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AlienVault OTX
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DNS Resolutions
Date
IP Address
2019-09-17
104.31.86.37
(
ClassC
)
2025-01-17
104.21.16.189
(
ClassC
)
Port 80
HTTP/1.1 301 Moved PermanentlyDate: Fri, 17 Jan 2025 00:37:11 GMTContent-Type: text/html; charsetiso-8859-1Transfer-Encoding: chunkedConnection: keep-aliveLocation: https://invisiblesf.com/cf-cache-status: DYNAMICReport-To: {endpoints:{url:https:\/\/a.nel.cloudflare.com\/report\/v4?syMq8h4PykrPI%2BSmvDcw9Z5VdZWzsriFTQd0VyDBy79zO9NcsVDFV4KUHAG3Sn2joX%2BqGZfSwIgS%2BS9aKPI1b2eZuze20SWrIDXFvwiIldSSMSbKXi4enhgDwn0ocLcM3ejI%3D},group:cf-nel,max_age:604800}NEL: {success_fraction:0,report_to:cf-nel,max_age:604800}Server: cloudflareCF-RAY: 9032467caafdc490-SEAalt-svc: h3:443; ma86400server-timing: cfL4;desc?protoTCP&rtt9207&min_rtt9207&rtt_var4603&sent1&recv3&lost0&retrans0&sent_bytes0&recv_bytes54&delivery_rate0&cwnd223&unsent_bytes0&cid0000000000000000&ts0&x0 !DOCTYPE HTML PUBLIC -//IETF//DTD HTML 2.0//EN>html>head>title>301 Moved Permanently/title>style> body {margin: 20px; font-family: helvetica, sans-serif; max-width: 800px;} .error {color: #e00;} pre {font-size: 16px;} h1 {font-size: 28px;}/style>/head>body>h1>Moved Permanently/h1>p>The document has moved a hrefhttps://invisiblesf.com/>here/a>./p>/body>/html>
Port 443
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html>html langen-US>head>meta charsetUTF-8>meta nameviewport contentwidthdevice-width, initial-scale1>link relprofile hrefhttps://gmpg.org/xfn/11>title>Invisible SF | Mapping a History of the Present – HUM 376 | San Francisco: Biography of a City/title>meta namerobots contentmax-image-preview:large />style>img:is(sizesauto i, sizes^auto, i) { contain-intrinsic-size: 3000px 1500px }/style>link relalternate typeapplication/rss+xml titleInvisible SF | Mapping a History of the Present » Feed hrefhttps://invisiblesf.com/feed/ />link relalternate typeapplication/rss+xml titleInvisible SF | Mapping a History of the Present » Comments Feed hrefhttps://invisiblesf.com/comments/feed/ /> script defer 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elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle data-idad6fff6 data-element_typesection data-settings{"background_background":"classic","background_image":{"url":"https:\/\/invisiblesf.com\/wp-content\/uploads\/2019\/08\/clear_vision_8f8ccf8776de6f5b0f062e887baf5d07.jpg","id":3006,"size":""}}>div classelementor-container elementor-column-gap-no>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6492fcf data-id6492fcf data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-5a301d4 elementor-widget elementor-widget-menu-anchor data-id5a301d4 data-element_typewidget data-widget_typemenu-anchor.default>div classelementor-widget-container>div classelementor-menu-anchor idtop>/div>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-501db25 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id501db25 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a703c3e data-ida703c3e data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-4723368 ee-heading--solid elementor-widget elementor-widget-heading-extended data-id4723368 data-element_typewidget data-widget_typeheading-extended.default>div classelementor-widget-container>h1 classee-heading elementor-size-default data-titleWhat is San Francisco Modernism?>span classee-heading__text> What is San Francisco Modernism? /span>span classee-heading__text-shadow> What is San Francisco Modernism? /span>/h1>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-dbb5dd2 elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle data-iddbb5dd2 data-element_typesection data-settings{"background_background":"classic","background_image":{"url":"https:\/\/invisiblesf.com\/wp-content\/uploads\/2019\/08\/surfer-2_8b820c0cdcad84d60cfd02d872f5869f.jpg","id":3007,"size":""}}>div classelementor-background-overlay>/div>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c7db3ca data-idc7db3ca data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-65ae8bf elementor-widget elementor-widget-heading data-id65ae8bf data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>This course studies the cultural life of the city from its days as a Spanish settlement named Yurba Buena to the present. This course treats the historical and cultural life of the city as coextensive with modernity (modern capitalist development, including progress and its ideologies, which we generally refer to today as globalization). Because the city of SF is bound-up with modernity, it is something that is still happening, something that we are all participating in and working through. This is why my version of the course has historically been subtitled A History of the Present. br>br> This is a fun class where we learn about the cultural life of the city, including the dirty stories from the 19th century, the gossip, and the unique characters of San Francisco. But we will also think seriously about place and exclusion, the genocide of native peoples, and the history of race in the city, particularly with regard to Chinatown and the Chinese Exclusion Act. We will also study gender and its constructions, sexuality, nature, commodification, prostitution, image and spectacle as they relate to everyday life in SF modernities. Significant cultural works, places, and events, will be studied in relation to the city./h2>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-fc7bfc3 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idfc7bfc3 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-021d442 data-id021d442 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-098757e elementor-invisible elementor-widget elementor-widget-image data-id098757e data-element_typewidget data-settings{"_animation":"fadeIn"} data-widget_typeimage.default>div classelementor-widget-container> img fetchpriorityhigh decodingasync width300 height300 srchttps://invisiblesf.com/wp-content/uploads/2016/11/graffiti_website-1-300x300.jpg classattachment-medium size-medium wp-image-1706 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/11/graffiti_website-1-300x300.jpg 300w, https://invisiblesf.com/wp-content/uploads/2016/11/graffiti_website-1-150x150.jpg 150w, https://invisiblesf.com/wp-content/uploads/2016/11/graffiti_website-1-768x768.jpg 768w, https://invisiblesf.com/wp-content/uploads/2016/11/graffiti_website-1.jpg 1000w sizes(max-width: 300px) 100vw, 300px />/div>/div>div classelementor-element elementor-element-9472411 elementor-widget elementor-widget-heading data-id9472411 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Invisible Cities/h2>/div>/div>div classelementor-element elementor-element-c3e989c elementor-widget elementor-widget-spacer data-idc3e989c data-element_typewidget data-widget_typespacer.default>div classelementor-widget-container>div classelementor-spacer>div classelementor-spacer-inner>/div>/div>/div>/div>div classelementor-element elementor-element-931c41c elementor-widget elementor-widget-heading data-id931c41c data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.br> —Italo Calvino, em>Invisible Cities/em> br>br> Cities are not merely buildings, objects, and things, but also something as abstract as desires. To think cities as an assemblage of desires is one way to enter into the unknown, the poetic, the different, and invisible materiality of the cultural life of the city. The point, of course, is not merely to make the city “known” —the same way, for example, that Ishi was rendered knowable and made visible, and thereby turned into a subject of modern knowledge— but to enter into that which remains unknown and unknowable: the life of the city. br>br> I hope this course serves as a jumping off point for students to explore their own relationship with the cultural life of SF. We are living in the place that we are studying. That’s unique insofar as it enables us to bring together life, thought, and research./h2>/div>/div>/div>/div>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e552daf data-ide552daf data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-1f62c1a elementor-invisible elementor-widget elementor-widget-image data-id1f62c1a data-element_typewidget data-settings{"_animation":"fadeIn"} data-widget_typeimage.default>div classelementor-widget-container> img decodingasync width296 height300 srchttps://invisiblesf.com/wp-content/uploads/2016/11/bridge_test22-2-296x300.jpg classattachment-medium size-medium wp-image-1697 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/11/bridge_test22-2-296x300.jpg 296w, https://invisiblesf.com/wp-content/uploads/2016/11/bridge_test22-2.jpg 564w sizes(max-width: 296px) 100vw, 296px />/div>/div>div classelementor-element elementor-element-5b35b86 elementor-widget elementor-widget-heading data-id5b35b86 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Everyday Life/h2>/div>/div>div classelementor-element elementor-element-362c539 elementor-widget elementor-widget-spacer data-id362c539 data-element_typewidget data-widget_typespacer.default>div classelementor-widget-container>div classelementor-spacer>div classelementor-spacer-inner>/div>/div>/div>/div>div classelementor-element elementor-element-6d208ca elementor-widget elementor-widget-heading data-id6d208ca data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>The everyday: What is most difficult to discover.br> —Maurice Blanchot, em>The Infinite Conversation/em>br>br> I encourage students to think about their work in this course in relation to their experiences, encounters and relations with the city. The critical term “everyday life” is somewhat contested in contemporary scholarship. Some scholars use the term in a historicist manner: pointing to specific works of human expression, modes of living, and consuming as evocations of a more literal “everyday life” of the past (particularly with regard to what we have excluded from our usual histories, such as gender, race, and sex). For others, the concept of the “everyday” is something non-representative, something that needs to be invented or discovered, and is inseparable from the creation of new ways of thinking and living. I mention these usages of the term because some of the textual material in this course will clearly make use of the first model of thinking the “everyday.” It is up to students to decide for themselves how to use this material in a way that may draw out the latter sense of “everyday life.” I believe that both ways of thinking this term have their place in this course and the work that we will do together./h2>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-0fcc257 elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle data-id0fcc257 data-element_typesection data-settings{"background_background":"classic","background_image":{"url":"https:\/\/invisiblesf.com\/wp-content\/uploads\/2011\/10\/April-1975-01-San-Francisco-beach_small.jpg","id":2032,"size":""}}>div classelementor-container elementor-column-gap-no>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-745a29a data-id745a29a data-element_typecolumn>div classelementor-widget-wrap>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-ac6aec3 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idac6aec3 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1e2fc77 data-id1e2fc77 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-8a6b635 elementor-widget elementor-widget-menu-anchor data-id8a6b635 data-element_typewidget data-widget_typemenu-anchor.default>div classelementor-widget-container>div classelementor-menu-anchor idsyllabus>/div>/div>/div>div classelementor-element elementor-element-e735bca ee-heading--solid elementor-widget elementor-widget-heading-extended data-ide735bca data-element_typewidget data-widget_typeheading-extended.default>div classelementor-widget-container>h1 classee-heading elementor-size-default data-titleSYLLABUS>span classee-heading__text> SYLLABUS /span>span classee-heading__text-shadow> SYLLABUS /span>/h1>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-893a05c elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id893a05c data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-479a763 data-id479a763 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-ffc3d5e elementor-widget elementor-widget-heading data-idffc3d5e data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>San Francisco: Biography of a City/h2>/div>/div>div classelementor-element elementor-element-bbf8283 elementor-widget elementor-widget-text-editor data-idbbf8283 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>Above image: Ocean Beach SF, 1975, from a hrefhttp://www.cliffhouseproject.com/environs/oceanbeach/ocean_beach.htm target_blank relnoopener noreferrer>The Cliff House Project/a>/p>p>strong>This course meets the following requirements: Upper Division UD-C: Arts and/or Humanities, SF State Studies: Environmental Sustainability, GE Segment 3./strong>/p>p>strong>This class is fully online via Canvas./strong>/p>p>strong>Course Description/strong>/p>p>This course studies the cultural life of the city from its days as a Spanish settlement named Yerba Buena to the present. This particular version of the course treats the historical and cultural life of the city as coextensive with modernity—modern capitalist development, including “progress” and its ideologies. Because the City of SF is bound up with modernity, it is something that is still happening, something that we are all participating in and working through. This is why my versions of the course have been subtitled em>A History of the Present/em>./p>p>This is a fun class where we learn about all the dirty stories from the 19th century, the gossip, and the unique characters of San Francisco. But we will also think seriously about place and exclusion, the genocide of native peoples, and the history of race in the city. We will also study gender and its constructions, sexuality, nature, commodification, technology, prostitution, trans history, image and spectacle as they relate to everyday life in SF modernities. Significant cultural works, places, and events, will be studied in relation to the material history of the city./p>p>What is San Francisco modernism? The term modernism is defined differently by different people. Since it’s impossible to accurately represent entire periods of human history, for the purposes of this class, when we talk about modernism, we are primarily talking about a concept that seeks to think an entire series of cultural practices, techniques, and relations specific to the 19th century that inform and shed light on how we got to our present moment. Thus, our questions and concerns will be based on contemporary experiences. Our work, in that sense, remains grounded in often urgent problems of the present—for example, race, gender, sex, and class—in relation to their material history. In other words, how modern practices, techniques, relations, and even discourses specific to the 19th and early 20th centuries informs where we are now./p>p>How do we read the unique forms of human expression, such as art, architecture, music, literature, photography, film, and politics associated with this city and their relation to modern life? We will explore these and other questions by tracing our own unique history of the present of San Francisco. Rather than a simple chronological re-telling of dates, facts and major events, we will endeavor to creatively enter into the historical life of the city, thereby changing and expanding our conception of San Francisco. Close attention will be paid to major historical events and cultural locations in the life of the city, such as the gold rush, immigration, ethnicity, race, gender, sexuality, Chinatown, the Chinese Exclusion Act, modernity, world’s fairs, censorship and the beat generation, vice and sin, literature, and photography. By the end of the semester, students should come away from the course with a greater knowledge of the cultural history of San Francisco, and, hopefully, a new experience of the city in relation to its past./p>p>Everyone is welcome in this class. The online forums are, above all, a space where students are allowed to have a voice. It’s really important, especially with what is going on in the world, that we support each other and strive to be respectful of our differences, our contributions, and our points of view. From the subject matter we will study, to many of the primary texts used in the course (written by women and sexual minorities), to the work we will do in the online forums, this is an inclusive class./p>p>b>This is a ZCCM (Zero Cost Course Materials Class). /b>/p>p>strong>Primary Books/strong>/p>ul>li>Barbara Bergland – em>Making San Francisco American: Cultural Frontiers in the Urban West, 1846 – 1906/em>/li>li>Allen Ginsberg, i>Howl: Original Draft Facsimile, Transcript, and Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence/i> (Harper Collins, 2006)/li>li>Jessica Ellen Sewell – em>Women and the Everyday City: Public Space in San Francisco, 1890-1915/em>/li>li>Clare Sears – em>Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco/em>/li>/ul>p>strong stylefont-family: var( --e-global-typography-text-font-family ), Sans-serif; letter-spacing: 0px; -webkit-text-size-adjust: 100%;> /strong>/p>p>strong stylefont-family: var( --e-global-typography-text-font-family ), Sans-serif; letter-spacing: 0px; -webkit-text-size-adjust: 100%;>Essays and Book Selections/strong>/p>ul>li>Celesete Olalquiaga, “The Crystal Palace” from theem> Artificial Kingdom/em>/li>li>Nancy J. Peters, “The Beat Generation and San Francisco’s Culture of Dissent”/li>li>Rebecca Solnit, em>Infinite City/em> (selections) /li>li>Rebecca Solnit, em>River of Shadows: Eadweard Muybridge and the Technological Wild West /em>(selections) /li>li>John Kuo Wei Tchen, “Introduction: Tangrenbu-The Streetlife of San Francisco’s Chinatown, 1895-1906” from em>Genthe’s Photographs of San Francisco’s Old Chinatown/em>/li>/ul>div>i> /i>/div>p>b>Optional essays:/b>/p>ul>li>Jonathan Crary, “Modernizing Vision”/li>li>Rachel Brahinsky, “‘Hush Puppies’ Communalist Politics and Demolition Governance: The Rise and Fall of the Black Fillmore”/li>li>Mary Jean Robertson, “Reflections from Occupied Ohlone Territory”/li>/ul>div> /div>p>Study Questions (some course study questions will be included in forums and modules in Canvas)./p>p>These are films we will watch online. You will be tested for the content of any of the required films. There will be film notes that you will be required to hand in online./p>p>strong> Films/strong> (viewed online, listed alphabetically by director):/p>ul>li>Rick Butler, em>Hidden Cities of San Francisco: The Fillmore/em> (1999)/li>li>Rick Burns/Li-Shin Yu, i>The Chinese Exclusion Act/i> (2017)/li>li>Felecia Lowe, em>Hidden Cities of San Francisco: Chinatown/em> (1996)/li>li>Arthur Dong, em>Forbidden City, USA/em> (1989)/li>li>span stylefont-family: var( --e-global-typography-text-font-family ), Sans-serif; letter-spacing: 0px; -webkit-text-size-adjust: 100%;>Riff and Roberts, /span>em stylefont-family: var( --e-global-typography-text-font-family ), Sans-serif; letter-spacing: 0px; -webkit-text-size-adjust: 100%;>Ishi: The Last Yahi/em>span stylefont-family: var( --e-global-typography-text-font-family ), Sans-serif; letter-spacing: 0px; -webkit-text-size-adjust: 100%;> (1992)/span>/li>li>Michael Rohde, em>Madams of the Barbary Coast/em> (2008)/li>li stylefont-size: 16px; background-image: none; background-color: #ffffff;>span stylefont-family: var( --e-global-typography-text-font-family ), Sans-serif; letter-spacing: 0px; -webkit-text-size-adjust: 100%;>Mark Shaffer, i>Exposing Muybridge/i> (2021)/span>/li>li>Stryker/Silverman, em>Screaming Queens: The Riot at Compton’s Cafeteria/em> (2010)/li>/ul>div> /div>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-eb26f5c elementor-section-boxed elementor-section-height-default elementor-section-height-default data-ideb26f5c data-element_typesection data-settings{"background_background":"classic","background_image":{"url":"","id":"","size":""}}>div classelementor-background-overlay>/div>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-978b69f data-id978b69f data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-bc3a92d elementor-hidden-phone elementor-invisible elementor-widget elementor-widget-image data-idbc3a92d data-element_typewidget data-settings{"_animation":"fadeIn"} data-widget_typeimage.default>div classelementor-widget-container> img decodingasync width150 height150 srchttps://invisiblesf.com/wp-content/uploads/2017/01/steps-150x150.png classattachment-thumbnail size-thumbnail wp-image-2298 alt />/div>/div>/div>/div>div classelementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-ec51e20 data-idec51e20 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-abe4f7a elementor-hidden-phone elementor-invisible elementor-widget elementor-widget-image data-idabe4f7a data-element_typewidget data-settings{"_animation":"fadeIn"} data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width150 height150 srchttps://invisiblesf.com/wp-content/uploads/2017/01/doggy-150x150.png classattachment-thumbnail size-thumbnail wp-image-2300 alt srcsethttps://invisiblesf.com/wp-content/uploads/2017/01/doggy-150x150.png 150w, https://invisiblesf.com/wp-content/uploads/2017/01/doggy-298x300.png 298w, https://invisiblesf.com/wp-content/uploads/2017/01/doggy-768x773.png 768w, https://invisiblesf.com/wp-content/uploads/2017/01/doggy-1017x1024.png 1017w, https://invisiblesf.com/wp-content/uploads/2017/01/doggy.png 1139w sizes(max-width: 150px) 100vw, 150px />/div>/div>/div>/div>div classelementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-38fbd88 data-id38fbd88 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-cf22002 elementor-hidden-phone elementor-invisible elementor-widget elementor-widget-image data-idcf22002 data-element_typewidget data-settings{"_animation":"fadeIn"} data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width150 height150 srchttps://invisiblesf.com/wp-content/uploads/2019/01/blue_beach_scan600-150x150.jpg classattachment-thumbnail size-thumbnail wp-image-2837 alt />/div>/div>/div>/div>div classelementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-30c80fc data-id30c80fc data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-3bb15f0 elementor-hidden-phone elementor-invisible elementor-widget elementor-widget-image data-id3bb15f0 data-element_typewidget data-settings{"_animation":"fadeIn"} data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width150 height150 srchttps://invisiblesf.com/wp-content/uploads/2019/01/seawall2-150x150.jpg classattachment-thumbnail size-thumbnail wp-image-2514 alt />/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-bb28e22 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idbb28e22 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b8a9e11 data-idb8a9e11 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-59e144c elementor-widget elementor-widget-menu-anchor data-id59e144c data-element_typewidget data-widget_typemenu-anchor.default>div classelementor-widget-container>div classelementor-menu-anchor idexplore>/div>/div>/div>div classelementor-element elementor-element-0d8a8e1 ee-heading--solid elementor-widget elementor-widget-heading-extended data-id0d8a8e1 data-element_typewidget data-widget_typeheading-extended.default>div classelementor-widget-container>h1 classee-heading elementor-size-default data-titleEXPLORE MORE>span classee-heading__text> EXPLORE MORE /span>span classee-heading__text-shadow> EXPLORE MORE /span>/h1>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-cc56d12 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idcc56d12 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-c1faff4 data-idc1faff4 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-a730595 elementor-widget elementor-widget-image data-ida730595 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width768 height547 srchttps://invisiblesf.com/wp-content/uploads/2013/02/roadhouse800-768x547.png classattachment-medium_large size-medium_large wp-image-2272 alt srcsethttps://invisiblesf.com/wp-content/uploads/2013/02/roadhouse800-768x547.png 768w, https://invisiblesf.com/wp-content/uploads/2013/02/roadhouse800-300x214.png 300w, https://invisiblesf.com/wp-content/uploads/2013/02/roadhouse800.png 800w sizes(max-width: 768px) 100vw, 768px />/div>/div>div classelementor-element elementor-element-2fcc829 elementor-widget elementor-widget-heading data-id2fcc829 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF HISTORY/h2>/div>/div>div classelementor-element elementor-element-2047c55 elementor-widget elementor-widget-heading data-id2047c55 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF WEST HISTORY MINUTE/h2>/div>/div>div classelementor-element elementor-element-10d9f63 elementor-widget elementor-widget-text-editor data-id10d9f63 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>The a hrefhttp://outsidelands.org/historyminute/1267139660/TheMothersBuilding target_blank relnoopener>SF West History Minute/a> is a cool series of one minute West SF history videos. This is a really good jumping off point for further exploration of the Ocean Beach, Sunset/Outer Sunset, Richmond/Outer Richmond neighborhoods. It is produced by the a hrefhttp://www.outsidelands.org/ target_blank relnoopener>Western Neighborhoods Project/a>. Check out their recent podcast on a hrefhttp://outsidelands.org/podcast/WNP310_Electric_Tower?fbclidIwAR2w-7D-L9cVNldv8b_fR8UK0II_s9H50S67MuxyvCaAcYTNK2YZrAwoQZE target_blank relnoopener>“Bonet’s Electric Tower”/a> from the Midwinter Fair./p>/div>/div>div classelementor-element elementor-element-7a9c6a1 elementor-widget elementor-widget-heading data-id7a9c6a1 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image: The Beakers Roadhouse with the San Francisco Motorcycle Club (Great Highway, early 20th century)./h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-36c2f00 data-id36c2f00 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-770feaa elementor-widget elementor-widget-image data-id770feaa data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/harley_ocean_beach-o2h7spch0k8fyxjn0uftw6hd1q2n5j1s02ho29naj8.jpg titleharley_ocean_beach altharley_ocean_beach loadinglazy />/div>/div>div classelementor-element elementor-element-24f8b6c elementor-widget elementor-widget-heading data-id24f8b6c data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF HISTORY/h2>/div>/div>div classelementor-element elementor-element-2d2776f elementor-widget elementor-widget-heading data-id2d2776f data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>FOUND SF/h2>/div>/div>div classelementor-element elementor-element-9fc1112 elementor-widget elementor-widget-text-editor data-id9fc1112 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>a hrefhttp://foundsf.org/index.php?titleMain_Page target_blank relnoopener>Found SF/a> is one of the single best websites on SF Cultural History. I strongly encourage you to research things of interest to you. This can serve as a jumping off point for your work in the course, even just look around in order to form your own unique relation to this fascinating history. There is a wealth of historical and social information, much of it not available in standard history textbooks at Found SF./p>p>You can search for articles and information you never knew you were missing or needed to know by a hrefhttp://foundsf.org/index.php?titleCategory:Time target_blank relnoopener>Decade/a>, a hrefhttp://foundsf.org/index.php?titleCategory:Neighborhood/Geography target_blank relnoopener>Neighborhood / Geography/a>, a hrefhttp://foundsf.org/index.php?titleCategory:Population/People target_blank relnoopener>Population/a>, or a hrefhttp://foundsf.org/index.php?titleCategory:Theme target_blank relnoopener>Theme/a>./p>p>Just now, in browsing the site to write this, I came across Randy Shaw’s 1996 essay, “a hrefhttp://foundsf.org/index.php?titleCREATION_OF_HOMELESSNESS target_blank relnoopener>Creation of Homelessness/a>”/p>p>Have a look at the 1970’s in SF Cultural History:/p>p>a hrefhttp://foundsf.org/index.php?titleCategory:1970s target_blank relnoopener>http://foundsf.org/index.php?titleCategory:1970s/a>/p>/div>/div>div classelementor-element elementor-element-af8dd75 elementor-widget elementor-widget-heading data-idaf8dd75 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Iimage: 1914 F-Head Harley-Davidson model 10F, Ocean Beach, San Francisco 1920’s? Photo collected by Chuck BanneckI/h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-00d46b6 data-id00d46b6 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-99d2c80 elementor-widget elementor-widget-image data-id99d2c80 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/MAP_NATURAL_HISTORY_677-o2h7u1a8p422f1m08x5sxcdvcdid23c36nrfjdo7pw.jpg titleMAP_NATURAL_HISTORY_677 altMAP_NATURAL_HISTORY_677 loadinglazy />/div>/div>div classelementor-element elementor-element-759d2dd elementor-widget elementor-widget-heading data-id759d2dd data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF HISTORY/h2>/div>/div>div classelementor-element elementor-element-e95cb20 elementor-widget elementor-widget-heading data-ide95cb20 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF NATURAL HISTORY LECTURE SERIES/h2>/div>/div>div classelementor-element elementor-element-b586c65 elementor-widget elementor-widget-text-editor data-idb586c65 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>This is a great lecture series on SF Natural History./p>blockquote>p>“The SFNHS explores all aspects of nature in the Bay Area. We seek to understand our impact on those natural systems, and their impact on us. By understanding the history of the natural world where we live, we seek a deeper connection to that world so that we can make more informed choices for the future.”/p>/blockquote>p>a hrefhttps://sfnhs.com/>https://sfnhs.com//a>/p>p>I discovered this website while researching the Farallon Island Egg Wars, another colorful chapter in the history of SF. You can find a cool blog with comic illustration by Eva Chrysanthe at:/p>p>a hrefhttps://faralloneggwar.blogspot.com/ target_blank relnoopener>http://faralloneggwar.blogspot.com//a>/p>/div>/div>div classelementor-element elementor-element-2832dbc elementor-widget elementor-widget-heading data-id2832dbc data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image: Railroad Map of the City of San Francisco, 1864. A Gensoul, Britton & Co./h2>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-ddef2e8 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idddef2e8 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-00c52db data-id00c52db data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-e17e1c7 elementor-widget elementor-widget-image data-ide17e1c7 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/wnp4.0896-o2h7tstozlqhijyambi5swipzwo24tei5hw27w0r9w.jpg titlewnp4.0896 altwnp4.0896 loadinglazy />/div>/div>div classelementor-element elementor-element-e0cf100 elementor-widget elementor-widget-heading data-ide0cf100 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF HISTORY/h2>/div>/div>div classelementor-element elementor-element-6cd5a8d elementor-widget elementor-widget-heading data-id6cd5a8d data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>OPEN SF HISTORY: HISTORICAL IMAGES OF SAN FRANCISCO/h2>/div>/div>div classelementor-element elementor-element-184dcd2 elementor-widget elementor-widget-text-editor data-id184dcd2 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>a hrefhttp://opensfhistory.org/index.php target_blank relnoopener>Open SF History: Historical Images of San Francisco/a> is a wonderful collection of images from the history of San Francisco. You can get lost (in a good way) browsing through this incredible collection that largely comes from a an anonymous private collector. The site is maintained by the a hrefhttp://www.outsidelands.org/ target_blank relnoopener>Western Neighborhoods Project/a>, the same wonderful folks who have given us the a hrefhttp://www.outsidelands.org/historyminute/ target_blank relnoopener>SF History Minute/a> and a hrefhttp://www.outsidelands.org/podcast/ target_blank relnoopener>The Outside Lands SF History Podcast/a>./p>/div>/div>div classelementor-element elementor-element-74733a4 elementor-widget elementor-widget-heading data-id74733a4 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image: Drawing for proposed Ocean Beach esplanade, 1914 from Open SF History./h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-a233dfa data-ida233dfa data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-3a2da30 elementor-widget elementor-widget-image data-id3a2da30 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/carville_750-1-o2h7u1a8p422f1m08x5sxcdvcdid23c36nrfjdo7pw.jpg titlecarville_750 altcarville_750 loadinglazy />/div>/div>div classelementor-element elementor-element-31a5c35 elementor-widget elementor-widget-heading data-id31a5c35 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MODERNISM/h2>/div>/div>div classelementor-element elementor-element-34fa647 elementor-widget elementor-widget-heading data-id34fa647 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>CARVILLE-BY-THE-SEA/h2>/div>/div>div classelementor-element elementor-element-67c4b8c elementor-widget elementor-widget-text-editor data-id67c4b8c data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>“. . . those moving into Carville were Superior Court clerks, judges, insurance brokers, and newspaper editors. All had the means to own, and did own, conventional, homes. Why were they retreating to the old street cars? One writer explained the appeal as the ‘spice of adventure in appropriating something that is cast away,’ and in turn ‘converting into a thing of beauty what is ranked as worthless rubbish’ —em>Carville-by-the-Sea: San Francisco’s Streetcar Suburb/em> by Woody La Bounty/p>p>Wood La Bounty has some really great images of Carville up on the a hrefhttp://www.carville-book.com/bonus.php target_blank relnoopener>“Bonus materials” /a>page for his book, em>Carville-by-the-Sea./em>/p>p>a hrefhttp://foundsf.org/index.php?titleCARVILLE:_Suburban_Bohemia_in_Fin_de_Siecle_San_Francisco target_blank relnoopener>Carville: Suburban Bohemia in Fin de Siecle San Francisco/a> by Natalie Jahraus Cowan/p>p>a hrefhttp://www.outsidelands.org/sw19.php target_blank relnoopener>Carville’s Last Remnan/a>strong>a hrefhttp://www.outsidelands.org/sw19.php target_blank relnoopener>t/a>/strong> by Woody La Bounty/p>p>a hrefhttp://www.outsidelands.org/sw18.php target_blank relnoopener>Carvil/a>a hrefhttp://www.outsidelands.org/sw18.php target_blank relnoopener>le/a> by Woody La Bounty/p>p>a hrefhttp://www.carville-book.com/ target_blank relnoopener>Carville by the Sea: San Francisco’s Streetcar Suburb/a> by Woody La Bounty/p>/div>/div>div classelementor-element elementor-element-2a1171b elementor-widget elementor-widget-heading data-id2a1171b data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image: San Francisco History Center, SF Public Library./h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-bd6371d data-idbd6371d data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-47766b0 elementor-widget elementor-widget-image data-id47766b0 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/fleishacker_pool-o2h7sr85e8b0m5gwpv93160a8htdkx98obsn0tki6s.png titlefleishacker_pool altfleishacker_pool loadinglazy />/div>/div>div classelementor-element elementor-element-60dd50b elementor-widget elementor-widget-heading data-id60dd50b data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF PHOTOGRAPHY/h2>/div>/div>div classelementor-element elementor-element-073cfae elementor-widget elementor-widget-heading data-id073cfae data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>FLEISHACKER POOL/h2>/div>/div>div classelementor-element elementor-element-39a5fe9 elementor-widget elementor-widget-text-editor data-id39a5fe9 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>Here are some cool links to the then “world’s largest outdoor swimming pool,” which was located across from Ocean Beach near Sloat (where the San Francisco Zoo parking lot currently resides)./p>p>Shawn Clover, a hrefhttp://shawnclover.com/2012/02/23/inside-the-old-fleishhacker-poolhouse/ target_blank relnoopener>Inside the Old Fleishhacker Pool House/a>/p>p>Shawn Clover, a hrefhttps://www.flickr.com/photos/shawnclover/6778902196/in/photostream/ target_blank relnoopener>Flickr photo stream/a> of the Old Fleishhacker Pool House./p>p>The Bold Italic, a hrefhttps://thebolditalic.com/rare-photos-from-abandoned-sf-pool-house-the-bold-italic-san-francisco-2e9ff005b06b#.g9yjwuo3e target_blank relnoopener>Rare Photos from the Abandoned SF Pool House/a>/p>p>Woody La Bounty, “a hrefhttp://www.outsidelands.org/sw8.php target_blank relnoopener>The Fleishhacker Pool/a>”/p>p>FoundSF, a hrefhttp://www.foundsf.org/index.php?titleFleishhacker_Pool_1925-84 target_blank relnoopener>The Fleishhacker Pool, 1925-1984/a>/p>p>Peter Heartlaub, a hrefhttp://blog.sfgate.com/thebigevent/2012/12/01/saying-goodbye-to-the-fleishhacker-pool-house/#photo-135688 target_blank relnoopener>“Saying Goodbye to the Fleishhacker Pool House”/a>/p>p>There are some great photos of the pool after it was abandoned and before it was paved over for the zoo parking lot at a hrefhttp://www.doryadams.com/2009/09/abandoned-things-fleishhacker-pool.html target_blank relnoopener>Abandoned Things: Fleishhacker Pool /a>by Dory Adams, photos by Kevin Scanlon./p>/div>/div>div classelementor-element elementor-element-fbcc70a elementor-widget elementor-widget-heading data-idfbcc70a data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image:: Shawn Clover, Inside the Old Fleishhacker Pool House, February 21, 2012 via flickr.com (Creative Commons license.)/h2>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-a63847d elementor-section-boxed elementor-section-height-default elementor-section-height-default data-ida63847d data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-b26ba46 data-idb26ba46 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-a42b0e7 elementor-widget elementor-widget-video data-ida42b0e7 data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?vP7N2kmjPsSY","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2016\/12\/fog800.png","id":1904,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/P7N2kmjPsSY?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-a42b0e7","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL1A3TjJrbWpQc1NZP2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC1hNDJiMGU3IiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/fog800-o2h7sd4kjprps01e075ohrkdbpqvdgp9me0cto5es4.png titlePageLines-fog800.png altPageLines-fog800.png loadinglazy />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-5382ab7 elementor-widget elementor-widget-heading data-id5382ab7 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MUSIC/h2>/div>/div>div classelementor-element elementor-element-6923d8c elementor-widget elementor-widget-heading data-id6923d8c data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>INGRAM MARSHALS FOG TROPES/h2>/div>/div>div classelementor-element elementor-element-6f9626a elementor-widget elementor-widget-text-editor data-id6f9626a data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>San Francisco and the Bay Area has a rich tradition of what was once called new music or avant-garde composers, among them major figures like John Adams. I have always loved Ingram Marshal’s “Fog Tropes” (1981)./p>p>“Fog Tropes began life as a series of field recordings of foghorns around the San Francisco Bay, made in 1979 for performance artist Grace Ferguson. These were then manipulated, added to, and expanded for performance with a brass section, which acts in sonorous call and answer with its industrial counterpart. In the record’s original sleeve notes, Marshall recalls: “A lot of people are reminded of San Francisco when they hear this piece, but not I. To me it is just about fog, and being lost in the fog. The brass players should sound as if they were off in a raft floating in the middle of a mist-enshrouded bay.” The tone is sombre, the rhythm tidal, the sound world an affecting piece of tape collage and modern/minimal composition, with echoing brass, gulls and sirens in the mist.” from a hrefhttp://arclighteditions.bigcartel.com/product/ingram-marshall-i-fog-tropes-gradual-requiem-i target_blank relnoopener>Arc Light Editions/a>. /p>p>The piece definitely evokes living in the Outer Sunset / Ocean Beach Neighborhood. /p>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6b247cd data-id6b247cd data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-54b152a elementor-widget elementor-widget-image data-id54b152a data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/library_blur-o2h7s4o0u7g4vidodli1dbp7z8wkg6rol84zi6hyc4.jpg titlelibrary_blur altlibrary_blur loadinglazy />/div>/div>div classelementor-element elementor-element-e64fb9b elementor-widget elementor-widget-heading data-ide64fb9b data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF HISTORY/h2>/div>/div>div classelementor-element elementor-element-ee8412b elementor-widget elementor-widget-heading data-idee8412b data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>MORE BOOKS ON SF CULTURE/HISTORY/h2>/div>/div>div classelementor-element elementor-element-525450b elementor-widget elementor-widget-text-editor data-id525450b data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>Here are some cool and interesting additional books that I often teach in this course./p>p>Erik Lyle’s em>a hrefhttps://www.amazon.com/Lower-Frequencies-Erick-Lyle-ebook/dp/B00318DGXG/refsr_1_1?sbooks&ieUTF8&qid1444267849&sr1-1&keywordsOn+the+Lower+Frequencies%3A+A+Secret+History+of+the+City target_blank relnoopener>On the Lower Frequencies: A Secret History of the City/a>/em>/p>p>Herbert Asbury’s a hrefhttps://www.amazon.com/Barbary-Coast-Informal-Francisco-Underworld/dp/1560254084/refsr_1_1?sbooks&ieUTF8&qid1444267821&sr1-1&keywordsthe+barbary+coast target_blank relnoopener>em>T/em>he Barbary Coast/a>/p>p>Brook, Carlsson, and Peters, em>a hrefhttps://www.amazon.com/Reclaiming-San-Francisco-Politics-Anthology/dp/0872863352/refsr_1_1?sbooks&ieUTF8&qid1444267782&sr1-1&keywordsreclaiming+san+francisco target_blank relnoopener>Reclaiming San Francisco/a>/em>/p>p>Bourgois and Schonberg, em>a hrefhttps://www.amazon.com/Righteous-Dopefiend-California-Public-Anthropology/dp/0520254988/refsr_1_1?sbooks&ieUTF8&qid1444267744&sr1-1&keywordsrighteous+dopefiend target_blank relnoopener>Righteous Dopefiend/a>/em>/p>p>Anice Jacoby, Editor, a hrefhttps://www.amazon.com/Street-Art-San-Francisco-Muralismo/dp/0810996359 target_blank relnoopener>em>Street Art San Francisco: Mi/em>ssion em>Muralismo/em>/a>/p>p>Additionally, there is a volume, a hrefhttp://streetopiasf.com/ target_blank relnoopener>em>Streetopia/em>/a>, that I am looking forward to checking out./p>p>Additional works on SF cultural history include David Talbot’s i>a hrefhttps://www.amazon.com/Season-Witch-Enchantment-Terror-Deliverance/dp/1439108242>Season of the Witch/a>, /i>Josh Sides i stylebackground-color: #ffffff;>a stylebackground-color: #ffffff; hrefhttps://www.amazon.com/Erotic-City-Sexual-Revolutions-Francisco/dp/0199874069/refsr_1_8?keywordssan+francisco+sexuality&qid1579672134&sbooks&sr1-8 target_blank relnoopener>Erotic City: Sexual Revolutions and the Making of Modern San Francisco/a>./i>/p>p> /p>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-23db953 data-id23db953 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-53cc684 elementor-widget elementor-widget-image data-id53cc684 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img decodingasync srchttps://invisiblesf.com/wp-content/uploads/elementor/thumbs/genthe10-o2h7sjpfvk0q19rtxs02h7wlheufvcfdzakr6lvnkk.jpg titlegenthe10 altgenthe10 loadinglazy />/div>/div>div classelementor-element elementor-element-d15dcd4 elementor-widget elementor-widget-heading data-idd15dcd4 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MODERNISM/h2>/div>/div>div classelementor-element elementor-element-aef41e5 elementor-widget elementor-widget-heading data-idaef41e5 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>GHENTHES PHOTOS OF SFS OLD CHINATOWN/h2>/div>/div>div classelementor-element elementor-element-4889246 elementor-widget elementor-widget-text-editor data-id4889246 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>Arnold Genthe (1869 – 1942) was a photographer who documented the pre-1906 Chinatown. Genthe retouched some of his original photographs, removing English language signs, non-Chinese people, evidence of Western technology, etc, and specifically shot them, arranged, or cropped them in order to romanticize the “exotic” nature of his subject(s). Thus, the images show us, in addition to few surviving images of Old Chinatown, Genthe’s own “gaze” (a peculiarly Western and Orientalist gaze) and the spectacle of Orientalism at the turn of the century. There are several books on the subject, including a critical treatment in a hrefhttps://www.amazon.com/Picturing-Chinatown-Art-Orientalism-Francisco/dp/0520225929/refpd_bbs_sr_1?ieUTF8&sbooks&qid1204002581&sr8-1>em>Picturing Chinatown: Art and Orientalism in San Francisco/em>/a> by Anthony W. Lee. Also available is a collection of Genthe’s work, with a critical essay by John Kuo Wei Tchen, em>a hrefhttps://www.amazon.com/Genthes-Photographs-San-Franciscos-Chinatown/dp/0486245926/refpd_bxgy_b_text_b>Genthe’s Photographs of San Francisco’s Old Chinatown/a>./em>/p>p>a hrefhttp://www.loc.gov/pictures/search/?qgenthe%20chinatown&sp1 target_blank relnoopener>The Library of Congress/a> has an archive that compares Genthe’s negatives with some of his finished photographs./p>p>a hrefhttp://www.californiahistoricalsociety.org/collections/photo_collection/genthe/index.html target_blank relnoopener>The California Historical Society/a> maintains a website with many of Genthe’s images of old Chinatown,/p>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-9cc8690 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id9cc8690 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-980616e data-id980616e data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-51d3ff4 elementor-widget elementor-widget-video data-id51d3ff4 data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?v5xtjTu7TWuY","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2016\/12\/spire.jpg","id":1869,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/5xtjTu7TWuY?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-51d3ff4","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcLzV4dGpUdTdUV3VZP2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC01MWQzZmY0IiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img loadinglazy decodingasync width1280 height853 srchttps://invisiblesf.com/wp-content/uploads/2016/12/spire.jpg classattachment-full size-full wp-image-1869 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/12/spire.jpg 1280w, https://invisiblesf.com/wp-content/uploads/2016/12/spire-300x200.jpg 300w, https://invisiblesf.com/wp-content/uploads/2016/12/spire-768x512.jpg 768w, https://invisiblesf.com/wp-content/uploads/2016/12/spire-1024x682.jpg 1024w sizes(max-width: 1280px) 100vw, 1280px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-0691614 elementor-widget elementor-widget-heading data-id0691614 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SHORT FILM/h2>/div>/div>div classelementor-element elementor-element-394d6bc elementor-widget elementor-widget-text-editor data-id394d6bc data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>“Spire” is a Presidio Site-Specific Installation by Andy Goldsworthy./p>p>“In 2008 the FOR-SITE Foundation, in partnership with the Presidio Trust, commissioned the Spire, a site-specific installation by artist Andy Goldsworthy. The Spire is made from the trunks of thirty-seven cypress trees felled as part of the Presidio’s reforestation effort. From its fifteen-foot diameter, it rises over ninety feet into the air./p>p>From the a hrefhttp://www.for-site.org/project/goldsworthy-in-the-presidio-spire/ target_blank relnoopener>For-Site Foundation/a> website. You can explore their website for info on the site-specific art installation project, a hrefhttps://www.presidio.gov/explore/Pages/andy-goldsworthy-spire-wood-line.aspx#.Ugc8wmT5lOg target_blank relnoopener>“Presidio Habitats.”/a>/p>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-59b6f6b data-id59b6f6b data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-539aa0a elementor-widget elementor-widget-video data-id539aa0a data-element_typewidget data-settings{"video_type":"vimeo","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2019\/01\/Smut_Square.jpg","id":2552,"size":""},"lightbox":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"vimeo","url":"https:\/\/player.vimeo.com\/video\/15163640?color&autopause0&loop0&muted0&title1&portrait1&byline1#t","autoplay":"","modalOptions":{"id":"elementor-lightbox-539aa0a","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ2aW1lbyIsInVybCI6Imh0dHBzOlwvXC9wbGF5ZXIudmltZW8uY29tXC92aWRlb1wvMTUxNjM2NDA%2FY29sb3ImYXV0b3BhdXNlPTAmbG9vcD0wJm11dGVkPTAmdGl0bGU9MSZwb3J0cmFpdD0xJmJ5bGluZT0xI3Q9IiwiYXV0b3BsYXkiOiIiLCJtb2RhbE9wdGlvbnMiOnsiaWQiOiJlbGVtZW50b3ItbGlnaHRib3gtNTM5YWEwYSIsImVudHJhbmNlQW5pbWF0aW9uIjoiIiwiZW50cmFuY2VBbmltYXRpb25fdGFibGV0IjoiIiwiZW50cmFuY2VBbmltYXRpb25fbW9iaWxlIjoiIiwidmlkZW9Bc3BlY3RSYXRpbyI6IjE2OSJ9fQ%3D%3D> img loadinglazy decodingasync width1225 height820 srchttps://invisiblesf.com/wp-content/uploads/2019/01/Smut_Square.jpg classattachment-full size-full wp-image-2552 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/Smut_Square.jpg 1225w, https://invisiblesf.com/wp-content/uploads/2019/01/Smut_Square-300x201.jpg 300w, https://invisiblesf.com/wp-content/uploads/2019/01/Smut_Square-768x514.jpg 768w, https://invisiblesf.com/wp-content/uploads/2019/01/Smut_Square-1024x685.jpg 1024w sizes(max-width: 1225px) 100vw, 1225px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-97ed418 elementor-widget elementor-widget-heading data-id97ed418 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SHORT FILM/h2>/div>/div>div classelementor-element elementor-element-c4a737e elementor-widget elementor-widget-text-editor data-idc4a737e data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>A short film on SF and porn by Mike Stabile./p>p>“Smut Capital of America … chronicles San Francisco’s reign as the center of porn production in the U.S. during the early 70s. In 1969, San Francisco became the first city in the U.S. to effectively legalize pornography, hugely boosting our reputation as a boomtown for sex, and eventually opening up the floodgates to the rest of the country”/p>p>Link to YBCA’s program a hrefhttp://www.ybca.org/smut-capital-america target_blank relnoopener>http://www.ybca.org/smut-capital-america/a>/p>p>The amazing Sex Ed poster is by Jayde Cardinalli: a hrefhttp://thebolditalic.bigcartel.com/product/the-smut-history-of-san-francisco target_blank relnoopener>http://thebolditalic.bigcartel.com/product/the-smut-history-of-san-francisco/a>/p>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-ba4726f data-idba4726f data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-d4774da elementor-widget elementor-widget-video data-idd4774da data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?vHFHeEQmJjlU","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2016\/12\/SummerofLove.jpg","id":2002,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/HFHeEQmJjlU?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-d4774da","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL0hGSGVFUW1KamxVP2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC1kNDc3NGRhIiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img loadinglazy decodingasync width800 height533 srchttps://invisiblesf.com/wp-content/uploads/2016/12/SummerofLove.jpg classattachment-full size-full wp-image-2002 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/12/SummerofLove.jpg 800w, https://invisiblesf.com/wp-content/uploads/2016/12/SummerofLove-300x200.jpg 300w, https://invisiblesf.com/wp-content/uploads/2016/12/SummerofLove-768x512.jpg 768w sizes(max-width: 800px) 100vw, 800px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-ac9f664 elementor-widget elementor-widget-heading data-idac9f664 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SHORT FILM/h2>/div>/div>div classelementor-element elementor-element-b562632 elementor-widget elementor-widget-text-editor data-idb562632 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>em>The Hippie Temptation/em> is a sensationalistic account of the Haight/Ashbury scene circa 1967 from CBS News. This version may be missing it, but in the original, at the opening, Harry Reasoner asks, with a detectable snear, “What are hippies?” I love this documentary because it shows a few critical things: 1) that many of the things we associate with May ’68 were preceded by events in 1967 (particularly around creating institutions and arrangements at a local level) 2) the ways “hippies” were turned into objects of hate by the mainstream media. 3) It’s fascinating the way Harold was treated by his mother because he said, based on his experiences with acid, that God is everything that exists. Amazing! SFSU owns this film on 16mm!/p>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-66aba05 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id66aba05 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-ee90e1c data-idee90e1c data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-59563ef elementor-widget elementor-widget-video data-id59563ef data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?vqOsrS4XgyB0","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2019\/01\/units_squared.jpg","id":2565,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/qOsrS4XgyB0?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-59563ef","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL3FPc3JTNFhneUIwP2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC01OTU2M2VmIiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img loadinglazy decodingasync width598 height419 srchttps://invisiblesf.com/wp-content/uploads/2019/01/units_squared.jpg classattachment-full size-full wp-image-2565 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/units_squared.jpg 598w, https://invisiblesf.com/wp-content/uploads/2019/01/units_squared-300x210.jpg 300w sizes(max-width: 598px) 100vw, 598px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-a56ab9a elementor-widget elementor-widget-heading data-ida56ab9a data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MUSIC/h2>/div>/div>div classelementor-element elementor-element-c3793c7 elementor-widget elementor-widget-heading data-idc3793c7 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>THE UNITS HIGH PRESSURE DAYS/h2>/div>/div>div classelementor-element elementor-element-6ef48ff elementor-widget elementor-widget-text-editor data-id6ef48ff data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>“After hearing the Headman remix of a song called ‘High Pressure Days’ on Relish records, I was stunned to find out about this amazing group called The Units who were operational between 1977 and the mid 80s. On listening to an anthology called History Of The Units (which gets a UK release via Community Library this week) I wanted to learn more about them./p>p>What I found was a situationist group with an anti-fashion, pro-art manifesto who used to smash up fake guitars every night, make their own films, share stages with the Dead Kennedys and draw as much from punk as they did from their local gay disco scene” — from “a hrefhttp://thequietus.com/articles/03318-the-units-high-pressure-days-in-san-francisco target_blank relnoopener>The Units — High Pressure Days in San Francisco/a>” by John Doran at “The Quietus.”/p>p>The video links below will open in a pop-up so you don’t have to leave the page./p>/div>/div>div classelementor-element elementor-element-0d64a29 elementor-align-left elementor-widget elementor-widget-button data-id0d64a29 data-element_typewidget data-widget_typebutton.default>div classelementor-widget-container>div classelementor-button-wrapper> a classelementor-button elementor-button-link elementor-size-sm href#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL3B2SkZVbWVqc2lrP2ZlYXR1cmU9b2VtYmVkIn0%3D target_blank relnofollow> span classelementor-button-content-wrapper> span classelementor-button-text>The Units, Unit Training Film/span> /span> /a>/div>/div>/div>div classelementor-element elementor-element-ae04e9f elementor-align-left elementor-widget elementor-widget-button data-idae04e9f data-element_typewidget data-widget_typebutton.default>div classelementor-widget-container>div classelementor-button-wrapper> a classelementor-button elementor-button-link elementor-size-sm href#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcLzM2SUtNUVQxRmxjP2ZlYXR1cmU9b2VtYmVkIn0%3D target_blank relnofollow> span classelementor-button-content-wrapper> span classelementor-button-text>The Units, Cannibals/span> /span> /a>/div>/div>/div>div classelementor-element elementor-element-b03bf93 elementor-align-left elementor-widget elementor-widget-button data-idb03bf93 data-element_typewidget data-widget_typebutton.default>div classelementor-widget-container>div classelementor-button-wrapper> a classelementor-button elementor-button-link elementor-size-sm href#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL1NwMWJxXzl2NnNBP2ZlYXR1cmU9b2VtYmVkIn0%3D target_blank relnofollow> span classelementor-button-content-wrapper> span classelementor-button-text>The Units, Cowboy (1980)/span> /span> /a>/div>/div>/div>div classelementor-element elementor-element-5374947 elementor-widget elementor-widget-heading data-id5374947 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>a href#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL3B2SkZVbWVqc2lrP2ZlYXR1cmU9b2VtYmVkIn0%3D target_blank relnofollow>Music video: The Units “High Pressure Days” (1979)/a>/h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-60c8a2b data-id60c8a2b data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-40b51ff elementor-widget elementor-widget-video data-id40b51ff data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?vaLhOrOIO770","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2019\/01\/crime_squared3.jpg","id":2568,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/aLhOrOIO770?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-40b51ff","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL2FMaE9yT0lPNzcwP2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC00MGI1MWZmIiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img loadinglazy decodingasync width834 height591 srchttps://invisiblesf.com/wp-content/uploads/2019/01/crime_squared3.jpg classattachment-full size-full wp-image-2568 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/crime_squared3.jpg 834w, https://invisiblesf.com/wp-content/uploads/2019/01/crime_squared3-300x213.jpg 300w, https://invisiblesf.com/wp-content/uploads/2019/01/crime_squared3-768x544.jpg 768w sizes(max-width: 834px) 100vw, 834px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-7ece257 elementor-widget elementor-widget-heading data-id7ece257 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MUSIC/h2>/div>/div>div classelementor-element elementor-element-a1ad016 elementor-widget elementor-widget-heading data-ida1ad016 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>CRIME SAN FRANCISCOS DOOMED/h2>/div>/div>div classelementor-element elementor-element-b9ea574 elementor-widget elementor-widget-text-editor data-idb9ea574 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>“Go all the way back to the beginning of punk, before it was even called ‘punk,’ before Sid Vicious was a Sex Pistol, back in the original time of those punk godfathers the New York Dolls, and you will discover a band called CRIME that formed in San Francisco. Most credit this band with recording the first West Coast punk record in 1976. Many contemporaries also credit the four members of CRIME with being total assholes. CRIME hated hippies, refused to open for other local bands, dressed in police uniforms, put dictators on its band posters, and disdained politics at the time it became a standard theme in punk. The band also helped define the early S.F. scene with shows at now-defunct venues like the Old Waldorf and the Mabuhay Gardens”—from “a hrefhttp://archives.sfweekly.com/shookdown/2011/03/01/the-entire-oral-history-of-sf-punk-pioneers-crime-is-now-online-for-your-enjoyment target_blank relnoopener>The Entire Oral History of S.F. Punk Pioneers CRIME …/a>” by Ian S. Port./p>p>a hrefhttp://dangerousminds.net/comments/murder_by_guitar_san_francisco_punk_band_crime_live_at_san_quentin_prison_1 target_blank relnoopener>Murder by Guitar: San Francisco Punk Band CRIME Live at San Quentin Prison, 1978 /a> from Dangerous Minds./p>p>a hrefhttp://www.collapseboard.com/features/interviews/an-oral-history-of-crime/ target_blank relnoopener>An Oral History of Crime/a> from Collapse Board./p>/div>/div>div classelementor-element elementor-element-5aa5869 elementor-widget elementor-widget-heading data-id5aa5869 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Music video: CRIME “San Francisco’s Doomed” (1978)/h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-2e76394 data-id2e76394 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-76bdcce elementor-widget elementor-widget-video data-id76bdcce data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?vh4W-Kmbn1Pw","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblelv.com\/wp-content\/uploads\/2019\/01\/another_wendy_bonnie.jpg","id":2577,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/h4W-Kmbn1Pw?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-76bdcce","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL2g0Vy1LbWJuMVB3P2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC03NmJkY2NlIiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img loadinglazy decodingasync width831 height585 srchttps://invisiblesf.com/wp-content/uploads/2019/01/another_wendy_bonnie.jpg classattachment-full size-full wp-image-2577 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/another_wendy_bonnie.jpg 831w, https://invisiblesf.com/wp-content/uploads/2019/01/another_wendy_bonnie-300x211.jpg 300w, https://invisiblesf.com/wp-content/uploads/2019/01/another_wendy_bonnie-768x541.jpg 768w sizes(max-width: 831px) 100vw, 831px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-416d8b1 elementor-widget elementor-widget-heading data-id416d8b1 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MUSIC/h2>/div>/div>div classelementor-element elementor-element-2d0fcb3 elementor-widget elementor-widget-heading data-id2d0fcb3 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>WENDY AND BONNIE EM>GENESIS/EM>/h2>/div>/div>div classelementor-element elementor-element-2fbb61e elementor-widget elementor-widget-text-editor data-id2fbb61e data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>“Genesis” by Wendy and Bonnie is one of my favorite psychedelic children’s records ever made!/p>p>“em>Genesis/em>, released in 1969, was the one and only album from sisters Wendy and Bonnie Flower. The San Francisco-based siblings were 18 and 15 at the time the album was originally released, and the music of em>Genesis/em> belies their tender ages. The songs on em>Genesis/em>are light psychedelic folk, reminiscent of artists like The Free Design, Tim Buckley, and, to a certain degree, fellow Californians, The Mamas and the Papas. The sisters’ harmonies are the main draw, floating into the ether above the airy soundscapes. While songs like “Let Yourself Go Another Time” and “The Winter Is Cold” are upbeat and jaunty, most of em>Genesis /em>is restrained beauty.”— from “a hrefhttp://www.undertheradarmag.com/blog/genesis_and_beyond_qa_with_wendy_flower_of_wendy_and_bonnie/ target_blank relnoopener>Genesis and Beyond” by Frank Valish/a>/p>/div>/div>div classelementor-element elementor-element-45831df elementor-widget elementor-widget-heading data-id45831df data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Song: Wendy and Bonnie, “Let Yourself Go Another Time from the album em>Genesis/em> (1969)/h2>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-6d8d423 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id6d8d423 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-0b5bc3a data-id0b5bc3a data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-5fa9ee5 elementor-widget elementor-widget-video data-id5fa9ee5 data-element_typewidget data-settings{"youtube_url":"https:\/\/www.youtube.com\/watch?vKy4uYnsF3kc","show_image_overlay":"yes","image_overlay":{"url":"https:\/\/invisiblesf.com\/wp-content\/uploads\/2019\/01\/disposable_smaller_squared.jpg","id":2949,"size":""},"lightbox":"yes","video_type":"youtube","controls":"yes"} data-widget_typevideo.default>div classelementor-widget-container>div classelementor-wrapper elementor-open-lightbox>div classelementor-custom-embed-image-overlay data-elementor-open-lightboxyes data-elementor-lightbox{"type":"video","videoType":"youtube","url":"https:\/\/www.youtube.com\/embed\/Ky4uYnsF3kc?featureoembed&start&end&wmodeopaque&loop0&controls1&mute0&rel0&modestbranding0","autoplay":"","modalOptions":{"id":"elementor-lightbox-5fa9ee5","entranceAnimation":"","entranceAnimation_tablet":"","entranceAnimation_mobile":"","videoAspectRatio":"169"}} data-e-action-hash#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJ0eXBlIjoidmlkZW8iLCJ2aWRlb1R5cGUiOiJ5b3V0dWJlIiwidXJsIjoiaHR0cHM6XC9cL3d3dy55b3V0dWJlLmNvbVwvZW1iZWRcL0t5NHVZbnNGM2tjP2ZlYXR1cmU9b2VtYmVkJnN0YXJ0JmVuZCZ3bW9kZT1vcGFxdWUmbG9vcD0wJmNvbnRyb2xzPTEmbXV0ZT0wJnJlbD0wJm1vZGVzdGJyYW5kaW5nPTAiLCJhdXRvcGxheSI6IiIsIm1vZGFsT3B0aW9ucyI6eyJpZCI6ImVsZW1lbnRvci1saWdodGJveC01ZmE5ZWU1IiwiZW50cmFuY2VBbmltYXRpb24iOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl90YWJsZXQiOiIiLCJlbnRyYW5jZUFuaW1hdGlvbl9tb2JpbGUiOiIiLCJ2aWRlb0FzcGVjdFJhdGlvIjoiMTY5In19> img loadinglazy decodingasync width638 height449 srchttps://invisiblesf.com/wp-content/uploads/2019/01/disposable_smaller_squared.jpg classattachment-full size-full wp-image-2949 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/disposable_smaller_squared.jpg 638w, https://invisiblesf.com/wp-content/uploads/2019/01/disposable_smaller_squared-300x211.jpg 300w sizes(max-width: 638px) 100vw, 638px />div classelementor-custom-embed-play rolebutton aria-labelPlay Video tabindex0> i aria-hiddentrue classeicon-play>/i> span classelementor-screen-only>Play Video/span>/div>/div>/div>/div>/div>div classelementor-element elementor-element-d074185 elementor-widget elementor-widget-heading data-idd074185 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MUSIC/h2>/div>/div>div classelementor-element elementor-element-2d1c2fb elementor-widget elementor-widget-heading data-id2d1c2fb data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>THE DISPOSABLE HEROES OF HIPHOPRISY TELEVISION/h2>/div>/div>div classelementor-element elementor-element-617f5dd elementor-widget elementor-widget-text-editor data-id617f5dd data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>The Disposable Heroes of Hiphopcrisy were an important SF band founded by Michael Franti and Rono Tse. The band came out of their earlier collaboration, The Beatnigs, which were released on Jello Biafra’s label, Alternative Tentacles. Ironically, after re-releasing the song as the Disposable Heroes, “Television” became a minor hit on MTV. /p>/div>/div>div classelementor-element elementor-element-140efeb elementor-widget elementor-widget-heading data-id140efeb data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Music video: Disposable Heroes of Hiphoprisy “Television” (1992)/h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-2a8abf9 data-id2a8abf9 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-ed0ae36 elementor-widget elementor-widget-image data-ided0ae36 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width638 height449 srchttps://invisiblesf.com/wp-content/uploads/2019/01/rivera_screen_shot.jpg classattachment-large size-large wp-image-2948 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/rivera_screen_shot.jpg 638w, https://invisiblesf.com/wp-content/uploads/2019/01/rivera_screen_shot-300x211.jpg 300w sizes(max-width: 638px) 100vw, 638px />/div>/div>div classelementor-element elementor-element-904184d elementor-widget elementor-widget-heading data-id904184d data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF MURALS/h2>/div>/div>div classelementor-element elementor-element-3ec22af elementor-widget elementor-widget-heading data-id3ec22af data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>DIEGO RIVERAS PAN-AMERICAN UNITY MURAL/h2>/div>/div>div classelementor-element elementor-element-d8fd357 elementor-widget elementor-widget-text-editor data-idd8fd357 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>CCSF houses one of Diego Rivera’s most famous murals, a hrefhttps://www.ccsf.edu/en/about-city-college/diego-rivera-mural/mural_images.html target_blank relnoopener>“The Pan-American Unity Mural,”/a> which Rivera painted while in residence during the 1939 World’s Fair on Treasure Island. The mural is set to be exhibited in a museum for the very first time in 2020 at SFMOMA. CCSF maintains a great page about the mural, its importance and the meaning of the various panels. The site contains an overview of the mural, as well as analyses of key sections, including the various uses of symbolism, and historical figures, depicted in the mural. It is a major work (I have a poster reproduction in my office, as we as a fold out guide to the mural—which is the same information that is available online at the link above). /p>/div>/div>div classelementor-element elementor-element-76bd5c5 elementor-widget elementor-widget-heading data-id76bd5c5 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image: Screenshot of the CCSF Pan-American Unity Mural page./h2>/div>/div>/div>/div>div classelementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-69f6987 data-id69f6987 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-dff291f elementor-widget elementor-widget-image data-iddff291f data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width638 height449 srchttps://invisiblesf.com/wp-content/uploads/2019/01/smartass_ryan.jpg classattachment-full size-full wp-image-2962 alt srcsethttps://invisiblesf.com/wp-content/uploads/2019/01/smartass_ryan.jpg 638w, https://invisiblesf.com/wp-content/uploads/2019/01/smartass_ryan-300x211.jpg 300w sizes(max-width: 638px) 100vw, 638px />/div>/div>div classelementor-element elementor-element-a710033 elementor-widget elementor-widget-heading data-ida710033 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>SF PODCAST/h2>/div>/div>div classelementor-element elementor-element-c9eb636 elementor-widget elementor-widget-heading data-idc9eb636 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>STORIED: SAN FRANCISCO/h2>/div>/div>div classelementor-element elementor-element-67f66d9 elementor-widget elementor-widget-text-editor data-id67f66d9 data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>a hrefhttps://www.storiedsf.com/ target_blank relnoopener>Storied: San Francisco/a> is “a podcast about people. Artists, bartenders, doctors, lawyers, business owners … they all have one thing in common—San Francisco is a place they live in, work in, or do their thing in. This project is a collection of stories about life in San Francisco and the Bay Area. The goal is to further enrich the experience of being here by learning about the many people who’ve come before us, and those who continue to add to the feeling that this place is special. It’s also to get to know your neighbors through hearing their stories. And we hope that you’ll be inspired to share your own stories.” From StoriedSF.com. /p>/div>/div>div classelementor-element elementor-element-57c279d elementor-widget elementor-widget-heading data-id57c279d data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Image: Screenshot of StoriedSF. Original photo of Ryan Ackerberg at Emperor Nortons Boozeland by Michelle Kilfeather for StoriedSF. span styleletter-spacing: 0.9px>/span>br>/h2>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-14bcc27 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id14bcc27 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-de7c37c data-idde7c37c data-element_typecolumn>div classelementor-widget-wrap>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-c874747 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idc874747 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d1536c3 data-idd1536c3 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-b979ce6 elementor-widget elementor-widget-menu-anchor data-idb979ce6 data-element_typewidget data-widget_typemenu-anchor.default>div classelementor-widget-container>div classelementor-menu-anchor idblog>/div>/div>/div>div classelementor-element elementor-element-202b767 ee-heading--solid elementor-widget elementor-widget-heading-extended data-id202b767 data-element_typewidget data-widget_typeheading-extended.default>div classelementor-widget-container>h1 classee-heading elementor-size-default data-titleBLOG POSTS>span classee-heading__text> BLOG POSTS /span>span classee-heading__text-shadow> BLOG POSTS /span>/h1>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-b554427 elementor-section-boxed elementor-section-height-default elementor-section-height-default data-idb554427 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2bad74b data-id2bad74b data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-10c52ab elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-posts--thumbnail-top elementor-widget elementor-widget-posts data-id10c52ab data-element_typewidget data-settings{"classic_columns":"3","classic_columns_tablet":"2","classic_columns_mobile":"1","classic_row_gap":{"unit":"px","size":35,"sizes":},"classic_row_gap_tablet":{"unit":"px","size":"","sizes":},"classic_row_gap_mobile":{"unit":"px","size":"","sizes":}} data-widget_typeposts.classic>div classelementor-widget-container>div classelementor-posts-container elementor-posts elementor-posts--skin-classic elementor-grid>article classelementor-post elementor-grid-item post-2145 post type-post status-publish format-standard has-post-thumbnail hentry category-film-noir category-sf-cinema> a classelementor-post__thumbnail__link hrefhttps://invisiblesf.com/2016/12/30/san-francisco-noir/ tabindex-1 >div classelementor-post__thumbnail>img loadinglazy decodingasync width300 height300 srchttps://invisiblesf.com/wp-content/uploads/2016/12/fred_lyon800-300x300.jpg classattachment-medium size-medium wp-image-2274 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/12/fred_lyon800-300x300.jpg 300w, https://invisiblesf.com/wp-content/uploads/2016/12/fred_lyon800-150x150.jpg 150w, https://invisiblesf.com/wp-content/uploads/2016/12/fred_lyon800-768x767.jpg 768w, https://invisiblesf.com/wp-content/uploads/2016/12/fred_lyon800.jpg 800w sizes(max-width: 300px) 100vw, 300px />/div> /a>div classelementor-post__text>h3 classelementor-post__title> a hrefhttps://invisiblesf.com/2016/12/30/san-francisco-noir/ > San Francisco Noir /a>/h3>div classelementor-post__meta-data> span classelementor-post-date> December 30, 2016 /span> span classelementor-post-avatar> No Comments /span>/div>div classelementor-post__excerpt>p>Film Noirs Shot in San Francisco Note that many of the most classic films (e.g. Out of the Past, Dark Passage) are owned by corporations/p>/div> a classelementor-post__read-more hrefhttps://invisiblesf.com/2016/12/30/san-francisco-noir/ aria-labelRead more about San Francisco Noir tabindex-1 > Read More » /a>/div>/article>article classelementor-post elementor-grid-item post-514 post type-post status-publish format-standard has-post-thumbnail hentry category-music> a classelementor-post__thumbnail__link hrefhttps://invisiblesf.com/2011/12/26/in-a-cloud-new-music-from-san-francisco/ tabindex-1 >div classelementor-post__thumbnail>img loadinglazy decodingasync width300 height300 srchttps://invisiblesf.com/wp-content/uploads/2011/12/sandwitches-300x300.jpg classattachment-medium size-medium wp-image-1918 alt srcsethttps://invisiblesf.com/wp-content/uploads/2011/12/sandwitches-300x300.jpg 300w, https://invisiblesf.com/wp-content/uploads/2011/12/sandwitches-150x150.jpg 150w, https://invisiblesf.com/wp-content/uploads/2011/12/sandwitches.jpg 721w sizes(max-width: 300px) 100vw, 300px />/div> /a>div classelementor-post__text>h3 classelementor-post__title> a hrefhttps://invisiblesf.com/2011/12/26/in-a-cloud-new-music-from-san-francisco/ > New Music from San Francisco (from 2011) /a>/h3>div classelementor-post__meta-data> span classelementor-post-date> December 26, 2011 /span> span classelementor-post-avatar> No Comments /span>/div>div classelementor-post__excerpt>p>Share on facebook Facebook Share on twitter Twitter The past decade has been be a productive one for independent music in San Francisco. There are/p>/div> a classelementor-post__read-more hrefhttps://invisiblesf.com/2011/12/26/in-a-cloud-new-music-from-san-francisco/ aria-labelRead more about New Music from San Francisco (from 2011) tabindex-1 > Read More » /a>/div>/article>article classelementor-post elementor-grid-item post-600 post type-post status-publish format-standard has-post-thumbnail hentry category-invisible-sf category-psychogeography tag-psychogeography> a classelementor-post__thumbnail__link hrefhttps://invisiblesf.com/2011/12/25/the-situationist-city/ tabindex-1 >div classelementor-post__thumbnail>img loadinglazy decodingasync width300 height241 srchttps://invisiblesf.com/wp-content/uploads/2016/11/Discours-sur-les-passions-de-l’amour-300x241.jpg classattachment-medium size-medium wp-image-1631 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/11/Discours-sur-les-passions-de-l’amour-300x241.jpg 300w, https://invisiblesf.com/wp-content/uploads/2016/11/Discours-sur-les-passions-de-l’amour-768x617.jpg 768w, https://invisiblesf.com/wp-content/uploads/2016/11/Discours-sur-les-passions-de-l’amour.jpg 1024w sizes(max-width: 300px) 100vw, 300px />/div> /a>div classelementor-post__text>h3 classelementor-post__title> a hrefhttps://invisiblesf.com/2011/12/25/the-situationist-city/ > The Situationist City /a>/h3>div classelementor-post__meta-data> span classelementor-post-date> December 25, 2011 /span> span classelementor-post-avatar> No Comments /span>/div>div classelementor-post__excerpt>p>dérive A mode of experimental behavior linked to the conditions of urban society: a technique of rapid passage through varied ambiences. The term also designates/p>/div> a classelementor-post__read-more hrefhttps://invisiblesf.com/2011/12/25/the-situationist-city/ aria-labelRead more about The Situationist City tabindex-1 > Read More » /a>/div>/article>article classelementor-post elementor-grid-item post-618 post type-post status-publish format-standard has-post-thumbnail hentry category-sf-modernism> a classelementor-post__thumbnail__link hrefhttps://invisiblesf.com/2011/12/25/james-burnhams-plan-for-san-francisco-1905/ tabindex-1 >div classelementor-post__thumbnail>img loadinglazy decodingasync width300 height284 srchttps://invisiblesf.com/wp-content/uploads/2011/12/1625047-300x284.jpg classattachment-medium size-medium wp-image-1671 alt srcsethttps://invisiblesf.com/wp-content/uploads/2011/12/1625047-300x284.jpg 300w, https://invisiblesf.com/wp-content/uploads/2011/12/1625047-768x728.jpg 768w, https://invisiblesf.com/wp-content/uploads/2011/12/1625047-1024x971.jpg 1024w, https://invisiblesf.com/wp-content/uploads/2011/12/1625047.jpg 1536w sizes(max-width: 300px) 100vw, 300px />/div> /a>div classelementor-post__text>h3 classelementor-post__title> a hrefhttps://invisiblesf.com/2011/12/25/james-burnhams-plan-for-san-francisco-1905/ > SF Modernism | Burnham’s Plan for San Francisco (1905) /a>/h3>div classelementor-post__meta-data> span classelementor-post-date> December 25, 2011 /span> span classelementor-post-avatar> No Comments /span>/div>div classelementor-post__excerpt>p>Commissioned by the Association for the Adornment of San Francisco in 1904, D.H. Burnham’s Plan for San Francisco (1905) sought to modify SF’s grid-system with/p>/div> a classelementor-post__read-more hrefhttps://invisiblesf.com/2011/12/25/james-burnhams-plan-for-san-francisco-1905/ aria-labelRead more about SF Modernism | Burnham’s Plan for San Francisco (1905) tabindex-1 > Read More » /a>/div>/article>article classelementor-post elementor-grid-item post-311 post type-post status-publish format-standard has-post-thumbnail hentry category-sf-modernism> a classelementor-post__thumbnail__link hrefhttps://invisiblesf.com/2011/10/20/sutro-baths-victorian-interiormodern-ruin/ tabindex-1 >div classelementor-post__thumbnail>img loadinglazy decodingasync width300 height185 srchttps://invisiblesf.com/wp-content/uploads/2011/10/720px-Sutro-Baths-vestibule-300x185.jpg classattachment-medium size-medium wp-image-2053 alt srcsethttps://invisiblesf.com/wp-content/uploads/2011/10/720px-Sutro-Baths-vestibule-300x185.jpg 300w, https://invisiblesf.com/wp-content/uploads/2011/10/720px-Sutro-Baths-vestibule.jpg 720w sizes(max-width: 300px) 100vw, 300px />/div> /a>div classelementor-post__text>h3 classelementor-post__title> a hrefhttps://invisiblesf.com/2011/10/20/sutro-baths-victorian-interiormodern-ruin/ > SF Modernism | The Sutro Baths and Modernity /a>/h3>div classelementor-post__meta-data> span classelementor-post-date> October 20, 2011 /span> span classelementor-post-avatar> No Comments /span>/div>div classelementor-post__excerpt>p>The Sutro Baths, now a modern ruin, were a quintessential Victorian site of amusement, education, health, and leisure. It seems difficult to imagine the scope of/p>/div> a classelementor-post__read-more hrefhttps://invisiblesf.com/2011/10/20/sutro-baths-victorian-interiormodern-ruin/ aria-labelRead more about SF Modernism | The Sutro Baths and Modernity tabindex-1 > Read More » /a>/div>/article>/div>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-a57dbcc elementor-section-boxed elementor-section-height-default elementor-section-height-default data-ida57dbcc data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c260ca2 data-idc260ca2 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-15b53a5 elementor-widget elementor-widget-menu-anchor data-id15b53a5 data-element_typewidget data-widget_typemenu-anchor.default>div classelementor-widget-container>div classelementor-menu-anchor idabout>/div>/div>/div>div classelementor-element elementor-element-b611e5a ee-heading--solid elementor-widget elementor-widget-heading-extended data-idb611e5a data-element_typewidget data-widget_typeheading-extended.default>div classelementor-widget-container>h1 classee-heading elementor-size-default data-titleABOUT>span classee-heading__text> ABOUT /span>span classee-heading__text-shadow> ABOUT /span>/h1>/div>/div>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-2c60969 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id2c60969 data-element_typesection>div classelementor-container elementor-column-gap-default>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e33902e data-ide33902e data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-e681599 elementor-widget elementor-widget-image data-ide681599 data-element_typewidget data-widget_typeimage.default>div classelementor-widget-container> img loadinglazy decodingasync width800 height800 srchttps://invisiblesf.com/wp-content/uploads/2016/12/image1.jpeg classattachment-large size-large wp-image-1853 alt srcsethttps://invisiblesf.com/wp-content/uploads/2016/12/image1.jpeg 1000w, https://invisiblesf.com/wp-content/uploads/2016/12/image1-150x150.jpeg 150w, https://invisiblesf.com/wp-content/uploads/2016/12/image1-300x300.jpeg 300w, https://invisiblesf.com/wp-content/uploads/2016/12/image1-768x768.jpeg 768w sizes(max-width: 800px) 100vw, 800px />/div>/div>div classelementor-element elementor-element-d6a86cc elementor-widget elementor-widget-heading data-idd6a86cc data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Expired Polaroid Photo of Dr. Thomas by Todd Duane Miller/h2>/div>/div>div classelementor-element elementor-element-80728eb elementor-widget elementor-widget-spacer data-id80728eb data-element_typewidget data-widget_typespacer.default>div classelementor-widget-container>div classelementor-spacer>div classelementor-spacer-inner>/div>/div>/div>/div>div classelementor-element elementor-element-b271685 elementor-widget elementor-widget-heading data-idb271685 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>Dr. Thomas is on the web at a hrefhttps://theorist.io/>theorist.io/a>/h2>/div>/div>div classelementor-element elementor-element-5aac263 elementor-widget elementor-widget-spacer data-id5aac263 data-element_typewidget data-widget_typespacer.default>div classelementor-widget-container>div classelementor-spacer>div classelementor-spacer-inner>/div>/div>/div>/div>div classelementor-element elementor-element-e4d4942 ee-button-group-valign-middle ee-button-group-halign-center ee-button-group-gap-default elementor-widget elementor-widget-button-group data-ide4d4942 data-element_typewidget data-settings{"trigger":"mouseenter","trigger_tablet":"click_target","trigger_mobile":"click_target","_hide":"mouseleave","_hide_tablet":"click_out","_hide_mobile":"click_out","position":"bottom","delay_in":{"unit":"px","size":"","sizes":},"delay_out":{"unit":"px","size":"","sizes":},"duration":{"unit":"px","size":"","sizes":}} data-widget_typebutton-group.default>div classelementor-widget-container>ul classee-button-group>li classee-button-gap elementor-repeater-item-f9cabde> a classee-button-wrapper hrefhttps://theorist.io/ target_blank relnofollow> span classee-button ee-button-link ee-size-sm data-labeltheorist.io> span classee-button-content-wrapper>span classee-button-text> theorist.io /span> /span> /span> /a>/li>/ul>/div>/div>/div>/div>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-8190460 data-id8190460 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-20ab1c0 elementor-widget elementor-widget-heading data-id20ab1c0 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>rob thomas, ph.d./h2>/div>/div>div classelementor-element elementor-element-9ae835d elementor-widget elementor-widget-heading data-id9ae835d data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>I have taught at San Francisco State University since 1998. I have been a Lecturer in Humanities and Comparative World Literature since 2003.br>br> My courses are broadly concerned with the relationship between contemporary culture and the history of Western philosophy, with an emphasis on modernism/modernity, theories of the image, porn studies, affect, cinema, gender, sexuality, critical race theory, San Francisco, and political economy. br>br> I studied with Giorgio Agamben in the seminars on em>The Time That Remains/em> (em>Il tempo che resta/em>). I hold a Ph.D. in Comparative Literature from the Program in Philosophy, Literature, and the Theory of Criticism at the State University of New York (SUNY), Binghamton (2005), M.A. in Education (Instructional Design and Technology) at San Francisco State University (2022), MA in Philosophy from SUNY, Binghamton (2004), MA in Humanities from San Francisco State University, BA in Liberal Arts from Evergreen State College (Olympia, WA) (1997). I have been teaching San Francisco: Biography of a City since 2003.br>/h2>/div>/div>/div>/div>/div>/section>/div>div data-elementor-typefooter data-elementor-id2526 classelementor elementor-2526 elementor-bc-flex-widget elementor-location-footer data-elementor-post-typeelementor_library>section classelementor-section elementor-top-section elementor-element elementor-element-7a648f2f elementor-section-content-middle elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle data-id7a648f2f data-element_typesection data-settings{"background_background":"classic","background_image":{"url":"https:\/\/invisiblesf.com\/wp-content\/uploads\/2019\/01\/borderless_beach.jpg","id":2865,"size":""}}>div classelementor-container elementor-column-gap-no>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-6ce6fd50 data-id6ce6fd50 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-20779936 elementor-widget elementor-widget-heading data-id20779936 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h4 classelementor-heading-title elementor-size-default>HUM 376/h4>/div>/div>div classelementor-element elementor-element-5834e9bd elementor-widget elementor-widget-text-editor data-id5834e9bd data-element_typewidget data-widget_typetext-editor.default>div classelementor-widget-container>p>This course is an exploration of San Francisco modernism. Inspired by the work of Benjamin, Foucault, Debord, and Agamben—all of whom remain somewhere in the background in this class—this course present a unique reading of the history of the present of San Francisco./p>/div>/div>div classelementor-element elementor-element-4dd1bea0 elementor-shape-circle e-grid-align-left e-grid-align-mobile-center elementor-grid-0 elementor-widget elementor-widget-social-icons data-id4dd1bea0 data-element_typewidget data-widget_typesocial-icons.default>div classelementor-widget-container>div classelementor-social-icons-wrapper elementor-grid> span classelementor-grid-item> a classelementor-icon elementor-social-icon elementor-social-icon-twitter elementor-animation-grow elementor-repeater-item-b582169 hrefhttps://twitter.com/invisiblesf target_blank> span classelementor-screen-only>Twitter/span> i classfa fa-twitter>/i> /a> /span> span classelementor-grid-item> a classelementor-icon elementor-social-icon elementor-social-icon-instagram elementor-animation-grow elementor-repeater-item-7f63e13 hrefhttps://www.instagram.com/invisible_sf/ target_blank> span classelementor-screen-only>Instagram/span> i classfa fa-instagram>/i> /a> /span>/div>/div>/div>/div>/div>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-71b5d14e data-id71b5d14e data-element_typecolumn>div classelementor-widget-wrap>/div>/div>/div>/section>section classelementor-section elementor-top-section elementor-element elementor-element-130bc539 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default data-id130bc539 data-element_typesection data-settings{"background_background":"classic","background_image":{"url":"","id":"","size":""}}>div classelementor-container elementor-column-gap-no>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2f9fe34 data-id2f9fe34 data-element_typecolumn>div classelementor-widget-wrap elementor-element-populated>div classelementor-element elementor-element-691537c4 elementor-widget elementor-widget-heading data-id691537c4 data-element_typewidget data-widget_typeheading.default>div classelementor-widget-container>h2 classelementor-heading-title elementor-size-default>© 2003 – 2019 | Content and Design by Rob Thomas, Ph.D./h2>/div>/div>/div>/div>div classelementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-3b808505 data-id3b808505 data-element_typecolumn>div classelementor-widget-wrap>/div>/div>/div>/section>/div> script defer srcdata:text/javascript;base64,dmFyIGhpZGVfZnR0YiA9ICcn>/script> script defer 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