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HTTP/1.1 200 OKDate: Wed, 11 Feb 2026 14:18:04 GMTServer: ApacheLast-Modified: Wed, 13 Aug 2025 10:05:55 GMTVary: Accept-EncodingContent-Type: text/htmlX-Varnish: 32300736564Age: 0Via: 1.1 webcache2 (Varnish/trunk)ETag: W/3651-63c3c4d728302-gzipAccept-Ranges: bytesConnection: keep-aliveTransfer-Encoding: chunked !DOCTYPE HTML PUBLIC -//W3C//DTD HTML 4.01 Transitional//EN> !--http://www.w3.org/TR/1999/REC-html401-19991224/loose.dtd-->html>head>!--meta http-equivX-UA-Compatible contentIE7>-->title>Others/title>meta namegenerator contentHtmlEdit 5.1>/head>body bgcolor#F0F0F0 link#993300 text#000000 vlink#993300 alink#660066>a nametop>/a>TABLE>tr>td>iframe width480 height335 src//www.youtube.com/embed/KshrtLXBdl8 frameborder0 allowfullscreen>/iframe>/td>td>br />img srcpics/monk trio.JPG noshade titlePAN-AM 9152239 altPAN-AM 9152239 aligntop border1 height335 hspace16 vspace16 width333,47>center>Thelonious Monk trio, 1952, 1954./center>/td>td>br />img srcpics/monkshands.JPG noshade altCharacteristic Monk in Stockholm 1961 titleCharacteristic Monk in Stockholm 1961 aligntop border1 height335 hspace64 vspace32 width533,47>center>Monk in Stockholm 1961, photo by Robert Parent./center>/td>/tr>/TABLE>br />The trio LP is a 180 gram, newly remastered, audiophile Sept. 15, 2014 re-release of Prestige-7027 with 2 extra tunes from 1954 (Nutty and Work). br />The front is kept from the 10 Barclay LP, but 2 discrepancies. In the session from Oct. 15, 1952 (Little Rootie Tootie + 3) the name of the drummer isbr />wrongly changed from Art Blakey to Max Roach. Intentionally or by mistake? On the back side Art Blakey is listed, as in the original liner notes by Irabr />Gitler. Moreover, Bemsha Swing is misprinted as Bemesha Swing. Correct on the back side. But no complaints, though, regarding the musical quality!br />br />Resnick poured a vodka and took it over to his chair; found the track hed been hearing, off and on all day, inside his head. Ten, eleven single notes, br />seemingly unconnected, fingers jabbed down against the keys, till suddenly, the steady rhythm of the bass, swish of brushes against the snare and the br />vibraphone takes over, finding a line, a melody where none had existed before. July second, nineteen-forty-eight, New York. Evidence. br />p>TABLE COLS2>tr>td>img srcpics/ozlem.jpg noshade titleÖzlem Özgür altÖzlem Özgür aligntop border3 height383,49 hspace16 vspace16 width380>/td>td>Photo of Özlem Özgür from the Özünü Ara record with her dedication,br />approximately translated: To my big brother Lars with love and respect.br />Signed by Özlem, who plays her baglama/saz (sort of bouzoki) and sings br />songs out of the Turkish folk music treasure from as far back as the 13:th br />century. Discography and video: a href../ozlem>Özlem Özgür/a>/td>/tr>/table>TABLE COLS2>tr>td>img srcpics/emus.JPG noshade titleCarnegie Hall 1947 altCarnegie Hall 1947 aligntop border3 height383,49 hspace16 vspace16 width380>/td>td> Discography: a href../dizzy>Dizzy Gillespie Live at Carnegie Hall 1947./a>/td>/tr>/table>br />TABLE COLS2>p>tr>td> video width480 height366 controls> source srcaudio/DHS3.mp4 typevideo/mp4> Your browser does not support the video tag./video>!-- iframe width480 height366 http://www.youtube.com/embed/zF-1ElS1q0Q frameborder0 allowfullscreen>/iframe>--> !--EMBED SRCbookersolo.mov width384 height308 AUTOSTARTFALSE HIDDENFALSE allowfullscreen>-->/td>td> Max Roach - drums, Booker Little - trumpet, George Coleman - br /> tenor sax, Ray Draper - tuba, Art Davis - bass. From the 1959 TV br /> broadcast b>Look Up and Live: The Delinquent, the Hipster, and br /> the Square/b> produced by the National Council of Churches. Also br /> including a depiction of a beat poetry reading. The tune played br /> is Booker Littles b>Minor Mode Blues/b>. Max Roachs legacy - br /> papers etc., material for a regrettably never edited book, is now br /> to be seen at the Library of Congress, Washington D.C. b>John br /> Coltrane considered Little the only trumpet player who br /> could really play the kind of thing Coltrane had in mind.br />br /> Discography: /b>a hrefhttps://adale.org/Discographies/Booker.htmlb>Booker Little, 1938-1961/a>br /> a hrefhttps://www.youtube.com/watch?vBG7wNKb3AV4&listPLQw9Q9TAL80Y109KL52d2xp4Bnio--ZmW&index4>b>Play on YouTube:/a> b>The many sides of Max Roach, w. Booker Little (tpt); Julian br /> Priester (trombone); George Coleman (ts); Art Davis (b); Max Roach (dr, tympani)./b>/td>/tr>/table>!--a hrefhttp://www.danmillerjazz.com/booker.htmlb>His Life and Music/b>/a>.-->br />br /> As videos on YouTube tend to disappear from time to time due to copyrightbr /> infringements, I prefer to list some other special discographies/biographies here:br />br /> a hrefhttps://adale.org/Discographies/EDIntro.html>b>Eric Dolphy, 1928-1964/b>/a>br />br /> a hrefhttp://www.wildmusic-jazz.com/Coltrane_faqs.htm#General:>b>John Coltrane, 1926-1967/b>/a>br />br /> a hrefhttp://www.ayler.co.uk/index.html>b>Albert Ayler, 1936-1970/b>/a>br />br /> a hrefhttp://www.jazzdiscography.com/Artists/Lincoln/index.html>b>Abbey Lincoln, 1930-2010/b>/a>br />br />br />img srcpics/charlie parker.JPG noshade titleEverest FS-214 altEverest FS-214 aligntop border3 height300 hspace16 vspace16 width297,90>img srcpics/eric dolphy.JPG noshade titlePrestige 7304 altPrestige 7304 aligntop border3 height300 hspace16 vspace16 width298,70>img srcpics/booker little.JPG noshade titleBethlehem BCP-6034 altBethlehem BCP-6034 aligntop border3 height300 hspace16 vspace16 width302,91>br />img srcpics/first ride.JPG noshade titleOberon 5100 altOberon 5100 aligntop border3 height300 hspace16 vspace16 width296,35>img srcpics/albert ayler.JPG noshade titleMy Name is Albert Ayler, Freedom 511016 altMy Name is Albert Ayler, Freedom 511016 aligntop border3 height300 hspace16 vspace16 width299,57>img srcpics/abbey lincoln.JPG noshade titleEnja 4060 altEnja 4060 aligntop border3 height300 hspace16 vspace16 width304,97>TABLE>TR> TD>img srcpics/townhall.JPG noshade titleFantasy 6140 altFantasy 6140 aligntop border3 height301,27 hspace16 vspace16 width300>/TD> TD> img srcpics/mingus.JPG noshade altPenguin Books 1975 titlePenguin Books 1975 aligntop border1 height246,09 hspace16 vspace32 width150>/TD> TD> iframe width305 height304,67 src//www.youtube.com/embed/SwelF_sHoL4 frameborder0 allowfullscreen>/iframe> /TD> /TR>/TABLE>Discography: a hrefhttps://mingusmingusmingus.com/mingus>Charles Mingus, 1922-1979/a>br />br />This concert by the Charles Mingus sextet is from Town Hall, NYC, April 1964, though the record cover of br />this French release erroneously says it to be recorded at Tyrone Guthrie Theater, Minneapolis. br />br />The above Charlie Parker LP is a compilation from 4 different sessions by Archive of Folk Music, Jazz Series. br />This release from 1959 (indicated by the liner notes) contains 5 tunes from May 1950 featuring Fats Navarro br />and Bud Powell, later released on Columbia in 1977 as part of b>One Night In Birdland/b>. The Archive record br />has a considerably better sound, as many tunes are transcribed from worn 78s by splicing, editing and adjusting. br />As many as 500 splices may have been made in a single recording. a hrefhttp://www.digjazz.se/Klassiska%20skivomslag.Bird.html>Other Parker record covers/a> (Swedish text). br />br /> !--EMBED srcaudio/midnight.wma autostartfalse hiddenfalse> -->audio controls> source srcaudio/midnight.mp3 typeaudio/mpeg> !--source srcaudio/midnight.ogg typeaudio/ogg>-->/audio>br />br />Parker, Powell, Curly Russell and the powerhouse Art Blakey in Monks b>Round Midnite/b>. Navarro out. br />The microphone seems to be moved from Bird to Bud after Buds started soloing. Bud could be magical, br />especially in ballads like I Remember Clifford, remembering Clifford Brown, who died in a car accident br />together with Buds younger brother Richie. b>i>Prokofiev went to New York to listen to Bud Powell./i>/b>br />br /> !--EMBED srcaudio/earlybud.wma autostartfalse hiddenfalse> -->audio controls> source srcaudio/earlybud.mp3 typeaudio/mpeg> !--source srcaudio/earlybud.ogg typeaudio/ogg>-->/audio>br />br />Bud Powell, Curly Russell and Art Taylor in Buds b>Un Poco Loco/b> and b>Oblivion/b> live at Birdland, NY, 1953. br />Beware of the very weak sound. Connect your computer through a DAC (Digital-to-Analog Converter) to br />your stereo amplifier and good loudspeakers or earphones. Then turn up the sound volume to a decent level. br />br />Before the LPs came the EPs (therefore in some cases more original recording sources):br />br />img srcpics/art tatum.jpg noshade titleCLEF EP-320, Cover art by David Stone Martin altCLEF EP-320, Cover art by David Stone Martin aligntop border3 height210 hspace16 vspace16 width210,89>img srcpics/pianosolo.JPG noshade titleMonk solo 1954 in Paris, Jazz Selection JEP 4531 altMonk solo 1954 in Paris, Jazz Selection JEP 4531 aligntop border3 height210 hspace16 vspace16 width211,44>img srcpics/clifford.jpg noshade titleMax Roach and Clifford Brown, Jazz Selection JEP 4521 altMax Roach and Clifford Brown, Jazz Selection JEP 4521 aligntop border3 height210 hspace16 vspace16 width210>img srcpics/basiehefti.jpg noshade titleCount Basie 1958, Roulette REP-1016, Blue Vinyl altCount Basie 1958, Roulette REP-1016, Blue Vinyl aligntop border3 height210 hspace16 vspace16 width208,60>img srcpics/ludde.jpg noshade title alt aligntop border3 height210 hspace16 vspace16 width288,81>p>hr noshadenoshade size2>br /> !--EMBED srcaudio/india.wma autostartfalse hiddenfalse> -->audio controls> source srcaudio/india.mp3 typeaudio/mpeg !--source srcaudio/india.ogg typeaudio/ogg>-->/audio>br />br />TABLE>TR> TD>Jack DeJohnettes Special Edition including Chico Freeman br />(bcl), John Purcell (fl; as (in the coda)), Peter Warren (b) and br />Jack DeJohnette (piano, drums) playing John Coltranes b>India/b> br />live. This concert introduced me to the then new generation of br />jazz musicians. A few years later, on June 10, 1982, I had the br />pleasure to see Special Edition on the Montmartre scene in br />Copenhagen with David Murray replacing Chico Freeman. br />Talking to John Purcell in the intermission I realised that they br />would make a concert on the following week in Barcelona ... br />br />Which happened to be on the same week that I had booked my br />family on a hotel at the Costa Brava. The day after that concert br />I bought a newspaper with the review: Jack DeJohnette offered a br />night of excellent jazz. Chico Freeman returned to Montmartre in br />May 31, 1984, with his own group including Mark Thompson on br />piano, Cecil McBee on bass and the sparsely recorded drummer br />Freddie Waits. A performance by this a hrefhttps://www.youtube.com/watch?vAm5Or9ioH00>Chico Freeman quartet/a>. /TD> TD> img srcpics/jackmm.JPG noshade title Jack DeJohnette, my photo alt Jack DeJohnette, my photo aligntop border height275 hspace16 vspace16 width206,2> /TD> TD>img srcpics/jackdj.jpg noshade title Jack DeJohnettes Special Edition alt Jack DeJohnettes Special Edition aligntop border height275 hspace16 vspace16 width271,8> /TD>/TR>/TABLE>p>hr noshadenoshade size3>br />If you rather like Funk... a hrefhttps://www.youtube.com/watch?vsfrCsRNW3Ucb>Id Rather Be with You/b>/a>.br />p>hr noshadenoshade size3>Back to a hrefhttps://backstrom.se/discography>discographies/a> Latest update: April 20, 2019 br />/body>/html>
Port 443
HTTP/1.1 200 OKDate: Wed, 11 Feb 2026 14:18:05 GMTServer: ApacheLast-Modified: Wed, 13 Aug 2025 10:05:55 GMTVary: Accept-EncodingContent-Type: text/htmlX-Varnish: 32533842390Age: 0Via: 1.1 webcache2 (Varnish/trunk)ETag: W/3651-63c3c4d728302-gzipAccept-Ranges: bytesConnection: keep-aliveTransfer-Encoding: chunked !DOCTYPE HTML PUBLIC -//W3C//DTD HTML 4.01 Transitional//EN> !--http://www.w3.org/TR/1999/REC-html401-19991224/loose.dtd-->html>head>!--meta http-equivX-UA-Compatible contentIE7>-->title>Others/title>meta namegenerator contentHtmlEdit 5.1>/head>body bgcolor#F0F0F0 link#993300 text#000000 vlink#993300 alink#660066>a nametop>/a>TABLE>tr>td>iframe width480 height335 src//www.youtube.com/embed/KshrtLXBdl8 frameborder0 allowfullscreen>/iframe>/td>td>br />img srcpics/monk trio.JPG noshade titlePAN-AM 9152239 altPAN-AM 9152239 aligntop border1 height335 hspace16 vspace16 width333,47>center>Thelonious Monk trio, 1952, 1954./center>/td>td>br />img srcpics/monkshands.JPG noshade altCharacteristic Monk in Stockholm 1961 titleCharacteristic Monk in Stockholm 1961 aligntop border1 height335 hspace64 vspace32 width533,47>center>Monk in Stockholm 1961, photo by Robert Parent./center>/td>/tr>/TABLE>br />The trio LP is a 180 gram, newly remastered, audiophile Sept. 15, 2014 re-release of Prestige-7027 with 2 extra tunes from 1954 (Nutty and Work). br />The front is kept from the 10 Barclay LP, but 2 discrepancies. In the session from Oct. 15, 1952 (Little Rootie Tootie + 3) the name of the drummer isbr />wrongly changed from Art Blakey to Max Roach. Intentionally or by mistake? On the back side Art Blakey is listed, as in the original liner notes by Irabr />Gitler. Moreover, Bemsha Swing is misprinted as Bemesha Swing. Correct on the back side. But no complaints, though, regarding the musical quality!br />br />Resnick poured a vodka and took it over to his chair; found the track hed been hearing, off and on all day, inside his head. Ten, eleven single notes, br />seemingly unconnected, fingers jabbed down against the keys, till suddenly, the steady rhythm of the bass, swish of brushes against the snare and the br />vibraphone takes over, finding a line, a melody where none had existed before. July second, nineteen-forty-eight, New York. Evidence. br />p>TABLE COLS2>tr>td>img srcpics/ozlem.jpg noshade titleÖzlem Özgür altÖzlem Özgür aligntop border3 height383,49 hspace16 vspace16 width380>/td>td>Photo of Özlem Özgür from the Özünü Ara record with her dedication,br />approximately translated: To my big brother Lars with love and respect.br />Signed by Özlem, who plays her baglama/saz (sort of bouzoki) and sings br />songs out of the Turkish folk music treasure from as far back as the 13:th br />century. Discography and video: a href../ozlem>Özlem Özgür/a>/td>/tr>/table>TABLE COLS2>tr>td>img srcpics/emus.JPG noshade titleCarnegie Hall 1947 altCarnegie Hall 1947 aligntop border3 height383,49 hspace16 vspace16 width380>/td>td> Discography: a href../dizzy>Dizzy Gillespie Live at Carnegie Hall 1947./a>/td>/tr>/table>br />TABLE COLS2>p>tr>td> video width480 height366 controls> source srcaudio/DHS3.mp4 typevideo/mp4> Your browser does not support the video tag./video>!-- iframe width480 height366 http://www.youtube.com/embed/zF-1ElS1q0Q frameborder0 allowfullscreen>/iframe>--> !--EMBED SRCbookersolo.mov width384 height308 AUTOSTARTFALSE HIDDENFALSE allowfullscreen>-->/td>td> Max Roach - drums, Booker Little - trumpet, George Coleman - br /> tenor sax, Ray Draper - tuba, Art Davis - bass. From the 1959 TV br /> broadcast b>Look Up and Live: The Delinquent, the Hipster, and br /> the Square/b> produced by the National Council of Churches. Also br /> including a depiction of a beat poetry reading. The tune played br /> is Booker Littles b>Minor Mode Blues/b>. Max Roachs legacy - br /> papers etc., material for a regrettably never edited book, is now br /> to be seen at the Library of Congress, Washington D.C. b>John br /> Coltrane considered Little the only trumpet player who br /> could really play the kind of thing Coltrane had in mind.br />br /> Discography: /b>a hrefhttps://adale.org/Discographies/Booker.htmlb>Booker Little, 1938-1961/a>br /> a hrefhttps://www.youtube.com/watch?vBG7wNKb3AV4&listPLQw9Q9TAL80Y109KL52d2xp4Bnio--ZmW&index4>b>Play on YouTube:/a> b>The many sides of Max Roach, w. Booker Little (tpt); Julian br /> Priester (trombone); George Coleman (ts); Art Davis (b); Max Roach (dr, tympani)./b>/td>/tr>/table>!--a hrefhttp://www.danmillerjazz.com/booker.htmlb>His Life and Music/b>/a>.-->br />br /> As videos on YouTube tend to disappear from time to time due to copyrightbr /> infringements, I prefer to list some other special discographies/biographies here:br />br /> a hrefhttps://adale.org/Discographies/EDIntro.html>b>Eric Dolphy, 1928-1964/b>/a>br />br /> a hrefhttp://www.wildmusic-jazz.com/Coltrane_faqs.htm#General:>b>John Coltrane, 1926-1967/b>/a>br />br /> a hrefhttp://www.ayler.co.uk/index.html>b>Albert Ayler, 1936-1970/b>/a>br />br /> a hrefhttp://www.jazzdiscography.com/Artists/Lincoln/index.html>b>Abbey Lincoln, 1930-2010/b>/a>br />br />br />img srcpics/charlie parker.JPG noshade titleEverest FS-214 altEverest FS-214 aligntop border3 height300 hspace16 vspace16 width297,90>img srcpics/eric dolphy.JPG noshade titlePrestige 7304 altPrestige 7304 aligntop border3 height300 hspace16 vspace16 width298,70>img srcpics/booker little.JPG noshade titleBethlehem BCP-6034 altBethlehem BCP-6034 aligntop border3 height300 hspace16 vspace16 width302,91>br />img srcpics/first ride.JPG noshade titleOberon 5100 altOberon 5100 aligntop border3 height300 hspace16 vspace16 width296,35>img srcpics/albert ayler.JPG noshade titleMy Name is Albert Ayler, Freedom 511016 altMy Name is Albert Ayler, Freedom 511016 aligntop border3 height300 hspace16 vspace16 width299,57>img srcpics/abbey lincoln.JPG noshade titleEnja 4060 altEnja 4060 aligntop border3 height300 hspace16 vspace16 width304,97>TABLE>TR> TD>img srcpics/townhall.JPG noshade titleFantasy 6140 altFantasy 6140 aligntop border3 height301,27 hspace16 vspace16 width300>/TD> TD> img srcpics/mingus.JPG noshade altPenguin Books 1975 titlePenguin Books 1975 aligntop border1 height246,09 hspace16 vspace32 width150>/TD> TD> iframe width305 height304,67 src//www.youtube.com/embed/SwelF_sHoL4 frameborder0 allowfullscreen>/iframe> /TD> /TR>/TABLE>Discography: a hrefhttps://mingusmingusmingus.com/mingus>Charles Mingus, 1922-1979/a>br />br />This concert by the Charles Mingus sextet is from Town Hall, NYC, April 1964, though the record cover of br />this French release erroneously says it to be recorded at Tyrone Guthrie Theater, Minneapolis. br />br />The above Charlie Parker LP is a compilation from 4 different sessions by Archive of Folk Music, Jazz Series. br />This release from 1959 (indicated by the liner notes) contains 5 tunes from May 1950 featuring Fats Navarro br />and Bud Powell, later released on Columbia in 1977 as part of b>One Night In Birdland/b>. The Archive record br />has a considerably better sound, as many tunes are transcribed from worn 78s by splicing, editing and adjusting. br />As many as 500 splices may have been made in a single recording. a hrefhttp://www.digjazz.se/Klassiska%20skivomslag.Bird.html>Other Parker record covers/a> (Swedish text). br />br /> !--EMBED srcaudio/midnight.wma autostartfalse hiddenfalse> -->audio controls> source srcaudio/midnight.mp3 typeaudio/mpeg> !--source srcaudio/midnight.ogg typeaudio/ogg>-->/audio>br />br />Parker, Powell, Curly Russell and the powerhouse Art Blakey in Monks b>Round Midnite/b>. Navarro out. br />The microphone seems to be moved from Bird to Bud after Buds started soloing. Bud could be magical, br />especially in ballads like I Remember Clifford, remembering Clifford Brown, who died in a car accident br />together with Buds younger brother Richie. b>i>Prokofiev went to New York to listen to Bud Powell./i>/b>br />br /> !--EMBED srcaudio/earlybud.wma autostartfalse hiddenfalse> -->audio controls> source srcaudio/earlybud.mp3 typeaudio/mpeg> !--source srcaudio/earlybud.ogg typeaudio/ogg>-->/audio>br />br />Bud Powell, Curly Russell and Art Taylor in Buds b>Un Poco Loco/b> and b>Oblivion/b> live at Birdland, NY, 1953. br />Beware of the very weak sound. Connect your computer through a DAC (Digital-to-Analog Converter) to br />your stereo amplifier and good loudspeakers or earphones. Then turn up the sound volume to a decent level. br />br />Before the LPs came the EPs (therefore in some cases more original recording sources):br />br />img srcpics/art tatum.jpg noshade titleCLEF EP-320, Cover art by David Stone Martin altCLEF EP-320, Cover art by David Stone Martin aligntop border3 height210 hspace16 vspace16 width210,89>img srcpics/pianosolo.JPG noshade titleMonk solo 1954 in Paris, Jazz Selection JEP 4531 altMonk solo 1954 in Paris, Jazz Selection JEP 4531 aligntop border3 height210 hspace16 vspace16 width211,44>img srcpics/clifford.jpg noshade titleMax Roach and Clifford Brown, Jazz Selection JEP 4521 altMax Roach and Clifford Brown, Jazz Selection JEP 4521 aligntop border3 height210 hspace16 vspace16 width210>img srcpics/basiehefti.jpg noshade titleCount Basie 1958, Roulette REP-1016, Blue Vinyl altCount Basie 1958, Roulette REP-1016, Blue Vinyl aligntop border3 height210 hspace16 vspace16 width208,60>img srcpics/ludde.jpg noshade title alt aligntop border3 height210 hspace16 vspace16 width288,81>p>hr noshadenoshade size2>br /> !--EMBED srcaudio/india.wma autostartfalse hiddenfalse> -->audio controls> source srcaudio/india.mp3 typeaudio/mpeg !--source srcaudio/india.ogg typeaudio/ogg>-->/audio>br />br />TABLE>TR> TD>Jack DeJohnettes Special Edition including Chico Freeman br />(bcl), John Purcell (fl; as (in the coda)), Peter Warren (b) and br />Jack DeJohnette (piano, drums) playing John Coltranes b>India/b> br />live. This concert introduced me to the then new generation of br />jazz musicians. A few years later, on June 10, 1982, I had the br />pleasure to see Special Edition on the Montmartre scene in br />Copenhagen with David Murray replacing Chico Freeman. br />Talking to John Purcell in the intermission I realised that they br />would make a concert on the following week in Barcelona ... br />br />Which happened to be on the same week that I had booked my br />family on a hotel at the Costa Brava. The day after that concert br />I bought a newspaper with the review: Jack DeJohnette offered a br />night of excellent jazz. Chico Freeman returned to Montmartre in br />May 31, 1984, with his own group including Mark Thompson on br />piano, Cecil McBee on bass and the sparsely recorded drummer br />Freddie Waits. A performance by this a hrefhttps://www.youtube.com/watch?vAm5Or9ioH00>Chico Freeman quartet/a>. /TD> TD> img srcpics/jackmm.JPG noshade title Jack DeJohnette, my photo alt Jack DeJohnette, my photo aligntop border height275 hspace16 vspace16 width206,2> /TD> TD>img srcpics/jackdj.jpg noshade title Jack DeJohnettes Special Edition alt Jack DeJohnettes Special Edition aligntop border height275 hspace16 vspace16 width271,8> /TD>/TR>/TABLE>p>hr noshadenoshade size3>br />If you rather like Funk... a hrefhttps://www.youtube.com/watch?vsfrCsRNW3Ucb>Id Rather Be with You/b>/a>.br />p>hr noshadenoshade size3>Back to a hrefhttps://backstrom.se/discography>discographies/a> Latest update: April 20, 2019 br />/body>/html>
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