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Name	PERFECT PRIVACY, LLC
Email	r65bf9pk8b5@networksolutionsprivateregistration.com
Address	12808 Gran Bay Parkway West
Zip Code	32258
City	Jacksonville
State	FL
Country	US
Phone	+1.5707088780
NameServer	NS2.ACCESS.NET
Created	2000-06-14 04:00:00
Changed	2016-05-09 21:01:28
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html>head>style typetext/css>!--a:link {text-decoration: none}a:visited {text-decoration: none}a:active {text-decoration: none}a:hover {text-decoration: underline}-->/style>base target_blank>title>Gutbrain Records/title>meta http-equivContent-Type contenttext/html; charsetUTF-8>style typetext/css>	}	#wrap {		width:750px;		margin:0 auto;		background:#99c;	}	#header {    	padding:5px 10px;		background:#ddd;	}	h1 {	    margin:0;    }	#nav {		padding:5px 10px;		background:#c99;	}	#nav ul {		margin:0;		padding:0;		list-style:none;	}	#nav li {		display:inline;		margin:0;		padding:0;	}	#main {		float:left;		width:610px;		padding:5px;		background:#1;	}	h2 {		margin:0 0 1em;	}	#sidebar {		float:right;		width:230px;		padding:5px;		background:#1c;		/style>/head>body>div idwrap>	div idmain>        font size-1 faceVerdana, Arial, Helvetica, sans-serif>                        a hrefpast/2025_01/202524.html>2024 January 24 • Friday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                        p>One of 2024s best new releases was em>Easy As Pie/em>, the new record by The Surfrajettes./p>                     p aligncenter>img srcrecords/easyaspie.jpg width555 height555>br>                                           p>Theyve been a favorite band for years and they just keep getting better. The new album is great, with a five well chosen covers folded in with seven excellent originals./p>          p>The Astronauts is one of my favorite surf bands and The Surfrajettes cover of Hot  Doggin is  right on the money, not a copy but a tribute and interpretation./p>                    p>One of their strengths is the blending and interweaving of the two electric guitars and this is brilliantly demonstrated in their surf/instro version of The Spice Girls Spice Up Your Life./p>                    p>Among the instrumentals, Double Reverb stands up for its delicate balance of high energy with a haunting melody, Chiffon Daydream for its lush, Sleepwalk-like qualities and Priss and Vinegar for its nimble and active lines that should help you imagine yourself on a surfboard./p>                    p>Lickety Split also has a sort of epic and triumphant quality to it./p>                    p>You should really               a hrefhttps://thesurfrajettes.bandcamp.com/album/easy-as-pie>buy this record/a>!/p>              hr>                         a hrefpast/2025_01/202522.html>2024 January 22 • Wednesday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                        p>Jazz covers of 60s rock/pop are fine but what else is there? Well, lots. But one of the absolute best is this recent album by Japanese surf/instro band The Routes. In em>The Twang Machine/em> they transmute ten Kraftwerk songs into absolutely impeccable surf rock  instrumentals./p>                     p aligncenter>img srcrecords/twangmachine.jpg width555 height555>br>                                           p>This is a great record even if youve never heard of Kraftwerk and dont know any of the songs./p>          p>While most of it is pretty driving and high energy there are a couple of more dreamy and floating numbers. My favorite song on the record is one of these, their interpretation of Tour De France./p>                    p>But you dont have to take my word for it. Buy it               a hrefhttps://theroutesjapan.bandcamp.com/album/the-twang-machine>right here/a>!/p>              hr>                         a hrefpast/2025_01/202520.html>2025 January 20 • Monday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                    p>I remember browsing the laserdisc selection at Tower Records about thirty years ago and getting into a casual conversation with another shopper who insisted that I had to see em>Ninja Scroll/em>. So far Ive managed to get away with not seeing it, but its score by Kaoru Wada is the 840th strong>Soundtrack of the Week/strong>./p>                       p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcsotw/ninjascroll.jpg width355 height354 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>p>The music is really good, blending the familiar small orchestra with traditional Japanese instruments./p>        p>A lightly rhythmic Prologue clears the way for a heavier and more aggressive evolution        into Jubei, with some sparse horn figures adding definition./p>        p>Creepy long tones from strings introduce Eight Warriors of the Demon Clown, which also uses koto to great effect. Wind instruments pick up the melody and percussion comes crashing in later for Ifukube-like moment. The next track, Blood Wind, is a continuation./p>        p>Kagerou is a long (8:22) piece thats mostly an unhurried combination of melody, mood and texture, with more effective koto playing and some lovely lyrical lines./p>        p>A couple of tense action cues, Visions and Devil Shadow, come next, with the latter bursting into a terrific driving groove near the end./p>        p>An even cooler groove, North African or Middle Eastern it sounds like, is the foundation for To Those Who Face the Wind, the first of the movies two songs. Both were composed and sung by Ryouhei Yamanashi with lyrics by Shou Jitsukawa. This one, with its infectious and energetic feel and some impressive violiln soloing, is really great./p>        p>The same koto hit starts off the next two tracks, Pursuit and Devil Swordsman, both short and powerful action/suspense pieces./p>        p>Strategy starts off as a pensive sort of piece, moves into an Ifukube-like passage and then ends with more hard-driving action pulse music. The beginning feel is then reiterated in Reincarnation and developed into a mysterious and lyrical melodic line./p>        p>The shakuhachi gets featured in Struggle to the Death, which also continues the theme from the previous cue, before the Epilogue, unsurprisingly similar to Prologue./p>        p>The second song, Somewhere, Faraway, Everyone Is Listening to a Ballad, is a more typical love song but still nice to listen to./p>hr>                         a hrefpast/2025_01/202517.html>2024 January 17 • Friday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                              p>Probably the best album of Beatles covers is em>McLemore Avenue/em>,              a reinterpretation of em>Abbey Road/em> by Booker T & THE MGs./p>                    p>But of course there are many. And one of them is The Music Companys          em>Rubber Soul Jazz/em> from 1966./p>           p aligncenter>img srcrecords/rubbersouljazz.jpg width600 height600>br>          p>While this is ostensibly The Music Companys record, the featured instrument on every track is piano courtesy of Don Randi. Hes joined by Pat Smith on bass and Tommy Tedesco on guitar. The other musicians include, on some of the tracks, another great guitarist, James Burton, as well as legendary dummer Hal Blaine and Julius Wechtor on vibes and percussion./p>                    p>Because I dont sit around listening to The Beatles very much, I dont actually know  a lot of these songs, which means that many of them arent the ones that you always hear./p>                    p>The familiar tracks to me were Norwegian Wood, Michelle and In My Life. But all the songs are well done here, though I wish Burton had got a chance to do more. Tedesco takes several fine guitar solos, though, on both electric and acoustic guitar./p>hr>                         a hrefpast/2025_01/202515.html>2024 January 15 • Wednesday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                        p>After an album of pop covers with orchestral arrangements by Bob Florence, guitarist Joe Pass teamed up with Florence again for em>The Stones Jazz/em>, an album of Rolling Stones covers./p>                     p aligncenter>img srcrecords/stonesjazz.jpg width555 height555>br>                                                  p>I like this record more than, well, everyone, it seems. I have one friend so horrified by its very existence he asks me not even to put it on when hes over at my place./p>          p>Maybe this is because Im more or less indifferent to the Rolling Stones and am more of a fan of jazz guitar and Joe Pass and these kinds of, Ill admit it, sappy 60s pop-jazz-easy-listening collisions./p>                    p>I dont even know a lot of the songs on this record. So to me they just sound like cool tunes with great guitar solos and, courtesy of Bill Perkins, tenor sax solos./p>                    p>It helps that Bob Florence left the orchestra at home and opted for a mid-size jazz  ensemble. Victor Feldman adds some great vibes playing and Ray Brown is terrific on bass, as usual./p>                    p>As for the songs I do know, Mothers Little Helper has been swing jazzed practically out of existence and sounds like it would be more appropriate for an album of Mary Poppins numbers. But once they get through the melody, Pass takes a fantastic solo and I stopped caring what song it was./p>                    p>The famous riff for (I Cant Get No) Satisfaction sounds like it could have come from a Quincy Jones bossa nova album with its flutes and backbeat. Again, this is a Joe Pass record, though, and when he steps into the spotlight, the song takes off./p>                      p>Pass starts Paint It Black with some lush and friendly jazz chords backed by easygoing swing from the rhythm section. If this is a moving and powerful song for you when played by the Stones, you might have a panic attack if you hear this. As for me, I might try to transcribe Passs solo./p>                    p>It wouldnt be such a stretch for As Tears Go By to get this treatment, would it? Certainly not but, unexpectedly, this one comes across as just kind of boring./p>                    p>The last song on the record is a Joe Pass original called Stone Jazz. It doesnt seem to have anything to do with the Stones and is just kind of a generic 60s bluesy groover with tasty guitar playing. Its fine./p>    hr>                         a hrefpast/2025_01/202513.html>2025 January 13 • Monday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                    p>Egil Monn-Iversens jazz score for em>Heaven and Hell/em> is the 839th strong>Soundtrack of the Week/strong>./p>                       p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcsotw/heavenandhell.jpg width500 height500 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>           p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcmovies/heavenandhell/heavenandhell01.jpg width504 height339 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>                p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcmovies/heavenandhell/heavenandhell02.jpg width504 height339 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>           p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcmovies/heavenandhell/heavenandhell03.jpg width504 height339 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>p>It start with an English-language vocal main title song, sung by Inger Lise Andersen (You will get stories to tell / About the heaven and hell). Its a pretty straight jazz swing number with some cool modulations./p>        p>Then we get a moderate up tempo organ combo tune called Pythagoras. With the organ    are electric bass guitar, drums, electric guitar and tenor saxophone and everyone gets a chance to stretch out./p>        p>The same combo is back for the next two tracks: Zateks Theme is a more laid back and groovy number that really features the guitar while Club 13 has a heavier, more backbeaty feel to it./p>        p>The Vigieland Park is a feature for flutes that create a serene, lovely and romantic mood accompanied by drums and some sensitive guitar playing./p>        p>A different organ sound and a woozier and more shadowy mood all around make Zateks Theme 2  quite distinct from its first iteration./p>        p>A blues/soul/country/rock groove kicks off the still jazzy Meeting with Hash, which again has some great guitar playing and really swings./p>        p>The classic organ combo sound returns for the late-night feel  of Østerdalsgate Blues, very unhurried and relaxed./p>        p>Since this is apparently a 1960s Norwegian anti-drug propaganda movie, there had to be a tune  called Freakout, right? Well, here it is. Its mostly an organ freak-out, with lots of long    tones and unexpected harmonies, with the other members of the band subtly adding sounds here and there while it gradually builds to a climax. It sounds like it was more or less freely improvised by people  who knew what they were doing./p>        p>Then theres an instrumental version of the main title song and thats it. A very cool record. You can see the movie on YouTube but the picture quality isnt good and there are no subtitles./p>hr>                        a hrefpast/2025_01/202510.html>2024 January 10 • Friday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                              p>You better watch what you say around Mandrake the Magician./p>           p aligncenter>img srcbooks/mandrake/mandrake01.jpg width648 height834>br>           p aligncenter>img srcbooks/mandrake/mandrake02.jpg width648 height488>br>                     p aligncenter>img srcbooks/mandrake/mandrake03.jpg width648 height518>br>                               p aligncenter>img srcbooks/mandrake/mandrake04.jpg width648 height686>br>hr>                          a hrefpast/2025_01/202508.html>2024 January 08 • Wednesday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                        p>There are tons of movie references and in jokes in Joe Dantes em>Gremlins 2: The New Batch/em>. For instance, heres movie reviewer Leonard Maltin panning em>Gremlins/em> in em>Gremlins 2/em> right before getting attacked by gremlins./p>                     p aligncenter>img srcmovies/metamarquee/gremlins2/gremlins2_02.jpg width693 height390>br>                                   p aligncenter>img srcmovies/metamarquee/gremlins2/gremlins2_03.jpg width693 height390>br>                            p>Theres also a true a hrefmetamarquee.html>Meta Marquee/a> moment, though its also a joke, as Dante imagines a tenth sequel to his 1981 movie em>The Howling/em>./p>                  p aligncenter>img srcmovies/metamarquee/gremlins2/gremlins2_01.jpg width693 height390>br>    hr>                         a hrefpast/2025_01/202506.html>2025 January 06 • Monday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                    p>While my first reaction to a 4k restoration of a movie screening at the Film Forum is usually to grumble that the screens there are on the small side and I can watch 4k and make much better popcorn at home, both times I attended such a showing at the Film Forum in 2024 were quite rewarding./p>                    p>The second of these was em>The Umbrellas of Cherbourg/em> and it was absolutely worth seeing in the theatre for full immersion. It was also, for me, radicalizing in a very specific way. I walked out grimly determined to tell the world that em>The Umbrellas of Cherbourg/em> is an opera, em>not/em> a musical./p>                     p>In fact, it appears to have been made as a complete reversal of em>Carmen/em>, the opera that the main characters go to see very early in the film./p>                    p>The difference between an opera and a musical is one of realities. An opera takes place in a reality where all words are sung and none are spoken. A musical alternates between our reality, where people go around talking and walking and not actually singing and dancing unless the singing and dancing are deliberate acts of singing as singing and dancing as dancing, and a reality where everyone starts singing and dancing as an unremarked substitute for talking and walking./p>                    p>My knowledge of opera is minimal but it seems like there isnt a lot of dancing going on in it. Essentially the forms break down like this:          br>Play: talk          br>Opera: sing          br>Ballet: dance          br>Musical: all of the above/p>                    p>And so 2025 begins with Michel Legrands inexhaustibly delightful and mindblowingly  great music for em>The Umbrellas of Cherbourg/em> as the 838th strong>Soundtrack of the Week/strong>./p>                       p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcsotw/umbrellascherbourg.jpg width550 height550 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>           p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcmovies/umbrellascherbourg/umbrellascherbourg01.jpg width504 height271 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>               p aligncenter>font size-1 faceVerdana, Arial, Helvetica, sans-serif>img srcmovies/umbrellascherbourg/umbrellascherbourg02.jpg width504 height271 border1>/font>/p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>p>The music is a tremendous achievement, accompanying every second of the film yet never flagging or trying too hard or becoming dull./p>        p>Its a delicious concoction of jazz and pop and orchestral music, effortlessly breezing from Serge Gainsbourg-ish melodies and grooves to intensely stirring passages of operatic intensity. Perhaps the use of jazz and pop language in combination with the movies 90-minute running time is part of the reason em>The Umbrellas of Cherbourg/em> is categorized as a musical./p>        p>There isnt much I can say about the music other than that for the last few weeks, since leaving the Film Forum, Ive been listening to it, singing it, whistling it or just having it in my head./p>        p>This two-CD presentation of it is a must-have and also includes some good extras, particularly Legrand himself shredding the main theme as his piano trio romps through it in various genres./p>        p>Tony Bennett is also here with the English-language Watch What Happens, an overblown arrangement that lacks the sprightliness and dazzle of the original./p>hr>                        a hrefpast/2025_01/202503.html>2024 January 03 • Friday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                              p>More a hrefmetamarquee.html>Meta Marquee/a> moments!/p>                    p>Heres Diane Keaton in em>Looking for Mr. Goodbar/em> with a copy of Mario Puzos em>The  Godfather/em>./p>                   p aligncenter>img srcmovies/metamarquee/lookingformrgoodbar/lookingformrgoodbar01.jpg width693 height372>br> p aligncenter>img srcmovies/metamarquee/lookingformrgoodbar/lookingformrgoodbar02.jpg width693 height372>br>          p>Diane Keaton was famously in the movie adaptation and that would be enough, even though having the book there is only a slight connection./p>                    p>But no, it gets weirdly meta when Richard Gere approaches her and starts talking about the movie  of em>The Godfather/em>!/p>                     p aligncenter>img srcmovies/metamarquee/lookingformrgoodbar/lookingformrgoodbar03.jpg width693 height372>br>                               p aligncenter>img srcmovies/metamarquee/lookingformrgoodbar/lookingformrgoodbar04.jpg width693 height372>br>                                         p aligncenter>img srcmovies/metamarquee/lookingformrgoodbar/lookingformrgoodbar05.jpg width693 height372>br>                                                   p aligncenter>img srcmovies/metamarquee/lookingformrgoodbar/lookingformrgoodbar06.jpg width693 height372>br>                              p>Pauline Kael called this out in real time, when she reviewed em>Looking for Mr. Goodbar/em>:/p>                     table width75% border1 aligncenter>tr>td alignleft valigntop>font size-1 faceVerdana, Arial, Helvetica, sans-serif>When Tony first meets Terry, shes sitting at a bar with a hardcover edition of em>The Godfather/em> in front of her; he comes over and says he has seen the movie. What was the director thinking of? With a star who appeared in that movie, and with the two young actors imitating De Niro and Brando, couldnt the director give her a different book to use as a come-on?/font>/td>/tr>/table>br>hr>                         a hrefpast/2025_01/202501.html>2024 January 01 • Wednesday/a>/font>/p>      p>font size-1 faceVerdana, Arial, Helvetica, sans-serif>	                    p>Happy New Year!/p>                    p>We ended 2024 with dull observations for our ridiculous a hrefmetamarquee.html>Meta Marquee/a> page. And were starting 2025 exactly the same way!/p>                    p>George P. Cosmatos directed em>Of Unknown Origin/em> with Peter Weller, as well as em>Rambo: First Blood Part II/em> with Richard Crenna./p>                    p>In 1989 he made em>Leviathan/em> with both Weller and Crenna, and slipped in this allusion to his first North American film, both on screen and spoken:/p>                   p aligncenter>img srcmovies/metamarquee/leviathan/leviathan01.jpg width693 height295>br>                             p aligncenter>img srcmovies/metamarquee/leviathan/leviathan02.jpg width693 height295>br>          p>Ill have to  watch em>Cobra/em> again to see if Cosmatos did anything like that there. And I guess em>Tombstone/em>, though that doesnt seem too likely./p>          hr> /div>	div idsidebar>p aligncenter>	img srcmisc/person.gif width63 height88>br>      font faceVerdana, Arial, Helvetica, sans-serif>          b>Rob Priceb>font size1>font size+1 faceVerdana, Arial, Helvetica, sans-serif>br>Gutbrain Recordsbr>    	  p aligncenter>font size-2 faceVerdana, Arial, Helvetica, sans-serif>img srcmusic/rjp20241228.jpg width198 height248 border1>/font>p aligncenter>  font size-3 faceVerdana, Arial, Helvetica, sans-serif>      Photo by a hrefhttps://www.facebook.com/p/Peter-Karl-Studios-100063766189811/>Peter Karl/a> hr>	  /font>    font faceVerdana, Arial, Helvetica, sans-serif>p aligncenter>img srcmisc/loch_ness.jpg width104 height76 hspace5 vspace4br>  p aligncenter>APPEARANCESp>/p>  p aligncenter>	font size2 faceVerdana, Arial, Helvetica, sans-serif>      hr>        		   p aligncenter>font size-2 faceVerdana, Arial, Helvetica, sans-serif> strong>a hrefarchives.html>Archivesbr>                /a>/strong>•br>                                 font size-2 faceVerdana, Arial, Helvetica, sans-serif•br>          strong>a hrefbooks/manwhofelltoearth.html>The Man Who Fell to Earth/a>/strong>br>•br>                                    /a>strong>a hrefmetamarquee.html>Meta Marqueebr>                /a>/strong>•br>                              font size-2 faceVerdana, Arial, Helvetica, sans-serif•br>          strong>a hrefmoty.html>Movies of the Year/a>/strong>br>•br>			              /a>strong>a hrefnewtaxbill.html>New Tax Bill May Be Needed, br>              Limited Farm Bill Favoredbr>                /a>/strong>•br>                      b>font size-2 faceVerdana, Arial, Helvetica, sans-serif>strong>a hrefrecordings.html>Recordings/a>/strong>br>•br>      	  /a>strong>a hrefsotw.html>Soundtracks of the Weekbr>                /a>/strong>•br>         b>font size-2 faceVerdana, Arial, Helvetica, sans-serif>strong>a hrefhttps://www.youtube.com/channel/UCPiUygIOVoOP17jCpre3XVA?view_aspublic>YouTube Channel/a>/strong>br>	  	    hr>

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