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2017-05-19
94.23.211.70
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2025-10-08
154.16.7.2
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HTTP/1.1 200 OKConnection: Keep-AliveKeep-Alive: timeout5, max100content-type: text/htmllast-modified: Fri, 12 Sep 2025 02:54:54 GMTaccept-ranges: bytescontent-length: 13144date: Wed, 08 Oct 2025 18:17:55 GMTserver: LiteSpeed !DOCTYPE html> html> head> title>梁志剛 Michael Leung/title> meta charsetutf-8> meta http-equivX-UA-Compatible contentIEedge> meta nameviewport contentwidthdevice-width, initial-scale1> link relhreffavicon.ico> link hrefmain.css relstylesheet typetext/css> /head> body> header>p>span classG>梁志剛 Michael Leungbr> a hrefmailto:hello@studioleung.com?>hello(at)studioleung.com/a>br> Artist/designer, writer and visiting lecturer (he/him)br> br> /span>span classt30>a hrefhttps://studioleung.bigcartel.com/>Webshop! 🍉/a>/span>br> br> img srcThe_Keyhole-Michael_Leung.jpg width900 height510 border0 usemap#Map> map nameMap> area shaperect coords474,302,560,415 hrefhttps://shop.studioleung.com/> /map> br> "Youve made it this far, do come in for a cuppa tea", August 2025 (watercolour painting for em>The Keyhole/em>, 2018)br> br> img srcElms_as_Method-Michael_Leung.jpg width900 height675 border0>br> em>Elms as Method /em>zine, public reading at Para Site, October 2024br> br> img srcimages/It_Cant_Rain_All_the_Time-Michael_Leung.jpg width900 height675 border0>br> span classItalics>It Cant Rain All the Time/span> zine, public reading at halfcupsquat, July 2024br> br> img srcPangkerchief-8th_Yokohama_Triennale.jpg width900 height675 border0 usemap#Map4> map nameMap4> area shapepoly coords772,264,772,267,789,303,824,290,810,253,773,265 hrefhttps://docs.google.com/document/d/1RsRT57ucvNmrpwHCvK0fGyR1SaM3lxt0USmaZ15GXjU/mobilebasic> area shaperect coords487,404,543,459 hrefhttps://ifimustdie.net/> area shaperect coords59,183,241,320 hrefhttps://www.facebook.com/PangJaiHK/> /map> br> Pangkerchief, em>Post-revolutionary Worlds/em>, 8th Yokohama Triennale, March-June 2024br> br> img srcThree_books-Michael_Leung.jpg width900 height675>br> Three books, 2024 br> br> img srcimages/Wang_Chau_Tin_Yuen-Perilous_Playground-Chinese_Culture_Center_of_San_Francisco-Web.jpg width900 height506>br> Wang Chau Tin Yuen,em> Present Tense: Perilous Playground/em>, Chinese Culture Center of San Francisco, August 2023br> br> img srcThree_Villages-A_Wang_Chau_Story-Michael_Leung.jpg width900 height675 border0>br> em>Three Villages: A Wang Chau Story/em>, thesis novel, July 2023br>br> img srcimages/Witch_Elms-Michael_Leung.jpg width900 height597 border0>br> Witch Elms in Kungsträdgården, Stockholm, April 2023br> br> img src/images/Wall-Michael_Leung.jpg width900 height675 border0 usemap#Map2> map nameMap2> area shaperect coords722,140,818,275 hrefhttps://www.youtube.com/watch?vE1gp_dD0aZ4> area shaperect coords229,130,414,263 hrefhttps://zadforever.blog/> area shaperect coords616,126,673,208 hrefhttps://cyklopen.se/> area shaperect coords77,249,161,309 hrefhttps://en.wikipedia.org/wiki/Elm_Conflict> area shaperect coords130,474,161,518 hrefhttps://www.pmpress.org/index.php?lproduct_detail&p1051> area shaperect coords680,190,711,235 hrefhttps://www.youtube.com/watch?v5bdkYYvRSlY> area shaperect coords256,352,283,394 hrefhttps://www.juliabutterflyhill.com/> area shaperect coords605,320,678,344 hrefhttps://paulabaezapailamilla.wordpress.com/> area shaperect coords204,166,227,223 hrefhttp://johnny-chang.info/> area shaperect coords452,423,497,486 hrefhttps://wormholesbetween.bandcamp.com/>area shaperect coords165,292,221,332 hrefhttps://www.wongmeiyinoo.com/> area shaperect coords75,346,111,392 hrefhttps://liber-research.com> area shaperect coords728,473,749,533 hrefhttps://tidningenbrand.se> area shaperect coords695,484,718,534 hrefhttps://www.e-flux.com/announcements/520733/open-studios-spring-2023> /map> br> Artist in residence at a hrefhttps://www.konstnarsnamnden.se/en/international-programmes-and-residencies/iaspis-international-programme-for-visual-and-applied-arts/iaspis-digital-archive/michael-leung/>IASPIS/a>, Stockholm, May 2023br> br>Please a hrefmailto:hello@studioleung.com?>email/a> Michael if you would like more information about the works above.br> br> a hrefhttps://studioleung.com/before.htm>2012-2022 works/a>br> br> br> strong>Selected teaching/strong>br> span classG>br>Department of Cultural Studies, Lingnan University (2023-present) - BA Cultural Studiesbr>Academy of Visual Arts, Hong Kong Baptist University (2014-present*) - *MA Visual Arts, MA Experience Designbr> Department of Humanities & Creative Writing (2023-2025) - MA Creative Writing for Cultural Professionals br>School of Design, The Hong Kong Polytechnic University (2022) - BA Social Designbr>School of Creative Media, City University of Hong Kong (2018-2020) - Critical Theory & Socially Engaged Practice BA course (teaching assisant)br>School of Design, The Hong Kong Polytechnic University (2010-2015)/span> - BA Industrial & Product Design, MDes Design Practicesbr>Ravensbourne University London (2009) - BA Product and Furniture Designbr>br>br>strong>Selected group exhibitions/strong>br>br>2025br>em>In Other Wor(l)ds/em>, Goethe-Institut Hong Kongbr>br>2024em>br>Interdependencies/em>, span classG>MA in Visual Arts semester exhibition, Floating Projects, Hong Kong/span>em>br>Wanwu Library/em>, The Alternative School, Para Site, Hong Kongem> br>Post-revolutionary Worlds/em> (Pangkerchief), 8th Yokohama Triennalebr>em>Co-inhabitation: Eco-art Actions on the Climate Crisis/em>, China Cultural Centre, Kuala Lumpurbr>br>2023br>em>Present Tense: Perilous Playground/em>, Chinese Culture Center of San Franciscobr>em>Emergence: Eco-art Actions on the Climate Crisis/em>, Yuan Art Museum, Chongqingbr>br>2022br>span classItalics>Dear OT/span>, PRÉCÉDÉE, Hong Kongbr>Nexus Between Art, Practice & Research, Floating Projects, Hong Kongbr>span classItalics>Things we have left behind/span> (gwobean), Art and Culture Outreach, Hong Kongbr>span classItalics>Disturbants of land, breath, sound: Aesthetics of Post-colonial culture/span>, Seoulbr>br>2021 br>span classItalics>Publishing (to Find Each Other)/span>span classG>, Floating Projects, Hong Kong/span>span classItalics>br>And the Ship Sails on art.practive.research exhibition/span>, JCCAC, Hong Kongbr>br>2019 br>span classItalics>FOOD: Bigger than the Plate /span>(HK Farm), V&A Museum, Londonbr>span classItalics>Parallel Lives — Reconnecting the Tomorrowland/span>, Goethe-Institut Johannesburgbr>span dirauto>em>Drum & Voice Out！Pop-up Exhibition/em>/span>, Form Society, Hong Kongbr>br>2018 br>span classItalics>encounters/span>, Art Together and ArtOxygen, Mumbaibr>br>2017 br>span classItalics>Beyond Freedom (r:ead#5 docu and response exhibit)/span>, Cattle Depot, Hong Kongbr>span classItalics>Emerging from the Rubble/span> (span classItalics>The HK FARMers Almanac 2014-2015/span>), Transit Republic, Los Angelesbr>span classItalics>Present Tense 2017: New Urban Legend- Resistance of Space/span> (Kai Fong Pai Dong), 41 Ross, San Franciscobr>span classItalics>Soil and Stones, Souls and Songs in Bangkok/span> (span classItalics>Almanac/span>), Art Center at the Jim Thompson House, Bangkokbr>br>2016 br>span classItalics>Asia Kula Kula-ring, Asia Culture Center, Gwangjubr>Urban Orchard/span> (span classItalics>Almanac/span>), XXI Triennale di Milano International Exposition, Milanbr>span classItalics>AMNUA International Project II/span> (Very MK), Art Museum of Nanjing University, Nanjingbr>br>2015 br>span classItalics>Echigo-Tsumari Art Triennale 2015/span> (span classItalics>Almanac/span>), Echigo-Tsumari, Niigata prefecturebr>span classItalics>Reprogramming the City/span>, Swedish Centre for Architecture and Design (ArkDes), Stockholmbr>span classItalics>Display Distribute: Mass-Produced Book Launch!/span> (performer and book design), Hong Kongbr>br>2014 br>span classItalics>Can We Live (Together), Oil Street, Hong Kongbr>The Garden in the Machine/span>, ASU Art Museum, Arizonabr>br>2013 br>span classItalics>Imminent Domain/span>, Asia Society Gallery, Hong Kongbr>Community Farming Project, kubrick, Hong Kongbr>br>2012 br>span classItalics>Venice Architecture Biennale/span> (HK Farm), Hong Kong Pavilion, Venicebr>Hawkerama, Fa Yuen Street, Hong Kongbr>br>2011br>DESIGNEAST02, Osakabr>br>2010br>span classItalics>Fragments/span>, Fotanian, Otter Studio, Hong Kongbr>br>2009br>From London to Hong Kong, Detour, Hong Kongbr>br>2007br>TENT London (Out of Office)br>br>br>strong>Artist residencies/strong>br>span classG>br> IASPIS, Stockholm, March-May 2023br>Spring Workshop (HK Farm), Hong Kong, 2014-2015br>Woofer Ten, Hong Kong, September-December 2013/span>br>br>strong>br>Selected awards/strong>br>br> 2023Outstanding Research Thesis Award, City University of Hong Kongbr>2019 Visible Award (longlisted)br> br> br> strong>Public readings /strong>br> br> span classG>2024br> /span>span classitalics>Elms as Method/span>span classG>, Para Site, Hong Kong (Thursday 3 October) br> /span>span classItalics>It Cant Rain All the Time/span>span classG>, halfcupsquat, Hong Kong (Friday 12 July) br> /span>span classItalics>Red Pocket May/span>span classG>, collective garden in Yau Ma Tei (Sunday 12 May) br> /span>span classItalics>The Keyhole/span>span classG>, halfcupsquat, Hong Kong (Friday 26 January) br> br> 2023/span>br> span classG>span classItalics>LOL/span>, laundrette in Mong Kok, Hong Kong (Sunday 5 November)span classItalics>br> Canned Coffee/span>, supermarket in Mong Kok, Hong Kong (Sunday 29 October)span classItalics>br> Canned Coffee/span>, F.A.T. Studio, London (Thursday 1 June)br> span classItalics>Elms as Method/span>, Kungsträdgården, Stockholm (Thursday 11 May)br> span classItalics>We the Pollards/span>, IASPIS, Stockholm (Wednesday 22 June)br> br> 2022br> /span>span classItalics>Odysseys, Rolled to Be Unrolled Again/span>span classG> on Pang Jai fabric market, Hong Kong (Saturday 5 November) br> br> 2018br> /span>span classItalics>Salted Caramel/span>span classG>, Moon Kee Store, Hong Kong (Saturday 13 January) br> br> 2017 br> /span>span classItalics>Chinese Mop No. 8/span>span classG>, Kai Fong Pai Dong, Hong Kong (Wednesday 6 December/span>)br> span classItalics>Restless/span>span classG>, Kai Fong Pai Dong, Hong Kong/span> (Sunday 19 November)br> span classItalics>Chinese Mop No. 8/span>span classG>, Soeng Joeng Toi, Guangzhou (Monday 2 October/span>)br> span classItalics>Fang Fang Shang Dian/span>, span classG>Flow Books/span>, Hong Kong (Sunday 29 September)br> span classItalics>Restless/span>span classG>, Kai Fong Pai Dong, Hong Kong (Wednesday 30 August/span>)br> br> 2016 br> span classItalics>Fang Fang Shang Dian/span>, span classG>Kai Fong Pai Dong/span>, Hong Kong (Thursday 28 July)br> br> br> strong>Selected interviews/strong>br> br> a hrefhttps://still-loud.com/2018/07/23/imagining-a-post-capitalist-city-with-michael-leung/>Still / Loud /a>br> em>a hrefhttps://xximagazine.com/c/seeds-of-awareness>Seeds of Awareness /a>/em>br> a hrefhttps://sinetheta.net/19.html>sinθ #19 HIGH NOON 午/a>em>br> a hrefhttps://zolimacitymag.com/hong-kong-20-years-after-the-handover-part-i-borrowed-spaces-for-july-6/>Borrowed Spaces: Life Between the Cracks of Modern Hong Kong/a>br> a hrefhttps://arthistory.hku.hk/hkarttimeline/index.php/satellitetimelines/learningfromartists/>Learning from Artists: Mapping the Pedagogical Approaches of Four Artist Educators in Hong Kong/a>/em>br> br> br> strong>Book review/strong>br> br> a hrefhttps://lausancollective.com/2024/autonomy-conviviality-indigeneity/>Autonomy, Conviviality, Indigeneity/a>br> br> br> Michael is currently reading em>Mending Bodies /em>by Hon Lai-chubr> br> Please a hrefmailto:hello@studioleung.com?>email/a> Michael if you would like an irregular newsletterbr> br> br> Stay wellbr> br> br> br> span classG>(Updated 12 September 2025/span>)br> br> br> br>/p>/body> /html>
Port 443
HTTP/1.1 200 OKConnection: Keep-AliveKeep-Alive: timeout5, max100content-type: text/htmllast-modified: Fri, 12 Sep 2025 02:54:54 GMTaccept-ranges: bytescontent-length: 13144date: Wed, 08 Oct 2025 18:17:55 GMTserver: LiteSpeed !DOCTYPE html> html> head> title>梁志剛 Michael Leung/title> meta charsetutf-8> meta http-equivX-UA-Compatible contentIEedge> meta nameviewport contentwidthdevice-width, initial-scale1> link relhreffavicon.ico> link hrefmain.css relstylesheet typetext/css> /head> body> header>p>span classG>梁志剛 Michael Leungbr> a hrefmailto:hello@studioleung.com?>hello(at)studioleung.com/a>br> Artist/designer, writer and visiting lecturer (he/him)br> br> /span>span classt30>a hrefhttps://studioleung.bigcartel.com/>Webshop! 🍉/a>/span>br> br> img srcThe_Keyhole-Michael_Leung.jpg width900 height510 border0 usemap#Map> map nameMap> area shaperect coords474,302,560,415 hrefhttps://shop.studioleung.com/> /map> br> "Youve made it this far, do come in for a cuppa tea", August 2025 (watercolour painting for em>The Keyhole/em>, 2018)br> br> img srcElms_as_Method-Michael_Leung.jpg width900 height675 border0>br> em>Elms as Method /em>zine, public reading at Para Site, October 2024br> br> img srcimages/It_Cant_Rain_All_the_Time-Michael_Leung.jpg width900 height675 border0>br> span classItalics>It Cant Rain All the Time/span> zine, public reading at halfcupsquat, July 2024br> br> img srcPangkerchief-8th_Yokohama_Triennale.jpg width900 height675 border0 usemap#Map4> map nameMap4> area shapepoly coords772,264,772,267,789,303,824,290,810,253,773,265 hrefhttps://docs.google.com/document/d/1RsRT57ucvNmrpwHCvK0fGyR1SaM3lxt0USmaZ15GXjU/mobilebasic> area shaperect coords487,404,543,459 hrefhttps://ifimustdie.net/> area shaperect coords59,183,241,320 hrefhttps://www.facebook.com/PangJaiHK/> /map> br> Pangkerchief, em>Post-revolutionary Worlds/em>, 8th Yokohama Triennale, March-June 2024br> br> img srcThree_books-Michael_Leung.jpg width900 height675>br> Three books, 2024 br> br> img srcimages/Wang_Chau_Tin_Yuen-Perilous_Playground-Chinese_Culture_Center_of_San_Francisco-Web.jpg width900 height506>br> Wang Chau Tin Yuen,em> Present Tense: Perilous Playground/em>, Chinese Culture Center of San Francisco, August 2023br> br> img srcThree_Villages-A_Wang_Chau_Story-Michael_Leung.jpg width900 height675 border0>br> em>Three Villages: A Wang Chau Story/em>, thesis novel, July 2023br>br> img srcimages/Witch_Elms-Michael_Leung.jpg width900 height597 border0>br> Witch Elms in Kungsträdgården, Stockholm, April 2023br> br> img src/images/Wall-Michael_Leung.jpg width900 height675 border0 usemap#Map2> map nameMap2> area shaperect coords722,140,818,275 hrefhttps://www.youtube.com/watch?vE1gp_dD0aZ4> area shaperect coords229,130,414,263 hrefhttps://zadforever.blog/> area shaperect coords616,126,673,208 hrefhttps://cyklopen.se/> area shaperect coords77,249,161,309 hrefhttps://en.wikipedia.org/wiki/Elm_Conflict> area shaperect coords130,474,161,518 hrefhttps://www.pmpress.org/index.php?lproduct_detail&p1051> area shaperect coords680,190,711,235 hrefhttps://www.youtube.com/watch?v5bdkYYvRSlY> area shaperect coords256,352,283,394 hrefhttps://www.juliabutterflyhill.com/> area shaperect coords605,320,678,344 hrefhttps://paulabaezapailamilla.wordpress.com/> area shaperect coords204,166,227,223 hrefhttp://johnny-chang.info/> area shaperect coords452,423,497,486 hrefhttps://wormholesbetween.bandcamp.com/>area shaperect coords165,292,221,332 hrefhttps://www.wongmeiyinoo.com/> area shaperect coords75,346,111,392 hrefhttps://liber-research.com> area shaperect coords728,473,749,533 hrefhttps://tidningenbrand.se> area shaperect coords695,484,718,534 hrefhttps://www.e-flux.com/announcements/520733/open-studios-spring-2023> /map> br> Artist in residence at a hrefhttps://www.konstnarsnamnden.se/en/international-programmes-and-residencies/iaspis-international-programme-for-visual-and-applied-arts/iaspis-digital-archive/michael-leung/>IASPIS/a>, Stockholm, May 2023br> br>Please a hrefmailto:hello@studioleung.com?>email/a> Michael if you would like more information about the works above.br> br> a hrefhttps://studioleung.com/before.htm>2012-2022 works/a>br> br> br> strong>Selected teaching/strong>br> span classG>br>Department of Cultural Studies, Lingnan University (2023-present) - BA Cultural Studiesbr>Academy of Visual Arts, Hong Kong Baptist University (2014-present*) - *MA Visual Arts, MA Experience Designbr> Department of Humanities & Creative Writing (2023-2025) - MA Creative Writing for Cultural Professionals br>School of Design, The Hong Kong Polytechnic University (2022) - BA Social Designbr>School of Creative Media, City University of Hong Kong (2018-2020) - Critical Theory & Socially Engaged Practice BA course (teaching assisant)br>School of Design, The Hong Kong Polytechnic University (2010-2015)/span> - BA Industrial & Product Design, MDes Design Practicesbr>Ravensbourne University London (2009) - BA Product and Furniture Designbr>br>br>strong>Selected group exhibitions/strong>br>br>2025br>em>In Other Wor(l)ds/em>, Goethe-Institut Hong Kongbr>br>2024em>br>Interdependencies/em>, span classG>MA in Visual Arts semester exhibition, Floating Projects, Hong Kong/span>em>br>Wanwu Library/em>, The Alternative School, Para Site, Hong Kongem> br>Post-revolutionary Worlds/em> (Pangkerchief), 8th Yokohama Triennalebr>em>Co-inhabitation: Eco-art Actions on the Climate Crisis/em>, China Cultural Centre, Kuala Lumpurbr>br>2023br>em>Present Tense: Perilous Playground/em>, Chinese Culture Center of San Franciscobr>em>Emergence: Eco-art Actions on the Climate Crisis/em>, Yuan Art Museum, Chongqingbr>br>2022br>span classItalics>Dear OT/span>, PRÉCÉDÉE, Hong Kongbr>Nexus Between Art, Practice & Research, Floating Projects, Hong Kongbr>span classItalics>Things we have left behind/span> (gwobean), Art and Culture Outreach, Hong Kongbr>span classItalics>Disturbants of land, breath, sound: Aesthetics of Post-colonial culture/span>, Seoulbr>br>2021 br>span classItalics>Publishing (to Find Each Other)/span>span classG>, Floating Projects, Hong Kong/span>span classItalics>br>And the Ship Sails on art.practive.research exhibition/span>, JCCAC, Hong Kongbr>br>2019 br>span classItalics>FOOD: Bigger than the Plate /span>(HK Farm), V&A Museum, Londonbr>span classItalics>Parallel Lives — Reconnecting the Tomorrowland/span>, Goethe-Institut Johannesburgbr>span dirauto>em>Drum & Voice Out！Pop-up Exhibition/em>/span>, Form Society, Hong Kongbr>br>2018 br>span classItalics>encounters/span>, Art Together and ArtOxygen, Mumbaibr>br>2017 br>span classItalics>Beyond Freedom (r:ead#5 docu and response exhibit)/span>, Cattle Depot, Hong Kongbr>span classItalics>Emerging from the Rubble/span> (span classItalics>The HK FARMers Almanac 2014-2015/span>), Transit Republic, Los Angelesbr>span classItalics>Present Tense 2017: New Urban Legend- Resistance of Space/span> (Kai Fong Pai Dong), 41 Ross, San Franciscobr>span classItalics>Soil and Stones, Souls and Songs in Bangkok/span> (span classItalics>Almanac/span>), Art Center at the Jim Thompson House, Bangkokbr>br>2016 br>span classItalics>Asia Kula Kula-ring, Asia Culture Center, Gwangjubr>Urban Orchard/span> (span classItalics>Almanac/span>), XXI Triennale di Milano International Exposition, Milanbr>span classItalics>AMNUA International Project II/span> (Very MK), Art Museum of Nanjing University, Nanjingbr>br>2015 br>span classItalics>Echigo-Tsumari Art Triennale 2015/span> (span classItalics>Almanac/span>), Echigo-Tsumari, Niigata prefecturebr>span classItalics>Reprogramming the City/span>, Swedish Centre for Architecture and Design (ArkDes), Stockholmbr>span classItalics>Display Distribute: Mass-Produced Book Launch!/span> (performer and book design), Hong Kongbr>br>2014 br>span classItalics>Can We Live (Together), Oil Street, Hong Kongbr>The Garden in the Machine/span>, ASU Art Museum, Arizonabr>br>2013 br>span classItalics>Imminent Domain/span>, Asia Society Gallery, Hong Kongbr>Community Farming Project, kubrick, Hong Kongbr>br>2012 br>span classItalics>Venice Architecture Biennale/span> (HK Farm), Hong Kong Pavilion, Venicebr>Hawkerama, Fa Yuen Street, Hong Kongbr>br>2011br>DESIGNEAST02, Osakabr>br>2010br>span classItalics>Fragments/span>, Fotanian, Otter Studio, Hong Kongbr>br>2009br>From London to Hong Kong, Detour, Hong Kongbr>br>2007br>TENT London (Out of Office)br>br>br>strong>Artist residencies/strong>br>span classG>br> IASPIS, Stockholm, March-May 2023br>Spring Workshop (HK Farm), Hong Kong, 2014-2015br>Woofer Ten, Hong Kong, September-December 2013/span>br>br>strong>br>Selected awards/strong>br>br> 2023Outstanding Research Thesis Award, City University of Hong Kongbr>2019 Visible Award (longlisted)br> br> br> strong>Public readings /strong>br> br> span classG>2024br> /span>span classitalics>Elms as Method/span>span classG>, Para Site, Hong Kong (Thursday 3 October) br> /span>span classItalics>It Cant Rain All the Time/span>span classG>, halfcupsquat, Hong Kong (Friday 12 July) br> /span>span classItalics>Red Pocket May/span>span classG>, collective garden in Yau Ma Tei (Sunday 12 May) br> /span>span classItalics>The Keyhole/span>span classG>, halfcupsquat, Hong Kong (Friday 26 January) br> br> 2023/span>br> span classG>span classItalics>LOL/span>, laundrette in Mong Kok, Hong Kong (Sunday 5 November)span classItalics>br> Canned Coffee/span>, supermarket in Mong Kok, Hong Kong (Sunday 29 October)span classItalics>br> Canned Coffee/span>, F.A.T. Studio, London (Thursday 1 June)br> span classItalics>Elms as Method/span>, Kungsträdgården, Stockholm (Thursday 11 May)br> span classItalics>We the Pollards/span>, IASPIS, Stockholm (Wednesday 22 June)br> br> 2022br> /span>span classItalics>Odysseys, Rolled to Be Unrolled Again/span>span classG> on Pang Jai fabric market, Hong Kong (Saturday 5 November) br> br> 2018br> /span>span classItalics>Salted Caramel/span>span classG>, Moon Kee Store, Hong Kong (Saturday 13 January) br> br> 2017 br> /span>span classItalics>Chinese Mop No. 8/span>span classG>, Kai Fong Pai Dong, Hong Kong (Wednesday 6 December/span>)br> span classItalics>Restless/span>span classG>, Kai Fong Pai Dong, Hong Kong/span> (Sunday 19 November)br> span classItalics>Chinese Mop No. 8/span>span classG>, Soeng Joeng Toi, Guangzhou (Monday 2 October/span>)br> span classItalics>Fang Fang Shang Dian/span>, span classG>Flow Books/span>, Hong Kong (Sunday 29 September)br> span classItalics>Restless/span>span classG>, Kai Fong Pai Dong, Hong Kong (Wednesday 30 August/span>)br> br> 2016 br> span classItalics>Fang Fang Shang Dian/span>, span classG>Kai Fong Pai Dong/span>, Hong Kong (Thursday 28 July)br> br> br> strong>Selected interviews/strong>br> br> a hrefhttps://still-loud.com/2018/07/23/imagining-a-post-capitalist-city-with-michael-leung/>Still / Loud /a>br> em>a hrefhttps://xximagazine.com/c/seeds-of-awareness>Seeds of Awareness /a>/em>br> a hrefhttps://sinetheta.net/19.html>sinθ #19 HIGH NOON 午/a>em>br> a hrefhttps://zolimacitymag.com/hong-kong-20-years-after-the-handover-part-i-borrowed-spaces-for-july-6/>Borrowed Spaces: Life Between the Cracks of Modern Hong Kong/a>br> a hrefhttps://arthistory.hku.hk/hkarttimeline/index.php/satellitetimelines/learningfromartists/>Learning from Artists: Mapping the Pedagogical Approaches of Four Artist Educators in Hong Kong/a>/em>br> br> br> strong>Book review/strong>br> br> a hrefhttps://lausancollective.com/2024/autonomy-conviviality-indigeneity/>Autonomy, Conviviality, Indigeneity/a>br> br> br> Michael is currently reading em>Mending Bodies /em>by Hon Lai-chubr> br> Please a hrefmailto:hello@studioleung.com?>email/a> Michael if you would like an irregular newsletterbr> br> br> Stay wellbr> br> br> br> span classG>(Updated 12 September 2025/span>)br> br> br> br>/p>/body> /html>
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