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Domain > olarafalo.com
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2019-09-27
104.31.73.145
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2024-10-04
172.67.189.143
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ma86400 !DOCTYPE html>html langen ng-appapp>head> title>Ola Rafalo Official Website/title> meta namedescription contentOfficial website of vocal powerhouse Dramatic Mezzo soprano Ola Rafalo Photos Videos and Upcoming Events Discover Ola Rafalo s Critical Acclaim> meta charsetutf-8 /> meta nameviewport contentwidthdevice-width, initial-scale1.0, minimum-scale1.0 /> meta nameauthor contentOnstage Sites - Stunning websites for music professionals /> meta namegoogle-site-verification contentcSnCpEAmLpqHJcb_uOBJ8o5URLTMmsKcM-49o57dPCY /> link typetext/css relstylesheet href/resource/themes/admin/skins/pace-theme.css mediaall> script> if (!(remove in Element.prototype)) { Element.prototype.remove function() { if (this.parentNode) { this.parentNode.removeChild(this); } }; } paceOptions { document: true, eventLag: false, elements: false, restartOnPushState: false, restartOnRequestAfter: false }; /script> script typetext/javascript src/resource/vendor/bower_components/pace/pace.min.js>/script> script> XMLHttpRequest.prototype Object.getPrototypeOf(new XMLHttpRequest); 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} body { height: auto } #codeigniter_profiler { z-index: 1; position: absolute; width: 100%; } .wf-active #paceOverlay { display: none; } /style>/head>body idSiteBody ng-controllerThemeCtrl as vm classhome white bg-black >noscript> div idjavascript-nag classalert os-alert os-alert-warning> p>Take full advantage of our site features by enabling JavaScript./p> /div>/noscript> div idpaceOverlay classfixed animated top-0 left-0 right-0 col-12 h100 bg-black z4>/div>!-- Theme page content -->div idsitewrap classrelative z2 bg-gray-0 theme-custom gray-10 > !-- Theme header --> header classmd-show main-header fixed top-0 col-12 z4 gray-8 > div classflex flex-center container relative z1 stylefont-family: Oxygen; > div classflex-none h3> /div> div classflex-auto>/div> nav classnavigation flex flex-center relative z2 text-initial > ul idmenu classnav-menu list-reset flex-none flex flex-center py1 m0 gray-8 stylefont-size: .875rem; > li classpx1 ml1 active > a classscroll relative py1 full-width block color-inherit idhome-anchor href#home> span classmenu-text transition center block>Home/span> /a> /li> li classpx1 ml1 > a classscroll relative py1 full-width block color-inherit idabout-anchor href#about> span classmenu-text transition center block>Biography/span> /a> /li> li classpx1 ml1 > a classscroll relative py1 full-width block color-inherit idreviews-anchor href#reviews> span classmenu-text transition center block>Press/span> /a> /li> li classpx1 ml1 > a classscroll relative py1 full-width block color-inherit idvideos-anchor href#videos> span classmenu-text transition center block>Videos/span> /a> /li> li classpx1 ml1 > a classscroll relative py1 full-width block color-inherit idrepertoire-anchor href#repertoire> span classmenu-text transition center block>Repertoire/span> /a> /li> li classpx1 ml1 > a classscroll relative py1 full-width block color-inherit idcontact_me-anchor href#contact_me> span classmenu-text transition center block>Contact Me/span> /a> /li> /ul> /nav> /div> div classcol-12 h100 absolute top-0 left-0 right-0 bottom-0 bg-gray-0 styleopacity: 1; 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>/div>/header> !-- Theme header END --> main classmain-content relative z3 col-12> !-- Theme page content --> !-- Section Home -->section scrollcurrentPageScroll idhome classrelative z1 border-bottom border-darken-3> div classsite-header flex flex-center relative z4 minh100 style classsite-header flex flex-center relative z4 minh100 > div classcontainer col-12> div classleft p2 relative z2> header class> h1 classrelative m0 pb1 z2 h1 gray-10 caps ls0 stylefont-size: 2.5rem; font-family: Montserrat; font-weight: normal; >span>Ola Rafalo/span>/h1> h2 classm0 py0 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>Dramatic Mezzosoprano/span>/h2> /header> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg- styleopacity: 0; >/div> /div> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z3 bg-fixed gray-0 fader-auto >/div> div data-srchttps://onstage.imgix.net/sites/49aa806a319c503f9f771c8cdb3efbe4.jpg?&sat-100&q60 classtransition imgix-fluid imgix-fluid-bg bg-image z2 fit full-width absolute top-0 left-0 bottom-0 right-0 stylebackground: no-repeat center center / cover; opacity: 0.46>/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color1-0 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>!-- // Section Home -->section scrollcurrentPageScroll idabout classrelative z1> header classpage-header relative z3 no-page-title hide > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; font-family: Montserrat; font-weight: normal; >span>/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-gray-undefined styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> !-- Section About -->div classql-content container clearfix> p>“Ola em>Rafało proved to be a mezzo to watch, with a strong Stride la Vampa” /em>said Anne Midgette, for the Washington Post, when Ola was featured as strong>Azucena/strong> and strong>Amneris/strong>, in scenes at Kennedy Center. Ola has laid the foundation of her career as a dramatic mezzo, having performed most of Verdis iconic operas. She started with strong>Fenena /strong>in strong>Nabucco /strong>(Baltimore Lyric Opera, Opera Carolina), “Rafało em>produced the best singing of the evening, in spite of her role being smaller. /em>– L. Gazzola for Opera Lively. Ola continued that trajectory as strong>Azucena /strong>in strong>Il Trovatore /strong>with Opera Forza, and strong>Maddalena /strong>in strong>Rigoletto with /strong>Gulfshore Opera, as well as strong>The Verdi Requiem/strong> with Gulfshore Opera, under Maestro Paul Nadler, and strong>Ulrica in Un Ballo in Maschera/strong> with Opera Project Columbus. Ola started her mezzo career in the title role of strong>La Tragedie de Carmen /strong>with Syracuse Opera, making a big splash in “Opera Today” and leading to subsequent performances of the Bizet versions (Gulfshore Opera, New Jersey Verismo Opera, Pacific Symphony (highlights). In preparation for the role, Ola studied flamenco dance and castanette playing with world renowned flamenco dancer and choreographer Rosa Mercedes. Carmen continues to be a signature role for Ola./p>p>br>/p>p>Rafało carries dual passports for the U.S. and Poland, and speaks fluent English, Italian, and Polish. She is a natural interpreter of slavic repertoire, in roles such as Olga in strong>Eugene Onegin, /strong>Konchakovna in strong>Prince Igor, /strong>Pollina in strong>Queen of Spades, Marfa in Khovanschina, /strong>and Jadwiga in strong>Straszny Dwor. /strong>Starting from the age of 3, Ola studied Polish folk dancing and singing, creating a musical template from which to interpret all the slavic music with roots in the tradition of folk music. Ola is proud to continue the celebration of her Polish culture in the Chicagoland area, performing with groups such as the Lira Ensemble, the Paderewski Symphony, and solo recitals for Polish cultural organizations./p>p>br>/p>p>Notable Opera debuts include strong>Brangaene /strong>in strong>Wagners Tristan und Isolde/strong> with the Eugene Symphony, strong>em>Charlotte/em> /strong>in strong>Werther /strong>with Martha Cardona Opera, at the Kauffman Center, and strong>em>Santuzza/em> /strong>in strong>Cavalleria Rusticana (/strong>Opera Angelo), strong> the/strong> strong>Old Gypsy /strong>in Rachmaninovs strong>Aleko /strong> (Chicago Opera Theatre) strong>,/strong> The strong>em>Mother, Chinese tea cup, shepherd,/em>/strong> and strong>em>dragonfly/em>/strong>, in Ravels Lenfant et les sortileges (Florentine Opera) , strong>La Frugola/strong> in strong>Il Tabarro (/strong>Opera Festival of Chicago). Ola was honored to receive a strong>UNESCO award /strong>for her performance as Alkmene in the strong>Olympic Torch, /strong>astrong> /strong>modern Greek opera by P. Karousos. She also created the role of strong>em>Diskana/em>/strong> in a new opera strong>Second Sight/strong>, by Jessie Downs, with Nickel City Opera and the Sotto Voce ensemble./p>p>br>/p>p>Olas voice soars in chamber music and concert repertoire. Her performances include Carnegie Hall as the Alto soloist in Vivaldi’s strong>em>Gloria, /em>/strong>as well as De Falla’s strong>em>El Amor Brujo /em>/strong>with the Pacific Symphony, and strong>Beethovens 9/strong>sup>strong>th/strong>/sup>with the Evanston Symphony. She has performed many galas, and enjoyed singing with the Springfield Symphony, New Jersey Symphony and others. Last season she performed the strong>Brahms two songs for voice and viola/strong>, as well as excerpts from strong>Bach St. Matthew Passion/strong>, andstrong> Mahler songs/strong>, with the Lakeside Artists Guild. She was honored to perform the alto role in the American premier of strong>em>Poniatowski’s Mass,/em>/strong> with the Paderewski Symphony, an important work of Polish history. Ola has been a guest recitalist for the Wagner society of America. /p>p>br>/p>p>Recently Ola has been awarded a grant from the Olga Forrai foundation for dramatic voices. Ola was honored to receive the Maria Callas Prize in 2019, at the 2nd annual Giulio Fregosi Concorso di Lirica in Voghera, as well as the Kitakiushu prize, and the Premio di Teatro Bibiena. She is the 2nd prize winner of the 2017 Altamura-Caruso competition. In 2015 she won Fourth Prize and the Audience choice award from the Young Patronesses of Opera Competition. She has been awarded the Giulietta Simionato career grant from the Inter-city Arts foundation. In 2009, she was awarded the audience prize at the Metropolitan Opera National Council Auditions, Southeast chapter. In 2008, she was awarded Grand Prize of the Elgin Opera competition and First Prize of the Sherrill Milnes Opera Idol competition. Miss Rafało was an apprentice artist at Sarasota Opera, where she received the Leo M.Rogers award, as well as a young artist at Opera Tampa, and Palm Beach Opera.In 2020 Ola was scheduled to make several important debuts, that have since been postponed. Post lock-down engagements that will happen at some point in the near future include: debut with the Israel Philharmonic as strong>em>Emilia/em>/strong> in Verdi’s strong>Otello /strong>under Maestro Gianandrea Noseda, (Telaviv), strong>em>Mamma Lucia/em>/strong>em> /em>in strong>Cavalleria Rusticana/strong> at the Teatro Voghera Italy, for the Ultapadum Festival, followed by a concert at the Maria Callas Festival in Sirmione, concerts in Belgium in, with Mythos Opera festival, concert at Teatro Bibiena di Mantova. At some point in the near future, she will be traveling to Izumo, Japan to sing the role of strong>em>Santuzza/em>/strong> in the world premiere of the newly discovered manuscript of an unabridged version of Mascagnis masterpiece: strong>Cavalleria Rusticana./strong>/p>p>br>/p>p>This season Ola returns to the Eugene Symphony to sing the beautiful Alto solo instrong> Mahlers Second, The resurrection symphony,/strong> followed by the role of strong>em>Zia Principessa/em>/strong> in strong>Suor Angelica/strong> with Sotto Voce Ensemble in New York. Ola continues to appear as a guest artist with the Lira Ensemble, for important Polish cultural events. Ola will be performing in Chicago with In the realm of the senses- a multi-sensory performance experience, including the arts of fragrance, gastronomy, music, fashion, and visual art. This fall Ola will tour a project she created entitled: strong>Viva Verdi/strong>, a multi-media presentation about the life and contribution of Giuseppe Verdi, punctuated by important musical moments of his masterworks, sung by a quartet of soloists and piano. /p>p>br>/p> /div>!-- // Section About --> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color3-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>section scrollcurrentPageScroll idreviews classrelative z1> header classpage-header relative z3 > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; font-family: Montserrat; font-weight: normal; >span>Press/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-teal-7 styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> div classreviews-list container col-12 mx-auto clearfix> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/96d31b27ed3d31136912326f21f9cb60.png?rect279,-2,627,630&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/el-amor-brujo-de-falla titleEl Amor Brujo. De Falla classitem-open link color-inherit>El Amor Brujo. De Falla/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://articles.latimes.com/2013/oct/25/entertainment/la-et-cm-pacific-symphony-review target_blank relnofollow hrefhttp://articles.latimes.com/2013/oct/25/entertainment/la-et-cm-pacific-symphony-review classlink bold > The L.A. Times, Oct 25, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Mezzo-soprano Ola Rafalo brought a fine dusky quality to the vocal numbers in the Fallas ballet. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Mark Swed/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/c0206f7e6306051197c9a5b56720643a.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/incantevole titleLa Gazzetta del Mezzogiorno: Incanta Ola Rafalo... classitem-open link color-inherit>La Gazzetta del Mezzogiorno: Incanta Ola Rafalo.../a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.lagazzettadelmezzogiorno.it/ target_blank relnofollow hrefhttp://www.lagazzettadelmezzogiorno.it/ classlink bold > Gazzetta del Mezzogiorno /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Laffascinante Ola Rafalo, ha ammaliato tutti con la sua potenza scenica e per la sua unica voce, e la sua innata professionalita. La Gazzetta del Mezzogiorno, 2016 /span> /div> footer class> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/95e687bd4844a07e3584555b1c543e47.jpg?fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/the-tragedy-of-carmen-syracuse-opera titleThe Tragedy of Carmen, Syracuse Opera classitem-open link color-inherit>The Tragedy of Carmen, Syracuse Opera/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.operatoday.com/content/2013/10/the_tragedy_of_.php target_blank relnofollow hrefhttp://www.operatoday.com/content/2013/10/the_tragedy_of_.php classlink bold > Opera Today, October 13, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>There is much to love in the singing here, and Ola Rafalo — singing her first-ever role of Carmen — deserves the lion’s (or should I say tigress’s) share of the credit. Rafalo’s dark and richly hued mezzo soprano during the sultry Habanera established her character immediately as a seductress…/span> a href/review/title/the-tragedy-of-carmen-syracuse-opera titleThe Tragedy of Carmen, Syracuse Opera classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>David Abrams/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/5eaf75d5dc1f3b5f35a9facfcac3b9be.jpeg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/syracuse-opera-s-carmen titleSyracuse Opera’s Carmen classitem-open link color-inherit>Syracuse Opera’s Carmen/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://greenroomreviews.com/2013/10/16/syracuse-operas-carmen-is-a-stripped-down-and-sexy-romp-in-the-aisles/ target_blank relnofollow hrefhttp://greenroomreviews.com/2013/10/16/syracuse-operas-carmen-is-a-stripped-down-and-sexy-romp-in-the-aisles/ classlink bold > Green Room Reviews, October 16, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> The torturously tempting portrayal of female lead Carmen (Ola Rafalo) overpowered the theater from the first moment light hits her impeccable beauty. She is a gypsy with serpentine belly dancing that comments on women’s manipulative power over men through sexuality. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Nickreichert9/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/30046eeb936935294ae8d41bf049b14c.jpg?rect143,33,320,320&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/nabucco-from-lyric-opera-baltimore titleNabucco from Lyric Opera Baltimore classitem-open link color-inherit>Nabucco from Lyric Opera Baltimore/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://articles.baltimoresun.com/2014-05-10/entertainment/bal-lyric-opera-baltimore-closes-season-with-verdis-nabucco-20140510_1_abigaille-fenena-nabucco target_blank relnofollow hrefhttp://articles.baltimoresun.com/2014-05-10/entertainment/bal-lyric-opera-baltimore-closes-season-with-verdis-nabucco-20140510_1_abigaille-fenena-nabucco classlink bold > The Baltimore Sun, May 10, 2014 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Velvety-toned mezzo-soprano Ola Rafalo revealed promise as Fenena, Nabucco’s daughter. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Tim Smith/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/02a88a00c151c6cba66bc07f7f408fd1.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/mother-in-amahl-and-the-night-visitors-opera-orlando titleMother in Amahl and the Night visitors: Opera Orlando classitem-open link color-inherit>Mother in Amahl and the Night visitors: Opera Orlando/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.orlandosentinel.com/entertainment/arts-and-theater/os-mjp-amahl-opera-orlando-review-20161218-column.html target_blank relnofollow hrefhttp://www.orlandosentinel.com/entertainment/arts-and-theater/os-mjp-amahl-opera-orlando-review-20161218-column.html classlink bold > Orlando Sentinel /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> The relationship between Amahl and his mom is key to the show, and Tyler Kreusch and Ola Rafalo play off each other with the right amounts of affection and exasperation.... Matthew J. Palm , dec. 18, 2016 Orlando Sentinel /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Matthew J. Palm/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/49aa806a319c503f9f771c8cdb3efbe4.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/a-budding-baby-cossotto titleA budding baby Cossotto classitem-open link color-inherit>A budding baby Cossotto/a> /h3> div classm0 h6>span classmuted>Published by/span> span class>Outpost/span> /div> /header> div> span classblockquote h4 m0 mb2 p0>Ola Rafalo, a singer whose raw instrument is sure to warrant her a starry career, at times sounding like a budding baby Cossotto. Though her role is short, it contains some of the most graciously written passages to be found in the score, through which her dark, sultry sound rolled out through the auditorium…/span> a href/review/title/a-budding-baby-cossotto titleA budding baby Cossotto classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Daniel Vasque/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/e1a8384d3b77572e1e8a1734dfa97f32.jpg?fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/essential-verdi-concert titleEssential Verdi concert classitem-open link color-inherit>Essential Verdi concert/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttps://www.washingtonpost.com/entertainment/music/washington-choruss-essential-wagner-is-an-underwhelming-greatest-hits-program/2014/03/03/16716bc8-a2e4-11e3-84d4-e59b1709222c_story.html target_blank relnofollow hrefhttps://www.washingtonpost.com/entertainment/music/washington-choruss-essential-wagner-is-an-underwhelming-greatest-hits-program/2014/03/03/16716bc8-a2e4-11e3-84d4-e59b1709222c_story.html classlink bold > The Washington Post, March 3, 2014 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Ola Rafalo proved to be a mezzo to watch, with a strong Stride la Vampa. Kennedy Center debut Essential Verdi Concert with the Washington Chorus /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Anne Midgette/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/b4bb186eb871d37ac3dea01eed8179d3.jpg?rect30,0,317,317&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/fenena-nabucco-verdi-1 titleFenena. Nabucco. Verdi classitem-open link color-inherit>Fenena. Nabucco. Verdi/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.voix-des-arts.com/ target_blank relnofollow hrefhttp://www.voix-des-arts.com/ classlink bold > Voix des artes /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>From her first entrance, Ms. Rafało grasped every musical and histrionic opportunity given to Fenena, allying her firm, plush tones to acting of girlish subtlety. In the trio with Abigaille and Ismaele in Act One, ‘Io tamava! il regno, il cuore,’ she sang splendidly, phrasing ‘Ah! già tinvoco,…/span> a href/review/title/fenena-nabucco-verdi-1 titleFenena. Nabucco. Verdi classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Joseph Newsome, October 18, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/0bcbcc020a6c3056bb3bcff1aa6af112.jpg?rect308,18,810,810&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/interview-with-mezzo-soprano-ola-rafalo-in-the-role-of-fenena titleInterview with mezzo-soprano Ola Rafalo in the role of Fenena classitem-open link color-inherit>Interview with mezzo-soprano Ola Rafalo in the role of Fenena/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.operacarolina.org/news-press/interview-with-mezzosoprano-ola-rafalo-in-the-role-of-fenena/366 target_blank relnofollow hrefhttp://www.operacarolina.org/news-press/interview-with-mezzosoprano-ola-rafalo-in-the-role-of-fenena/366 classlink bold > Opera Lively /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> ...If one is born with a dramatic instrument and it is developed correctly technically, then a role like that is nothing to fear. For someone like me, repertoire that is too light can be more dangerous... /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Luiz Gazzola, September 8, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/d0865c974993defb6843c3992ff5524e.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/fenena-nabucco-verdi titleFenena. Nabucco. Verdi classitem-open link color-inherit>Fenena. Nabucco. Verdi/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://operalively.com/forums/showthread.php/2244-Nabucco-at-Opera-Carolina-review?p42311#post42311 target_blank relnofollow hrefhttp://operalively.com/forums/showthread.php/2244-Nabucco-at-Opera-Carolina-review?p42311#post42311 classlink bold > Opera Lively /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>As a matter of fact she produced the best singing of the evening, in spite of her role being smaller. Ola has a very powerful mezzo-soprano instrument and she uses it with good technique, producing her notes with a great deal of precision. She has a very pleasant timbre an her passagio is smooth with…/span> a href/review/title/fenena-nabucco-verdi titleFenena. Nabucco. Verdi classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Luiz Gazzola, October 18, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/4ec2546c83c54ca8b82be7e1395e55f7.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/nabucco-at-lyric-opera-baltimore titleNabucco at Lyric Opera Baltimore classitem-open link color-inherit>Nabucco at Lyric Opera Baltimore/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://dcmetrotheaterarts.com/2014/05/10/nabucco-lyric-opera-baltimore/ target_blank relnofollow hrefhttp://dcmetrotheaterarts.com/2014/05/10/nabucco-lyric-opera-baltimore/ classlink bold > D.C. Metro Theater Arts /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>Mezzo-soprano, Rafalo delivers a truly emotional aria in “Oh dischiuso è il firmament!” a mournful yet hopeful outcry to God for her martyrdom. Despite it being her only aria, Rafalo’s balance of emotions within her vocal clarity is sensational and makes her character stand out despite being…/span> a href/review/title/nabucco-at-lyric-opera-baltimore titleNabucco at Lyric Opera Baltimore classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Amanda Gunther, May 10, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/231591650449446dffd5d78b82148266.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/the-washington-chorus-the-essential-verdi-at-the-kennedy-center titleThe Washington Chorus: ‘The Essential Verdi’ at The Kennedy Center classitem-open link color-inherit>The Washington Chorus: ‘The Essential Verdi’ at The Kennedy Center/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://dcmetrotheaterarts.com/2014/03/05/the-washington-chorus-the-essential-verdi-at-the-kennedy-center/ target_blank relnofollow hrefhttp://dcmetrotheaterarts.com/2014/03/05/the-washington-chorus-the-essential-verdi-at-the-kennedy-center/ classlink bold > DC Metro Theatre Arts, March 5, 2014 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> A thrilling performance of Azucena’s fiery “Stride la vampa” by mezzo-soprano Ola Rafalo, whose imperious manner and dark, sultry chest voice, exploding in a ravishingly focused high G, captured the character’s passionate fury. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Leslie Weisman/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/38a40216ddd21693fd48ff253d24f76e.jpg?fitcrop&croptop,right&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/carmen titleCarmen classitem-open link color-inherit>Carmen/a> /h3> div classm0 h6>span classmuted>Published by/span> span class>The Post Standard, Syracuse, October 14, 2013/span> /div> /header> div> span classblockquote h4 m0 mb2 p0> In the Habanera Rafalos execution is both subtle and powerfully seductive drawing Jose and the audience into her tale. The story continues to unfold with Pres des remparts de Seville : showcasing Rafalos ability to at one moment be vulnerable and soft and the next a wild temptress. /span> a href/review/title/carmen titleCarmen classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Abel Searor/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/62fa184d135b53f969e19b53f216e940.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/condensed-adaptation-of-classic-tragedy-carmen-brings-heat-passion-to-stage titleCondensed adaptation of classic tragedy ‘Carmen’ brings heat, passion to stage classitem-open link color-inherit>Condensed adaptation of classic tragedy ‘Carmen’ brings heat, passion to stage/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://dailyorange.com/2013/10/stripped-down-condensed-adaptation-of-classic-tragedy-carmen-brings-heat-passion-to-stage/ target_blank relnofollow hrefhttp://dailyorange.com/2013/10/stripped-down-condensed-adaptation-of-classic-tragedy-carmen-brings-heat-passion-to-stage/ classlink bold > The Daily Orange, Oct. 16, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Rafalo’s voice has a richness all its own, with a tone that compels the listener to pay close attention to her. Her voice suits Carmen perfectly; it is full, sultry and quite abnormal in the most compelling way. And Rafalo certainly knows how to be sexy. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Jessica Cabe/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/6360fd4533d8b58a41eda73839ef5767.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/pacific-symphony-draws-sketches-of-spain titlePacific Symphony draws sketches of Spain classitem-open link color-inherit>Pacific Symphony draws sketches of Spain/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.ocregister.com/articles/orchestra-533033-canciones-concert.html target_blank relnofollow hrefhttp://www.ocregister.com/articles/orchestra-533033-canciones-concert.html classlink bold > Orange County Register, Oct. 25, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> El Amor Brujo. De Falla. St.Clair and the orchestra captured the dusky sonorities prettily and mezzo-soprano Ola Rafalo sang with a creamy sultriness on high and an apt huskiness down low. Lovely. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Timothy Mangan/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/7ba82230975cfdd517064c0026ad1a9e.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/charlotte-massenet-werther-merkin-hall-nyc titleCharlotte, Massenet Werther, Merkin Hall NYC classitem-open link color-inherit>Charlotte, Massenet Werther, Merkin Hall NYC/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.vocedimeche.reviews/search?updated-min2016-01-01T00:00:00-05:00&updated-max2017-01-01T00:00:00-05:00&max-results17 target_blank relnofollow hrefhttp://www.vocedimeche.reviews/search?updated-min2016-01-01T00:00:00-05:00&updated-max2017-01-01T00:00:00-05:00&max-results17 classlink bold > Vocedimeche.com /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> mezzo-soprano Ola Rafalo, in the role of Charlotte, cut right through the orchestras sound with her distinctive and richly textured voice. The interesting texture was very much to our liking. She was outstanding in her moving third act aria Va! Laisse couler mes larmes. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>meche kroop/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/e0591424487b9338bb3f03becb0b68fa.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/verdi-gala-kennedy-center titleVerdi Gala Kennedy Center classitem-open link color-inherit>Verdi Gala Kennedy Center/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://washingtonlife.com/2014/04/08/performing-arts-happy-birthday-verdi/ target_blank relnofollow hrefhttp://washingtonlife.com/2014/04/08/performing-arts-happy-birthday-verdi/ classlink bold > Washington life magazine /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> mezzo-soprano Ola Rafalo, who offered a dark voluptuous mezzo that carried well into the hall. Volpe, and Rafalo in particular were vocal powerhouses /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Patrick D. McCoy/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/f728c26cda3602b7fd540055188fc458.jpg?fitcrop&croptop&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/rafalo-makes-an-impact-of-power titleRafalo makes an impact of power... classitem-open link color-inherit>Rafalo makes an impact of power.../a> /h3> /header> div> span classblockquote h4 m0 mb2 p0>Ola Rafalo performed the role Alcmene, the Mother of Hercules in The Olympic Flame by Panagiotis Karousos with great success and impressed the public. Rafalo’s voice is huge and makes an impact of power. Her aria was well projected to the vast open air Athens Square Hellenic American Center of the…/span> a href/review/title/rafalo-makes-an-impact-of-power titleRafalo makes an impact of power... classitem-open link color-inherit h6>read more/a> /div> footer class> /footer> /div> /section> /div> /div> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z3 bg-fixed gray-0 fader-auto >/div> div data-srchttps://onstage.imgix.net/sites/f3982e4850ffa2b5f5540a1758db6014.jpg?fitcrop&cropfaces&sat-100&sepia0&blur0&htn0&px0&q60 classtransition imgix-fluid imgix-fluid-bg bg-image z2 fit full-width absolute top-0 left-0 bottom-0 right-0 stylebackground: no-repeat center center / cover; opacity: 0.26>/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color4-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>section scrollcurrentPageScroll idvideos classrelative z1> header classpage-header relative z3 > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; 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font-family: Montserrat; font-weight: normal; >span>/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-teal-7 styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> !-- Section About -->div classql-content container clearfix> p>br>/p>p>span classql-size-large>REPERTOIRE/span>/p>p>br>/p>p>br>/p>p>br>/p>p>img srchttps://onstage.imgix.net/sites/1a7c9aa41c4eab96bbc4b2b64e75d4ad.tiff?>/p>p>br>/p>p>br>/p>p>br>/p>p>strong stylecolor: rgb(0, 90, 170); background-color: transparent;>OPERA PERFORMANCES/strong>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Brangaene,/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> /span>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Tristan und Isolde/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Eugene Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>La Frugola,/em> Il Tabarro,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Chicago Opera Festival/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Azucena, /em>Il Trovatoreem>,/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Opera Forza/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Amneris scenes,/em> Aida, /strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Washington Chorus, Kennedy Center/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Eboli scenes,/em> Don Carloem>,/em> /strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Gulfshore Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Maddalena, /em>Rigolettoem>,/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Gulfshore Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Fenena, /em>Nabucco,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Baltimore Lyric, Opera Carolina/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Fricka, /em>Die Walkure,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> The Lyric Orchestra/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Charlotte, /em>Werther,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Martha Cardona Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Dalilah scenes,/em> Samson et Dalila/strong>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Santuzza, /em>Cavalleria Rusticana,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Opera Angelo/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Carmen,/em> Carmen/strong>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Syracuse Opera/span>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>New Jersey Verismo/span>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Gulfshore Opera/span>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Pacific Symphony (highlights)/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Mother,/em> Amahl and the Night Visitors,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Opera Orlando/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Old Gyspy Woman,/em> Aleko,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Chicago Opera Theatre/span>/p>p>strong>em>Brangane, /em>Tristan und Isolde,/strong> Eugene Symphony/p>p>strong>em>Mother, Chinese tea cup, Shepherd, Dragonfly,/em> Lenfant et les sortileges,/strong> Florentine Opera/p>p>strong>em>Ulrica/em>, Un Ballo in Maschera/strong>, Opera Project Columbus (Upcoming)/p>p>br>/p>p>strong stylecolor: rgb(0, 90, 170); background-color: transparent;>CONCERT PERFORMANCES/strong>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Rachmaninov/em> Songs/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> /span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Verdi/em> Requiem,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Gulfshore Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Vivaldi/em> Gloria,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Carnegie Hall/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>deFalla/em> el Amor Brujo,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Pacific Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Poniatowski/em> Mass,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Paderewski Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Berlioz/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> /span>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Damour Lardente Flamme,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Springfield Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Bach/em> St. Matthew Passion,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Lakeside Artists Guild/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Brahms two songs for voice and viola/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Lakeside Artists Guild /span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Beethoven 9th Symphony/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Evanston Symphony Orchestra /span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Mahler songs/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Lakeside Artists Guild/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Mahler 2nd/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Eugene Symphony (upcoming)/span>/p>p>br>/p>p>br>/p>p>strong>Repertoire prepared:/strong>/p>p>strong>Verdi:/strong> La Forza del Destino, Preziosilla/p>p>strong>Wagner/strong>: Tannhauser, Venus, Gotterdamerung, Waltraute, Siegfried, Erda/p>p>strong>Cilea: /strong>Adriana Lecouvreur, Principessa/p>p>strong>Ponchielli: /strong>Gioconda, Laura /p>p>strong>Berlioz: /strong>Les Troyens: Didon,Cassandra/p>p>strong>Tchaikovsky: /strong>Onegin,Olga, Pikova Dama, Polina, Orleanskaya Deva, Ioanna/p>p>strong>Mussorgsky: /strong>Boris Godunov, Marina, Khovanshchina; Marfa/p>p>strong>Rimsky-Korsakov: /strong>Tsars Bride, Lyubasha/p>p>strong>Moniuszko: /strong>Straszny Dwor, Jadwiga/p>p>strong>Dvorak: /strong>Rusalka, Jezibaba, Foreign Princess/p>p>br>/p>p>Concert repertoire prepared:/p>p>strong>Mahler :/strong> Symphony 3, Das Lied von der Erde, Des Knaben Wunderhorn/p>p>strong>Prokofiev : /strong>Alexander Nevsky/p>p>strong>Durufle: /strong>Requiem/p>p>strong>Elgar :/strong>Sea Pictures/p>p>strong>Berlioz: /strong>La mort du Cleopatre, Le nuits d’été /p>p>br>/p>p>img srchttps://onstage.imgix.net/sites/5eaf75d5dc1f3b5f35a9facfcac3b9be.jpeg?>/p> /div>!-- // Section About --> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-gray-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>section scrollcurrentPageScroll idcontact_me classrelative z1> header classpage-header relative z3 no-page-title hide > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; font-family: Montserrat; font-weight: normal; >span>/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-teal-7 styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> !-- Section About -->div classql-content container clearfix> p>strong>Harwood Management Group, Inc/strong>/p>p>strong stylecolor: rgb(102, 0, 0);>James C. Harwood, President/strong>/p>p>PO Box 1337/p>p>Olivebridge, NY 12461/p>p>Phone: 646-241-3009/p>p>strong>E-mail: /strong>a href/cdn-cgi/l/email-protection#e3898a8ea38b8291948c8c87ce8e828d8284868e868d97cd808c8e target_blank>strong> /strong>/a>a href/cdn-cgi/l/email-protection#a3cbc2d1d4ccccc7cec2cdc2c4c6cec6cdd7e3c4cec2cacf8dc0ccce target_blank>strong>span class__cf_email__ data-cfemail3d555c4f4a525259505c535c5a58505853497d5a505c5451135e5250>email protected/span>/strong>/a>/p>p>br>/p>p>br>/p>p>strong>CONTACT/strong>: a href/cdn-cgi/l/email-protection class__cf_email__ data-cfemail67130f02080b06150601060b0827000a060e0b4904080a>email protected/a>/p>p>strong>PHONE:/strong> 312-468-6448/p>p>For voice studio inquiries please see email above, or visit my vocal studio FB page :/p>p>a hrefhttps://www.facebook.com/ORVOCALSTUDIO/ target_blank>(11) Facebook/a>/p>p>br>/p>p>img srchttps://onstage.imgix.net/sites/b5f560db88cfc80ad8a8fc6b5441fb34.jpg?>/p> /div>!-- // Section About --> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color2-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section> !-- Theme page content END --> /main> !-- Theme footer --> footer idfooter classmain-footer relative z3 py2 flex flex-center content-around gray-7 > div classcenter relative z2 > nav classmx-auto flex flex-center center gray-10 > a target_blank hrefhttps://www.youtube.com/channel/UClNq81kUMaDJ35BQ3Ri482w classpx1 block h5 mx-auto transition color-inherit> span classicon-m socicon-youtube>/span>/a> a target_blank hrefhttps://www.instagram.com/ola.rafalo classpx1 block h5 mx-auto transition color-inherit> span classicon-m socicon-instagram>/span>/a> /nav> div classsite-credits inline-flex h6 m0 > span classmr1>Copyright 2024 Ola Rafalo/span> div classmd-show bold gray-10 > a hrefhttps://onstage.io/account/sign_in/?continuehttps%3A%2F%2Folarafalo.onstage.io classright link color-inherit>Sign In/a> /div> /div> div classlogo-credit mx-auto mt2 transition relative z2 gray-10 stylewidth:5rem> a classblock color-inherit deco-none hrefhttps://onstage.io/ titleOnstage Sites - Websites for music professionals> span classh6 m0 p0 center block gray-7 >powered by/span> svg classblock viewBox0 0 340 138 stylewidth:5rem; 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>/div>/header> !-- Theme header END --> main classmain-content relative z3 col-12> !-- Theme page content --> !-- Section Home -->section scrollcurrentPageScroll idhome classrelative z1 border-bottom border-darken-3> div classsite-header flex flex-center relative z4 minh100 style classsite-header flex flex-center relative z4 minh100 > div classcontainer col-12> div classleft p2 relative z2> header class> h1 classrelative m0 pb1 z2 h1 gray-10 caps ls0 stylefont-size: 2.5rem; font-family: Montserrat; font-weight: normal; >span>Ola Rafalo/span>/h1> h2 classm0 py0 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>Dramatic Mezzosoprano/span>/h2> /header> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg- styleopacity: 0; >/div> /div> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z3 bg-fixed gray-0 fader-auto >/div> div data-srchttps://onstage.imgix.net/sites/49aa806a319c503f9f771c8cdb3efbe4.jpg?&sat-100&q60 classtransition imgix-fluid imgix-fluid-bg bg-image z2 fit full-width absolute top-0 left-0 bottom-0 right-0 stylebackground: no-repeat center center / cover; opacity: 0.46>/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color1-0 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>!-- // Section Home -->section scrollcurrentPageScroll idabout classrelative z1> header classpage-header relative z3 no-page-title hide > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; font-family: Montserrat; font-weight: normal; >span>/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-gray-undefined styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> !-- Section About -->div classql-content container clearfix> p>“Ola em>Rafało proved to be a mezzo to watch, with a strong Stride la Vampa” /em>said Anne Midgette, for the Washington Post, when Ola was featured as strong>Azucena/strong> and strong>Amneris/strong>, in scenes at Kennedy Center. Ola has laid the foundation of her career as a dramatic mezzo, having performed most of Verdis iconic operas. She started with strong>Fenena /strong>in strong>Nabucco /strong>(Baltimore Lyric Opera, Opera Carolina), “Rafało em>produced the best singing of the evening, in spite of her role being smaller. /em>– L. Gazzola for Opera Lively. Ola continued that trajectory as strong>Azucena /strong>in strong>Il Trovatore /strong>with Opera Forza, and strong>Maddalena /strong>in strong>Rigoletto with /strong>Gulfshore Opera, as well as strong>The Verdi Requiem/strong> with Gulfshore Opera, under Maestro Paul Nadler, and strong>Ulrica in Un Ballo in Maschera/strong> with Opera Project Columbus. Ola started her mezzo career in the title role of strong>La Tragedie de Carmen /strong>with Syracuse Opera, making a big splash in “Opera Today” and leading to subsequent performances of the Bizet versions (Gulfshore Opera, New Jersey Verismo Opera, Pacific Symphony (highlights). In preparation for the role, Ola studied flamenco dance and castanette playing with world renowned flamenco dancer and choreographer Rosa Mercedes. Carmen continues to be a signature role for Ola./p>p>br>/p>p>Rafało carries dual passports for the U.S. and Poland, and speaks fluent English, Italian, and Polish. She is a natural interpreter of slavic repertoire, in roles such as Olga in strong>Eugene Onegin, /strong>Konchakovna in strong>Prince Igor, /strong>Pollina in strong>Queen of Spades, Marfa in Khovanschina, /strong>and Jadwiga in strong>Straszny Dwor. /strong>Starting from the age of 3, Ola studied Polish folk dancing and singing, creating a musical template from which to interpret all the slavic music with roots in the tradition of folk music. Ola is proud to continue the celebration of her Polish culture in the Chicagoland area, performing with groups such as the Lira Ensemble, the Paderewski Symphony, and solo recitals for Polish cultural organizations./p>p>br>/p>p>Notable Opera debuts include strong>Brangaene /strong>in strong>Wagners Tristan und Isolde/strong> with the Eugene Symphony, strong>em>Charlotte/em> /strong>in strong>Werther /strong>with Martha Cardona Opera, at the Kauffman Center, and strong>em>Santuzza/em> /strong>in strong>Cavalleria Rusticana (/strong>Opera Angelo), strong> the/strong> strong>Old Gypsy /strong>in Rachmaninovs strong>Aleko /strong> (Chicago Opera Theatre) strong>,/strong> The strong>em>Mother, Chinese tea cup, shepherd,/em>/strong> and strong>em>dragonfly/em>/strong>, in Ravels Lenfant et les sortileges (Florentine Opera) , strong>La Frugola/strong> in strong>Il Tabarro (/strong>Opera Festival of Chicago). Ola was honored to receive a strong>UNESCO award /strong>for her performance as Alkmene in the strong>Olympic Torch, /strong>astrong> /strong>modern Greek opera by P. Karousos. She also created the role of strong>em>Diskana/em>/strong> in a new opera strong>Second Sight/strong>, by Jessie Downs, with Nickel City Opera and the Sotto Voce ensemble./p>p>br>/p>p>Olas voice soars in chamber music and concert repertoire. Her performances include Carnegie Hall as the Alto soloist in Vivaldi’s strong>em>Gloria, /em>/strong>as well as De Falla’s strong>em>El Amor Brujo /em>/strong>with the Pacific Symphony, and strong>Beethovens 9/strong>sup>strong>th/strong>/sup>with the Evanston Symphony. She has performed many galas, and enjoyed singing with the Springfield Symphony, New Jersey Symphony and others. Last season she performed the strong>Brahms two songs for voice and viola/strong>, as well as excerpts from strong>Bach St. Matthew Passion/strong>, andstrong> Mahler songs/strong>, with the Lakeside Artists Guild. She was honored to perform the alto role in the American premier of strong>em>Poniatowski’s Mass,/em>/strong> with the Paderewski Symphony, an important work of Polish history. Ola has been a guest recitalist for the Wagner society of America. /p>p>br>/p>p>Recently Ola has been awarded a grant from the Olga Forrai foundation for dramatic voices. Ola was honored to receive the Maria Callas Prize in 2019, at the 2nd annual Giulio Fregosi Concorso di Lirica in Voghera, as well as the Kitakiushu prize, and the Premio di Teatro Bibiena. She is the 2nd prize winner of the 2017 Altamura-Caruso competition. In 2015 she won Fourth Prize and the Audience choice award from the Young Patronesses of Opera Competition. She has been awarded the Giulietta Simionato career grant from the Inter-city Arts foundation. In 2009, she was awarded the audience prize at the Metropolitan Opera National Council Auditions, Southeast chapter. In 2008, she was awarded Grand Prize of the Elgin Opera competition and First Prize of the Sherrill Milnes Opera Idol competition. Miss Rafało was an apprentice artist at Sarasota Opera, where she received the Leo M.Rogers award, as well as a young artist at Opera Tampa, and Palm Beach Opera.In 2020 Ola was scheduled to make several important debuts, that have since been postponed. Post lock-down engagements that will happen at some point in the near future include: debut with the Israel Philharmonic as strong>em>Emilia/em>/strong> in Verdi’s strong>Otello /strong>under Maestro Gianandrea Noseda, (Telaviv), strong>em>Mamma Lucia/em>/strong>em> /em>in strong>Cavalleria Rusticana/strong> at the Teatro Voghera Italy, for the Ultapadum Festival, followed by a concert at the Maria Callas Festival in Sirmione, concerts in Belgium in, with Mythos Opera festival, concert at Teatro Bibiena di Mantova. At some point in the near future, she will be traveling to Izumo, Japan to sing the role of strong>em>Santuzza/em>/strong> in the world premiere of the newly discovered manuscript of an unabridged version of Mascagnis masterpiece: strong>Cavalleria Rusticana./strong>/p>p>br>/p>p>This season Ola returns to the Eugene Symphony to sing the beautiful Alto solo instrong> Mahlers Second, The resurrection symphony,/strong> followed by the role of strong>em>Zia Principessa/em>/strong> in strong>Suor Angelica/strong> with Sotto Voce Ensemble in New York. Ola continues to appear as a guest artist with the Lira Ensemble, for important Polish cultural events. Ola will be performing in Chicago with In the realm of the senses- a multi-sensory performance experience, including the arts of fragrance, gastronomy, music, fashion, and visual art. This fall Ola will tour a project she created entitled: strong>Viva Verdi/strong>, a multi-media presentation about the life and contribution of Giuseppe Verdi, punctuated by important musical moments of his masterworks, sung by a quartet of soloists and piano. /p>p>br>/p> /div>!-- // Section About --> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color3-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>section scrollcurrentPageScroll idreviews classrelative z1> header classpage-header relative z3 > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; font-family: Montserrat; font-weight: normal; >span>Press/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-teal-7 styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> div classreviews-list container col-12 mx-auto clearfix> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/96d31b27ed3d31136912326f21f9cb60.png?rect279,-2,627,630&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/el-amor-brujo-de-falla titleEl Amor Brujo. De Falla classitem-open link color-inherit>El Amor Brujo. De Falla/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://articles.latimes.com/2013/oct/25/entertainment/la-et-cm-pacific-symphony-review target_blank relnofollow hrefhttp://articles.latimes.com/2013/oct/25/entertainment/la-et-cm-pacific-symphony-review classlink bold > The L.A. Times, Oct 25, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Mezzo-soprano Ola Rafalo brought a fine dusky quality to the vocal numbers in the Fallas ballet. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Mark Swed/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/c0206f7e6306051197c9a5b56720643a.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/incantevole titleLa Gazzetta del Mezzogiorno: Incanta Ola Rafalo... classitem-open link color-inherit>La Gazzetta del Mezzogiorno: Incanta Ola Rafalo.../a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.lagazzettadelmezzogiorno.it/ target_blank relnofollow hrefhttp://www.lagazzettadelmezzogiorno.it/ classlink bold > Gazzetta del Mezzogiorno /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Laffascinante Ola Rafalo, ha ammaliato tutti con la sua potenza scenica e per la sua unica voce, e la sua innata professionalita. La Gazzetta del Mezzogiorno, 2016 /span> /div> footer class> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/95e687bd4844a07e3584555b1c543e47.jpg?fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/the-tragedy-of-carmen-syracuse-opera titleThe Tragedy of Carmen, Syracuse Opera classitem-open link color-inherit>The Tragedy of Carmen, Syracuse Opera/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.operatoday.com/content/2013/10/the_tragedy_of_.php target_blank relnofollow hrefhttp://www.operatoday.com/content/2013/10/the_tragedy_of_.php classlink bold > Opera Today, October 13, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>There is much to love in the singing here, and Ola Rafalo — singing her first-ever role of Carmen — deserves the lion’s (or should I say tigress’s) share of the credit. Rafalo’s dark and richly hued mezzo soprano during the sultry Habanera established her character immediately as a seductress…/span> a href/review/title/the-tragedy-of-carmen-syracuse-opera titleThe Tragedy of Carmen, Syracuse Opera classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>David Abrams/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/5eaf75d5dc1f3b5f35a9facfcac3b9be.jpeg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/syracuse-opera-s-carmen titleSyracuse Opera’s Carmen classitem-open link color-inherit>Syracuse Opera’s Carmen/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://greenroomreviews.com/2013/10/16/syracuse-operas-carmen-is-a-stripped-down-and-sexy-romp-in-the-aisles/ target_blank relnofollow hrefhttp://greenroomreviews.com/2013/10/16/syracuse-operas-carmen-is-a-stripped-down-and-sexy-romp-in-the-aisles/ classlink bold > Green Room Reviews, October 16, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> The torturously tempting portrayal of female lead Carmen (Ola Rafalo) overpowered the theater from the first moment light hits her impeccable beauty. She is a gypsy with serpentine belly dancing that comments on women’s manipulative power over men through sexuality. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Nickreichert9/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/30046eeb936935294ae8d41bf049b14c.jpg?rect143,33,320,320&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/nabucco-from-lyric-opera-baltimore titleNabucco from Lyric Opera Baltimore classitem-open link color-inherit>Nabucco from Lyric Opera Baltimore/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://articles.baltimoresun.com/2014-05-10/entertainment/bal-lyric-opera-baltimore-closes-season-with-verdis-nabucco-20140510_1_abigaille-fenena-nabucco target_blank relnofollow hrefhttp://articles.baltimoresun.com/2014-05-10/entertainment/bal-lyric-opera-baltimore-closes-season-with-verdis-nabucco-20140510_1_abigaille-fenena-nabucco classlink bold > The Baltimore Sun, May 10, 2014 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Velvety-toned mezzo-soprano Ola Rafalo revealed promise as Fenena, Nabucco’s daughter. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Tim Smith/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/02a88a00c151c6cba66bc07f7f408fd1.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/mother-in-amahl-and-the-night-visitors-opera-orlando titleMother in Amahl and the Night visitors: Opera Orlando classitem-open link color-inherit>Mother in Amahl and the Night visitors: Opera Orlando/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.orlandosentinel.com/entertainment/arts-and-theater/os-mjp-amahl-opera-orlando-review-20161218-column.html target_blank relnofollow hrefhttp://www.orlandosentinel.com/entertainment/arts-and-theater/os-mjp-amahl-opera-orlando-review-20161218-column.html classlink bold > Orlando Sentinel /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> The relationship between Amahl and his mom is key to the show, and Tyler Kreusch and Ola Rafalo play off each other with the right amounts of affection and exasperation.... Matthew J. Palm , dec. 18, 2016 Orlando Sentinel /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Matthew J. Palm/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/49aa806a319c503f9f771c8cdb3efbe4.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/a-budding-baby-cossotto titleA budding baby Cossotto classitem-open link color-inherit>A budding baby Cossotto/a> /h3> div classm0 h6>span classmuted>Published by/span> span class>Outpost/span> /div> /header> div> span classblockquote h4 m0 mb2 p0>Ola Rafalo, a singer whose raw instrument is sure to warrant her a starry career, at times sounding like a budding baby Cossotto. Though her role is short, it contains some of the most graciously written passages to be found in the score, through which her dark, sultry sound rolled out through the auditorium…/span> a href/review/title/a-budding-baby-cossotto titleA budding baby Cossotto classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Daniel Vasque/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/e1a8384d3b77572e1e8a1734dfa97f32.jpg?fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/essential-verdi-concert titleEssential Verdi concert classitem-open link color-inherit>Essential Verdi concert/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttps://www.washingtonpost.com/entertainment/music/washington-choruss-essential-wagner-is-an-underwhelming-greatest-hits-program/2014/03/03/16716bc8-a2e4-11e3-84d4-e59b1709222c_story.html target_blank relnofollow hrefhttps://www.washingtonpost.com/entertainment/music/washington-choruss-essential-wagner-is-an-underwhelming-greatest-hits-program/2014/03/03/16716bc8-a2e4-11e3-84d4-e59b1709222c_story.html classlink bold > The Washington Post, March 3, 2014 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Ola Rafalo proved to be a mezzo to watch, with a strong Stride la Vampa. Kennedy Center debut Essential Verdi Concert with the Washington Chorus /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Anne Midgette/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/b4bb186eb871d37ac3dea01eed8179d3.jpg?rect30,0,317,317&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/fenena-nabucco-verdi-1 titleFenena. Nabucco. Verdi classitem-open link color-inherit>Fenena. Nabucco. Verdi/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.voix-des-arts.com/ target_blank relnofollow hrefhttp://www.voix-des-arts.com/ classlink bold > Voix des artes /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>From her first entrance, Ms. Rafało grasped every musical and histrionic opportunity given to Fenena, allying her firm, plush tones to acting of girlish subtlety. In the trio with Abigaille and Ismaele in Act One, ‘Io tamava! il regno, il cuore,’ she sang splendidly, phrasing ‘Ah! già tinvoco,…/span> a href/review/title/fenena-nabucco-verdi-1 titleFenena. Nabucco. Verdi classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Joseph Newsome, October 18, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/0bcbcc020a6c3056bb3bcff1aa6af112.jpg?rect308,18,810,810&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/interview-with-mezzo-soprano-ola-rafalo-in-the-role-of-fenena titleInterview with mezzo-soprano Ola Rafalo in the role of Fenena classitem-open link color-inherit>Interview with mezzo-soprano Ola Rafalo in the role of Fenena/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.operacarolina.org/news-press/interview-with-mezzosoprano-ola-rafalo-in-the-role-of-fenena/366 target_blank relnofollow hrefhttp://www.operacarolina.org/news-press/interview-with-mezzosoprano-ola-rafalo-in-the-role-of-fenena/366 classlink bold > Opera Lively /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> ...If one is born with a dramatic instrument and it is developed correctly technically, then a role like that is nothing to fear. For someone like me, repertoire that is too light can be more dangerous... /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Luiz Gazzola, September 8, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/d0865c974993defb6843c3992ff5524e.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/fenena-nabucco-verdi titleFenena. Nabucco. Verdi classitem-open link color-inherit>Fenena. Nabucco. Verdi/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://operalively.com/forums/showthread.php/2244-Nabucco-at-Opera-Carolina-review?p42311#post42311 target_blank relnofollow hrefhttp://operalively.com/forums/showthread.php/2244-Nabucco-at-Opera-Carolina-review?p42311#post42311 classlink bold > Opera Lively /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>As a matter of fact she produced the best singing of the evening, in spite of her role being smaller. Ola has a very powerful mezzo-soprano instrument and she uses it with good technique, producing her notes with a great deal of precision. She has a very pleasant timbre an her passagio is smooth with…/span> a href/review/title/fenena-nabucco-verdi titleFenena. Nabucco. Verdi classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Luiz Gazzola, October 18, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/4ec2546c83c54ca8b82be7e1395e55f7.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/nabucco-at-lyric-opera-baltimore titleNabucco at Lyric Opera Baltimore classitem-open link color-inherit>Nabucco at Lyric Opera Baltimore/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://dcmetrotheaterarts.com/2014/05/10/nabucco-lyric-opera-baltimore/ target_blank relnofollow hrefhttp://dcmetrotheaterarts.com/2014/05/10/nabucco-lyric-opera-baltimore/ classlink bold > D.C. Metro Theater Arts /a> /div> /header> div> span classblockquote h4 m0 mb2 p0>Mezzo-soprano, Rafalo delivers a truly emotional aria in “Oh dischiuso è il firmament!” a mournful yet hopeful outcry to God for her martyrdom. Despite it being her only aria, Rafalo’s balance of emotions within her vocal clarity is sensational and makes her character stand out despite being…/span> a href/review/title/nabucco-at-lyric-opera-baltimore titleNabucco at Lyric Opera Baltimore classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Amanda Gunther, May 10, 2014/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/231591650449446dffd5d78b82148266.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/the-washington-chorus-the-essential-verdi-at-the-kennedy-center titleThe Washington Chorus: ‘The Essential Verdi’ at The Kennedy Center classitem-open link color-inherit>The Washington Chorus: ‘The Essential Verdi’ at The Kennedy Center/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://dcmetrotheaterarts.com/2014/03/05/the-washington-chorus-the-essential-verdi-at-the-kennedy-center/ target_blank relnofollow hrefhttp://dcmetrotheaterarts.com/2014/03/05/the-washington-chorus-the-essential-verdi-at-the-kennedy-center/ classlink bold > DC Metro Theatre Arts, March 5, 2014 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> A thrilling performance of Azucena’s fiery “Stride la vampa” by mezzo-soprano Ola Rafalo, whose imperious manner and dark, sultry chest voice, exploding in a ravishingly focused high G, captured the character’s passionate fury. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Leslie Weisman/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/38a40216ddd21693fd48ff253d24f76e.jpg?fitcrop&croptop,right&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/carmen titleCarmen classitem-open link color-inherit>Carmen/a> /h3> div classm0 h6>span classmuted>Published by/span> span class>The Post Standard, Syracuse, October 14, 2013/span> /div> /header> div> span classblockquote h4 m0 mb2 p0> In the Habanera Rafalos execution is both subtle and powerfully seductive drawing Jose and the audience into her tale. The story continues to unfold with Pres des remparts de Seville : showcasing Rafalos ability to at one moment be vulnerable and soft and the next a wild temptress. /span> a href/review/title/carmen titleCarmen classitem-open link color-inherit h6>read more/a> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Abel Searor/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/62fa184d135b53f969e19b53f216e940.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/condensed-adaptation-of-classic-tragedy-carmen-brings-heat-passion-to-stage titleCondensed adaptation of classic tragedy ‘Carmen’ brings heat, passion to stage classitem-open link color-inherit>Condensed adaptation of classic tragedy ‘Carmen’ brings heat, passion to stage/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://dailyorange.com/2013/10/stripped-down-condensed-adaptation-of-classic-tragedy-carmen-brings-heat-passion-to-stage/ target_blank relnofollow hrefhttp://dailyorange.com/2013/10/stripped-down-condensed-adaptation-of-classic-tragedy-carmen-brings-heat-passion-to-stage/ classlink bold > The Daily Orange, Oct. 16, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> Rafalo’s voice has a richness all its own, with a tone that compels the listener to pay close attention to her. Her voice suits Carmen perfectly; it is full, sultry and quite abnormal in the most compelling way. And Rafalo certainly knows how to be sexy. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Jessica Cabe/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/6360fd4533d8b58a41eda73839ef5767.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/pacific-symphony-draws-sketches-of-spain titlePacific Symphony draws sketches of Spain classitem-open link color-inherit>Pacific Symphony draws sketches of Spain/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.ocregister.com/articles/orchestra-533033-canciones-concert.html target_blank relnofollow hrefhttp://www.ocregister.com/articles/orchestra-533033-canciones-concert.html classlink bold > Orange County Register, Oct. 25, 2013 /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> El Amor Brujo. De Falla. St.Clair and the orchestra captured the dusky sonorities prettily and mezzo-soprano Ola Rafalo sang with a creamy sultriness on high and an apt huskiness down low. Lovely. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Timothy Mangan/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/7ba82230975cfdd517064c0026ad1a9e.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/charlotte-massenet-werther-merkin-hall-nyc titleCharlotte, Massenet Werther, Merkin Hall NYC classitem-open link color-inherit>Charlotte, Massenet Werther, Merkin Hall NYC/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://www.vocedimeche.reviews/search?updated-min2016-01-01T00:00:00-05:00&updated-max2017-01-01T00:00:00-05:00&max-results17 target_blank relnofollow hrefhttp://www.vocedimeche.reviews/search?updated-min2016-01-01T00:00:00-05:00&updated-max2017-01-01T00:00:00-05:00&max-results17 classlink bold > Vocedimeche.com /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> mezzo-soprano Ola Rafalo, in the role of Charlotte, cut right through the orchestras sound with her distinctive and richly textured voice. The interesting texture was very much to our liking. She was outstanding in her moving third act aria Va! Laisse couler mes larmes. /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>meche kroop/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/e0591424487b9338bb3f03becb0b68fa.jpg?&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/verdi-gala-kennedy-center titleVerdi Gala Kennedy Center classitem-open link color-inherit>Verdi Gala Kennedy Center/a> /h3> div classm0 h6>span classmuted>Published by/span> a hrefhttp://washingtonlife.com/2014/04/08/performing-arts-happy-birthday-verdi/ target_blank relnofollow hrefhttp://washingtonlife.com/2014/04/08/performing-arts-happy-birthday-verdi/ classlink bold > Washington life magazine /a> /div> /header> div> span classblockquote h4 m0 mb2 p0> mezzo-soprano Ola Rafalo, who offered a dark voluptuous mezzo that carried well into the hall. Volpe, and Rafalo in particular were vocal powerhouses /span> /div> footer class> div classm0 h5>span classmuted>—/span> b classbold>Patrick D. McCoy/b>/div> /footer> /div> /section> /div> div classcol-12 mb1 bg- > section classreview-cover block sm-flex relative transition p1> figure classsm-col-6 md-col-4 lg-col-2 flex-none m0 p0> img classcol-12 srchttps://onstage.imgix.net/sites/f728c26cda3602b7fd540055188fc458.jpg?fitcrop&croptop&fitcrop&w200&h200&q60> /figure> div classh4 ls0 z3 relative transition flex-auto px2> header classflex-auto mr1 mb2 pb1> h3 classm0 mb1 h3> a href/review/title/rafalo-makes-an-impact-of-power titleRafalo makes an impact of power... classitem-open link color-inherit>Rafalo makes an impact of power.../a> /h3> /header> div> span classblockquote h4 m0 mb2 p0>Ola Rafalo performed the role Alcmene, the Mother of Hercules in The Olympic Flame by Panagiotis Karousos with great success and impressed the public. Rafalo’s voice is huge and makes an impact of power. Her aria was well projected to the vast open air Athens Square Hellenic American Center of the…/span> a href/review/title/rafalo-makes-an-impact-of-power titleRafalo makes an impact of power... classitem-open link color-inherit h6>read more/a> /div> footer class> /footer> /div> /section> /div> /div> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z3 bg-fixed gray-0 fader-auto >/div> div data-srchttps://onstage.imgix.net/sites/f3982e4850ffa2b5f5540a1758db6014.jpg?fitcrop&cropfaces&sat-100&sepia0&blur0&htn0&px0&q60 classtransition imgix-fluid imgix-fluid-bg bg-image z2 fit full-width absolute top-0 left-0 bottom-0 right-0 stylebackground: no-repeat center center / cover; opacity: 0.26>/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color4-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>section scrollcurrentPageScroll idvideos classrelative z1> header classpage-header relative z3 > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; 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font-family: Montserrat; font-weight: normal; >span>/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-teal-7 styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> !-- Section About -->div classql-content container clearfix> p>br>/p>p>span classql-size-large>REPERTOIRE/span>/p>p>br>/p>p>br>/p>p>br>/p>p>img srchttps://onstage.imgix.net/sites/1a7c9aa41c4eab96bbc4b2b64e75d4ad.tiff?>/p>p>br>/p>p>br>/p>p>br>/p>p>strong stylecolor: rgb(0, 90, 170); background-color: transparent;>OPERA PERFORMANCES/strong>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Brangaene,/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> /span>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Tristan und Isolde/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Eugene Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>La Frugola,/em> Il Tabarro,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Chicago Opera Festival/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Azucena, /em>Il Trovatoreem>,/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Opera Forza/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Amneris scenes,/em> Aida, /strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Washington Chorus, Kennedy Center/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Eboli scenes,/em> Don Carloem>,/em> /strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Gulfshore Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Maddalena, /em>Rigolettoem>,/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Gulfshore Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Fenena, /em>Nabucco,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Baltimore Lyric, Opera Carolina/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Fricka, /em>Die Walkure,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> The Lyric Orchestra/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Charlotte, /em>Werther,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Martha Cardona Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Dalilah scenes,/em> Samson et Dalila/strong>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Santuzza, /em>Cavalleria Rusticana,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Opera Angelo/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Carmen,/em> Carmen/strong>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Syracuse Opera/span>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>New Jersey Verismo/span>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Gulfshore Opera/span>/p>p>span stylecolor: rgb(0, 0, 0); background-color: transparent;>Pacific Symphony (highlights)/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Mother,/em> Amahl and the Night Visitors,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Opera Orlando/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Old Gyspy Woman,/em> Aleko,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Chicago Opera Theatre/span>/p>p>strong>em>Brangane, /em>Tristan und Isolde,/strong> Eugene Symphony/p>p>strong>em>Mother, Chinese tea cup, Shepherd, Dragonfly,/em> Lenfant et les sortileges,/strong> Florentine Opera/p>p>strong>em>Ulrica/em>, Un Ballo in Maschera/strong>, Opera Project Columbus (Upcoming)/p>p>br>/p>p>strong stylecolor: rgb(0, 90, 170); background-color: transparent;>CONCERT PERFORMANCES/strong>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Rachmaninov/em> Songs/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> /span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Verdi/em> Requiem,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Gulfshore Opera/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Vivaldi/em> Gloria,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Carnegie Hall/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>deFalla/em> el Amor Brujo,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Pacific Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Poniatowski/em> Mass,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Paderewski Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Berlioz/em>/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> /span>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Damour Lardente Flamme,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Springfield Symphony/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>em>Bach/em> St. Matthew Passion,/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;> Lakeside Artists Guild/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Brahms two songs for voice and viola/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Lakeside Artists Guild /span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Beethoven 9th Symphony/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Evanston Symphony Orchestra /span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Mahler songs/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Lakeside Artists Guild/span>/p>p>strong stylecolor: rgb(0, 0, 0); background-color: transparent;>Mahler 2nd/strong>span stylecolor: rgb(0, 0, 0); background-color: transparent;>, Eugene Symphony (upcoming)/span>/p>p>br>/p>p>br>/p>p>strong>Repertoire prepared:/strong>/p>p>strong>Verdi:/strong> La Forza del Destino, Preziosilla/p>p>strong>Wagner/strong>: Tannhauser, Venus, Gotterdamerung, Waltraute, Siegfried, Erda/p>p>strong>Cilea: /strong>Adriana Lecouvreur, Principessa/p>p>strong>Ponchielli: /strong>Gioconda, Laura /p>p>strong>Berlioz: /strong>Les Troyens: Didon,Cassandra/p>p>strong>Tchaikovsky: /strong>Onegin,Olga, Pikova Dama, Polina, Orleanskaya Deva, Ioanna/p>p>strong>Mussorgsky: /strong>Boris Godunov, Marina, Khovanshchina; Marfa/p>p>strong>Rimsky-Korsakov: /strong>Tsars Bride, Lyubasha/p>p>strong>Moniuszko: /strong>Straszny Dwor, Jadwiga/p>p>strong>Dvorak: /strong>Rusalka, Jezibaba, Foreign Princess/p>p>br>/p>p>Concert repertoire prepared:/p>p>strong>Mahler :/strong> Symphony 3, Das Lied von der Erde, Des Knaben Wunderhorn/p>p>strong>Prokofiev : /strong>Alexander Nevsky/p>p>strong>Durufle: /strong>Requiem/p>p>strong>Elgar :/strong>Sea Pictures/p>p>strong>Berlioz: /strong>La mort du Cleopatre, Le nuits d’été /p>p>br>/p>p>img srchttps://onstage.imgix.net/sites/5eaf75d5dc1f3b5f35a9facfcac3b9be.jpeg?>/p> /div>!-- // Section About --> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-gray-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section>section scrollcurrentPageScroll idcontact_me classrelative z1> header classpage-header relative z3 no-page-title hide > div classrelative z2 h100 container flex flex-center> div classflex-auto> h1 classm0 py2 relative z2 h1 gray-10 text-initial ls0 stylefont-size: 2rem; font-family: Montserrat; font-weight: normal; >span>/span>/h1> h2 classm0 py0 pb2 relative z2 h5 gray-8 caps ls0 stylefont-size: 0.875rem; font-family: Montserrat; font-weight: normal; >span>/span>/h2> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg-teal-7 styleopacity: 0; >/div> /header> div classsite-section px2 relative z2 link-blue-4 gray-10 stylemin-height: 50vhfont-size: 1rem; font-family: ; > div classpy2 pb4 overflow-hidden> !-- Section About -->div classql-content container clearfix> p>strong>Harwood Management Group, Inc/strong>/p>p>strong stylecolor: rgb(102, 0, 0);>James C. Harwood, President/strong>/p>p>PO Box 1337/p>p>Olivebridge, NY 12461/p>p>Phone: 646-241-3009/p>p>strong>E-mail: /strong>a href/cdn-cgi/l/email-protection#bad0d3d7fad2dbc8cdd5d5de97d7dbd4dbdddfd7dfd4ce94d9d5d7 target_blank>strong> /strong>/a>a href/cdn-cgi/l/email-protection#d4bcb5a6a3bbbbb0b9b5bab5b3b1b9b1baa094b3b9b5bdb8fab7bbb9 target_blank>strong>span class__cf_email__ data-cfemailf0989182879f9f949d919e9197959d959e84b0979d91999cde939f9d>email protected/span>/strong>/a>/p>p>br>/p>p>br>/p>p>strong>CONTACT/strong>: a href/cdn-cgi/l/email-protection class__cf_email__ data-cfemailb9cdd1dcd6d5d8cbd8dfd8d5d6f9ded4d8d0d597dad6d4>email protected/a>/p>p>strong>PHONE:/strong> 312-468-6448/p>p>For voice studio inquiries please see email above, or visit my vocal studio FB page :/p>p>a hrefhttps://www.facebook.com/ORVOCALSTUDIO/ target_blank>(11) Facebook/a>/p>p>br>/p>p>img srchttps://onstage.imgix.net/sites/b5f560db88cfc80ad8a8fc6b5441fb34.jpg?>/p> /div>!-- // Section About --> /div> /div> !-- Theme background --> div classtransition absolute z1 col-12 h100 top-0 left-0 bottom-0 right-0> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg-color2-1 >/div> div classfit full-width absolute top-0 left-0 bottom-0 right-0 z1 bg- >/div> /div>/section> !-- Theme page content END --> /main> !-- Theme footer --> footer idfooter classmain-footer relative z3 py2 flex flex-center content-around gray-7 > div classcenter relative z2 > nav classmx-auto flex flex-center center gray-10 > a target_blank hrefhttps://www.youtube.com/channel/UClNq81kUMaDJ35BQ3Ri482w classpx1 block h5 mx-auto transition color-inherit> span classicon-m socicon-youtube>/span>/a> a target_blank hrefhttps://www.instagram.com/ola.rafalo classpx1 block h5 mx-auto transition color-inherit> span classicon-m socicon-instagram>/span>/a> /nav> div classsite-credits inline-flex h6 m0 > span classmr1>Copyright 2024 Ola Rafalo/span> div classmd-show bold gray-10 > a hrefhttps://onstage.io/account/sign_in/?continuehttps%3A%2F%2Folarafalo.onstage.io classright link color-inherit>Sign In/a> /div> /div> div classlogo-credit mx-auto mt2 transition relative z2 gray-10 stylewidth:5rem> a classblock color-inherit deco-none hrefhttps://onstage.io/ titleOnstage Sites - Websites for music professionals> span classh6 m0 p0 center block gray-7 >powered by/span> svg classblock viewBox0 0 340 138 stylewidth:5rem; height: 100%;> use xlink:href/resource/svg/brand.svg#onstage-logo x0 y0/> /svg> /a> /div> /div> div classcol-12 h100 absolute top-0 left-0 bottom-0 right-0 z1 bg- styleopacity: 0; >/div>/footer> !-- Theme footer END --> /div>section idsectionLoadContent>/section>script data-cfasyncfalse src/cdn-cgi/scripts/5c5dd728/cloudflare-static/email-decode.min.js>/script>script src/resource/vendor/anchor-scroll-master/scroll.min.js>/script>!-- Theme page content END -->!-- Photoswipe template structure must be loaded here or it messes up z-index -->script typetext/javascript src/resource/vendor/bower_components/jquery/dist/jquery.min.js>/script>script typetext/javascript srchttps://ajax.googleapis.com/ajax/libs/webfont/1.6.26/webfont.js>/script> !-- JS Assets --> script typetext/javascript srchttps://olarafalo.com/resource/vendor/verge.min.js>/script>script typetext/javascript srchttps://olarafalo.com/resource/vendor/bower_components/imagesloaded/imagesloaded.pkgd.min.js>/script>script typetext/javascript srchttps://olarafalo.com/resource/vendor/bower_components/imgix.js/dist/imgix.min.js>/script>script typetext/javascript srchttps://olarafalo.com/resource//main.min.js>/script> !-- JS Assets --> script typetext/javascript srchttps://olarafalo.com/resource//fotorama.min.js>/script> script>WebFont.load({google:{families:Oxygen,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat,Montserrat}});/script> !-- JS Assets --> script typetext/javascript srchttps://olarafalo.com/resource/themes/maestro/js/main.js>/script> script> $( document ).ready( function () { imgix.onready(function() { imgix.fluid({ updateOnResizeDown: true, pixelStep: 5, autoInsertCSSBestPractices: true }); 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