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HTTP/1.1 200 OKAccept-Ranges: bytesAge: 0Cache-Control: public,max-age0,must-revalidateCache-Status: Netlify Edge; fwdmissContent-Length: 13120Content-Type: text/html; charsetUTF-8Date: Mon, 02 Feb 2026 04:22:12 GMTEtag: 2e42a2ec4748c17675d9a4ff4dea0924-sslServer: NetlifyStrict-Transport-Security: max-age31536000X-Nf-Request-Id: 01KGE9CDYFKJE3B4N45RTGX6YV

!DOCTYPE html>html dirltr langen-US>head>  meta charsetutf-8 />  meta nameviewport contentwidthdevice-width>    title>Flexible Typesetting/title>      !--  Styles  -->    !--link relstylesheet hrefhttps://use.typekit.net/svq6ssn.css>-->    link relstylesheet hrefhttps://use.typekit.net/bij3kjv.css>    link relstylesheet hrefstyle.css>    !-- Fathom - beautiful, simple website analytics -->    script srchttps://cdn.usefathom.com/script.js data-siteVRATQXKT defer>/script>/head>body>div classwrap>header>    h1 classmasthead>Flexible Typesetting/h1>    p>By a hrefhttps://tbrown.org/>Tim Brown/a>/p>/header>nav>    figure>        a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link onclickfathom.trackEvent(DL TOC);>img srcimages/aba-cover-27_112x@3x.png altFigure>/a>        figcaption>📗 a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link onclickfathom.trackEvent(DL TOC);>Download the book/a>/figcaption>    /figure>    ul classtoc>        li classtoc-chapter>            h3>Foreword by Jessica Hische/h3>        /li>        li classtoc-chapter>            h3>Introduction/h3>        /li>        li classtoc-chapter>            p>Chapter 1/p>            h3>What is typesetting?/h3>            ul>                li>Why does typesetting matter?/li>                li>Multidimensional decisions/li>                li>One with the reader/li>                li>Readers are typographers, too/li>                li>This is only the beginning/li>            /ul>        /li>        li classtoc-chapter>            p>Chapter 2/p>            h3>Preparing text and code/h3>            ul>                li>Take responsibility for the text/li>                li>Handle the text/li>                li>Reset default styles/li>                li>Frame the composition/li>                li>Tackle web font logistics/li>            /ul>        /li>        li classtoc-chapter>            p>Chapter 3/p>            h3>Selecting typefaces/h3>            ul>                li>Identify text blocks (and job openings)/li>                li>Choose an anchor typeface/li>                li>Build a type palette/li>            /ul>        /li>        li classtoc-chapter>            p>Chapter 4/p>            h3>Shaping text blocks/h3>            ul>                li>Set the body text type/li>                li>Specify a typeface/li>                li>Choose a size that is both familiar and good/li>                li>Decide on line-length limits/li>                li>Adjust line spacing accordingly/li>                li>Use dynamic line spacing/li>                li>Consider nearby white space/li>                li>Consider fallback fonts/li>                li>Shape analogous text blocks/li>                li>Tend to the details/li>            /ul>        /li>        li classtoc-chapter>            p>Chapter 5/p>            h3>Crafting compositions/h3>            ul>                li>Rough in layouts and hierarchy/li>                li>A word about changing font size/li>                li>Tailor layouts to the text/li>                li>Adapt hierarchy to layouts/li>                li>Inform grids and systems/li>            /ul>        /li>        li classtoc-chapter>            p>Chapter 6/p>            h3>Relieving pressure/h3>            ul>                li>Evaluate the composition/li>                li>Relieve pressure/li>                li>One with the reader/li>                li>Readers are typographers, too/li>                li>This is only the beginning/li>            /ul>        /li>        li classtoc-chapter>            h3>Conclusion/h3>        /li>        li classtoc-chapter>            h3>References/h3>        /li>        li classtoc-chapter>            h3>Index/h3>        /li>        li classtoc-chapter>            h3>About the Author/h3>        /li>        li>            h3>a hrefhttps://stremyfd.netlify.app>St. Remy FD website/a>/h3>        /li>    /ul>/nav>main>    h1>Great typography span classnowrap>means em>success/em>/span>/h1>    p>Type establishes a brand, whether it’s professional or personal. Designers have strong>built careers on the strength of this wisdom/strong>, and our traditions are ancient. Unfortunately our tools and techniques are ancient, too. When we design in old ways, it shows./p>    h1>But when designs flex, em classnowrap>they fail/em>/h1>    p>Our creations now encounter strong>an infinite array of screens and people/strong>. Careful measurement goes out the window. Fonts are too big, or too small. Text is hard to read. Words break in strange ways. This is not success for anyone. It’s time to rediscover great typography and to see our work clearly./p>    h1>So I wrote em>Flexible Typesetting/em>/h1>    p>Originally published in 2018, em>Flexible Typesetting/em> has sold thousands of copies and given our generation of designers fresh strategies for crafting strong>meaningful, multidimensional typography/strong>. It is required reading in elite design programs and has encouraged the rethinking of core curricula./p>    h1 iddownload>Read my book now, em classnowrap>for free/em>/h1>    p>You and I are living through the biggest change in graphic design history. New devices, screen sizes, and platforms require us to adapt constantly. It’s exhausting. strong>I wrote em>Flexible Typesetting/em> to aid your practice/strong>, offering new mental models for anchoring fluid, responsive design on key typographic guidelines. And a hrefhttp://tbrown.org/notes/2024/10/26/flexible-typesetting/>I decided to make it free/a>./p>    !--script async data-uid9e4975ba99 srchttps://colossal-composer-1857.ck.page/9e4975ba99/index.js>/script>    a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link download onclickfathom.trackEvent(DL MAIN);>Download the book/a>-->    figure>        a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link onclickfathom.trackEvent(DL MAIN);>img srcimages/aba-cover-27_112x@3x.png altFigure>/a>        figcaption>📗 a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link onclickfathom.trackEvent(DL MAIN);>Download the book/a>/figcaption>    /figure>/main>aside>    q classfeatured>The simplest, clearest and best rationale for good typesetting I’ve ever read. cite>— Khoi Vinh/cite>/q>    q>If a designer doesn’t have a solid typographic grasp, I wonder about other holes in their foundation. cite>— Mike Monteiro/cite> (a hrefhttps://www.designisajob.com>Design Is a Job/a>)/q>!--    h1>What people say about em>Flexible Typesetting/em>/h1>-->    q>Tim’s new book is an important step forward in how we think about designing with type in digital products. cite>— Jeff Veen/cite> (a hrefhttps://www.relay.fm/presentable/49>Presentable #49/a>)/q>    q>Students, designers, developers, and even the most seasoned typographers will gain insights into how to set type for the web and beyond. cite>— Amy Papaelias/cite>/q>    q>I’ve been lucky enough to see a preview of Flexible Typesetting and I can highly recommend pre-ordering your own copy. cite>— Rachel Andrew/cite>/q>    q>As I read Tim Brown’s new book, I felt like a smart, considerate friend was expertly guiding me through some tricky topics. Tim explains even the knottiest typesetting principles with humor, kindness, and clarity. cite>— Ethan Marcotte/cite>/q>    q>It’s the first how-to book on contemporary typography that keeps its promise. It’s very good! cite>— Frank Rausch/cite>/q>!--    q>What a wonderful, wonderful book on web typography and typesetting by Tim Brown. cite>— Smashing Magazine/cite>/q>    q>Buy this book type nerds! cite>— Mike Monteiro/cite>/q>-->    q>Flexible Typesetting is a book about how the web has fundamentally changed the art of typesetting and the best practices that designers have followed for hundreds of years. cite>— a hrefhttps://robinrendle.com/adventures/flexible-typesetting/>Robin Rendle/a>/cite>/q>!--    h1>Educators on em>Flexible Typesetting/em>/h1>-->        q>With a refreshing clarity found throughout Flexible Typesetting, Tim Brown explains what’s important in setting type for the web, but also why and how it’s important. cite>— Tobias Frere-Jones/cite>/q>    q>An outstanding text if you want to learn how to set harmonious text both on the web *and* print. 10/10 cite>— Thomas Jockin/cite>/q>        q>Please, if you care about type, read this book. Tim’s prose is perfect: welcoming, without patronizing. Thorough, without overwhelming. cite>— Dan Rhatigan/cite>/q>    q>If you work at the intersection of typography and the web, Tim’s new book Flexible Typesetting is required reading. Drop everything and pick up a copy. cite>— Christopher Murphy/cite>/q>!--    h1>More praise for em>Flexible Typesetting/em>/h1>-->        q classfeatured>This book blew my mind several times. cite>— a hrefhttps://www.goodreads.com/review/show/2528449346>Josh Kinal/a>/cite>/q>    q>The best part about this book is that Tim has collected and shared all the best practices and methods he has honed and developed over the years. cite>— a hrefhttps://visualgui.com/2018/07/27/tim-brown-flexible-typesetting/>Donny Truong/a>/cite>/q>    q>I love all of it, but that “relieving pressure” chapter is 👍🏆👌 cite>— Trent Walton/cite>/q>        q>Tim Brown’s book about typesetting on the web/screens is out and boy is it thorough. cite>— Craig Mod/cite>/q>    q>Something tells me my typesetting is about to get a lot more flexible. cite>— Rob Weychert/cite>/q>        q>This book is chock full of great insight and practical info on shaping text. cite>— Jason Santa Maria/cite>/q>        q>I have learned so much about type from Tim & can’t wait to learn more. cite>— Samantha Warren/cite>/q>        q>Alight. I just read the first chapter of @timbrown’s Flexible Typesetting book and already learned something new. cite>— Marko Dugonjić/cite>/q>            q>Y’all I just read the first chapter of Tim Brown’s book and I am so excited! “We used to view typography as a set of fixed decisions, but now we understand it as a continuum of conditional logic.” So basically typographers are logisticians? 💁‍♀️👩‍🏫👩‍💻👩‍🔬 cite>— Tiffany Wardle/cite>/q>    q>Flexible Typesetting is a paradigm-shift accompanied by a step-by-step guide. cite>— Ray Schwartz/cite>/q>    q>I had the chance to read an advance copy of Flexible Typesetting, and it is so good! I highly recommend grabbing a copy. cite>— Bram Stein/cite>/q>    q>Tim Brown’s new book on typesetting is fantastic! I was fortunate enough to read an advance copy. All UI designers should read it. cite>— Theo Rosendorf/cite>/q>        q>My old buddy @timbrown has literally written the book on wrangling type for slippery digital surfaces. Can’t wait to get my hands on it! cite>— John LePore/cite>/q>    q>Typography never really ‘clicked’ with me until Tim’s Modular Scale talk at Build Conf. His thinking had a massive impact on Typecast and everything I’ve done since. Really excited to finally get stuck into his new book, Flexible Typesetting 📗! cite>— Chris Armstrong/cite>/q>    q>I don’t know what it was exactly, but there’s something in the way that Tim describes his process that struck a chord in me. He took something that has historically flustered me; and, he turned it into something that made sense. cite>— a hrefhttps://www.bennadel.com/blog/3475-a-book-apart-flexible-typesetting-by-tim-brown.htm>Ben Nadel/a>/cite>/q>    q classfeatured>This book is excellent. Clear, informative, and will go a long way towards de-mystifying any questions you had about how good typography works. cite>— Chris Silverman/cite>/q>/aside>footer>figure>    a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link onclickfathom.trackEvent(DL FOOT);>img srcimages/aba-cover-27_112x@3x.png altFigure>/a>    figcaption>📗 a hrefhttps://drive.google.com/file/d/1zPxflWmSuFcbLfi0e2J6kUfI4okJid7Z/view?uspshare_link onclickfathom.trackEvent(DL FOOT);>Download the book/a>/figcaption>/figure>/footer>/div>/body>/html>

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