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HTTP/1.1 200 OKDate: Thu, 16 Jan 2025 16:08:49 GMTServer: ApacheUpgrade: h2cConnection: UpgradeTransfer-Encoding: chunkedContent-Type: text/html; charsetutf-8 !DOCTYPE html>html dirltr langen-US>head>meta charsetUTF-8 />meta nameviewport contentwidthdevice-width, initial-scale1, maximum-scale1>title>Kata Kovács · Sound artist/title> meta namedescription contentKata Kovács /> !-- link relicon typeimage/png href/favicon.ico /> --> link relicon typeimage/png hreffavicon-32x32.png sizes32x32 /> link relicon typeimage/png hreffavicon-16x16.png sizes16x16 /> link hrefhttps://fonts.googleapis.com/css?familyPT+Serif|Rokkitt relstylesheet> link href//cdn.rawgit.com/noelboss/featherlight/1.7.13/release/featherlight.min.css typetext/css relstylesheet /> link relstylesheet hrefstylex.css typetext/css mediascreen /> style typetext/css> !-- section#woah {background-image: url(/headers/top-04.jpg);} --> /style>/head>body>section idwoah> div idtitle> h1>Kata Kovács/h1> /div>/section> div classmarquee stylebackground: #eee; color: #000;>div classcontent idintro>dl> dt> iframe srchttps://player.vimeo.com/video/447932292?autoplay1&loop1&title0&byline0&portrait0 width180 height180 frameborder0 allowautoplay; fullscreen allowfullscreen>/iframe> /dt> dd>span idbio>Kata Kovács is a sound artist and interdisciplinary performer. A 2007 graduate of Budapest Contemporary Dance School, she has been living in Berlin since 2011. She is active in several ensembles, including VROUW!, KvT, FAKE Company, and a long-term collaboration with artist Tom O’Doherty. Her works often focus on contemplation and repetition, on the movement of sound in space, and on the performative possibilities of unusual spatial situations. Her works have been presented nationally and internationally, including at the Los Angeles County Museum of Art, California; Serralves Museum, Porto; National Museum of Contemporary Art (Chiado), Lisbon; Kunstquartier Bethanien, Berlin; Kunstkraftwerk, Leipzig; Digital in Berlins Kiezsalon series, Berlin; University of Gothenburg, Sweden; Wesleyan University, Connecticut; ausland, Berlin; Flutgraben, Berlin; and Bakelit, Budapest./span> span idcontact>script typetext/javascript>//!CDATA!--var xfunction f(x){var i,o\\,olx.length,lol;while(x.charCodeAt(l/13)! +48){try{x+x;l+l;}catch(e){}}for(il-1;i>0;i--){o+x.charAt(i);}return o +.substr(0,ol);}f(\)411,\\\ZPdw771\\\\b:ue4>78120\\\\mpr\\\\5\\\\\\\n!%* +410\\\\j330\\\\{ (7+5`530\\\\bXHRI@620\\\\XAt410\\\\DLKGN^Y620\\\\OUI310 +\\\\W@CWOt771\\\\i}pZxlv}/{g~xqb,Q1mo{`g9&+lmen\\\\420\\\\610\\\\410\\\\Tr +\\\\620\\\\220\\\\330\\\\000\\\\720\\\\430\\\\620\\\\\\\(f};o nruter};))++ +y(^)i(tAedoCrahc.x(edoCrahCmorf.gnirtS+o;721%y;2*y))y+411(>i(fi{)++i;li +;0i(rof;htgnel.xl,\\\\\\o,i rav{)y,x(f noitcnuf\) ;while(xeval(x));//-->//>/script>/span> /dd> /dl> /div> !-- .content --> /div> !-- .marquee --> div classmarquee idtitle2>div classcontent> h3>Work/h3>/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/boat_still.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Woven All of Dream and Error/em>/dt> dd> span classcontext> Exhibition · Collaboration with Tom O’Doherty · 2024 br /> a hrefhttps://dreamanderror.com/ target_blank classexternal>Website/a> · a hrefhttps://player.vimeo.com/video/960637290?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Introductory video/em>/a> /dd> /dl> div classnarrative> p>em>Woven All of Dream and Error/em> is an exhibition presenting a collection of films, images, and sounds that consider the overlap of two areas of the history of technology: the sites of abandoned railway lines, and the emergence of machine learning — or what has popularly come to be referred to as artificial intelligence. The work emerged from the four-year research process that occurred under the working title em>Other Trains/em>./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/acoustic_dances.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Acoustic Dances/em>/dt> dd> span classcontext> Sound · Collaboration with ArtMan association · 2022 br /> a hrefhttps://www.facebook.com/events/1988618708192424 target_blank classexternal>Facebook event/a> /dd> /dl> div classnarrative> p> Live sound, as collaborative contribution in a workshop series by the Hungarian ArtMan association. The association offered a five-day sensory-based dance and improvisation workshop at the Lake Studios Berlin. Participants were invited to experience their own movements, to connect to the surrounding space and to each other by using their complex physical sensations in a new, inquiring way by excluding visual perception and accompanied by live sound. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/ventana.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Ventana (Día 35)/em>/dt> dd> span classcontext> Film soundtrack · Collaboration with Ana Matey · 2020 br /> a hrefhttps://player.vimeo.com/video/447764842?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Video: em>Ventana (Día 35)/em>/a> /dd> /dl> div classnarrative> p>Music for short film by Ana Matey. The film is one of a series that was undertaken from March 2020, as a response to the sudden change in circumstance caused by the coronavirus pandemic. Each day, for 51 days, a different video portrait was created by Ana Matey in front of the same window. Each film was then given to a different musician or sound artist to create an accompanying soundtrack. This was Day 35./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/vrouw.jpg width250px heightauto /> /div> div classdetails> dl> dt>VROUW!/dt> dd> span classcontext>Sound · Collaborative improvisation ensemble · 2018–present br /> a hrefhttp://vrouwband.com target_blank classexternal>Website/a> · a hrefhttps://vrouw.bandcamp.com/ target_blank classexternal>Bandcamp/a> · a hrefhttps://player.vimeo.com/video/497692310?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Video: VROUW! at Orange Ear, Berlin/a> · a href/images/vrouw-1.jpg data-featherlightimage>Live photo 1/a> · a href/images/vrouw-2.jpg data-featherlightimage>Live photo 2/a> · a href/images/vrouw-3.jpg data-featherlightimage>Live photo 3/a> · a href/images/vrouw-4.jpg data-featherlightimage>Live photo 4/a> /dd> /dl> div classnarrative> p>VROUW! is a five-piece, all-female experimental ensemble based in Berlin. VROUW! plays drums, cymbals, bass, contact mics, shoes, self-made synths, cards, hats, tin foil & plastic bags, bowls, beads, threads and endless other ever-changing amplified objects. VROUW! screams, sings, whispers and listens, riding the intricate waves of their ambient soundscapes. /p> p>VROUW! is Agnė Auželytė (keyboards, voice), Tristen Bakker (bass, noise box, voice), Kata Kovács (amplified objects, voice), Angela Muñoz (percussion, voice), and Lisa Simpson (talking hats and oscillations, voice)./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/hvarfig-lera.jpg width250px heightauto /> /div> div classdetails> dl> dt>KvT/dt> dd> span classcontext> Sound · Spatial punk research unit · 2017–presentbr /> a hrefhttps://kvt.red target_blank classexternal>Website/a> · a hrefhttps://kvtred.bandcamp.com/ target_blank classexternal>Bandcamp/a> /dd> /dl> div classnarrative> p>KvT is a collaborative unit, which shapes ephemeral soundscapes from the overlapping churn of individually-simple elements. They layer resonance, repetition, movement, and memory — combining iterated fragments of voice, trumpet, and bass.This stripped-down palette allows for a singular focus on the worlds of sound that can be layered and stitched together from voices, fragments, loops, layered resonance, and emergent drone — all undertaken with hand-carried amplifiers, allowing for a spatialised, context-aware live presentation that never repeats in the same way. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/signal-tide.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Signal Tide/em>/dt> dd> span classcontext> Installation · Collaboration with Tom O’Doherty and David Bryant · 2017–presentbr /> a hrefhttps://kkto.net/work/signal-tide/ target_blank classexternal>em>Signal Tide/em> full details/a> · a hrefhttps://www.lacma.org/signaltideaudio target_blank classexternal>Sound mix (LACMA)/a> /dd> /dl> div classnarrative> p>em>Signal Tide/em> is a sound and extraterrestrial radio installation artwork. The work combines real-time signals from an abandoned satellite currently orbiting the earth (the LES-1, launched in 1965) with specially-commissioned music and sound, created in collaboration with David Bryant (of Godspeed You! Black Emperor and Hiss Tracts) and Tom O’Doherty. em>Signal Tide/em> was initially presented at Los Angeles County Museum of Art, from September 21.–24., 2017./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/default.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>A Practice of Falling/em>/dt> dd> span classcontext> Sound performance · 2016 /dd> /dl> div classnarrative> p>em>A Practice of Falling/em> is a durational performance considering the implications of repetitive movement combined with sparse sound in large spaces. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/women-behind-drums.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Women Behind Drums/em>/dt> dd> span classcontext> Performance · Collaboration with Zinzi Buchanan · 2016 br /> a href/images/women-behind-drums-1.jpg data-featherlightimage>Live photo 1/a> · a href/images/women-behind-drums-2.jpg data-featherlightimage>Live photo 2/a> /dd> /dl> div classnarrative> p>em>Women Behind Drums/em> is a sound performance, a performative critique of male-dominated spaces and a ritualistic manifestation of a wish for more women behind drums. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/minute-year.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Minute/Year/em>/dt> dd> span classcontext> Durational installation · Collaboration with Tom O’Doherty · 2016–present br /> a hrefhttp://www.minuteyear.com/ target_blank classexternal>em>Minute/Year/em> archive/a> · a hrefhttp://www.kovacsodoherty.com/work/minuteyear/ target_blank classexternal>em>Minute/Year/em> full details/a> /dd> /dl> div classnarrative> p> em>Minute/Year/em> is an automated, sound-based, multi-year durational installation artwork. It creates a new, one-minute recording every day. Each day’s recording is published online. em>Minute/Year/em> alters location each year. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/fake-company.jpg width250px heightauto /> /div> div classdetails> dl> dt>FAKE Company/dt> dd> span classcontext> Interdisciplinary performance · Collaborative group performances under direction of Kathleen Hermesdorf · 2016–presentbr /> a hrefhttps://player.vimeo.com/video/331103925?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Video: FAKE Company at Dock 11/a> · a hrefhttp://www.dock11-berlin.de/index.php/cat/1_0/id/p704_RECKONINGS---ANTIDOTES.html target_blank classexternal>FAKE Company at Dock 11/a> /dd> /dl> div classnarrative> p>FAKE Company is an international arrangement of performers, an intentionally fluid and flexible group. Gathered by Kathleen Hermesdorf of ALTERNATIVA in San Francisco, FAKE Company is a container and instigator for artistic freedom within creative collaboration, embedded and embodied in ongoing practices of improvisation in movement, theater, sound and visual art. FAKE Company has been presented in Berlin, Stolzenhagen and San Francisco./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> footer idextras> Photos: a hrefhttps://fnag-video.de/ target_blank classexternal>Frank Nagel/a>, a hrefhttps://www.robbiesweenyphotography.com/ target_blank classexternal>Robbie Sweeny/a>, a hrefhtp://www.tomodoherty.com target_blank classexternal>Tom O’Doherty/a>, a hrefhttp://www.davidemaione.com/ target_blank classexternal>Davide Maione/a>, Hwa Yi Xing, Henrique Antão span stylefloat: right;> © Kata Kovács 2025/span> /footer>/div> !-- .content --> /div> !-- .marquee -->script src//code.jquery.com/jquery-latest.js>/script>script src//cdn.rawgit.com/noelboss/featherlight/1.7.13/release/featherlight.min.js typetext/javascript charsetutf-8>/script>/body>/html>
Port 443
HTTP/1.1 200 OKDate: Thu, 16 Jan 2025 16:08:50 GMTServer: ApacheUpgrade: h2Connection: UpgradeTransfer-Encoding: chunkedContent-Type: text/html; charsetutf-8 !DOCTYPE html>html dirltr langen-US>head>meta charsetUTF-8 />meta nameviewport contentwidthdevice-width, initial-scale1, maximum-scale1>title>Kata Kovács · Sound artist/title> meta namedescription contentKata Kovács /> !-- link relicon typeimage/png href/favicon.ico /> --> link relicon typeimage/png hreffavicon-32x32.png sizes32x32 /> link relicon typeimage/png hreffavicon-16x16.png sizes16x16 /> link hrefhttps://fonts.googleapis.com/css?familyPT+Serif|Rokkitt relstylesheet> link href//cdn.rawgit.com/noelboss/featherlight/1.7.13/release/featherlight.min.css typetext/css relstylesheet /> link relstylesheet hrefstylex.css typetext/css mediascreen /> style typetext/css> !-- section#woah {background-image: url(/headers/top-04.jpg);} --> /style>/head>body>section idwoah> div idtitle> h1>Kata Kovács/h1> /div>/section> div classmarquee stylebackground: #eee; color: #000;>div classcontent idintro>dl> dt> iframe srchttps://player.vimeo.com/video/447932292?autoplay1&loop1&title0&byline0&portrait0 width180 height180 frameborder0 allowautoplay; fullscreen allowfullscreen>/iframe> /dt> dd>span idbio>Kata Kovács is a sound artist and interdisciplinary performer. A 2007 graduate of Budapest Contemporary Dance School, she has been living in Berlin since 2011. She is active in several ensembles, including VROUW!, KvT, FAKE Company, and a long-term collaboration with artist Tom O’Doherty. Her works often focus on contemplation and repetition, on the movement of sound in space, and on the performative possibilities of unusual spatial situations. Her works have been presented nationally and internationally, including at the Los Angeles County Museum of Art, California; Serralves Museum, Porto; National Museum of Contemporary Art (Chiado), Lisbon; Kunstquartier Bethanien, Berlin; Kunstkraftwerk, Leipzig; Digital in Berlins Kiezsalon series, Berlin; University of Gothenburg, Sweden; Wesleyan University, Connecticut; ausland, Berlin; Flutgraben, Berlin; and Bakelit, Budapest./span> span idcontact>script typetext/javascript>//!CDATA!--var xfunction f(x){var i,o\\,olx.length,lol;while(x.charCodeAt(l/13)! +48){try{x+x;l+l;}catch(e){}}for(il-1;i>0;i--){o+x.charAt(i);}return o +.substr(0,ol);}f(\)411,\\\ZPdw771\\\\b:ue4>78120\\\\mpr\\\\5\\\\\\\n!%* +410\\\\j330\\\\{ (7+5`530\\\\bXHRI@620\\\\XAt410\\\\DLKGN^Y620\\\\OUI310 +\\\\W@CWOt771\\\\i}pZxlv}/{g~xqb,Q1mo{`g9&+lmen\\\\420\\\\610\\\\410\\\\Tr +\\\\620\\\\220\\\\330\\\\000\\\\720\\\\430\\\\620\\\\\\\(f};o nruter};))++ +y(^)i(tAedoCrahc.x(edoCrahCmorf.gnirtS+o;721%y;2*y))y+411(>i(fi{)++i;li +;0i(rof;htgnel.xl,\\\\\\o,i rav{)y,x(f noitcnuf\) ;while(xeval(x));//-->//>/script>/span> /dd> /dl> /div> !-- .content --> /div> !-- .marquee --> div classmarquee idtitle2>div classcontent> h3>Work/h3>/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/boat_still.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Woven All of Dream and Error/em>/dt> dd> span classcontext> Exhibition · Collaboration with Tom O’Doherty · 2024 br /> a hrefhttps://dreamanderror.com/ target_blank classexternal>Website/a> · a hrefhttps://player.vimeo.com/video/960637290?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Introductory video/em>/a> /dd> /dl> div classnarrative> p>em>Woven All of Dream and Error/em> is an exhibition presenting a collection of films, images, and sounds that consider the overlap of two areas of the history of technology: the sites of abandoned railway lines, and the emergence of machine learning — or what has popularly come to be referred to as artificial intelligence. The work emerged from the four-year research process that occurred under the working title em>Other Trains/em>./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/acoustic_dances.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Acoustic Dances/em>/dt> dd> span classcontext> Sound · Collaboration with ArtMan association · 2022 br /> a hrefhttps://www.facebook.com/events/1988618708192424 target_blank classexternal>Facebook event/a> /dd> /dl> div classnarrative> p> Live sound, as collaborative contribution in a workshop series by the Hungarian ArtMan association. The association offered a five-day sensory-based dance and improvisation workshop at the Lake Studios Berlin. Participants were invited to experience their own movements, to connect to the surrounding space and to each other by using their complex physical sensations in a new, inquiring way by excluding visual perception and accompanied by live sound. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/ventana.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Ventana (Día 35)/em>/dt> dd> span classcontext> Film soundtrack · Collaboration with Ana Matey · 2020 br /> a hrefhttps://player.vimeo.com/video/447764842?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Video: em>Ventana (Día 35)/em>/a> /dd> /dl> div classnarrative> p>Music for short film by Ana Matey. The film is one of a series that was undertaken from March 2020, as a response to the sudden change in circumstance caused by the coronavirus pandemic. Each day, for 51 days, a different video portrait was created by Ana Matey in front of the same window. Each film was then given to a different musician or sound artist to create an accompanying soundtrack. This was Day 35./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/vrouw.jpg width250px heightauto /> /div> div classdetails> dl> dt>VROUW!/dt> dd> span classcontext>Sound · Collaborative improvisation ensemble · 2018–present br /> a hrefhttp://vrouwband.com target_blank classexternal>Website/a> · a hrefhttps://vrouw.bandcamp.com/ target_blank classexternal>Bandcamp/a> · a hrefhttps://player.vimeo.com/video/497692310?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Video: VROUW! at Orange Ear, Berlin/a> · a href/images/vrouw-1.jpg data-featherlightimage>Live photo 1/a> · a href/images/vrouw-2.jpg data-featherlightimage>Live photo 2/a> · a href/images/vrouw-3.jpg data-featherlightimage>Live photo 3/a> · a href/images/vrouw-4.jpg data-featherlightimage>Live photo 4/a> /dd> /dl> div classnarrative> p>VROUW! is a five-piece, all-female experimental ensemble based in Berlin. VROUW! plays drums, cymbals, bass, contact mics, shoes, self-made synths, cards, hats, tin foil & plastic bags, bowls, beads, threads and endless other ever-changing amplified objects. VROUW! screams, sings, whispers and listens, riding the intricate waves of their ambient soundscapes. /p> p>VROUW! is Agnė Auželytė (keyboards, voice), Tristen Bakker (bass, noise box, voice), Kata Kovács (amplified objects, voice), Angela Muñoz (percussion, voice), and Lisa Simpson (talking hats and oscillations, voice)./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/hvarfig-lera.jpg width250px heightauto /> /div> div classdetails> dl> dt>KvT/dt> dd> span classcontext> Sound · Spatial punk research unit · 2017–presentbr /> a hrefhttps://kvt.red target_blank classexternal>Website/a> · a hrefhttps://kvtred.bandcamp.com/ target_blank classexternal>Bandcamp/a> /dd> /dl> div classnarrative> p>KvT is a collaborative unit, which shapes ephemeral soundscapes from the overlapping churn of individually-simple elements. They layer resonance, repetition, movement, and memory — combining iterated fragments of voice, trumpet, and bass.This stripped-down palette allows for a singular focus on the worlds of sound that can be layered and stitched together from voices, fragments, loops, layered resonance, and emergent drone — all undertaken with hand-carried amplifiers, allowing for a spatialised, context-aware live presentation that never repeats in the same way. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/signal-tide.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Signal Tide/em>/dt> dd> span classcontext> Installation · Collaboration with Tom O’Doherty and David Bryant · 2017–presentbr /> a hrefhttps://kkto.net/work/signal-tide/ target_blank classexternal>em>Signal Tide/em> full details/a> · a hrefhttps://www.lacma.org/signaltideaudio target_blank classexternal>Sound mix (LACMA)/a> /dd> /dl> div classnarrative> p>em>Signal Tide/em> is a sound and extraterrestrial radio installation artwork. The work combines real-time signals from an abandoned satellite currently orbiting the earth (the LES-1, launched in 1965) with specially-commissioned music and sound, created in collaboration with David Bryant (of Godspeed You! Black Emperor and Hiss Tracts) and Tom O’Doherty. em>Signal Tide/em> was initially presented at Los Angeles County Museum of Art, from September 21.–24., 2017./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/default.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>A Practice of Falling/em>/dt> dd> span classcontext> Sound performance · 2016 /dd> /dl> div classnarrative> p>em>A Practice of Falling/em> is a durational performance considering the implications of repetitive movement combined with sparse sound in large spaces. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/women-behind-drums.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Women Behind Drums/em>/dt> dd> span classcontext> Performance · Collaboration with Zinzi Buchanan · 2016 br /> a href/images/women-behind-drums-1.jpg data-featherlightimage>Live photo 1/a> · a href/images/women-behind-drums-2.jpg data-featherlightimage>Live photo 2/a> /dd> /dl> div classnarrative> p>em>Women Behind Drums/em> is a sound performance, a performative critique of male-dominated spaces and a ritualistic manifestation of a wish for more women behind drums. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/minute-year.jpg width250px heightauto /> /div> div classdetails> dl> dt>em>Minute/Year/em>/dt> dd> span classcontext> Durational installation · Collaboration with Tom O’Doherty · 2016–present br /> a hrefhttp://www.minuteyear.com/ target_blank classexternal>em>Minute/Year/em> archive/a> · a hrefhttp://www.kovacsodoherty.com/work/minuteyear/ target_blank classexternal>em>Minute/Year/em> full details/a> /dd> /dl> div classnarrative> p> em>Minute/Year/em> is an automated, sound-based, multi-year durational installation artwork. It creates a new, one-minute recording every day. Each day’s recording is published online. em>Minute/Year/em> alters location each year. /p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> div classaside> img srcimages/sq/fake-company.jpg width250px heightauto /> /div> div classdetails> dl> dt>FAKE Company/dt> dd> span classcontext> Interdisciplinary performance · Collaborative group performances under direction of Kathleen Hermesdorf · 2016–presentbr /> a hrefhttps://player.vimeo.com/video/331103925?autoplay1 data-featherlightiframe data-featherlight-iframe-frameborder0 data-featherlight-iframe-allowautoplay; encrypted-media data-featherlight-iframe-allowfullscreentrue data-featherlight-iframe-styledisplay:block;border:none;height:80vh;width:80vw;>Video: FAKE Company at Dock 11/a> · a hrefhttp://www.dock11-berlin.de/index.php/cat/1_0/id/p704_RECKONINGS---ANTIDOTES.html target_blank classexternal>FAKE Company at Dock 11/a> /dd> /dl> div classnarrative> p>FAKE Company is an international arrangement of performers, an intentionally fluid and flexible group. Gathered by Kathleen Hermesdorf of ALTERNATIVA in San Francisco, FAKE Company is a container and instigator for artistic freedom within creative collaboration, embedded and embodied in ongoing practices of improvisation in movement, theater, sound and visual art. FAKE Company has been presented in Berlin, Stolzenhagen and San Francisco./p> /div> !-- .narrative --> /div> !-- .details -->/div> !-- .content --> /div> !-- .marquee -->div classmarquee>div classcontent main> footer idextras> Photos: a hrefhttps://fnag-video.de/ target_blank classexternal>Frank Nagel/a>, a hrefhttps://www.robbiesweenyphotography.com/ target_blank classexternal>Robbie Sweeny/a>, a hrefhtp://www.tomodoherty.com target_blank classexternal>Tom O’Doherty/a>, a hrefhttp://www.davidemaione.com/ target_blank classexternal>Davide Maione/a>, Hwa Yi Xing, Henrique Antão span stylefloat: right;> © Kata Kovács 2025/span> /footer>/div> !-- .content --> /div> !-- .marquee -->script src//code.jquery.com/jquery-latest.js>/script>script src//cdn.rawgit.com/noelboss/featherlight/1.7.13/release/featherlight.min.js typetext/javascript charsetutf-8>/script>/body>/html>
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www.katakovacs.org
2025-01-16
136.243.162.142
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