:31.918&q;,&q;sluggedName&q;:&q;joar-nangos-girjegumpi-the-sami-architecture&q;,&q;isFeatured&q;:true,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/joar-nangos-girjegumpi-the-sami-architecture&q;},{&q;id&q;:180242,&q;title&q;:&q;ĒTER awarded 2022 Exhibition Design of the Year for WEIRD SENSATION FEELS GOOD&q;,&q;summary&q;:&q;ĒTER, the architects behind the design of the first museum exhibition to explore the creative field of ASMR that originated at ArkDes, have won the...&q;,&q;description&q;:&q;&l;h5&g;&l;a href\&q;https://eeter.net\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;ĒTER&l;/a&g;, the architects behind the design of the first museum exhibition to explore the creative field of ASMR that originated at ArkDes, have won the &l;a href\&q;https://www.dezeen.com/2022/11/16/dezeen-awards-2022-design-winners/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;2022 Dezeen Award for Exhibition Design&l;/a&g;. The exhibition, on display at the &l;a href\&q;https://designmuseum.org/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Design Museum&l;/a&g; in London, was recently extended due to popular demand.&l;/h5&g;\n&l;p&g;According to the jury, &l;em&g;WEIRD SENSATION FEELS GOOD: The World of ASMR&l;/em&g; \&q;is an interactive assault on the senses &a;ndash; in a good way!\&q; The citation continues: \&q;The exhibition successfully translates a YouTube-generation phenomenon into a physical exhibition. It is a physical manifestation of a digital experience, making the digital tangible.\&q;&l;/p&g;\n&l;p&g;Earlier this year, ĒTER were also successful in the &l;a href\&q;https://www.dezeen.com/awards/2022/public-vote-winners/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;public vote&l;/a&g; of the 2022 Dezeen Awards.&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/IOwsZN4PTvCJ3VBHvi9e\&q; alt\&q;WEIRD SENSATION FEELS GOOD: The World of ASMR at the Design Museum (Nelta Kasparian, 2022)\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;WEIRD SENSATION FEELS GOOD: The World of ASMR at the Design Museum (Nelta Kasparian, 2022)&l;/em&g;&l;/p&g;\n&l;p&g;&l;strong&g;Notes to editors&l;br /&g;&l;/strong&g;The exhibition is a collaboration between the &l;a href\&q;https://designmuseum.org/exhibitions/weird-sensation-feels-good\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;Design Museum&l;/a&g; and &l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;ArkDes&l;/a&g;, where it was first shown in 2020. With graphic design by Agga Mette Stage and Alexander S&a;ouml;der, &a;nbsp;it is curated by James Taylor-Foster (curator of contemporary architecture and design, ArkDes). The exhibition closes on April 10, 2023.&l;strong&g;&l;br /&g;&l;/strong&g;&l;/p&g;\n&l;p&g;&l;strong&g;About the exhibition&l;br /&g;&l;/strong&g;&l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;&l;em&g;WEIRD SENSATION FEELS GOOD&l;/em&g;&l;/a&g; is the first exhibition of its kind to lift ASMR out from your screen and into public space. Bringing together a global group of ASMRtists and creatives, visitors are invited to step into an acoustically tuned environment and understand how new and existing tools and materials are being deployed to negotiate a complex world. Find out more about the exhibition &l;a href\&q;https://arkdes.se/en/utstallning/asmr-weird-sensation-feels-good/\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;here&l;/a&g;.&l;/p&g;\n&l;p&g;&l;strong&g;About the Design Museum&l;/strong&g;&l;br /&g;Founded in 1989 by Sir Terence Conran and located on High Street Kensington in West London, the Design Museum is one of the United Kingdom&s;s foremost museums of contemporary design and architecture. Visit the Design Museum&s;s &l;a href\&q;https://designmuseum.org\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;website&l;/a&g;.&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/obRZT8cRxqy95CFWm3Ng&q;,&q;imageDescription&q;:&q;&s;WEIRD SENSATION FEELS GOOD: The World of ASMR&s;, an exhibition designed by ĒTER. Photo: Ed Reeve. Courtesy of the Design Museum.&q;,&q;imageAlt&q;:&q;&s;WEIRD SENSATION FEELS GOOD: The World of ASMR&s;, an exhibition designed by ĒTER. Photo: Ed Reeve. Courtesy of the Design Museum.&q;,&q;published&q;:&q;2022-12-02T08:52:27.732Z&q;,&q;created&q;:&q;2022-12-02T08:52:27.732&q;,&q;sluggedName&q;:&q;eter-awarded-2022-exhibition-design-of-the-ye&q;,&q;isFeatured&q;:false,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:,&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/eter-awarded-2022-exhibition-design-of-the-ye&q;},{&q;id&q;:178145,&q;title&q;:&q;New Exhibition: Tham &a; Videgård – On: Architecture &q;,&q;summary&q;:&q;Tham &a; Videgård is one of Sweden’s most prominent and unique architectural studios, having designed projects that have come to herald a new approac...&q;,&q;description&q;:&q;&l;p&g;&l;strong&g;New Exhibition: &l;em&g;Tham &a;amp; Videg&a;aring;rd &a;ndash; On: Architecture &a;nbsp;&a;nbsp;&l;/em&g;&l;/strong&g;&l;/p&g;\n&l;p&g;On display at ArkDes between 11 November 2022 and 27 August 2023. Free admission.&a;nbsp;&l;/p&g;\n&l;p&g;Press preview: 9 November, 9.30 CET. RSVP to &l;a href\&q;mailto:maria.ostman@arkdes.se&a;nbsp;\&q; target\&q;_blank\&q; rel\&q;noopener\&q;&g;maria.ostman@arkdes.se&a;nbsp;&l;/a&g;&l;/p&g;\n&l;p&g;&l;strong&g;Kalmar Konstmuseum, the Treehotel in Harads, the KTH School of Architecture in Stockholm &a;ndash; all acclaimed and admired contemporary buildings. Tham &a;amp; Videg&a;aring;rd is one of Sweden&a;rsquo;s most prominent and unique architectural studios, having designed projects that have come to herald a new approach in Swedish architecture in the 21&l;sup&g;st&l;/sup&g; Century. The exhibition offers visitors a full-scale spatial experience involving models, new photography, and films &a;ndash; all set within a unique glass ground. The exhibition provides a deeper understanding of the contemporary architecture that shapes our cities and living environments today.&l;/strong&g;&l;/p&g;\n&l;p&g;&l;strong&g; &l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/KIueH5lrTuahTMEMxJxm\&q; alt\&q;Tree Hotel. Cred &a;Aring;ke E:son Lindman. Mirror Cube.\&q; /&g;&l;/strong&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Tree Hotel. Tham &a;amp; Videg&a;aring;rd. Cred &a;Aring;ke E:son Lindman. The Mirrorcube.&l;/em&g;&l;/p&g;\n&l;p&g;Tham &a;amp; Videg&a;aring;rd are internationally recognised, award-winning architects of unique&a;nbsp;buildings at a wide variety of scales. The exhibition shows a broad selection of projects from the studio&a;rsquo;s over twenty years in practice. These include the &l;em&g;Nya konst&l;/em&g; faculty of arts building for the University of Gothenburg, the 150 metre-tall &l;em&g;+One Tower &l;/em&g;and main entrance for the Swedish Exhibition and Congress Centre in Gothenburg, the &l;em&g;Denfert&l;/em&g; art centre in Paris, and a spectacular office building at &l;em&g;Sveaplan&l;/em&g; &a;ndash; a new cornerstone on the northern approach to Stockholm.&a;nbsp;These are buildings that are helping to shape the cityscape of the future.&a;nbsp;&l;/p&g;\n&l;p&g;Based on a desire to work with the architecture that they felt was missing in Sweden, Bolle Tham (b. 1970) and Martin Videg&a;aring;rd (b. 1968) started their studio in 1999.&a;nbsp;&a;nbsp; Their ambition was to try out new ideas and approaches, and to realise them in built projects. The exhibition&a;rsquo;s title&a;mdash;&l;em&g;On: Architecture&l;/em&g;&a;mdash;starts from Tham and Videg&a;aring;rd&a;rsquo;s wish for the exhibition to ignite a conversation about aspects of architecture which are, to them, in the shadows. Building into an architectural debate that often avoids core issues, the exhibition highlights aspects of Tham &a;amp; Videg&a;aring;rd&a;rsquo;s work to shed light on other fundamental facets of architecture.&a;nbsp;&l;/p&g;\n&l;p&g;&a;nbsp;&l;em&g;&a;rdquo;Architecture concerns us all.&a;nbsp;It is&a;nbsp;the most comprehensive and complex art form in society. In our work, it emerges from an ongoing discussion about architecture and a desire to explore what architecture can be,&a;rdquo; say&a;nbsp;&l;/em&g;Bolle Tham and Martin Videg&a;aring;rd.&a;nbsp;&l;/p&g;\n&l;p&g;For the first time in a long while, ArkDes is hosting an exhibition on currently active Swedish architects. This is also the first time the studio&a;rsquo;s work is being presented in its entirety. The installation comprises 432 square metres of glass surface, which invite the visitor to experience the exhibition &a;ndash; a gathering space, like a town square, that can be used for reflection and discussion as well as activities relating to architecture and its role in society. The space brings the visitor into contact with a full-scale architectural experience.&a;nbsp;&l;/p&g;\n&l;p&g;&l;img style\&q;max-width: 100%; height: auto;\&q; src\&q;https://cdn.filestackcontent.com/1Sm3xJXQXKCotsjtdAkg\&q; alt\&q;Cred: Tham &a;amp; Videg&a;aring;rd\&q; /&g;&l;/p&g;\n&l;p style\&q;text-align: center;\&q;&g;&l;em&g;Cred: Tham &a;amp; Videg&a;aring;rd&l;/em&g;&l;/p&g;\n&l;p&g;&l;em&g;&a;ldquo;Moving across the installation&a;rsquo;s glass floor, which dominates the exhibition, is a full body experience in the same way that an encounter with a building&a;mdash;moving up a staircase or through a sequence of rooms&a;mdash;always makes us feel something,&a;rdquo; &l;/em&g;says Daniel Golling, curator of the exhibition.&a;nbsp;&l;/p&g;\n&l;p&g;ArkDes is Sweden&a;rsquo;s national centre for architecture and design &a;ndash; a museum, a knowledge centre, and an arena for debate and discussion about future architecture and design.&a;nbsp;&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;\n&l;p&g;&a;nbsp;&l;/p&g;&q;,&q;companyAbout&q;:&q;&l;p style\&q;white-space: pre-wrap; font-size: 17px; margin-bottom: 0; font-style: italic;\&q;&g;ArkDes is Sweden’s national centre for architecture and design. It is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.&l;/p&g;&q;,&q;canonicalUrl&q;:null,&q;imageUrl&q;:&q;https://cdn.filestackcontent.com/b8rB23E4R4CzOlbpcCfJ&q;,&q;imageDescription&q;:&q;Tellus Nursery School. Cred: Åke E:son Lindman. Tham &a; Videgård.&q;,&q;imageAlt&q;:null,&q;published&q;:&q;2022-10-26T12:59:00.000Z&q;,&q;created&q;:&q;2022-10-26T12:59:00&q;,&q;sluggedName&q;:&q;new-exhibition-tham-videgard-on-architecture&q;,&q;isFeatured&q;:false,&q;language&q;:&q;en&q;,&q;status&q;:&q;active&q;,&q;type&q;:&q;pressRelease&q;,&q;contacts&q;:,&q;topics&q;:{&q;id&q;:10798,&q;name&q;:&q;Architecture&q;,&q;count&q;:4,&q;sortOrder&q;:null},&q;relatedContent&q;:,&q;publishUrl&q;:&q;pressroom.arkdes.se/posts/pressreleases/new-exhibition-tham-videgard-on-architecture&q;}}}/script>/body>/html>
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