Domain > morsa.es

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DNS Resolutions

Date	IP Address
2014-11-15	217.130.244.250 (ClassC)
2025-04-24	3.215.100.79 (ClassC)

HTTP/1.1 200 OKDate: Thu, 24 Apr 2025 08:16:35 GMTContent-Type: text/html; charsetUTF-8Transfer-Encoding: chunkedConnection: keep-aliveVary: Accept-EncodingAccess-Control-Allow-Headers: origin, x-requested-with, content-typeAccess-Control-Allow-Methods: GET, HEAD, OPTIONSX-Cache-Status: C2-MISSX-Debug-Host: morsa.esServer: Cargo

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Son f\u00e1bulas cortas sin moraleja que muestran la bestialidad del ser humano y su dif\u00edcil relaci\u00f3n con el reino animal. El libro est\u00e1 dividido en cinco partes enmarcadas por una cita de Esopo. La primera son las m\u00e1s personales, las que eluden a la autobiograf\u00eda del autor. La segunda est\u00e1 relacionada con autores y m\u00fasicos a los que admira. La tercera, con la destrucci\u00f3n de la naturaleza. La cuarta, con la dignidad de los animales. Y la quinta y \u00faltima, con la crueldad de las noticias o personajes de actualidad. br>\nLos animales son los protagonistas de estas historias breves que se aferran al g\u00e9nero. br>\nLa f\u00e1bula se ha considerado siempre marginal en comparaci\u00f3n con otros g\u00e9neros literarios como la novela y la poes\u00eda.  A pesar de que han sobrevivido desde su nacimiento hace m\u00e1s de 4.500 a\u00f1os hasta ahora, tanto en la cultura judeocristiana como en la musulmana y oriental.\/span> Tambi\u00e9n este libro reivindica la vida animal a la que el hombre ha sometido, maltratado y extinguido, sin saber que el da\u00f1o nos lo hacemos a nosotros mismo. br>\nbr>\n\/div>\n\/div>div class\image-gallery\ data-gallery\%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A1%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A9%2C%22columns%22%3A4%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\>\nimg width\680\ height\1145\ width_o\680\ height_o\1145\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/d4487926da1a78be05bc815069102373d5a9133022fbb7aac50282149dbe0b46\/musaranas_portada.jpg\ data-mid\145659442\ border\0\ \/>\nimg width\1200\ height\1006\ width_o\1200\ height_o\1006\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/0c30e1ceb74257c3d0ffa171b48c7faffd2803b9053aedfe3b2341f6130b06b4\/musaranas_interior_01.jpg\ data-mid\145659511\ border\0\ \/>\nimg width\1200\ height\1006\ width_o\1200\ height_o\1006\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/c1597e1902458f7710fb01dde64dad330a5e30a85c68ced2e3c99b09bdb1b21e\/musaranas_interior_02.jpg\ data-mid\145659513\ border\0\ \/>\nimg width\1200\ height\1006\ width_o\1200\ height_o\1006\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/5d8364311f66614b25a9550dc87bc45eb45eedc2174c2db1ee8266c588a62bdd\/musaranas_interior_05.jpg\ data-mid\145659519\ border\0\ \/>\nimg width\1200\ height\1006\ width_o\1200\ height_o\1006\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/bde69352ea402d41e5f15da0a52ec2207957a2c703044e36f588cc507e6b1fda\/musaranas_interior_03.jpg\ data-mid\145659514\ border\0\ \/>\n\/div>br>,content_no_html:\n\tMusara\u00f1as, Gabriel Bravo Trujillo\nIlustrado por Jos\u00e9 Antonio Troya\n\ue068\ufe0eFinalista Premio Setenil al mejor \nlibro de relatos 2023ISBN: 978-84-939953-8-7\nFormato: 120x210x11 mms. 144 P\u00e1gs.\nCubierta: Offset ahuesado de 300 grs.Tripa: Offset Coral Book Ivory  (1,65) de 90 grs.\n\n\n\n\n\tEl autor de este libro pudo escribir estas f\u00e1bulas porque durante la pandemia tuvo tiempo y miedo. Son f\u00e1bulas cortas sin moraleja que muestran la bestialidad del ser humano y su dif\u00edcil relaci\u00f3n con el reino animal. El libro est\u00e1 dividido en cinco partes enmarcadas por una cita de Esopo. La primera son las m\u00e1s personales, las que eluden a la autobiograf\u00eda del autor. La segunda est\u00e1 relacionada con autores y m\u00fasicos a los que admira. La tercera, con la destrucci\u00f3n de la naturaleza. La cuarta, con la dignidad de los animales. Y la quinta y \u00faltima, con la crueldad de las noticias o personajes de actualidad. \nLos animales son los protagonistas de estas historias breves que se aferran al g\u00e9nero. \nLa f\u00e1bula se ha considerado siempre marginal en comparaci\u00f3n con otros g\u00e9neros literarios como la novela y la poes\u00eda.  A pesar de que han sobrevivido desde su nacimiento hace m\u00e1s de 4.500 a\u00f1os hasta ahora, tanto en la cultura judeocristiana como en la musulmana y oriental. Tambi\u00e9n este libro reivindica la vida animal a la que el hombre ha sometido, maltratado y extinguido, sin saber que el da\u00f1o nos lo hacemos a nosotros mismo. \n\n\n\n{image 12}\n{image 13}\n{image 14}\n{image 16}\n{image 15}\n,content_partial_html:\n\tspan style\color: #060505;\>i>b>Musara\u00f1as\/b>\/i>, br>Gabriel Bravo Trujillobr>\nIlustrado por Jos\u00e9 Antonio Troyabr>\nb>span style\color: rgb(255, 20, 67);\>i>\ue068\ufe0eFinalista Premio Setenil \/i>\/span>\/b>\/span>span style\color: #060505;\>b>span style\color: rgb(255, 20, 67);\>i>al mejor br>\nlibro de relatos 2023\/i>\/span>\/b>br>br>\/span>span style\color: #060505;\>ISBN: 978-84-939953-8-7br>\nFormato: 120x210x11 mms. br>144 P\u00e1gs.br>\nCubierta: Offset ahuesado de 300 grs.br>Tripa: Offset Coral Book Ivory  (1,65) de 90 grs.br>\n\/span>br>\nbr>\n\n\n\tspan style\color: #060505;\>El autor de este libro pudo escribir estas f\u00e1bulas porque durante la pandemia tuvo tiempo y miedo. Son f\u00e1bulas cortas sin moraleja que muestran la bestialidad del ser humano y su dif\u00edcil relaci\u00f3n con el reino animal. El libro est\u00e1 dividido en cinco partes enmarcadas por una cita de Esopo. La primera son las m\u00e1s personales, las que eluden a la autobiograf\u00eda del autor. La segunda est\u00e1 relacionada con autores y m\u00fasicos a los que admira. La tercera, con la destrucci\u00f3n de la naturaleza. La cuarta, con la dignidad de los animales. Y la quinta y \u00faltima, con la crueldad de las noticias o personajes de actualidad. br>\nLos animales son los protagonistas de estas historias breves que se aferran al g\u00e9nero. br>\nLa f\u00e1bula se ha considerado siempre marginal en comparaci\u00f3n con otros g\u00e9neros literarios como la novela y la poes\u00eda.  A pesar de que han sobrevivido desde su nacimiento hace m\u00e1s de 4.500 a\u00f1os hasta ahora, tanto en la cultura judeocristiana como en la musulmana y oriental.\/span> Tambi\u00e9n este libro reivindica la vida animal a la que el hombre ha sometido, maltratado y extinguido, sin saber que el da\u00f1o nos lo hacemos a nosotros mismo. br>\nbr>\n\n\nimg width\680\ height\1145\ width_o\680\ height_o\1145\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/d4487926da1a78be05bc815069102373d5a9133022fbb7aac50282149dbe0b46\/musaranas_portada.jpg\ data-mid\145659442\ border\0\ \/>\nimg width\1200\ height\1006\ width_o\1200\ height_o\1006\ 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Troya,Esopo,display:true,pin:false,pin_options:{position:top},in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Iconograf\u00eda post-millennial,\u00a0\nJos\u00e9 Luis Marzo (ed.)\n\nISBN:\u00a0978-84-939953-2-4\n\nInterior: 216 P\u00e1gs\n\nFormato: 140 x 210 mms. Cerrado\n\nCubierta: offset ahuesado...,content:div grid-row\\ grid-pad\2\ grid-gutter\4\ grid-responsive\\>\n\tdiv grid-col\4\ grid-pad\2\>span style\color: #060505;\>i>b>Iconograf\u00eda post-millennial\/b>\/i>, br>Jos\u00e9 Luis Marzo (ed.)br>br>\/span>div style\text-align: left;\>span style\color: #060505;\>ISBN: 978-84-939953-2-4br>\nInterior: 216 P\u00e1gsbr>\nFormato: 140 x 210 mms. Cerradobr>\nCubierta: offset ahuesado de 300 g\/m2.br>\nInterior: offset Coral Book Ivory  de 90 g\/m2.br>\nSobrecubierta: estucado brillo de 135 g\/m2. Plastificado pp. Brillo 1 C.br>\n\/span>br>\nshop class\shop_product\ product\80319\ data-options\{"mergevariantdropdowns":false,"showPrice":true}\>\/shop>br>\n\/div>\n\/div>\n\tdiv grid-col\8\ grid-pad\2\ class\\>span style\color: #060505;\>En 1593, el italiano Cesare Ripa public\u00f3 i>Iconolog\u00eda o descripci\u00f3n de las im\u00e1genes universales extra\u00eddas de la Antig\u00fcedad y de otros lugares\/i>, un cat\u00e1logo de figuras aleg\u00f3ricas y met\u00e1foras ilustradas pensado para ayudar a los artistas a representar conceptos abstractos y para servir de gu\u00eda popular frente a un lenguaje visual cada vez m\u00e1s complejo. La influencia de aquel proyecto fue enorme, llegando hasta nuestros d\u00edas, no s\u00f3lo porque sin \u00e9l no podr\u00edamos comprender el significado de tantas figuras presentes en los museos, sino porque bosquej\u00f3 las dos herramientas principales de lo que vendr\u00eda m\u00e1s tarde a llamarse la historia del arte y, hoy, las ciencias de la imagen: por un lado, la iconograf\u00eda, la t\u00e9cnica que analiza los motivos de las im\u00e1genes, buscando patrones entre ellas; por el otro, la iconolog\u00eda, que se ocupa de las condiciones por las cuales las im\u00e1genes se conforman hist\u00f3ricamente. Pues bien, si Ripa concibi\u00f3 un modelo para ilustrar conceptos como \u201cfraude\u201d, \u201clibertad\u201d, \u201cpobreza\u201d, \u201cimaginaci\u00f3n\u201d o \u201cvanidad\u201d, \u00bfpodr\u00edamos ahora usar aquel modelo para representar conceptos como \u201cpoliamor\u201d, \u201cbotell\u00f3n\u201d, \u201cfeminismo\u201d, \u201cspoiler\u201d o \u201cpostureo\u201d? Queremos rendir as\u00ed un homenaje post-millennial a Ripa, actualizando la iconograf\u00eda cl\u00e1sica en manos de una generaci\u00f3n hipervisual con el \u00e1nimo de comprender tanto las im\u00e1genes de nuestro tiempo presente como el tiempo de nuestras im\u00e1genes, siempre tejido hacia delante y hacia atr\u00e1s.\/span>br>\nbr>\n\/div>\n\/div>div class\image-gallery\ data-gallery\%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A15%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A9%2C%22columns%22%3A4%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\>\nimg width\1122\ height\1476\ width_o\1122\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/e136e79ba18d03d32855c4974a29d05739d3394b37d0731dd92f170682777594\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-1.jpg\ data-mid\145686119\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/3276cac9cd61dd5b8b90ab71d2a0475ab022cdf0291c142e6684d49d0448f866\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-2.jpg\ data-mid\145686198\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/44b73adf4d55df33ee1f90ab1d72857c896dce2a74f64b932fe3ed009cb8b35b\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-12.jpg\ data-mid\145686252\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/487f57daea6c9954b28b48de55aabaabfd5e9939447dc4fcda274d67b93a51da\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-22.jpg\ data-mid\145686284\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/daf59a672c7216dc702733b0631b6d0aab199227c8583dff925fb77096c6d620\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-31.jpg\ data-mid\145686305\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/3c3eee3aa525dcf705f9d81c3f322166e46fbf39c0857aa9bc82191d5c65fc58\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-42.jpg\ data-mid\145686321\ border\0\ \/>\n\/div>br>,content_no_html:\n\tIconograf\u00eda post-millennial, Jos\u00e9 Luis Marzo (ed.)ISBN: 978-84-939953-2-4\nInterior: 216 P\u00e1gs\nFormato: 140 x 210 mms. Cerrado\nCubierta: offset ahuesado de 300 g\/m2.\nInterior: offset Coral Book Ivory  de 90 g\/m2.\nSobrecubierta: estucado brillo de 135 g\/m2. Plastificado pp. Brillo 1 C.\n\n\n\n\n\tEn 1593, el italiano Cesare Ripa public\u00f3 Iconolog\u00eda o descripci\u00f3n de las im\u00e1genes universales extra\u00eddas de la Antig\u00fcedad y de otros lugares, un cat\u00e1logo de figuras aleg\u00f3ricas y met\u00e1foras ilustradas pensado para ayudar a los artistas a representar conceptos abstractos y para servir de gu\u00eda popular frente a un lenguaje visual cada vez m\u00e1s complejo. La influencia de aquel proyecto fue enorme, llegando hasta nuestros d\u00edas, no s\u00f3lo porque sin \u00e9l no podr\u00edamos comprender el significado de tantas figuras presentes en los museos, sino porque bosquej\u00f3 las dos herramientas principales de lo que vendr\u00eda m\u00e1s tarde a llamarse la historia del arte y, hoy, las ciencias de la imagen: por un lado, la iconograf\u00eda, la t\u00e9cnica que analiza los motivos de las im\u00e1genes, buscando patrones entre ellas; por el otro, la iconolog\u00eda, que se ocupa de las condiciones por las cuales las im\u00e1genes se conforman hist\u00f3ricamente. Pues bien, si Ripa concibi\u00f3 un modelo para ilustrar conceptos como \u201cfraude\u201d, \u201clibertad\u201d, \u201cpobreza\u201d, \u201cimaginaci\u00f3n\u201d o \u201cvanidad\u201d, \u00bfpodr\u00edamos ahora usar aquel modelo para representar conceptos como \u201cpoliamor\u201d, \u201cbotell\u00f3n\u201d, \u201cfeminismo\u201d, \u201cspoiler\u201d o \u201cpostureo\u201d? Queremos rendir as\u00ed un homenaje post-millennial a Ripa, actualizando la iconograf\u00eda cl\u00e1sica en manos de una generaci\u00f3n hipervisual con el \u00e1nimo de comprender tanto las im\u00e1genes de nuestro tiempo presente como el tiempo de nuestras im\u00e1genes, siempre tejido hacia delante y hacia atr\u00e1s.\n\n\n\n{image 1}\n{image 2}\n{image 3}\n{image 4}\n{image 5}\n{image 6}\n,content_partial_html:\n\tspan style\color: #060505;\>i>b>Iconograf\u00eda post-millennial\/b>\/i>, br>Jos\u00e9 Luis Marzo (ed.)br>br>\/span>span style\color: #060505;\>ISBN: 978-84-939953-2-4br>\nInterior: 216 P\u00e1gsbr>\nFormato: 140 x 210 mms. Cerradobr>\nCubierta: offset ahuesado de 300 g\/m2.br>\nInterior: offset Coral Book Ivory  de 90 g\/m2.br>\nSobrecubierta: estucado brillo de 135 g\/m2. Plastificado pp. Brillo 1 C.br>\n\/span>br>\nbr>\n\n\n\tspan style\color: #060505;\>En 1593, el italiano Cesare Ripa public\u00f3 i>Iconolog\u00eda o descripci\u00f3n de las im\u00e1genes universales extra\u00eddas de la Antig\u00fcedad y de otros lugares\/i>, un cat\u00e1logo de figuras aleg\u00f3ricas y met\u00e1foras ilustradas pensado para ayudar a los artistas a representar conceptos abstractos y para servir de gu\u00eda popular frente a un lenguaje visual cada vez m\u00e1s complejo. La influencia de aquel proyecto fue enorme, llegando hasta nuestros d\u00edas, no s\u00f3lo porque sin \u00e9l no podr\u00edamos comprender el significado de tantas figuras presentes en los museos, sino porque bosquej\u00f3 las dos herramientas principales de lo que vendr\u00eda m\u00e1s tarde a llamarse la historia del arte y, hoy, las ciencias de la imagen: por un lado, la iconograf\u00eda, la t\u00e9cnica que analiza los motivos de las im\u00e1genes, buscando patrones entre ellas; por el otro, la iconolog\u00eda, que se ocupa de las condiciones por las cuales las im\u00e1genes se conforman hist\u00f3ricamente. Pues bien, si Ripa concibi\u00f3 un modelo para ilustrar conceptos como \u201cfraude\u201d, \u201clibertad\u201d, \u201cpobreza\u201d, \u201cimaginaci\u00f3n\u201d o \u201cvanidad\u201d, \u00bfpodr\u00edamos ahora usar aquel modelo para representar conceptos como \u201cpoliamor\u201d, \u201cbotell\u00f3n\u201d, \u201cfeminismo\u201d, \u201cspoiler\u201d o \u201cpostureo\u201d? Queremos rendir as\u00ed un homenaje post-millennial a Ripa, actualizando la iconograf\u00eda cl\u00e1sica en manos de una generaci\u00f3n hipervisual con el \u00e1nimo de comprender tanto las im\u00e1genes de nuestro tiempo presente como el tiempo de nuestras im\u00e1genes, siempre tejido hacia delante y hacia atr\u00e1s.\/span>br>\nbr>\n\n\nimg width\1122\ height\1476\ width_o\1122\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/e136e79ba18d03d32855c4974a29d05739d3394b37d0731dd92f170682777594\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-1.jpg\ data-mid\145686119\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/3276cac9cd61dd5b8b90ab71d2a0475ab022cdf0291c142e6684d49d0448f866\/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-2.jpg\ data-mid\145686198\ border\0\ \/>\nimg width\1948\ height\1476\ width_o\1948\ height_o\1476\ 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6},name:ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-42.jpg,hash:3c3eee3aa525dcf705f9d81c3f322166e46fbf39c0857aa9bc82191d5c65fc58,width:1948,height:1476,sort:0,exclude_from_backdrop:false,date_added:1655477087},backdrop:{id:4471103,site_id:1045687,page_id:26369237,backdrop_id:3,backdrop_path:wallpaper,is_active:true,data:{scale_option:cover,repeat_image:false,image_alignment:image_center_center,margin:0,pattern_size:0,limit_size:false,overlay_color:transparent,bg_color:transparent,cycle_images:false,autoplay:true,slideshow_transition:slide,transition_timeout:2.5,transition_duration:1,randomize:false,arrow_navigation:false,focus_object:{},backdrop_viewport_lock:false,use_image_focus:false,image:99740912,requires_webgl:false}}},{id:18152973,site_id:1045687,project_url:FIN,direct_link:https:\/\/morsa.es\/FIN,type:page,title:FIN,title_no_html:FIN,tags:,display:true,pin:false,pin_options:{},in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Fin, Ivan Maestre\n\n\n\nAivuk\n\nISBN: 978-84-939952-1-8\n\n148x210x5 mms.\n\n96 pags.\n\nCubierta: Munken Pure \n\n300 grs \/\u00a0Tripa: Munken 120 grs.\n\n\n\n\n\n\n\tSeg\u00fan el autor:...,content:div grid-row\\ grid-pad\2\ grid-gutter\4\ grid-responsive\\>\n\tdiv grid-col\4\ grid-pad\2\>span style\color: #111010;\>i>b>Fin, \/b>\/i>a href\https:\/\/www.instagram.com\/maestre_bcn\/?hles\>Ivan Maestre\/a>\/span>br>\nbr>\nb>Aivuk\/b>br>\nISBN: 978-84-939952-1-8br>\nspan style\color: #040404;\>148x210x5 mms.\/span>br>\n96 pags.br>\nCubierta: Munken Pure br>\n300 grs \/ Tripa: Munken 120 grs.br>\nbr>div style\text-align: left;\>shop class\shop_product\ product\80318\ data-options\{}\>\/shop>\n\n\/div>\n\/div>\n\tdiv grid-col\8\ grid-pad\2\ class\\>Seg\u00fan el autor: br>\n\u201cEste cuento no moraliza, br>\nno ense\u00f1a ni da coraje br>\nni nadie sabe qu\u00e9 pretende. br>\nBaste que uno entre diez lo encaje, br>\nbaste si uno entre cien lo entiende\u201d.br>\nbr>Nada m\u00e1s extra\u00f1o que una distop\u00eda en versos rimados. La historia de un personaje que despierta a un mundo destruido por seres mitol\u00f3gicos en el que se celebra el juicio final. Perfectamente ilustrada, describe el mundo al que llega el personaje con una l\u00ednea clara que lo alejan del infierno sufrido, pero evocan el horror de una forma humor\u00edstica. Todo vale cuando el mundo se acaba. br>\nbr>\n\/div>\n\/div>div class\image-gallery\ data-gallery\%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A2%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A10%2C%22columns%22%3A3%2C%22image_padding%22%3A2%2C%22responsive%22%3Atrue%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\>\nimg width\421\ height\600\ width_o\421\ height_o\600\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/c35655556ed7b15d2dad35f33a8e6c2f974a9ad904aad02241e7f5a1c66d052f\/webfin-4.png\ data-mid\99874703\ border\0\ \/>\nimg width\600\ height\424\ width_o\600\ height_o\424\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/a3dd648bdb0cbaef949d2a71a8e4b2a8f6e6b3b9de010c57b77eb25527354923\/webfin-1.png\ data-mid\99874741\ border\0\ \/>\nimg width\600\ height\424\ width_o\600\ height_o\424\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/f907bf3c94dcc6fc77d600e0d6873d04d326b24af988a4b2b43c0e96c60f0cb7\/webfin-2.png\ data-mid\99874760\ border\0\ \/>\nimg width\600\ height\424\ width_o\600\ height_o\424\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/5e07f004bd6e111d3af82e731c792742ca19ba8e03e2a75f38a3cdf34ee6e984\/webfin-3.png\ data-mid\99874779\ border\0\ \/>\n\/div>br>,content_no_html:\n\tFin, Ivan Maestre\n\nAivuk\nISBN: 978-84-939952-1-8\n148x210x5 mms.\n96 pags.\nCubierta: Munken Pure \n300 grs \/ Tripa: Munken 120 grs.\n\n\n\n\n\tSeg\u00fan el autor: \n\u201cEste cuento no moraliza, \nno ense\u00f1a ni da coraje \nni nadie sabe qu\u00e9 pretende. \nBaste que uno entre diez lo encaje, \nbaste si uno entre cien lo entiende\u201d.\nNada m\u00e1s extra\u00f1o que una distop\u00eda en versos rimados. La historia de un personaje que despierta a un mundo destruido por seres mitol\u00f3gicos en el que se celebra el juicio final. Perfectamente ilustrada, describe el mundo al que llega el personaje con una l\u00ednea clara que lo alejan del infierno sufrido, pero evocan el horror de una forma humor\u00edstica. Todo vale cuando el mundo se acaba. \n\n\n\n{image 2}\n{image 3}\n{image 4}\n{image 5}\n,content_partial_html:\n\tspan style\color: #111010;\>i>b>Fin, \/b>\/i>a href\https:\/\/www.instagram.com\/maestre_bcn\/?hles\>Ivan Maestre\/a>\/span>br>\nbr>\nb>Aivuk\/b>br>\nISBN: 978-84-939952-1-8br>\nspan style\color: #040404;\>148x210x5 mms.\/span>br>\n96 pags.br>\nCubierta: Munken Pure br>\n300 grs \/ Tripa: Munken 120 grs.br>\nbr>\n\n\n\n\tSeg\u00fan el autor: br>\n\u201cEste cuento no moraliza, br>\nno ense\u00f1a ni da coraje br>\nni nadie sabe qu\u00e9 pretende. br>\nBaste que uno entre diez lo encaje, br>\nbaste si uno entre cien lo entiende\u201d.br>\nbr>Nada m\u00e1s extra\u00f1o que una distop\u00eda en versos rimados. La historia de un personaje que despierta a un mundo destruido por seres mitol\u00f3gicos en el que se celebra el juicio final. Perfectamente ilustrada, describe el mundo al que llega el personaje con una l\u00ednea clara que lo alejan del infierno sufrido, pero evocan el horror de una forma humor\u00edstica. Todo vale cuando el mundo se acaba. br>\nbr>\n\n\nimg width\421\ height\600\ width_o\421\ height_o\600\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/c35655556ed7b15d2dad35f33a8e6c2f974a9ad904aad02241e7f5a1c66d052f\/webfin-4.png\ data-mid\99874703\ border\0\ \/>\nimg width\600\ height\424\ width_o\600\ height_o\424\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/a3dd648bdb0cbaef949d2a71a8e4b2a8f6e6b3b9de010c57b77eb25527354923\/webfin-1.png\ data-mid\99874741\ border\0\ \/>\nimg width\600\ height\424\ width_o\600\ height_o\424\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/f907bf3c94dcc6fc77d600e0d6873d04d326b24af988a4b2b43c0e96c60f0cb7\/webfin-2.png\ data-mid\99874760\ border\0\ \/>\nimg width\600\ height\424\ width_o\600\ height_o\424\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/5e07f004bd6e111d3af82e731c792742ca19ba8e03e2a75f38a3cdf34ee6e984\/webfin-3.png\ data-mid\99874779\ border\0\ 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barrio,title_no_html:Los cuidados \/ Mi barrio,tags:,display:true,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Los cuidados \/ Mi barrio, Ezequiel Mart\u00ednez Llorente\n\n\nAivuk\n\nISBN: 978-84-939952-0-1\n\n148x210x7 mms.\n\n90 p\u00e1gs.\n\nCubierta: Munken Pure 300 grs.\nTripa: Munken...,content:div grid-row\\ grid-pad\2\ grid-gutter\4\ grid-responsive\\>\n\tdiv grid-col\4\ grid-pad\2\>span style\color: #0d0c0c;\>i>b>span style\color: #0d0c0c;\>Los\/span> cuidados \/ Mi barrio\/b>\/i>, Ezequiel Mart\u00ednez Llorente\/span>br>\nbr>b>span style\color: #040404;\>Aivuk\/span>\/b>br>\nspan style\color: #040404;\>ISBN: 978-84-939952-0-1br>\n148x210x7 mms.br>\n90 p\u00e1gs.br>\nCubierta: Munken Pure 300 grs.br>Tripa: Munken Pure 120 grs.\/span>br>\nbr>\ndiv style\text-align: left;\>shop class\shop_product\ product\80257\ data-options\{}\>\/shop>br>\n\/div>\n\/div>\n\tdiv grid-col\8\ grid-pad\2\ class\\>span style\color: #040404;\>\u201cUn libro partido en dos sobre cuando hay que tomar cuidado en la vida: cuidado ante las cosas que dan miedo, cuidado de las cosas que nunca querr\u00e1s que te den miedo\u201d. El miedo para Ezequiel Mart\u00ednez es la vida de todos. Es algo que hacemos habitualmente como visitar a un enfermo en un hospital o perder el m\u00f3vil por despiste. br>\nAntes hab\u00edamos publicado i>Cultos paganos, \/i>un compendio de frases y libros que componen una joya inclasificable donde ya se adivinaba el umbral de este libro. Esperamos que como dice el autor: \u201cSiempre es poco. Siempre hay alguien mirando\u201d.\/span>br>\nbr>\/div>\n\/div>div class\image-gallery\ data-gallery\%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A3%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A10%2C%22columns%22%3A3%2C%22image_padding%22%3A2%2C%22responsive%22%3Atrue%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\>\nimg width\592\ height\841\ width_o\592\ height_o\841\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/f52be4f933461204822a6fc968d32ccd217c9967dd142aebb2d2b153f5b732cb\/webLCMB-4.png\ data-mid\99879540\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/dc6afaac5e6900c7a479f096d355b3b3c4d1d8ea96809e916e15a1137ab5a1e9\/webLCMB-2.png\ data-mid\99879648\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/3fd1f1ab994e81fe7b07962f7b75f19a098e44082ba2f666dd7bdc7efce917fa\/webLCMB-3.png\ data-mid\99879686\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/f008de831cdb35f08fb43cab8c82d0ca33480689943144a8b6093d24db8d8da2\/webLCMB-1.png\ data-mid\99879551\ border\0\ \/>\n\/div>br>span style\color: #0d0c0c;\>a href\Too-Many-Layers\ rel\history\>\/a>\/span>,content_no_html:\n\tLos cuidados \/ Mi barrio, Ezequiel Mart\u00ednez Llorente\nAivuk\nISBN: 978-84-939952-0-1\n148x210x7 mms.\n90 p\u00e1gs.\nCubierta: Munken Pure 300 grs.Tripa: Munken Pure 120 grs.\n\n\n\n\n\t\u201cUn libro partido en dos sobre cuando hay que tomar cuidado en la vida: cuidado ante las cosas que dan miedo, cuidado de las cosas que nunca querr\u00e1s que te den miedo\u201d. El miedo para Ezequiel Mart\u00ednez es la vida de todos. Es algo que hacemos habitualmente como visitar a un enfermo en un hospital o perder el m\u00f3vil por despiste. \nAntes hab\u00edamos publicado Cultos paganos, un compendio de frases y libros que componen una joya inclasificable donde ya se adivinaba el umbral de este libro. Esperamos que como dice el autor: \u201cSiempre es poco. Siempre hay alguien mirando\u201d.\n\n\n{image 1}\n{image 3}\n{image 4}\n{image 2}\n,content_partial_html:\n\tspan style\color: #0d0c0c;\>i>b>span style\color: #0d0c0c;\>Los\/span> cuidados \/ Mi barrio\/b>\/i>, Ezequiel Mart\u00ednez Llorente\/span>br>\nbr>b>span style\color: #040404;\>Aivuk\/span>\/b>br>\nspan style\color: #040404;\>ISBN: 978-84-939952-0-1br>\n148x210x7 mms.br>\n90 p\u00e1gs.br>\nCubierta: Munken Pure 300 grs.br>Tripa: Munken Pure 120 grs.\/span>br>\nbr>\nbr>\n\n\n\tspan style\color: #040404;\>\u201cUn libro partido en dos sobre cuando hay que tomar cuidado en la vida: cuidado ante las cosas que dan miedo, cuidado de las cosas que nunca querr\u00e1s que te den miedo\u201d. El miedo para Ezequiel Mart\u00ednez es la vida de todos. Es algo que hacemos habitualmente como visitar a un enfermo en un hospital o perder el m\u00f3vil por despiste. br>\nAntes hab\u00edamos publicado i>Cultos paganos, \/i>un compendio de frases y libros que componen una joya inclasificable donde ya se adivinaba el umbral de este libro. Esperamos que como dice el autor: \u201cSiempre es poco. Siempre hay alguien mirando\u201d.\/span>br>\nbr>\n\nimg width\592\ height\841\ width_o\592\ height_o\841\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/f52be4f933461204822a6fc968d32ccd217c9967dd142aebb2d2b153f5b732cb\/webLCMB-4.png\ data-mid\99879540\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/dc6afaac5e6900c7a479f096d355b3b3c4d1d8ea96809e916e15a1137ab5a1e9\/webLCMB-2.png\ data-mid\99879648\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/3fd1f1ab994e81fe7b07962f7b75f19a098e44082ba2f666dd7bdc7efce917fa\/webLCMB-3.png\ data-mid\99879686\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/f008de831cdb35f08fb43cab8c82d0ca33480689943144a8b6093d24db8d8da2\/webLCMB-1.png\ data-mid\99879551\ border\0\ \/>\nbr>span style\color: #0d0c0c;\>a href\Too-Many-Layers\ rel\history\>\/a>\/span>,thumb:99879540,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:99879540,project_id:18152974,image_ref:{image 1},name:webLCMB-4.png,hash:f52be4f933461204822a6fc968d32ccd217c9967dd142aebb2d2b153f5b732cb,width:592,height:841,sort:0,exclude_from_backdrop:false,date_added:1614100265},stored:{ratio:142.06081081081,crop_ratio:4x3},cropManuallySet:false}},thumb_is_visible:true,sort:5,index:3,set_id:18302819,page_options:{using_local_css:true,local_css:local-style\18152974\ .container_width {\n}\n\nlocal-style\18152974\ body {\n}\n\nlocal-style\18152974\ .backdrop {\n}\n\nlocal-style\18152974\ .page {\n}\n\nlocal-style\18152974\ .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\nlocal-style\18152974\ .content_padding {\n}\n\ndata-predefined-style\true\ local-style\18152974\ bodycopy {\n}\n\ndata-predefined-style\true\ local-style\18152974\ bodycopy a {\n}\n\ndata-predefined-style\true\ local-style\18152974\ bodycopy a:hover {\n}\n\ndata-predefined-style\true\ local-style\18152974\ h1 {\n}\n\ndata-predefined-style\true\ local-style\18152974\ h1 a {\n}\n\ndata-predefined-style\true\ local-style\18152974\ h1 a:hover {\n}\n\ndata-predefined-style\true\ local-style\18152974\ h2 {\n}\n\ndata-predefined-style\true\ local-style\18152974\ h2 a {\n\tcolor: rgb(4, 4, 4);\n}\n\ndata-predefined-style\true\ local-style\18152974\ h2 a:hover {\n}\n\ndata-predefined-style\true\ local-style\18152974\ small {\n}\n\ndata-predefined-style\true\ local-style\18152974\ small a {\n}\n\ndata-predefined-style\true\ local-style\18152974\ small a:hover {\n},local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:}},set_open:false,images:{id:99879540,project_id:18152974,image_ref:{image 1},name:webLCMB-4.png,hash:f52be4f933461204822a6fc968d32ccd217c9967dd142aebb2d2b153f5b732cb,width:592,height:841,sort:0,exclude_from_backdrop:false,date_added:1614100265},{id:99879551,project_id:18152974,image_ref:{image 2},name:webLCMB-1.png,hash:f008de831cdb35f08fb43cab8c82d0ca33480689943144a8b6093d24db8d8da2,width:2641,height:1868,sort:0,exclude_from_backdrop:false,date_added:1614100282},{id:99879648,project_id:18152974,image_ref:{image 3},name:webLCMB-2.png,hash:dc6afaac5e6900c7a479f096d355b3b3c4d1d8ea96809e916e15a1137ab5a1e9,width:2641,height:1868,sort:0,exclude_from_backdrop:false,date_added:1614100297},{id:99879686,project_id:18152974,image_ref:{image 4},name:webLCMB-3.png,hash:3fd1f1ab994e81fe7b07962f7b75f19a098e44082ba2f666dd7bdc7efce917fa,width:2641,height:1868,sort:0,exclude_from_backdrop:false,date_added:1614100320},backdrop:null},{id:18195991,site_id:1045687,project_url:El-arca-de-Noe,direct_link:https:\/\/morsa.es\/El-arca-de-Noe,type:page,title:El arca de No\u00e9,title_no_html:El arca de No\u00e9,tags:Tono,antoniolaradegavilan,otrageneraciondel27,animalario,recortable,deco,handcraft,handmade,1932,display:true,pin:false,pin_options:{},in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:El arca de No\u00e9, Tono.\n\n\nAivuk\n\nISBN: 978-84-939952-4-9\n\n148x210x10 mms.\n\n72 p\u00e1gs.\nCubierta: Munken Pure 300 grs.\nTripa: Munken Pure 120\u00a0grs.\n\n\n\n\n\tEste...,content:div grid-row\\ grid-pad\2\ grid-gutter\4\ grid-responsive\\>\n\tdiv grid-col\4\ grid-pad\2\>span style\color: #0d0c0c;\>b>El arca de No\u00e9\/b>, a href\https:\/\/es.wikipedia.org\/wiki\/Tono_(humorista)\ target\_blank\>Tono\/a>.\/span>br>\nbr>b>span style\color: #040404;\>Aivuk\/span>\/b>br>\nspan style\color: #040404;\>ISBN: 978-84-939952-4-9br>\n148x210x10 mms.br>\n72 p\u00e1gs.br>Cubierta: Munken Pure 300 grs.br>Tripa: Munken Pure 120 grs.\/span>div style\text-align: left;\>br>span style\color: #040404;\>shop class\shop_product editing\ product\80255\ data-options\{}\>\/shop>span style\color: #040404;\>\/span>\/span>\n\n\/div>\n\/div>\n\tdiv grid-col\8\ grid-pad\2\ class\\>span style\color: #040404;\>Este animalario recortable del humorista gr\u00e1fico a href\https:\/\/es.wikipedia.org\/wiki\/Tono_(humorista)\ target\_blank\>span style\color: rgb(4, 4, 4);\>Antonio Lara de Gavil\u00e1n\/span>\/a> (1896-1978), m\u00e1s conocido como Tono, apareci\u00f3 por entregas en la revista Cr\u00f3nica entre 1932 y 1935. Hemos recuperado treinta de aquellos animales haciendo un trabajo arqueol\u00f3gico gracias a la inmensa colaboraci\u00f3n de Jaume Mendieta. El autor, perteneciente a la otra \u201cGeneraci\u00f3n del 27\u201d, la de los humoristas, hizo llegar a padres y ni\u00f1os este animalario dec\u00f3 inspirado en las aportaciones de la vanguardia para disfrute de todos. Lleg\u00f3 tambi\u00e9n a convertirlos en esculturas realizadas ins\u00f3litamente con planchas de aluminio.\/span>br>\nbr>\/div>\n\/div>div class\image-gallery\ data-gallery\%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A4%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A10%2C%22columns%22%3A3%2C%22image_padding%22%3A2%2C%22responsive%22%3Atrue%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\>\nimg width\584\ height\827\ width_o\584\ height_o\827\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/24740903abc1d40917ed797d6720f38e420e9eec6c65730e086d8c4c3f1b0d41\/portada-crowfounding.png\ data-mid\99996208\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/14b04bf39695f218ea8201df568e9049c8c5e7c533ca9a54506bf25add745bb2\/tono-3.png\ data-mid\99996293\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/26325500357fe7ff3511ac39ad9947d58f89103302c83a880a98a79d4563e7a3\/tono-4.png\ data-mid\99996311\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/ae76940ea354255e1432eb105f1f7bd848a46150a3b6b6c5dace4d0b83adce13\/tono-2.png\ data-mid\99996277\ border\0\ \/>\nimg width\2438\ height\1757\ width_o\2438\ height_o\1757\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/79c0d55ff138374100e5d38676589bf2684c0e09bebacddaae960fcf91a8df66\/BOSQUE-BN.jpg\ data-mid\99996348\ border\0\ \/>\n\/div>br>span style\color: #0d0c0c;\>a href\Too-Many-Layers\ rel\history\>\/a>\/span>,content_no_html:\n\tEl arca de No\u00e9, Tono.\nAivuk\nISBN: 978-84-939952-4-9\n148x210x10 mms.\n72 p\u00e1gs.Cubierta: Munken Pure 300 grs.Tripa: Munken Pure 120 grs.\n\n\n\n\tEste animalario recortable del humorista gr\u00e1fico Antonio Lara de Gavil\u00e1n (1896-1978), m\u00e1s conocido como Tono, apareci\u00f3 por entregas en la revista Cr\u00f3nica entre 1932 y 1935. Hemos recuperado treinta de aquellos animales haciendo un trabajo arqueol\u00f3gico gracias a la inmensa colaboraci\u00f3n de Jaume Mendieta. El autor, perteneciente a la otra \u201cGeneraci\u00f3n del 27\u201d, la de los humoristas, hizo llegar a padres y ni\u00f1os este animalario dec\u00f3 inspirado en las aportaciones de la vanguardia para disfrute de todos. Lleg\u00f3 tambi\u00e9n a convertirlos en esculturas realizadas ins\u00f3litamente con planchas de aluminio.\n\n\n{image 6}\n{image 8}\n{image 9}\n{image 7}\n{image 11}\n,content_partial_html:\n\tspan style\color: #0d0c0c;\>b>El arca de No\u00e9\/b>, a href\https:\/\/es.wikipedia.org\/wiki\/Tono_(humorista)\ target\_blank\>Tono\/a>.\/span>br>\nbr>b>span style\color: #040404;\>Aivuk\/span>\/b>br>\nspan style\color: #040404;\>ISBN: 978-84-939952-4-9br>\n148x210x10 mms.br>\n72 p\u00e1gs.br>Cubierta: Munken Pure 300 grs.br>Tripa: Munken Pure 120 grs.\/span>br>span style\color: #040404;\>span style\color: #040404;\>\/span>\/span>\n\n\n\n\tspan style\color: #040404;\>Este animalario recortable del humorista gr\u00e1fico a href\https:\/\/es.wikipedia.org\/wiki\/Tono_(humorista)\ target\_blank\>span style\color: rgb(4, 4, 4);\>Antonio Lara de Gavil\u00e1n\/span>\/a> (1896-1978), m\u00e1s conocido como Tono, apareci\u00f3 por entregas en la revista Cr\u00f3nica entre 1932 y 1935. Hemos recuperado treinta de aquellos animales haciendo un trabajo arqueol\u00f3gico gracias a la inmensa colaboraci\u00f3n de Jaume Mendieta. El autor, perteneciente a la otra \u201cGeneraci\u00f3n del 27\u201d, la de los humoristas, hizo llegar a padres y ni\u00f1os este animalario dec\u00f3 inspirado en las aportaciones de la vanguardia para disfrute de todos. Lleg\u00f3 tambi\u00e9n a convertirlos en esculturas realizadas ins\u00f3litamente con planchas de aluminio.\/span>br>\nbr>\n\nimg width\584\ height\827\ width_o\584\ height_o\827\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/24740903abc1d40917ed797d6720f38e420e9eec6c65730e086d8c4c3f1b0d41\/portada-crowfounding.png\ data-mid\99996208\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/14b04bf39695f218ea8201df568e9049c8c5e7c533ca9a54506bf25add745bb2\/tono-3.png\ data-mid\99996293\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/26325500357fe7ff3511ac39ad9947d58f89103302c83a880a98a79d4563e7a3\/tono-4.png\ data-mid\99996311\ border\0\ \/>\nimg width\2641\ height\1868\ width_o\2641\ height_o\1868\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/ae76940ea354255e1432eb105f1f7bd848a46150a3b6b6c5dace4d0b83adce13\/tono-2.png\ data-mid\99996277\ border\0\ \/>\nimg width\2438\ height\1757\ width_o\2438\ height_o\1757\ data-src\https:\/\/freight.cargo.site\/t\/original\/i\/79c0d55ff138374100e5d38676589bf2684c0e09bebacddaae960fcf91a8df66\/BOSQUE-BN.jpg\ data-mid\99996348\ border\0\ \/>\nbr>span style\color: #0d0c0c;\>a href\Too-Many-Layers\ rel\history\>\/a>\/span>,thumb:99996208,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:99996208,project_id:18195991,image_ref:{image 6},name:portada-crowfounding.png,hash:24740903abc1d40917ed797d6720f38e420e9eec6c65730e086d8c4c3f1b0d41,width:584,height:827,sort:0,exclude_from_backdrop:false,date_added:1614183242},stored:{ratio:141.6095890411,crop_ratio:4x3},cropManuallySet:false}},thumb_is_visible:true,sort:6,index:4,set_id:18302819,page_options:{using_local_css:true,local_css:local-style\18195991\ 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data-id18152972>			bodycopy classbodycopy content content_padding>								div classpage_content clearfix data-elementresizer data-resize-parent>					projectcontent>div grid-row grid-pad2 grid-gutter4 grid-responsive>	div grid-col4 grid-pad2>span stylecolor: #060505;>i>b>Musarañas/b>/i>, br>Gabriel Bravo Trujillobr>Ilustrado por José Antonio Troyabr>b>span stylecolor: rgb(255, 20, 67);>i>︎Finalista Premio Setenil /i>/span>/b>/span>span stylecolor: #060505;>b>span stylecolor: rgb(255, 20, 67);>i>al mejor br>libro de relatos 2023/i>/span>/b>br>br>/span>div styletext-align: left;>span stylecolor: #060505;>ISBN: 978-84-939953-8-7br>Formato: 120x210x11 mms. br>144 Págs.br>Cubierta: Offset ahuesado de 300 grs.br>Tripa: Offset Coral Book Ivory  (1,65) de 90 grs.br>/span>br>shop classshop_product editing product164737 data-options{"mergevariantdropdowns":false,"showPrice":true}>/shop>br>/div>/div>	div grid-col8 grid-pad2 class>span stylecolor: #060505;>El autor de este libro pudo escribir estas fábulas porque durante la pandemia tuvo tiempo y miedo. Son fábulas cortas sin moraleja que muestran la bestialidad del ser humano y su difícil relación con el reino animal. El libro está dividido en cinco partes enmarcadas por una cita de Esopo. La primera son las más personales, las que eluden a la autobiografía del autor. La segunda está relacionada con autores y músicos a los que admira. La tercera, con la destrucción de la naturaleza. La cuarta, con la dignidad de los animales. Y la quinta y última, con la crueldad de las noticias o personajes de actualidad. br>Los animales son los protagonistas de estas historias breves que se aferran al género. br>La fábula se ha considerado siempre marginal en comparación con otros géneros literarios como la novela y la poesía.  A pesar de que han sobrevivido desde su nacimiento hace más de 4.500 años hasta ahora, tanto en la cultura judeocristiana como en la musulmana y oriental./span> También este libro reivindica la vida animal a la que el hombre ha sometido, maltratado y extinguido, sin saber que el daño nos lo hacemos a nosotros mismo. br>br>/div>/div>div classimage-gallery data-gallery%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A1%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A9%2C%22columns%22%3A4%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D>img width680 height1145 width_o680 height_o1145 data-srchttps://freight.cargo.site/t/original/i/d4487926da1a78be05bc815069102373d5a9133022fbb7aac50282149dbe0b46/musaranas_portada.jpg data-mid145659442 border0 />img width1200 height1006 width_o1200 height_o1006 data-srchttps://freight.cargo.site/t/original/i/0c30e1ceb74257c3d0ffa171b48c7faffd2803b9053aedfe3b2341f6130b06b4/musaranas_interior_01.jpg data-mid145659511 border0 />img width1200 height1006 width_o1200 height_o1006 data-srchttps://freight.cargo.site/t/original/i/c1597e1902458f7710fb01dde64dad330a5e30a85c68ced2e3c99b09bdb1b21e/musaranas_interior_02.jpg data-mid145659513 border0 />img width1200 height1006 width_o1200 height_o1006 data-srchttps://freight.cargo.site/t/original/i/5d8364311f66614b25a9550dc87bc45eb45eedc2174c2db1ee8266c588a62bdd/musaranas_interior_05.jpg data-mid145659519 border0 />img width1200 height1006 width_o1200 height_o1006 data-srchttps://freight.cargo.site/t/original/i/bde69352ea402d41e5f15da0a52ec2207957a2c703044e36f588cc507e6b1fda/musaranas_interior_03.jpg data-mid145659514 border0 />/div>br>/projectcontent>				/div>							/bodycopy>		/div>		div classpage_background>/div>				style classlocal-css data-target18152972>			local-style18152972 .container_width {}local-style18152972 body {	background-color: initial /*!variable_defaults*/;}local-style18152972 .backdrop {}local-style18152972 .page {	min-height: 100vh /*!page_height_100vh*/;}local-style18152972 .page_background {	background-color: initial /*!page_container_bgcolor*/;}local-style18152972 .content_padding {}data-predefined-styletrue local-style18152972 bodycopy {}data-predefined-styletrue local-style18152972 bodycopy a {	color: rgb(62, 59, 59);}data-predefined-styletrue local-style18152972 bodycopy a:hover {}data-predefined-styletrue local-style18152972 h1 {}data-predefined-styletrue local-style18152972 h1 a {}data-predefined-styletrue local-style18152972 h1 a:hover {}data-predefined-styletrue local-style18152972 h2 {}data-predefined-styletrue local-style18152972 h2 a {}data-predefined-styletrue local-style18152972 h2 a:hover {}data-predefined-styletrue local-style18152972 small {}data-predefined-styletrue local-style18152972 small a {}data-predefined-styletrue local-style18152972 small a:hover {}local-style18152972 .container {	align-items: flex-start /*!vertical_top*/;	-webkit-align-items: flex-start /*!vertical_top*/;}		/style>			/div>				div data-containerpage classpage_container local-style26369237 data-id26369237>				div classpage container container_width data-containercontent data-id26369237>			bodycopy classbodycopy content content_padding>								div classpage_content clearfix data-elementresizer data-resize-parent>					projectcontent>div grid-row grid-pad2 grid-gutter4 grid-responsive>	div grid-col4 grid-pad2>span stylecolor: #060505;>i>b>Iconografía post-millennial/b>/i>, br>José Luis Marzo (ed.)br>br>/span>div styletext-align: left;>span stylecolor: #060505;>ISBN: 978-84-939953-2-4br>Interior: 216 Págsbr>Formato: 140 x 210 mms. Cerradobr>Cubierta: offset ahuesado de 300 g/m2.br>Interior: offset Coral Book Ivory  de 90 g/m2.br>Sobrecubierta: estucado brillo de 135 g/m2. Plastificado pp. Brillo 1 C.br>/span>br>shop classshop_product product80319 data-options{"mergevariantdropdowns":false,"showPrice":true}>/shop>br>/div>/div>	div grid-col8 grid-pad2 class>span stylecolor: #060505;>En 1593, el italiano Cesare Ripa publicó i>Iconología o descripción de las imágenes universales extraídas de la Antigüedad y de otros lugares/i>, un catálogo de figuras alegóricas y metáforas ilustradas pensado para ayudar a los artistas a representar conceptos abstractos y para servir de guía popular frente a un lenguaje visual cada vez más complejo. La influencia de aquel proyecto fue enorme, llegando hasta nuestros días, no sólo porque sin él no podríamos comprender el significado de tantas figuras presentes en los museos, sino porque bosquejó las dos herramientas principales de lo que vendría más tarde a llamarse la historia del arte y, hoy, las ciencias de la imagen: por un lado, la iconografía, la técnica que analiza los motivos de las imágenes, buscando patrones entre ellas; por el otro, la iconología, que se ocupa de las condiciones por las cuales las imágenes se conforman históricamente. Pues bien, si Ripa concibió un modelo para ilustrar conceptos como “fraude”, “libertad”, “pobreza”, “imaginación” o “vanidad”, ¿podríamos ahora usar aquel modelo para representar conceptos como “poliamor”, “botellón”, “feminismo”, “spoiler” o “postureo”? Queremos rendir así un homenaje post-millennial a Ripa, actualizando la iconografía clásica en manos de una generación hipervisual con el ánimo de comprender tanto las imágenes de nuestro tiempo presente como el tiempo de nuestras imágenes, siempre tejido hacia delante y hacia atrás./span>br>br>/div>/div>div classimage-gallery data-gallery%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A15%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A9%2C%22columns%22%3A4%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D>img width1122 height1476 width_o1122 height_o1476 data-srchttps://freight.cargo.site/t/original/i/e136e79ba18d03d32855c4974a29d05739d3394b37d0731dd92f170682777594/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-1.jpg data-mid145686119 border0 />img width1948 height1476 width_o1948 height_o1476 data-srchttps://freight.cargo.site/t/original/i/3276cac9cd61dd5b8b90ab71d2a0475ab022cdf0291c142e6684d49d0448f866/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-2.jpg data-mid145686198 border0 />img width1948 height1476 width_o1948 height_o1476 data-srchttps://freight.cargo.site/t/original/i/44b73adf4d55df33ee1f90ab1d72857c896dce2a74f64b932fe3ed009cb8b35b/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-12.jpg data-mid145686252 border0 />img width1948 height1476 width_o1948 height_o1476 data-srchttps://freight.cargo.site/t/original/i/487f57daea6c9954b28b48de55aabaabfd5e9939447dc4fcda274d67b93a51da/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-22.jpg data-mid145686284 border0 />img width1948 height1476 width_o1948 height_o1476 data-srchttps://freight.cargo.site/t/original/i/daf59a672c7216dc702733b0631b6d0aab199227c8583dff925fb77096c6d620/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-31.jpg data-mid145686305 border0 />img width1948 height1476 width_o1948 height_o1476 data-srchttps://freight.cargo.site/t/original/i/3c3eee3aa525dcf705f9d81c3f322166e46fbf39c0857aa9bc82191d5c65fc58/ICONOGRAFIA-POSTMILLENNIALS_presentacion-maqueta_190915-42.jpg data-mid145686321 border0 />/div>br>/projectcontent>				/div>							/bodycopy>		/div>		div classpage_background>/div>				style classlocal-css data-target26369237>			local-style26369237 .container_width {}local-style26369237 body {	background-color: initial /*!variable_defaults*/;}local-style26369237 .backdrop {}local-style26369237 .page {	min-height: 100vh /*!page_height_100vh*/;}local-style26369237 .page_background {	background-color: initial /*!page_container_bgcolor*/;}local-style26369237 .content_padding {}data-predefined-styletrue local-style26369237 bodycopy {}data-predefined-styletrue local-style26369237 bodycopy a {	color: rgb(62, 59, 59);}data-predefined-styletrue local-style26369237 bodycopy a:hover {}data-predefined-styletrue local-style26369237 h1 {}data-predefined-styletrue local-style26369237 h1 a {}data-predefined-styletrue local-style26369237 h1 a:hover {}data-predefined-styletrue local-style26369237 h2 {}data-predefined-styletrue local-style26369237 h2 a {}data-predefined-styletrue local-style26369237 h2 a:hover {}data-predefined-styletrue local-style26369237 small {}data-predefined-styletrue local-style26369237 small a {}data-predefined-styletrue local-style26369237 small a:hover {}local-style26369237 .container {	align-items: flex-start /*!vertical_top*/;	-webkit-align-items: flex-start /*!vertical_top*/;}		/style>			/div>				div data-containerpage classpage_container local-style18152973 data-id18152973>				div classpage container container_width data-containercontent data-id18152973>			bodycopy classbodycopy content content_padding>								div classpage_content clearfix data-elementresizer data-resize-parent>					projectcontent>div grid-row grid-pad2 grid-gutter4 grid-responsive>	div grid-col4 grid-pad2>span stylecolor: #111010;>i>b>Fin, /b>/i>a hrefhttps://www.instagram.com/maestre_bcn/?hles>Ivan Maestre/a>/span>br>br>b>Aivuk/b>br>ISBN: 978-84-939952-1-8br>span stylecolor: #040404;>148x210x5 mms./span>br>96 pags.br>Cubierta: Munken Pure br>300 grs / Tripa: Munken 120 grs.br>br>div styletext-align: left;>shop classshop_product product80318 data-options{}>/shop>/div>/div>	div grid-col8 grid-pad2 class>Según el autor: br>“Este cuento no moraliza, br>no enseña ni da coraje br>ni nadie sabe qué pretende. br>Baste que uno entre diez lo encaje, br>baste si uno entre cien lo entiende”.br>br>Nada más extraño que una distopía en versos rimados. La historia de un personaje que despierta a un mundo destruido por seres mitológicos en el que se celebra el juicio final. Perfectamente ilustrada, describe el mundo al que llega el personaje con una línea clara que lo alejan del infierno sufrido, pero evocan el horror de una forma humorística. Todo vale cuando el mundo se acaba. br>br>/div>/div>div classimage-gallery data-gallery%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A2%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A10%2C%22columns%22%3A3%2C%22image_padding%22%3A2%2C%22responsive%22%3Atrue%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D>img width421 height600 width_o421 height_o600 data-srchttps://freight.cargo.site/t/original/i/c35655556ed7b15d2dad35f33a8e6c2f974a9ad904aad02241e7f5a1c66d052f/webfin-4.png data-mid99874703 border0 />img width600 height424 width_o600 height_o424 data-srchttps://freight.cargo.site/t/original/i/a3dd648bdb0cbaef949d2a71a8e4b2a8f6e6b3b9de010c57b77eb25527354923/webfin-1.png data-mid99874741 border0 />img width600 height424 width_o600 height_o424 data-srchttps://freight.cargo.site/t/original/i/f907bf3c94dcc6fc77d600e0d6873d04d326b24af988a4b2b43c0e96c60f0cb7/webfin-2.png data-mid99874760 border0 />img width600 height424 width_o600 height_o424 data-srchttps://freight.cargo.site/t/original/i/5e07f004bd6e111d3af82e731c792742ca19ba8e03e2a75f38a3cdf34ee6e984/webfin-3.png data-mid99874779 border0 />/div>br>/projectcontent>				/div>							/bodycopy>		/div>		div classpage_background>/div>				style classlocal-css data-target18152973>			local-style18152973 .container_width {}local-style18152973 body {}local-style18152973 .backdrop {}local-style18152973 .page {}local-style18152973 .page_background {	background-color: initial /*!page_container_bgcolor*/;}local-style18152973 .content_padding {}data-predefined-styletrue local-style18152973 bodycopy {}data-predefined-styletrue local-style18152973 bodycopy a {}data-predefined-styletrue local-style18152973 bodycopy a:hover {}data-predefined-styletrue local-style18152973 h1 {}data-predefined-styletrue local-style18152973 h1 a {	color: rgb(17, 16, 16);}data-predefined-styletrue local-style18152973 h1 a:hover {}data-predefined-styletrue local-style18152973 h2 {}data-predefined-styletrue local-style18152973 h2 a {	color: rgb(24, 23, 23);}data-predefined-styletrue local-style18152973 h2 a:hover {}data-predefined-styletrue local-style18152973 small {}data-predefined-styletrue local-style18152973 small a {}data-predefined-styletrue local-style18152973 small a:hover {}		/style>			/div>				div data-containerpage classpage_container local-style18152974 data-id18152974>				div classpage container container_width data-containercontent data-id18152974>			bodycopy classbodycopy content content_padding>								div classpage_content clearfix data-elementresizer data-resize-parent>					projectcontent>div grid-row grid-pad2 grid-gutter4 grid-responsive>	div grid-col4 grid-pad2>span stylecolor: #0d0c0c;>i>b>span stylecolor: #0d0c0c;>Los/span> cuidados / Mi barrio/b>/i>, Ezequiel Martínez Llorente/span>br>br>b>span stylecolor: #040404;>Aivuk/span>/b>br>span stylecolor: #040404;>ISBN: 978-84-939952-0-1br>148x210x7 mms.br>90 págs.br>Cubierta: Munken Pure 300 grs.br>Tripa: Munken Pure 120 grs./span>br>br>div styletext-align: left;>shop classshop_product product80257 data-options{}>/shop>br>/div>/div>	div grid-col8 grid-pad2 class>span stylecolor: #040404;>“Un libro partido en dos sobre cuando hay que tomar cuidado en la vida: cuidado ante las cosas que dan miedo, cuidado de las cosas que nunca querrás que te den miedo”. El miedo para Ezequiel Martínez es la vida de todos. Es algo que hacemos habitualmente como visitar a un enfermo en un hospital o perder el móvil por despiste. br>Antes habíamos publicado i>Cultos paganos, /i>un compendio de frases y libros que componen una joya inclasificable donde ya se adivinaba el umbral de este libro. Esperamos que como dice el autor: “Siempre es poco. Siempre hay alguien mirando”./span>br>br>/div>/div>div classimage-gallery data-gallery%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A3%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A10%2C%22columns%22%3A3%2C%22image_padding%22%3A2%2C%22responsive%22%3Atrue%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D>img width592 height841 width_o592 height_o841 data-srchttps://freight.cargo.site/t/original/i/f52be4f933461204822a6fc968d32ccd217c9967dd142aebb2d2b153f5b732cb/webLCMB-4.png data-mid99879540 border0 />img width2641 height1868 width_o2641 height_o1868 data-srchttps://freight.cargo.site/t/original/i/dc6afaac5e6900c7a479f096d355b3b3c4d1d8ea96809e916e15a1137ab5a1e9/webLCMB-2.png data-mid99879648 border0 />img width2641 height1868 width_o2641 height_o1868 data-srchttps://freight.cargo.site/t/original/i/3fd1f1ab994e81fe7b07962f7b75f19a098e44082ba2f666dd7bdc7efce917fa/webLCMB-3.png data-mid99879686 border0 />img width2641 height1868 width_o2641 height_o1868 data-srchttps://freight.cargo.site/t/original/i/f008de831cdb35f08fb43cab8c82d0ca33480689943144a8b6093d24db8d8da2/webLCMB-1.png data-mid99879551 border0 />/div>br>span stylecolor: #0d0c0c;>a hrefToo-Many-Layers relhistory>/a>/span>/projectcontent>				/div>							/bodycopy>		/div>		div classpage_background>/div>				style classlocal-css data-target18152974>			local-style18152974 .container_width {}local-style18152974 body {}local-style18152974 .backdrop {}local-style18152974 .page {}local-style18152974 .page_background {	background-color: initial /*!page_container_bgcolor*/;}local-style18152974 .content_padding {}data-predefined-styletrue local-style18152974 bodycopy {}data-predefined-styletrue local-style18152974 bodycopy a {}data-predefined-styletrue local-style18152974 bodycopy a:hover {}data-predefined-styletrue local-style18152974 h1 {}data-predefined-styletrue local-style18152974 h1 a {}data-predefined-styletrue local-style18152974 h1 a:hover {}data-predefined-styletrue local-style18152974 h2 {}data-predefined-styletrue local-style18152974 h2 a {	color: rgb(4, 4, 4);}data-predefined-styletrue local-style18152974 h2 a:hover {}data-predefined-styletrue local-style18152974 small {}data-predefined-styletrue local-style18152974 small a {}data-predefined-styletrue local-style18152974 small a:hover {}		/style>			/div>				div data-containerpage classpage_container local-style18195991 data-id18195991>				div classpage container container_width data-containercontent data-id18195991>			bodycopy classbodycopy content content_padding>								div classpage_content clearfix data-elementresizer data-resize-parent>					projectcontent>div grid-row grid-pad2 grid-gutter4 grid-responsive>	div grid-col4 grid-pad2>span stylecolor: #0d0c0c;>b>El arca de Noé/b>, a hrefhttps://es.wikipedia.org/wiki/Tono_(humorista) target_blank>Tono/a>./span>br>br>b>span stylecolor: #040404;>Aivuk/span>/b>br>span stylecolor: #040404;>ISBN: 978-84-939952-4-9br>148x210x10 mms.br>72 págs.br>Cubierta: Munken Pure 300 grs.br>Tripa: Munken Pure 120 grs./span>div styletext-align: left;>br>span stylecolor: #040404;>shop classshop_product editing product80255 data-options{}>/shop>span stylecolor: #040404;>/span>/span>/div>/div>	div grid-col8 grid-pad2 class>span stylecolor: #040404;>Este animalario recortable del humorista gráfico a hrefhttps://es.wikipedia.org/wiki/Tono_(humorista) target_blank>span stylecolor: rgb(4, 4, 4);>Antonio Lara de Gavilán/span>/a> (1896-1978), más conocido como Tono, apareció por entregas en la revista Crónica entre 1932 y 1935. Hemos recuperado treinta de aquellos animales haciendo un trabajo arqueológico gracias a la inmensa colaboración de Jaume Mendieta. El autor, perteneciente a la otra “Generación del 27”, la de los humoristas, hizo llegar a padres y niños este animalario decó inspirado en las aportaciones de la vanguardia para disfrute de todos. Llegó también a convertirlos en esculturas realizadas insólitamente con planchas de aluminio./span>br>br>/div>/div>div classimage-gallery data-gallery%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A4%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A10%2C%22columns%22%3A3%2C%22image_padding%22%3A2%2C%22responsive%22%3Atrue%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D>img width584 height827 width_o584 height_o827 data-srchttps://freight.cargo.site/t/original/i/24740903abc1d40917ed797d6720f38e420e9eec6c65730e086d8c4c3f1b0d41/portada-crowfounding.png data-mid99996208 border0 />img width2641 height1868 width_o2641 height_o1868 data-srchttps://freight.cargo.site/t/original/i/14b04bf39695f218ea8201df568e9049c8c5e7c533ca9a54506bf25add745bb2/tono-3.png data-mid99996293 border0 />img width2641 height1868 width_o2641 height_o1868 data-srchttps://freight.cargo.site/t/original/i/26325500357fe7ff3511ac39ad9947d58f89103302c83a880a98a79d4563e7a3/tono-4.png data-mid99996311 border0 />img width2641 height1868 width_o2641 height_o1868 data-srchttps://freight.cargo.site/t/original/i/ae76940ea354255e1432eb105f1f7bd848a46150a3b6b6c5dace4d0b83adce13/tono-2.png data-mid99996277 border0 />img width2438 height1757 width_o2438 height_o1757 data-srchttps://freight.cargo.site/t/original/i/79c0d55ff138374100e5d38676589bf2684c0e09bebacddaae960fcf91a8df66/BOSQUE-BN.jpg data-mid99996348 border0 />/div>br>span stylecolor: #0d0c0c;>a hrefToo-Many-Layers relhistory>/a>/span>/projectcontent>				/div>							/bodycopy>		/div>		div classpage_background>/div>				style classlocal-css data-target18195991>			local-style18195991 .container_width {}local-style18195991 body {}local-style18195991 .backdrop {}local-style18195991 .page {}local-style18195991 .page_background {	background-color: initial /*!page_container_bgcolor*/;}local-style18195991 .content_padding {}data-predefined-styletrue local-style18195991 bodycopy {}data-predefined-styletrue local-style18195991 bodycopy a {}data-predefined-styletrue local-style18195991 bodycopy a:hover {}data-predefined-styletrue local-style18195991 h1 {}data-predefined-styletrue local-style18195991 h1 a {}data-predefined-styletrue local-style18195991 h1 a:hover {}data-predefined-styletrue local-style18195991 h2 {}data-predefined-styletrue local-style18195991 h2 a {	color: rgb(4, 4, 4);}data-predefined-styletrue local-style18195991 h2 a:hover {}data-predefined-styletrue local-style18195991 small {}data-predefined-styletrue local-style18195991 small a {}data-predefined-styletrue local-style18195991 small a:hover {}		/style>			/div>						/div>				/div>div data-autopaginate>/div>div data-viewThumbnail data-setGlobalThumbnails classthumbnails>	div classcontainer thumbnails_width clearfix>		div classcontent content_padding>			div classthumbnails>			/div>		/div>	/div>/div>			/div>			div data-viewpinned_bottom data-setScaffolding data-positionbottom classpinned pinned_bottom>								/div>		/div>		div data-content-ruler classcontainer container_width>/div>			/body>/html>

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