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HTTP/1.1 200 OKkeep-alive: timeout5, max100x-powered-by: PHP/5.3.29content-type: text/htmlset-cookie: slim_session%7B%22language%22%3A%22en%22%2C%22slim.flash%22%3A%5B%5D%7D; path/; expiresWed, 18-Sep-2024 03:19:28 UTCcache-control: public, max-age1expires: Wed, 18 Sep 2024 02:59:29 GMTtransfer-encoding: chunkeddate: Wed, 18 Sep 2024 02:59:28 GMTserver: LiteSpeedx-turbo-charged-by: LiteSpeed !-- .......................................ENGLISH LANGUAGE............................................-->!-- ...........................................HEAD............................................-->!DOCTYPE html>html stylemargin:0px> head> title>11th International Printmaking Biennial of Douro 2023 (10 Aug - 31 Oct)/title> meta namedescription content65 Countries, 500 artists, 800 prints, 8 exhibitions (Alijó, Celeirós, Chaves, Favaios, Foz Côa, Peso da Régua, São Martinho de Anta, Vila Real)./> link relstylesheet typetext/css hrefhttp://bienaldouro.com/css/style.css?ver3.2/> meta nameviewport contentwidthdevice-width> link relicon hrefhttp://bienaldouro.com/img/General/favicon2.ico/> meta http-equivContent-Type contenttext/html; charsetutf-8 /> link relstylesheet hrefhttps://maxcdn.bootstrapcdn.com/font-awesome/4.6.2/css/font-awesome.min.css> link hrefhttps://fonts.googleapis.com/css?familyRoboto|Ubuntu|Montserrat|Source+Sans+Pro:400,200|Nunito:300,800 relstylesheet typetext/css> link hrefhttp://bienaldouro.com/inc/lightbox/dist/css/lightbox.css relstylesheet> !-- Facebook Metas !--> meta propertyog:url contenthttp://bienaldouro.com/> meta propertyog:title content11th International Printmaking Biennial of Douro 2023 (10 Aug - 31 Oct)> meta propertyog:site_name contentBienal do Douro> meta propertyog:description content65 Countries, 500 artists, 800 prints, 8 exhibitions (Alijó, Celeirós, Chaves, Favaios, Foz Côa, Peso da Régua, São Martinho de Anta, Vila Real).> meta propertyog:image contenthttp://bienaldouro.com/img//?php echo 11 ?>bienal/summary.jpg> meta propertyog:image:type contentimage/jpeg> meta propertyog:image:width content800> meta propertyog:image:height content600> meta propertyog:type contentwebsite> link hrefhttps://unpkg.com/aos@2.3.1/dist/aos.css relstylesheet> script srchttps://www.google.com/recaptcha/api.js>/script> script srchttps://code.jquery.com/jquery-3.1.0.min.js integritysha256-cCueBR6CsyA4/9szpPfrX3s49M9vUU5BgtiJj06wt/s crossoriginanonymous>/script> /head> body> !-- ...........................................MODALS............................................-->div iddark-background> div classwindow idmodal_pt> br> h3 stylecolor:crimson; text-align:left;margin:0px>THE PRINTMAKING TODAY/h3> span classsubtitle>Challenges, dialogues and mediation strategies/span> br>br> p classtext> Probably everyone has already made a printmaking. Who has not left his footprints on the wet sand of a beach, played with stamps or scratched a crayon on a sheet with a coin below? Or even drew with graphite the texture of a leaf to the paper? Or even printed a digital photo of his baby son? These and several other examples that can be performed by any person everyday (except maybe in the last), helps to demonstrate how the printmaking is present in our daily lives, even without perception that we are producing it or using it. It can be a conventional printmaking, in which we only transfer the texture of a surface to the paper, or a digital one in which we print a photographic picture to the paper, in both situations; we can say that we are making prints. Printing, seems to be something easy and a commonplace as making an impression requires gestures so simple and so basic materials such as clay, the hand, pigments, moulds, cuts, corrosions, and so on. The word print covers so many practices and results that we can discover many printing processes in ancient times, such as the prehistoric engravings, the dinosaurs that left impressions in clay or just any fossil.br> In fact, engraving is not restricted to think on paper, press, matrix, but we should have a wider thought, for example, think of a contact that leads to the possibility of another way, a gesture that responds to another and this answer modifies and opens up, as if it were a thought, thinking engraving, as thinking drawing. The thought cannot be described as thinking of engraving, but as engraving of thought, having the same plasticity, fluency and consistency of the movements in the engraving process. As you can see, the complexity of the engraving processes, on printing items, contact, matrix, material, picture, are not only of retinal, technical, material or of materializing order, it leaves us in suspense about any rushed conclusion on this matter, by giving preference to a superficial look on what the print raises, going no deeper and understanding the physical and timeless horizons in its scope.br> The wing of a dragonfly can be the fossilization most distant in time, but can also be connected with an overlay of contemporary features. An image can be exposed in a contradictory time in the same surface. The different levels of our thoughts are also overlapping, as in the idea of anachronism that we work in the print sheets.br> Looking at art as a thought engraving or as an engraving-thought and not wants to guide it to a purpose is an attempt to understand it through its plans. The print consists of several experiences: passages, stratums, artist proofs, unique pieces, color proofs, transfers, thoughts, feelings, impregnations, excavation, cracks, absences, shapes, cut-outs, distances, subtle, intense, overwhelming, velvety, sharp and a great multitude of many other contacts. The experience in printing becomes an experience, which creates an experience of tactile sensations and thoughts. What happens between the space of a surface and the matrix is a sort of entry of forces in the form of etching or engraving-thought. The perception of these forms produces new forces again. Thus, there must be a way of coming up the forms, a film, a plan or a skin where the energy of the pictures movement can flow. All this complexity that the print (so simple in concept) causes expanded its action, becoming therefore an open work. It is in this way of thinking that new media can add and help to maintain the printing autonomy in the context of contemporary art. Despite the disapproval of some and the consent of others, the constructive dialogue or its total absence, the art of printmaking does not stop and continues its fearless and serene ride, dragging all their sponsored institutions. In fact, if the relationship between printmaking and photography, has motivated anger and discontent of many, today, in the XXI century, the hybridism of printmaking with other media intensified and caused new seizures and frictions undoubtedly even greater than before. The result from this were new types of printmaking, designs coming from offset printing, the urban printing, the multimedia installations, the digital computer compositions and printed on ordinary printers, the use of programs and software such as Photoshop or Corel Draw.br> By combining today with these new digital media, consequently resulting new visual experiences with renewed potential for printmaking. Its matrix which was once made of metal, wood or stone, now acquires insubstantial characteristics of digital representation and the pixel of the image replaces the point, the line and the shadow printed by the physical action of the printer, or by alchemical means of acids and varnishes, integrating virtual images in computerized programs, leaving the paper, out of the process. The result of these media symbioses can take the form of installations, digital images, web art, among others.br> This new contemporary reality promoted in printmaking the passage of the graphic visual image, printed in paper to a virtual visual image that exists primarily on computer monitors. This transition to the virtual is a bit drastic, because it transits from the weight of the ink and paper’s atom to the weight of virtual images, i.e. to the virtual of bits and pixels, from the material to the energy and this is, in fact, a drastic change.br> The printmaking artist today, in a sense, is faced with the virtual that is presented as an apparently rectangular window (the computer screen), as a new version of the pictorial space, but that is not, since the processing elements, the handling of the plastic parts, the dimensions that are involved go far beyond the two dimensions of the white page of the paper and the individual using these new media is faced with truly unexpected situations. This “lightness” in creative expression, without material, gives to the experimentalist creation a registry key to its strong contemporary times, reminding automatically the spaces of the “empty” and approaching its operational in between, the concepts of “Open Work” Umberto Eco, or the paradigmatic concepts of the contemporary art theorized by Rosalind Krauss who tells us of that conquest of the art of the empty space and the lack of work.br> This new digital picture invades our everyday culture, expressing its avant-garde in museums and galleries of contemporary art, in the urban areas in the form of public art and in biennials and dedicated to it, being alive and in constant transformation, as it was always in its history. It shows up as “open work” again, not by closing its confrontations in itself and always allowing the artist or the spectator to innovate and to improve new possibilities in its dialectic. This operative revolution, in which the printmaking survives, conquering new spaces for contemporary issue, is contrary to those who annihilate it and call it, unfairly, as a minor art. Maybe they do not realize its crucial contribution in the history of art and of mankind, so they see it just like that craft art at the service of the press, not understanding or knowing the steps it has taken toward its autonomy. It appears then that the world of printmaking has always highlighted the changing of the graphic printing process throughout the history of art, sometimes nearer the traditional prints, sometimes more distant and in deep rupture. As shown, by analyzing the most important print works and its evolution to the present day, it outlined a path towards a move that expands its boundaries, not in a subversive way, but consistent with its need of autonomy and livelihoods while living art. The big challenge for the printmaking, either traditional or hybrid, is therefore in keeping alive the historical conditions of its genesis, without renouncing to the changes dictated by the evolution of the history of art, self-valuing with these contemporary contributions. Only then, it can claim an important role similar to that of the other languages.br> The artists and the institutions do not have to follow an imposed code. People change, the world changes, the worldview changes and the art adapts to the changes and gives its contribution to improving the world and the society, the man inside and also outside. This enhancement of sensitivity is an open project, which does not need to follow a specific code, nor is so dependant on artistic languages or technical issues.br> Today in art we face new processes of industrial and electronics production of massive international movement and, consequently, new kinds of reception and appropriation. To the extent that the growing domination of man over those endless media, operates a change in man himself and in the perception of what he produces. The key is, then in the process of selecting and interpreting the information. The Events and the art biennials can provide this key, the interface between the scholarly and the everyday knowledge. This key can materialize through clearer information to different audiences on aspects related to the messages of art exhibited, the fundamentals of the chosen topics, the controversies and political, social and cultural relevancies raised for their actions in society, by the use of new audiovisual technologies which penetrate more easily in public less alert and eager for more interactive stimuli.br> The dialogue with the art goes beyond the experimental exercise, becoming an aesthetic pleasure in the life of man, in the way that if someone can be educated through art, because it can make us better people and show that there are many worlds beyond our navel. In this sense, it is essential for greater public information, finding ways to match their understanding, not answering questions with more questions, conduct public meetings with information of the artists explain and justify the reason for the choices and mainly, to return to the public the opportunity to rediscover the wonder, the perception that comes from the contemplation of an object that reconciled the perfection of the form with the perfection of the idea. Today we need the exercise of admiration, of the empathy. Something very different from the noise and the banality of everyday life, the easy and disposable solutions of the “shopping centre” culture.br> Finally, invite local artists to mingle with artists from abroad to a mutual understanding, have a concern with the social and socializing issue not only for the organizers but also for art producers: the artists and their interaction with the public. All these considerations are attempts to understand our world so fragmented and the role of the art biennials should be in my point of view, precisely in this line of the overall decoding of art and the complexity of the contemporary societies. Without presenting a conclusion too objective, a task almost impossible in terms of art, without finding a formula to solve the issues raised, it seems to me that it is necessary a reflection about printmaking in an expanded way, pointing out several perspectives to the livelihood and the autonomy of the printmaking as a traditional technique, but also about the advantages of it combines with other languages. It is precisely in the balancing on this line of confrontation and through the “juggling” of creative artists, that the printmaking can find its circus and project itself without ambiguity or inferiority in the context of the contemporary art. br>span stylefloat:right;>The Curator, span stylecolor:crimson;>Nuno Canelas/span>/span>/h3> /p> br>br>br> h3 stylecolor:crimson; text-align:left;margin:0px>Curriculum Vitae - Nuno Canelas/h3> p classtext>NUNO CANELAS (Portugal)br>Born in Alijó, on 19th January 1968.br> Founder, Curator and Director of the International Printmaking Biennial of Douro and Global Print (Portugal) from the beginning, 2001 to 2023. 21 solo exhibitions and participated in over two hundred collective exhibitions in Portugal and abroad. br>b>TRAINING:/b> 2007-2010-Master in Contemporary Art by the Portuguese Catholic University - School of the Arts -Porto; 2002-2004-Degree in Fine Arts - Painting by (ESAP - Artistic Superior School) - Porto; 1997-1998-Professional Formation for Arts Teaching (UTAD University) - Vila Real; 1992-1995-Degree in Drawing by (ESAP - Artistic Superior School) - Porto diogo; br>b>TRAINING ACTIVITIES:/b> 2008-Japanese Printmaking Workshop – Chine-Collé Technique - oriented by Mami Higuchi - 30th Aniv. Twinning of Porto / Nagasaki - Matrix - Porto; 2003-Traditional Japanese Woodcut Workshop - Ukyo-E (Master Hiroshi Maruyama) - Aicart - Porto; 2000-Printing Techniques with the printmaker Irene Ribeiro - Cooperative Árvore - Porto; 1998-Photography Workshop - UTAD Portuguese Institute of Photography - IPJ Vila Real; br>b>CULTURAL PROJECTS:/b> 2019 - 8ª Fif Bilbao 2019 - Festival Internacional de Grabado Y Obra sobre Papel - Convidado - Palacio Euskalduna - BIlbao - Espanha; 2019 – Invited as Curator of the Portuguese representation for the Project “Mirror – Face to Face” – Italy and Portugal. 2 Exhibitions – Douro Museum – Régua (Portugal); Qu.Bi Gallery and UNESCO – Vicenza – Italy; 2018-19 - 1st Dafen International Oil Painting Biennale, Shenzhen - China 2018; 2018 – Invited and Honorary Prize for remarkable contribute in the graphic art in the World - 9th International Triennial Of Graphic Art Bitola - Macedonia, 2018; 2017 - Curator/Commissioner of Portugal representation - DI CARTA/ PAPERMADE – 3rd edition – International Printmaking Biennial - Papermade Art Work Exhibition – Schio – Italia; 2017 – Invited of the 6th Internacional Print Biennial of Guanlan and Forum/Conference - “ What is Printmaking?—Print-related Art” – Guanlan (Shenzhen) – China; 2017 – Invited for the Belt and Road International Printmaking Exchange Project and Forum/Conference – Dunhuang – China and Exhibition - YAC Print Base - Tianjin (Pequim) – China; 2013-2017-Curator/Director of the International Printmaking Exhibition – GLOBAL PRINT; 2001-2016-Curator/Director of the International Printmaking Biennial of Douro and of the Printmaking Centre of Alijó; 2001-2016-general Commissioner and Jury of the International Printmaking Biennial Douro since its beginning; 2013 – Invited for the 17th International Biennial of Cerveira and Individual Exhibition – Gallery Project – V. N. De Cerveira – Portugal; 2008-2010-Various trips for research to several museums in New York (USA), Puerto Rico (USA), the Venice Biennale (Italy), Milan (Italy), Barcelona (Spain) Paris (France), London (England) and ArtBasel (Switzerland), to the Masters dissertation; 2008- Invited artist to a Conference on Print and Contemporary Art - Uri Gallery - San Juan - Puerto Rico; 2006-Commissioner by Portugal of the International Printmaking Biennial of Antwerp - Premium Frans Dille - Museum Plantin-Moretus - Antwerp - Belgium; 2000 - Commissioner of the VII Biennial, 1st International Printmaking Amadora; 1996 - 1998 Vice President of the Foundation House - Museum Mauricio Penha; 1995-2016-Professor of Visual Arts, Graphic Design and 3D Drawing; 1991/1993- Painting pottery Project with the artist Jaime Baptista in Gaia; br>b>SOLO / COLLECTIVE EXHIBITIONS:/b> 21 solo exhibitions and participated in over one hundred collective exhibitions in Portugal and abroad./p> /div> div classmodal idmodal_workshop > div classpic-section> div classimg-container>img styleobject-position:right srchttp://bienaldouro.com/img/11bienal/1.jpeg>/div> div classimg-container stylefilter:grayscale(0%);>img styleobject-position:right srchttp://bienaldouro.com/img/11bienal/2.jpeg>/div> div classmodal-layer>/div> /div> div classtext-section> div classtext> h1 styletext-transform: uppercase>11 International Printmakingbr>Biennial of Douro 2023/h1> h2> 10 Aug - 31 Oct/h2> p stylefont-size: 16px>The 11th Printmaking Biennial of Douro is back and you dont want to miss it!br> We are currently working on our website to show you all the details but in the meantime you can see the schedule in the new flyer./p> span stylecolor:firebrick; font-family:Nunito>/span> br> img classlogo-black srchttp://bienaldouro.com/img/General/logo_no_text.png/> img classlogo-white srchttp://bienaldouro.com/img/General/white_logo.png/> /div> div classmodal-layer> /div> /div> div classbutton-section> a href# classopen-poster> div classcontent-button> h3>Open Flyer/h3> /div> /a> /div> /div> div classmodal idmodal_video2 styledisplay: none !important> div classpic-section> div classimg-container>img styleobject-position:right srchttp://bienaldouro.com/img/Workshops/workshop-pic2.jpg>/div> div classimg-container stylefilter:grayscale(0%);>img styleobject-position:right srchttp://bienaldouro.com/img/Workshops/workshop-pic3.jpg>/div> div classmodal-layer>/div> /div> div classtext-section> div classtext> h1>9th Printmaking Biennial of Douro/h1> h2>Check out the video!/h2> iframe width560 height315 srchttps://www.youtube.com/embed/xIus9UMA7ow frameborder0 allowautoplay; encrypted-media allowfullscreen>/iframe> br> img classlogo-black srchttp://bienaldouro.com/img/General/logo_no_text.png/> img classlogo-white srchttp://bienaldouro.com/img/General/white_logo.png/> /div> div classmodal-layer> /div> /div> /div> !-- div classmodal gp22 idmodal_video styledisplay: none !important; 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border-top: 0;}footer .category-link{ color: #f6a85c}footer .footer-link{ color: white;}@media (max-width:1300px) { h1{ font-size: 32px; } #first, #first-container{ background-size: 56% !important; } .artists, #program{ font-size: 40px; } .catalogue h2{ font-size: 40px; } #contact{ padding: 50px; } .print:nth-last-of-type(-n+3){ display: inline-block; } .prints .print img{ min-height: auto; } .catalogue .left{ padding: 20px; } .catalogue img{ margin: 0; } #program{ width: 60%; }}@media (max-width:1000px) { h1{ font-size: 26px !important; letter-spacing: 4px !important; } #first, #first-container{ background-size: 75% !important; } #about-us button{ font-size: 14px; padding: 15px 20px; } .prints{ column-count: 3; } .location .program { width: 100%; } .map { display: inline-block; margin: -20px 0; } .catalogue h2{ font-size: 35px; } #main nav li{ width: 110px; padding: 18px 10px 18px 0; font-size: 16px; } .languages{ margin-right: 0; } .logo{ left: 40px; } #program{ width: 70%; }}@media (max-width:850px) { h1{ font-size: 22px; } .prints{ padding: 50px; margin-bottom: 40px; } #page3 h1{ margin-bottom: 0; } .page{ padding: 50px 0; } .artists, #program{ font-size: 30px; } .catalogue{ min-height: auto; } .catalogue .left{ width: 100%; } .catalogue .left { position: relative; transform: none; width: 90%; margin: 0 auto; display: inline-block; left: auto; top: auto; text-align: center; } .catalogue h2{ font-size: 30px; } .catalogue img { position: sticky; width: 50%; left: auto; top: auto; transform: none; /* margin: 0 auto; */ display: inline-block; margin: 0 auto; display: block; } #about-us{ padding: 20px 40px; } #about-us .point h2{ font-size: 20px; } #about-us .point{ margin: 15px auto; } .places-list{ padding: 15px 0 } .places-list a{ font-size: 13px !important; } #map{ width: 100%; float: none; height: 400px !important; } #location{ width: 100%; height: auto; margin-top: 0px; z-index: 1; } #map-locations{ display: flex; flex-flow: column; } #location{ order: 2; } #map{ order: 1; } #location .program{ padding: 8px 0 } .expositions{ height: auto !important; } #contact .left-side{ display: none; } .contact_us h1{ margin-left: 0; } .contact_us h4{ margin-left: 0; } .contact_us .right-side{ width: 100%; } .places-list a { font-size: 12px !important; } .loading h2{ font-size: 25px; } .intro10 h3{ font-size: 11px; } #contact h1{ font-size: 35px; } #program{ width: 80%; }}@media (max-width:750px) { #first, #first-container{ background-size: 90% !important; } #main nav{ margin-left: -20px; } #main nav li { width: auto; padding: 18px 20px 18px 10px; font-size: 16px; } .cart_header{ margin-top: -4px; } #page3 h1{ width: 80%; } .prints{ column-count: 2; } .places-list.near-map{ padding: 15px 100px; } .artists, #program{ font-size: 27px; } .points{ padding: 30px 0; } #program{ width: 90%; } #program div{ zoom: 0.9; } #program div h2{ margin-top: 20px; }}@media (max-width:650px) { #main{ text-align: left; } #first, #first-container{ background-size: 100% !important; } #main .logo{ margin-left: 50px; } #main nav li { padding: 18px 8px 18px 8px; } .before_nav{ display: block; position: absolute; top: 56px; width: 100%; } .before_nav nav{ display: block; visibility: visible; width: 100%; margin: 0 !important; /* background: red; */ background: #2f5b4b; text-align: center; } #main nav a:before{ display: none; } .places-list.near-map{ padding: 15px 20px } #first{ background-position: center !important; } #about-us button { font-size: 12px; padding: 10px 14px; }}@media (max-width:570px) { #first, #first-container{ background-size: cover !important; } #first img{ width: 62px } .intro10 h3 { font-size: 8px;}.logo { left: 45%; margin: 0 !important; display: block; width: 100%; left: 0; text-align: center;}}/style>div classpage loading > div classloading-area > div classloading-bar>/div> div> h1>11TH INTERNATIONAL PRINTMAKING BIENNIAL DOURO 2023/h1> h2>10 Aug - 31 Oct/h2> /div> /div>/div> div idfirst-container stylebackground-image: url(http://bienaldouro.com/img/11bienal/26.jpeg) !important; background-size: 46%;background-repeat: repeat; filter: brightness(1.35); > div classpage idfirst stylebackground-image: url(http://bienaldouro.com/img/11bienal/0.jpeg) !important; background-size: 46%; background-repeat: no-repeat; > div classintro10> img classlogo10 srchttp://bienaldouro.com/img/11bienal/logo.png/> h3>10 Aug - 31 Oct/h3> /div> /div>/div>div classplaces-list near-map styletext-align: center;background: #3c6354;> a href#location>Alijó/a> a href#location>Celeirós/a> a href#location>Chaves/a> a href#location>Favaios/a> a href#location>Foz Côa/a> a href#location>Peso Régua/a> a href#location>S. Martinho de Anta/a> a href#location>Vila Real/a> /div>div classpage idpage3 styleheight: auto; padding-top: 50px> h1 data-aosfade-right data-aos-duration600>11TH INTERNATIONAL PRINTMAKING BIENNIAL DOURO 2023 a hrefhttp://bienaldouro.com/artists/nuno.canelas idcurated>Curated by: Nuno Canelas/a>/h1> div classprints data-aosfade-right data-aos-duration1500> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Latitudes II/span>br> span classartist-link>span classprint-title print-title-small>Patricia Villalobos Echevarria/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/united states of america> span classprint-title print-title-small>United States/span> /a> /div> img srchttp://bienaldouro.com/uploads/1678/4916_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Replay/span>br> span classartist-link>span classprint-title print-title-small>Nuno Canelas/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/portugal> span classprint-title print-title-small>Portugal/span> /a> /div> img srchttp://bienaldouro.com/uploads/645/4900_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>The silencing of women is so loud/span>br> span classartist-link>span classprint-title print-title-small>Monique Martin/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/canada> span classprint-title print-title-small>Canada/span> /a> /div> img srchttp://bienaldouro.com/uploads/1673/4879_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>04120/span>br> span classartist-link>span classprint-title print-title-small>Ewelina Kolakowska/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/poland> span classprint-title print-title-small>Poland/span> /a> /div> img srchttp://bienaldouro.com/uploads/1612/4520_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Word/span>br> span classartist-link>span classprint-title print-title-small>Thanchanok Belforte/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/thailand> span classprint-title print-title-small>Thailand/span> /a> /div> img srchttp://bienaldouro.com/uploads/1714/5053_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Teihen/span>br> span classartist-link>span classprint-title print-title-small>Koichi Yamamoto/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/japan> span classprint-title print-title-small>Japan/span> /a> /div> img srchttp://bienaldouro.com/uploads/1778/4736_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Shopping with the Aliyevs/span>br> span classartist-link>span classprint-title print-title-small>Janet Sang/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/england> span classprint-title print-title-small>England/span> /a> /div> img srchttp://bienaldouro.com/uploads/1767/4653_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Chant paien/span>br> span classartist-link>span classprint-title print-title-small>Robert Creighton/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/canada> span classprint-title print-title-small>Canada/span> /a> /div> img srchttp://bienaldouro.com/uploads/1804/4965_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>HOOVER Washing Machine/span>br> span classartist-link>span classprint-title print-title-small>Nuno Canelas/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/portugal> span classprint-title print-title-small>Portugal/span> /a> /div> img srchttp://bienaldouro.com/uploads/645/4899_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Under the Surfaces I/span>br> span classartist-link>span classprint-title print-title-small>IGOR BENCA/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/slovakia> span classprint-title print-title-small>Slovakia/span> /a> /div> img srchttp://bienaldouro.com/uploads/1373/4618_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Penumbra permeate Van10140/span>br> span classartist-link>span classprint-title print-title-small>Kim Chang-Soo/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/south korea> span classprint-title print-title-small>South Korea/span> /a> /div> img srchttp://bienaldouro.com/uploads/746/4732_thumb500.jpg> /div> /div> div classprint print-bienal> div classprint-pic styleposition: relative;> div classprint-title-pic styleposition: absolute;top: 0;left: 0;width: 100%> span classprint-title>Cubic Paradoxes I/span>br> span classartist-link>span classprint-title print-title-small>Elsa Charalambous/span>/span> a classcountry_name_link hrefhttp://bienaldouro.com/countries/11/greece> span classprint-title print-title-small>Greece/span> /a> /div> img srchttp://bienaldouro.com/uploads/1604/4485_thumb500.jpg> /div> /div> /div> ul classartists> br> a hrefhttp://bienaldouro.com/artists>li data-aosfade-right data-aos-duration500>Features 500 artists from 65 countries/li>/a>br>br>br> h2>Hommage Artists/h2>br> a href#> li data-aosfade-right data-aos-duration500>Octave Landuyt/li> /a> a href#> li data-aosfade-right data-aos-duration500>Vieira da Silva/li> /a> a href#> li data-aosfade-right data-aos-duration500>Nadir Afonso/li> /a> a href#> li data-aosfade-right data-aos-duration500>Gil Teixeira Lopes/li> /a> a href#> li data-aosfade-right data-aos-duration500>Paula Rego/li> /a> a href#> li data-aosfade-right data-aos-duration500>Antoni Tàpies/li> /a> a href#> li data-aosfade-right data-aos-duration500>Bartolomeu dos Santos/li> /a> a hrefhttp://bienaldouro.com/artists/júlio.Pomar> li data-aosfade-right data-aos-duration500>Júlio Pomar/li> /a> a hrefhttp://bienaldouro.com/artists/José.de.guimarães> li data-aosfade-right data-aos-duration500>José de Guimarães/li> /a> a hrefhttp://bienaldouro.com/artists/silvestre.pestana> li data-aosfade-right data-aos-duration500>Silvestre Pestana/li> /a> a href#> li data-aosfade-right data-aos-duration500>José Rodrigues/li> /a> a href#> li data-aosfade-right data-aos-duration500>Fernando Lanhas/li> /a> a href#> li data-aosfade-right data-aos-duration500>Graça Morais/li> /a> a href#> li data-aosfade-right data-aos-duration500>Júlio Resende/li> /a> a href#> li data-aosfade-right data-aos-duration500>Lima de Freitas/li> /a> a href#> li data-aosfade-right data-aos-duration500>Henrique Silva/li> /a> a href#> li data-aosfade-right data-aos-duration500>Ângelo de Sousa/li> /a> a href#> li data-aosfade-right data-aos-duration500>Cruzeiro Seixas/li> /a> a href#> li data-aosfade-right data-aos-duration500>Sá Nogueira/li> /a> a href#> li data-aosfade-right data-aos-duration500>Irene Ribeiro/li> /a> a href#> li data-aosfade-right data-aos-duration500>Yuji Hiratsuka/li> /a> a href#> li data-aosfade-right data-aos-duration500>Herten/li> /a> a href#> li data-aosfade-right data-aos-duration500>Noguchi Akèmi/li> /a> a hrefhttp://bienaldouro.com/artists/masataka.kuroyanagi> li data-aosfade-right data-aos-duration500>Masataka Kuroyanagi/li> /a> a href#> li data-aosfade-right data-aos-duration500>Weisbuch/li> /a> a href#> li data-aosfade-right data-aos-duration500>Tomiyuki Sakuta/li> /a> br>br>br> h2>Commissioners/h2>br> !--COMISSÁRIOS --> a hrefhttp://bienaldouro.com/artists/nuno.canelas> li data-aosfade-right data-aos-duration600>Nuno Canelas/li> /a> a hrefhttp://bienaldouro.com/artists/antonio.canau> li data-aosfade-right data-aos-duration600>António Canau/li> /a> a hrefhttp://bienaldouro.com/artists/silvestre.pestana> li data-aosfade-right data-aos-duration600>Silvestre Pestana/li> /a> a hrefhttp://bienaldouro.com/artists/fernando.santiago> li data-aosfade-right data-aos-duration600>Fernando Santiago/li> /a> a hrefhttp://bienaldouro.com/artists/manfred.egger> li data-aosfade-right data-aos-duration600>Manfred Egger/li> /a> a hrefhttp://bienaldouro.com/artists/derek.michael.besant> li data-aosfade-right data-aos-duration600>Derek Michael Besant/li> /a> a hrefhttp://bienaldouro.com/artists/chen.chuan> li data-aosfade-right data-aos-duration600>Chen Chuan/li> /a> a hrefhttp://bienaldouro.com/artists/alina.jackiewicz-kaczmarek> li data-aosfade-right data-aos-duration600>Alina Jackiewicz-Kaczmarek/li> /a> a hrefhttp://bienaldouro.com/artists/ovidiu.petca> li data-aosfade-right data-aos-duration600>Ovidiu Petca/li> /a> a hrefhttp://bienaldouro.com/artists/ann-kristin.kallstrom> li data-aosfade-right data-aos-duration600>Ann-Kristin Kallstrom/li> /a> br>br>br> h2>Xylon Austria Exhibition/h2>br> a hrefhttp://bienaldouro.com/artists/anna.maria.achatz> li data-aosfade-right data-aos-duration600>Anna Maria Achatz/li> /a> a hrefhttp://bienaldouro.com/artists/barbara.hammer> li data-aosfade-right data-aos-duration600>Barbara Hammer/li> /a> a hrefhttp://bienaldouro.com/artists/bernhard.cociancig> li data-aosfade-right data-aos-duration600>Bernhard Cociancig/li> /a> a hrefhttp://bienaldouro.com/artists/christine.kertz> li data-aosfade-right data-aos-duration600>Christine Kertz/li> /a> a hrefhttp://bienaldouro.com/artists/eva.choung-fux> li data-aosfade-right data-aos-duration600>Eva Choung-Fux/li> /a> a hrefhttp://bienaldouro.com/artists/gabriele.jörger> li data-aosfade-right data-aos-duration600>Gabriele Jörger/li> /a> a hrefhttp://bienaldouro.com/artists/georg.koenigstein> li data-aosfade-right data-aos-duration600>Georg Koenigstein/li> /a> a hrefhttp://bienaldouro.com/artists/gerhard.moser> li data-aosfade-right data-aos-duration600>Gerhard Moser/li> /a> a hrefhttp://bienaldouro.com/artists/günter.bucher> li data-aosfade-right data-aos-duration600>Günter Bucher/li> /a> a hrefhttp://bienaldouro.com/artists/helga hofer> li data-aosfade-right data-aos-duration600>Helga Hofer/li> /a> a hrefhttp://bienaldouro.com/artists/herwig.tollschein> li data-aosfade-right data-aos-duration600>Herwig Tollschein/li> /a> a hrefhttp://bienaldouro.com/artists/karin.rupacher> li data-aosfade-right data-aos-duration600>Karin Rupacher/li> /a> a hrefhttp://bienaldouro.com/artists/kurt.dornig> li data-aosfade-right data-aos-duration600>Kurt Dornig/li> /a> a hrefhttp://bienaldouro.com/artists/lydia.wassner-hauserr> li data-aosfade-right data-aos-duration600>Lydia Wassner-Hauserr/li> /a> a hrefhttp://bienaldouro.com/artists/manfred.egger> li data-aosfade-right data-aos-duration600>Manfred Egger/li> /a> a hrefhttp://bienaldouro.com/artists/may.britt.chromy> li data-aosfade-right data-aos-duration600>May-Britt Chromy/li> /a> a hrefhttp://bienaldouro.com/artists/norbert.muller> li data-aosfade-right data-aos-duration600>Norbert Leo Müller/li> /a> a hrefhttp://bienaldouro.com/artists/peter.angerer> li data-aosfade-right data-aos-duration600>Peter Angerer/li> /a> a hrefhttp://bienaldouro.com/artists/philipp.pamminger> li data-aosfade-right data-aos-duration600>Philipp Pamminger/li> /a> a hrefhttp://bienaldouro.com/artists/renate.polzer> li data-aosfade-right data-aos-duration600>Renate Polzer/li> /a> a hrefhttp://bienaldouro.com/artists/rosa.heger> li data-aosfade-right data-aos-duration600>Rosa Heger/li> /a> a hrefhttp://bienaldouro.com/artists/sonja.hinterreiter> li data-aosfade-right data-aos-duration600>Sonja Hinterreiter/li> /a> a hrefhttp://bienaldouro.com/artists/ulli.gollesch> li data-aosfade-right data-aos-duration600>Ulli Gollesch/li> /a> a hrefhttp://bienaldouro.com/artists/ulli.klepalski> li data-aosfade-right data-aos-duration600>Ulli Klepalski/li> /a> br>br>br> h2>Live performance with Silvestre Pestana/h2>br> a hrefhttp://bienaldouro.com/artists/silvestre.pestana> li data-aosfade-right data-aos-duration600>Silvestre Pestana/li> /a> a hrefhttp://bienaldouro.com/artists/celeste.cerqueira> li data-aosfade-right data-aos-duration600>Celeste Cerqueira/li> /a>br> /ul> div idprogram stylemargin-top: 120px;> ul data-aosfade-right data-aos-duration500> li>Program/li> div> h2>Exhibitions/h2> a hrefhttp://bienaldouro.com/artists/silvestre.pestana>p>Exhibition Hommages/p>/a> /div> div> p>65 countries 500 artists 800 works/p> /div> div> p>Exhibition Commissioners/p> /div> div> p>Xylon Austria Exhibition (Commissioner Manfred Egger)/p> /div> div> p>Public Gallery for digital art/p> /div> div> h2>Conferences/h2> p>Conference - The new media and the printmaking today/p> /div> div> h2>Live Events/h2> p>Live performance with Silvestre Pestana/p> p>Concerts, Plays, Entertainment, Gastronomy, Wines/p> /div> /ul> /div>/div>div classcatalogue page page2 data-aosfade-right data-aos-duration500> div classleft> h2>11th Printmaking Biennial of Douro Catalogue/h2> a target_blank hrefhttp://store.bienaldouro.com/product/books/30>Order Now/a> /div> img srchttp://bienaldouro.com/img/11bienal/catalog.jpg/> div classclear>/div>/div>div classclear>/div>div classplaces-list styletext-align: center;margin-bottom: 0; background: #3c6354> a data-aosfade-right data-aos-duration600 target_blank hrefhttp://store.bienaldouro.com stylefont-size: 15px; text-transform: inherit;>Visit b styletext-transform: uppercase; color: #f6a85c>the Store/b> to see our gallery, catalogue and wine collections./a>/div>!-- ...........................................ABOUT US.........................................-->div idabout-us classcategory-content page page2> h1 >The b>11th/b> Biennial of Douro without limits/h1> h3>Based on the oldest demarcated wine region in the world - the Douro and winner of two heritages of humanity granted by UNESCO is world renowned both for its vineyard landscape and for the archaeological heritage of the Côa Valley. Here is the largest sanctuary of Paleolithic engraving of the world, but the Douro is also in the contemporary scene one of the biggest events of graphic art in the world, creating a strength and dimension that goes beyond the borders of the country and is projected for infinite horizons./h3> h3>Pursuing this aim and ambition achieved, the Biennial of Douro has overcome the challenges of interiority, the economic crisis, the cultural crisis, the engraving crisis itself and it has kept alive the assumptions of the art and the autonomy of the printmaking in the context of the contemporary art. To this end, have contributed the traditional printmaking and its secular alchemy, but also, the renewed trend of digital printmaking and the new media at their disposal, in order to give it the autonomy it needs to survive. The open field to the printmaking by the new hybrid languages and nontoxic techniques, have designed it impact in an innovative way and with the vitality so long desired in its fields. br>br> span stylefloat:right;>The Curator, span stylecolor:#f6a85c;>Nuno Canelas/span> /span> button idnuno_pt>The Printmaking today/button> /h3>!-- ...........................................POINTS.........................................--> div classpoints> div classpoint data-aosfade-right data-aos-duration600> h2>Global Event/h2>br> p>There are over two hundred biennials in the world, but it is not every city that can hold a Biennial.It is necessary for a biennial to born and to grow, a clear awareness that the issue of the identity span>in the contemporary world has other problems that go beyond national or regional identities. The construction of this identity is much more complex than the question of the nation or of the region. A touristic region as the Douro, needs an International art Biennial that confirms internationally its modernity and entrepreneurship./span> /p> /div> div classpoint data-aosfade-right data-aos-duration600> h2>The Best Artists/h2>br> p>Assuming the responsibility of being the unique Biennial of graphic work of the country, its evolution since its origin in 2001, placed it on an unimaginable level today, abreast of the most important biennials in the world. span> To prove this, we highlight the exhibition tribute to world-renowned artists such as Antoni Tàpies, Paula Rego, Vieira da Silva, Octave Landuyt, Gil Teixeira Lopes, Nadir Afonso, David de Almeida, Bartolomeu do Santos, Júlio Pomar, José de Guimarães and Silvestre Pestana, but also by the breadth and internationality reached with more than 1.000 artists form 100 countries represented from all continents./span> /p> /div> div classpoint data-aosfade-right data-aos-duration600> h2>Big event/h2>br> p>65 Countries, 500 artists, 800 prints, 8 exhibitions (Alijó, Celeirós, Chaves, Favaios, Foz Côa, Peso da Régua, São Martinho de Anta, Vila Real) span>Comissioners: Portugal, Brazil, Austria, America, Canada, China, Italy, Poland, Romania, Sweeden./span> /p> /div> /div> div styleclear: both;>/div>/div>div classplaces-list open-button open-poster styletext-align: center; border-radius: 0;margin: 0; background: #3c6354> a data-aosfade-right data-aos-duration600 href# stylefont-size: 15px; text-transform: inherit;>Click to open the 11th Biennial b styletext-transform: uppercase; color: #f6a85c>Poster/b> /a>/div>div styleclear: both;>/div>!-- ...........................................PROGRAM.........................................-->div idmap-locations classpage page2 stylepadding: 0;> div idlocation classlocation> div classexpositions> div classexhibitions_list> div classexhibition program id data-zoom14 data-localLibrary of Alijó | Municipal Swimming Pool | Municipal Auditorium data-lat41.276077 data-long-7.473509 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Alijó/span> span classdetailed-location>Library of Alijó | Municipal Swimming Pool | Municipal Auditorium/span> /div> div classexhibition program id data-zoom14 data-localWine Farm of Portal data-lat41.239468 data-long-7.567854 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Celeirós/span> span classdetailed-location>Wine Farm of Portal/span> /div> div classexhibition program idexp-chaves data-zoom14 data-localMunicipal Archive of Chaves | Museum of the Flaviense Region data-lat41.744977 data-long-7.469933 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Chaves/span> span classdetailed-location>Municipal Archive of Chaves | Museum of the Flaviense Region/span> /div> div classexhibition program id data-zoom14 data-localWine and Bread Museum data-lat41.265717 data-long-7.501197 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Favaios/span> span classdetailed-location>Wine and Bread Museum/span> /div> div classexhibition program id data-zoom14 data-localCôa Museum data-lat41.080115 data-long-7.111768 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Foz Côa/span> span classdetailed-location>Côa Museum/span> /div> div classexhibition program id data-zoom14 data-localMunicipal Auditorium | Douro Museum data-lat41.161628 data-long-7.789990 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Peso Régua/span> span classdetailed-location>Municipal Auditorium | Douro Museum/span> /div> div classexhibition program id data-zoom14 data-localMiguel Torga Cultural Center data-lat41.264398 data-long-7.620767 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>S. Martinho de Anta/span> span classdetailed-location>Miguel Torga Cultural Center/span> /div> div classexhibition program id data-zoom14 data-localVila Real Theater data-lat41.299281 data-long-7.734091 data-aosfade-left data-aos-duration600 data-aos-offset0> span classmain-location>Vila Real/span> span classdetailed-location>Vila Real Theater/span> /div> /div> /div> /div> div idmap data-aosfade-right data-aos-duration600 classmap normal marker 10bienal data-zoom9 data-localBienal Gravura do Douro data-lat41.277280 data-long-7.477030>/div> div styleclear: both;>/div>/div>div styleclear: both;>/div>!-- ...........................................CONTACT US.........................................-->div idcontact classpage page2 contact_us> h1>Contact Us/h1> h4>Your feedback is important to us./h4> div classleft-side data-aosfade-right data-aos-duration600> div classblock> i classfa fa-map-marker>/i> span>Av. 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