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2025-01-29
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HTTP/1.1 200 OKServer: nginxDate: Wed, 29 Jan 2025 08:42:05 GMTContent-Type: text/html; charsetUTF-8Transfer-Encoding: chunkedConnection: keep-aliveVary: Accept-EncodingCache-Control: no-cache, privateSet-Cookie: XSRF-TOKENeyJpdiI6IjFBWmRrRWhxZE9iQ2xrNXpPMThpUFE9PSIsInZhbHVlIjoiQTdXdFJJZ1J3cmM2aStWeFJsbEhCZGxubzVvTFV4Rng1SGV0R09WNlp1ODczWWMwRGsydko3VEkxQ05YK2hoSVBmN2k2aDU5VHBOWURaSDFBT2VwbXRXM0k3dmlUMzIxTjBNc0FyRFByV0NkVVV5d2kwMkRtRlZYeFlLODRKUG8iLCJtYWMiOiJiYmIwNGMwMzlhOThkNGYyMmEzZjUzMzZlMDhjNTFhZjUzMTY4MjE5ODRiNjZkMzY4NmRkODZjMGJhYzI0ZmU4IiwidGFnIjoiIn0%3D; expiresWed, 29 Jan 2025 10:42:05 GMT; Max-Age7200; path/; samesitelaxSet-Cookie: digitalepigraphy_sessioneyJpdiI6ImJsbkU1cmU0ay9YTjNqM2RldjRJSnc9PSIsInZhbHVlIjoiUDV1SXFZcEZvdjd2RGtXakxUMHBwY0xWQVZFVUtxbEFxMTlzMjAxTW1IdERjcTYzVUZSZnVXQWZwVzFrNXUvdXorbTVqa3hKOGlwYUlMUXRuNkUzY0xqTTFkODNlSzVqa1pTdEdzdDIvazdKVUZVMWdzN0ZRakxWZTl4SVVRLzIiLCJtYWMiOiJjYzg2NDhjOWE4NWQyYThhNWJmODQ2MDNlYTc1YzJiNTRkZjJmMzllZjY2ZDk1MTc2MjcyYTZlNmZiNGQ3Zjc4IiwidGFnIjoiIn0%3D; expiresWed, 29 Jan 2025 10:42:05 GMT; Max-Age7200; path/; httponly; samesitelaxStrict-Transport-Security: max-age31536000; includeSubDomains; preloadX-XSS-Protection: 1; modeblockX-Content-Type-Options: nosniff !DOCTYPE html>html langen>head> meta charsetutf-8> meta nameviewport contentwidthdevice-width, initial-scale1> title>digitalEPIGRAPHY/title> !-- Fonts --> link relpreconnect hrefhttps://fonts.googleapis.com> link relpreconnect hrefhttps://fonts.gstatic.com crossorigin> link relicon typeimage/x-icon href/favicon.ico> link hrefhttps://fonts.googleapis.com/css2?familyNunito+Sans:wght@300;400;600;700;800&displayswap 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hrefhttp://digital-epigraphy.com/news target_self title>News/a> a hrefhttp://digital-epigraphy.com/reviews target_self title>Reviews/a> a hrefhttp://digital-epigraphy.com/tools target_self title>Tools/a> a hrefhttp://digital-epigraphy.com/tutorials target_self title>Tutorials/a> a hrefhttp://digital-epigraphy.com/projects target_self title>Projects/a> a hrefhttp://digital-epigraphy.com/publications target_self title>Publications/a> a hrefhttp://digital-epigraphy.com/readings target_self title>Reading/a> a hrefhttp://digital-epigraphy.com/events target_self title>Events/a> /div> div classcta-container> a hrefhttp://digital-epigraphy.com/newsletter-register target_self title>Register/a> !--a href# target_self title>Sign In/a--> a href# target_self title classsearch-form-container-open-btn> i classfa-solid fa-magnifying-glass>/i> /a> /div> div classsearch-form-container d-none> form actionhttp://digital-epigraphy.com/search methodget> input typetext nameq value placeholderSearch...> /form> button typebutton classsearch-form-container-close-btn> i classfa-solid fa-xmark>/i> /button> /div>/nav>div classmobile-navigation-backdrop hidden>/div>nav classmobile-navigation> button typebutton classclose-btn idmobile-navigation-close-btn>×/button> a hrefhttp://digital-epigraphy.com/news target_self titleNews>News/a> a hrefhttp://digital-epigraphy.com/reviews target_self titleReviews>Reviews/a> a hrefhttp://digital-epigraphy.com/tools target_self titleTools>Tools/a> a hrefhttp://digital-epigraphy.com/tutorials target_self titleTutorials>Tutorials/a> a hrefhttp://digital-epigraphy.com/projects target_self titleProjects>Projects/a> a hrefhttp://digital-epigraphy.com/publications target_self titlePublications>Publications/a> a hrefhttp://digital-epigraphy.com/readings target_self titleReading>Reading/a> a hrefhttp://digital-epigraphy.com/events target_self titleEvents>Events/a> a hrefhttp://digital-epigraphy.com/3d-modell-collection target_self title3d modell collection>3d modell collection/a> a hrefhttp://digital-epigraphy.com/visual-documentations target_self titleVisual documentation database>Visual documentation database/a> a hrefhttp://digital-epigraphy.com/painted-hieroglyph target_self titlePainted hieroglyphs gallery>Painted hieroglyphs gallery/a> a hrefhttp://digital-epigraphy.com/pages/about-us target_self titleAbout us>About us/a>/nav> div classhome-slider> div classcontainer-fluid> div classrow> div classswiper home-swiper> div classswiper-wrapper> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttp://digital-epigraphy.com/projects/documenting-the-amenhotep-iii-wall-scene-ld177-at-luxor-temple-part-2-digital-inking-and-collating-on-the-ipad-pro target_self titleDocumenting the Amenhotep III wall scene LD177 at Luxor temple (Part 2) – digital "inking” and collating on the iPad Pro> Documenting the Amenhotep III wall scene LD177 at Luxor temple (Part 2) – digital "inking” and collating on the iPad Pro /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/projects>Project/a>/span> /div> span classdate>Aug 18, 2019/span> /div> p>In the following article, we shall continue exploring new ways of enhancing our traditional documentation techniques in a meaningful way, this time mostly concentrating on the artist’s work in the studio. /p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttp://digital-epigraphy.com/projects/documenting-the-amenhotep-iii-wall-scene-ld177-at-luxor-temple-part-2-digital-inking-and-collating-on-the-ipad-pro target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/142/210.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttp://digital-epigraphy.com/projects/the-imiseba-method-documenting-the-late-twentieth-dynasty-wall-paintings-in-theban-tomb-65 target_self titleThe "Imiseba method" - Documenting the late Twentieth Dynasty wall paintings in Theban Tomb 65> The "Imiseba method" - Documenting the late Twentieth Dynasty wall paintings in Theban Tomb 65 /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/projects>Project/a>/span> /div> span classdate>Sep 5, 2019/span> /div> p>To appreciate some of the attributes digitalEPIGRAPHY represents at its core, we would like to introduce a one of a kind epigraphic project focusing on the facsimile representation of the wall paintings in TT 65. /p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttp://digital-epigraphy.com/projects/the-imiseba-method-documenting-the-late-twentieth-dynasty-wall-paintings-in-theban-tomb-65 target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/146/215.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttp://digital-epigraphy.com/tutorials/developing-a-digital-color-code-pattern-based-on-traditional-hand-drawn-examples target_self titleDeveloping a digital color code pattern based on traditional, hand drawn examples> Developing a digital color code pattern based on traditional, hand drawn examples /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/tutorials>Tutorial/a>/span> /div> span classdate>Oct 4, 2019/span> /div> p>When we look at ancient Egyptian monuments, color is to be found everywhere. Documenting either tombs, temples or the smallest painted graffito, we must provide a reasonable solution for recording the painted remains of the surface./p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttp://digital-epigraphy.com/tutorials/developing-a-digital-color-code-pattern-based-on-traditional-hand-drawn-examples target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/148/217.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttp://digital-epigraphy.com/news/a-note-on-digitalepigraphys-first-birthday target_self titleA note on digitalEPIGRAPHY’s first birthday> A note on digitalEPIGRAPHY’s first birthday /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/news>News/a>/span> /div> span classdate>Nov 1, 2019/span> /div> p>I can’t believe that digitalEPIGRAPHY has already been around for a little over a year! Thinking back on the past 12 months, there are two conflicting feelings that come to mind.../p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttp://digital-epigraphy.com/news/a-note-on-digitalepigraphys-first-birthday target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/152/222.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttp://digital-epigraphy.com/tutorials/lets-talk-about-damage-representing-discontinuity-of-decorative-surfaces target_self titleLet's talk about... damage - representing discontinuity of decorative surfaces> Let's talk about... damage - representing discontinuity of decorative surfaces /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/tutorials>Tutorial/a>/span> /div> span classdate>Nov 22, 2019/span> /div> p>Due to centuries of decay and abuse of the monuments, there is one apparent feature that stands out immediately when we look at tomb or temple walls today: the tremendous amount of loss of the original surface./p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttp://digital-epigraphy.com/tutorials/lets-talk-about-damage-representing-discontinuity-of-decorative-surfaces target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/155/225.jpeg alt /> /figure> /div>/div> /div> div classswiper-pagination home-swiper-pagination>/div> div classswiper-button-prev home-swiper-button-prev>/div> div classswiper-button-next home-swiper-button-next>/div> /div> /div> /div> /div> div classcontainer-fluid> div classrow> div classcol-lg-8 px-0> !-- START: Latest Articles --> div classlatest-articles> div classsection-title> h2>Latest articles/h2> /div> div classarticle-container> div classarticle> div> a hrefhttp://digital-epigraphy.com/readings/the-epigraphic-work-of-howard-carter target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/214/conversions/318-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/readings>Reading/a>/span> /div> span classdate>Nov 23, 2022/span> /div> h3> a hrefhttp://digital-epigraphy.com/readings/the-epigraphic-work-of-howard-carter target_self title>The Epigraphic Work of Howard Carter/a> /h3> p>We would be remiss if digitalEPIGRAPHY did not commemorate Howard Carter in some way on the 100th anniversary of.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Written by Júlia Schmied/span>/p> a hrefhttp://digital-epigraphy.com/readings/the-epigraphic-work-of-howard-carter target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttp://digital-epigraphy.com/readings/ostraca-form-the-workmens-huts-in-the-valley-of-the-kings target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/213/conversions/317-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/readings>Reading/a>/span> /div> span classdate>Jun 30, 2022/span> /div> h3> a hrefhttp://digital-epigraphy.com/readings/ostraca-form-the-workmens-huts-in-the-valley-of-the-kings target_self title>Ostraca form the workmen’s huts in the Valley of the Kings/a> /h3> p>The Swiss archaeological mission "MISR: Mission Siptah-Ramses X." excavated the tombs of Siptah (KV 47) and Ramses X.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Précis and commentary by Júlia Schmied/span>/p> a hrefhttp://digital-epigraphy.com/readings/ostraca-form-the-workmens-huts-in-the-valley-of-the-kings target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttp://digital-epigraphy.com/reviews/grand-aspirations-in-a-slim-package-huion-kamvas-pro-24-4k-pen-display-review target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/212/conversions/316-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/reviews>Review/a>/span> /div> span classdate>Jan 20, 2022/span> /div> h3> a hrefhttp://digital-epigraphy.com/reviews/grand-aspirations-in-a-slim-package-huion-kamvas-pro-24-4k-pen-display-review target_self title>Grand Aspirations in a Slim Package – Huion Kamvas Pro 24 (4K) Pen Display Review/a> /h3> p>When transferring the Epigraphic Survey’s documentation procedure from traditional ink drawings to digitally.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/reviews/grand-aspirations-in-a-slim-package-huion-kamvas-pro-24-4k-pen-display-review target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttp://digital-epigraphy.com/reviews/digital-inking-on-the-move-part-1-xp-pen-artist-12-2nd-generation-review target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/211/conversions/315-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/reviews>Review/a>/span> /div> span classdate>Dec 22, 2021/span> /div> h3> a hrefhttp://digital-epigraphy.com/reviews/digital-inking-on-the-move-part-1-xp-pen-artist-12-2nd-generation-review target_self title>Digital Inking on the Move Part 1 - XP-PEN Artist 12 2nd Generation Review/a> /h3> p>The review of XP-PEN's 2nd Generation Artist 12 pen display is aimed at those colleagues not wanting to learn new.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/reviews/digital-inking-on-the-move-part-1-xp-pen-artist-12-2nd-generation-review target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttp://digital-epigraphy.com/reviews/nearly-uncompromised-digital-inking-on-the-budget-huion-inspiroy-dial-q620m target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/210/conversions/285-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/reviews>Review/a>/span> /div> span classdate>Oct 6, 2021/span> /div> h3> a hrefhttp://digital-epigraphy.com/reviews/nearly-uncompromised-digital-inking-on-the-budget-huion-inspiroy-dial-q620m target_self title>(Nearly) Uncompromised Digital Inking on the Budget – Huion Inspiroy Dial Q620M/a> /h3> p>The Q620M is one of the many screenless pen tablets Huion currently sells, and not the cheapest option at that..../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/reviews/nearly-uncompromised-digital-inking-on-the-budget-huion-inspiroy-dial-q620m target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttp://digital-epigraphy.com/readings/virtual-malqata-the-amenhotep-iii-palace-3d-reconstruction-project-accuracy-versus-authenticity- target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/208/conversions/280-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttp://digital-epigraphy.com/readings>Reading/a>/span> /div> span classdate>Aug 1, 2021/span> /div> h3> a hrefhttp://digital-epigraphy.com/readings/virtual-malqata-the-amenhotep-iii-palace-3d-reconstruction-project-accuracy-versus-authenticity- target_self title>Virtual Malqata, the Amenhotep III Palace 3D Reconstruction Project – Accuracy Versus Authenticity /a> /h3> p>Franck Monnier and Paul François began the digital reconstruction of the palace of Amenhotep III at Malqata in 2016,.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Précis and commentary by Júlia Schmied/span>/p> a hrefhttp://digital-epigraphy.com/readings/virtual-malqata-the-amenhotep-iii-palace-3d-reconstruction-project-accuracy-versus-authenticity- target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> a hrefhttp://digital-epigraphy.com/latest target_self titleAll Articles classbtn>ALL ARTICLES/a> /div> !-- END: Latest Articles --> !-- START: Tutorials --> div classtutorials> div classsection-title> h2>Tutorials/h2> /div> div classswiper tutorials-swiper> div classswiper-wrapper> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttp://digital-epigraphy.com/tutorials/lets-talk-about-sun-and-shadow-a-fundamental-update-on-drawing-drop-shadow-transitions-in-photoshop target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/202/274.jpg alt /> /figure> /a> span classdate>Apr 29, 2021/span> h4> a hrefhttp://digital-epigraphy.com/tutorials/lets-talk-about-sun-and-shadow-a-fundamental-update-on-drawing-drop-shadow-transitions-in-photoshop target_self title>Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop/a> /h4> p>Started with the first epigraphical efforts in Egypt, it has been a natural desire to capture this attribute when represented on.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tutorials/lets-talk-about-sun-and-shadow-a-fundamental-update-on-drawing-drop-shadow-transitions-in-photoshop target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttp://digital-epigraphy.com/tutorials/tidbits-of-the-digital-chicago-method-part-7-introducing-the-surveys-new-sun-shadow-brushes target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/193/265.jpg alt /> /figure> /a> span classdate>Jan 14, 2021/span> h4> a hrefhttp://digital-epigraphy.com/tutorials/tidbits-of-the-digital-chicago-method-part-7-introducing-the-surveys-new-sun-shadow-brushes target_self title>Tidbits of the Digital Chicago Method Part 7 – Introducing the Survey's New Sun-Shadow Brushes/a> /h4> p>In this new tutorial of the Survey's "Tidbits…" series, digitalEPIGRAPHY would like to focus on one of the focal points in.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tutorials/tidbits-of-the-digital-chicago-method-part-7-introducing-the-surveys-new-sun-shadow-brushes target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttp://digital-epigraphy.com/tutorials/photoshop-one-on-one-how-to-remove-the-background-of-scanned-artworks-in-preparation-for-a-digital-takeover target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/190/262.jpg alt /> /figure> /a> span classdate>Dec 1, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tutorials/photoshop-one-on-one-how-to-remove-the-background-of-scanned-artworks-in-preparation-for-a-digital-takeover target_self title>Photoshop one-on-one – How to remove the background of scanned artworks in preparation for a digital takeover/a> /h4> p>In the following tutorial, we'd like to show you the main differences between several options to disintegrate certain types of.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tutorials/photoshop-one-on-one-how-to-remove-the-background-of-scanned-artworks-in-preparation-for-a-digital-takeover target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttp://digital-epigraphy.com/tutorials/a-photogrammetric-triple-constraint-time-distance-camera-cost target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/188/260.jpg alt /> /figure> /a> span classdate>Oct 26, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tutorials/a-photogrammetric-triple-constraint-time-distance-camera-cost target_self title>A Photogrammetric Triple Constraint: Time, Distance, Camera Cost/a> /h4> p>With the rise of photogrammetry in digital epigraphy, so has the ability to produce quality, to-scale photographs without.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Owen Murray/span>/p> a hrefhttp://digital-epigraphy.com/tutorials/a-photogrammetric-triple-constraint-time-distance-camera-cost target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttp://digital-epigraphy.com/tutorials/on-developing-a-digital-collation-process-for-the-epigraphic-surveys-current-digital-documentation-projects target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/183/255.jpeg alt /> /figure> /a> span classdate>Jul 28, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tutorials/on-developing-a-digital-collation-process-for-the-epigraphic-surveys-current-digital-documentation-projects target_self title>On Developing a Digital Collation Process for the Epigraphic Survey’s Current Digital Documentation Projects/a> /h4> p>Last year digitalEPIGRAPHY presented our first digital collation project. Since that time, we have continued to develop and.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Ariel W. Singer/span>/p> a hrefhttp://digital-epigraphy.com/tutorials/on-developing-a-digital-collation-process-for-the-epigraphic-surveys-current-digital-documentation-projects target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttp://digital-epigraphy.com/tutorials/photoshop-one-on-one-general-functions-and-a-specific-use-case-of-the-updated-warp-tool target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/179/250.jpg alt /> /figure> /a> span classdate>Jun 19, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tutorials/photoshop-one-on-one-general-functions-and-a-specific-use-case-of-the-updated-warp-tool target_self title>Photoshop One-on-one – General functions and a specific use-case of the updated Warp Tool/a> /h4> p>The Warp Transform Tool has been part of Photoshop for a long time, and it had remained mostly unchanged since its introduction.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tutorials/photoshop-one-on-one-general-functions-and-a-specific-use-case-of-the-updated-warp-tool target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> /div> /div> div classswiper-button-prev tutorials-swiper-button-prev>/div> div classswiper-button-next tutorials-swiper-button-next>/div> /div> !-- END: Tutorials --> !-- START: Tools --> div classtools> div classsection-title> h2>Tools/h2> /div> div classswiper tools-swiper> div classswiper-wrapper> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/207/279.jpg alt /> /figure> /a> span classdate>Jul 20, 2021/span> h4> a hrefhttp://digital-epigraphy.com/tools/huions-new-inspiroy-keydial-k200-is-an-award-winning-all-in-one-solution-for-digital-artists target_self title>Huion’s New Inspiroy KeyDial K200 is an Award-Winning All-in-one Solution for Digital Artists/a> /h4> p>The well-established drawing tablet maker, Huion, recently launched a new pen tablet and keyboard combo, called the Inspiron KeyDial K200. With its innovative design, it is made for artists who are.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tools/huions-new-inspiroy-keydial-k200-is-an-award-winning-all-in-one-solution-for-digital-artists target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/194/266.jpg alt /> /figure> /a> span classdate>Jan 20, 2021/span> h4> a hrefhttp://digital-epigraphy.com/tools/get-on-your-feet-and-keep-drawing-with-the-ogawa-leband-electric-sit-stand-desk-converter target_self title>Get on Your Feet and Keep Drawing with the OGAWA Leband Electric Sit-Stand Desk Converter/a> /h4> p>It might seem unrelated to digital documentation, but digitalEPIGRAPHY would like to draw your attention to a device that has an impact not on your epigraphic product but on the way it is created. /p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tools/get-on-your-feet-and-keep-drawing-with-the-ogawa-leband-electric-sit-stand-desk-converter target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/187/259.jpg alt /> /figure> /a> span classdate>Oct 8, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tools/adonits-note-m-ipad-stylus-arrives-with-built-in-mouse-functions-teaching-you-a-trick-or-two-about-multitasking target_self title>Adonit’s Note-M iPad stylus arrives with built in mouse functions, teaching you a trick or two about multitasking/a> /h4> p>Until a couple of days ago I had rather conflicting feelings about Adonit’s latest iPad stylus, the appropriately named Note-M. The “M” moniker is supposed to stand for mouse, and indeed, the.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tools/adonits-note-m-ipad-stylus-arrives-with-built-in-mouse-functions-teaching-you-a-trick-or-two-about-multitasking target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/177/248.jpg alt /> /figure> /a> span classdate>Jun 11, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tools/move-over-paperlike-the-new-moshi-ivisor-provides-a-matte-drawing-surface-for-the-ipad-with-the-promise-of-reusability-and-easy-application target_self title>Move over PaperLike, the new Moshi iVisor provides a matte drawing surface for the iPad with the promise of reusability and easy application/a> /h4> p>One of the cornerstones of tablet usability in epigraphic work (or in any drawing-related activity, for that matter ) is how well we get accustomed to using a stylus on glass surfaces. If you’ve.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tools/move-over-paperlike-the-new-moshi-ivisor-provides-a-matte-drawing-surface-for-the-ipad-with-the-promise-of-reusability-and-easy-application target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/168/239.jpg alt /> /figure> /a> span classdate>Mar 23, 2020/span> h4> a hrefhttp://digital-epigraphy.com/tools/the-new-one-is-the-cheapest-among-wacoms-budget-conscious-drawing-displays target_self title>The new One is the cheapest among Wacom's budget-conscious drawing displays/a> /h4> p>With the just released Wacom One, digitalEPIGRAPHY revisits and compares Wacom's budget options to see if the new Cintiqs can be competitive enough in the well-established low-cost drawing display.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tools/the-new-one-is-the-cheapest-among-wacoms-budget-conscious-drawing-displays target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/149/218.jpg alt /> /figure> /a> span classdate>Oct 8, 2019/span> h4> a hrefhttp://digital-epigraphy.com/tools/in-many-regards-sketchboard-pro-could-be-the-ideal-ipad-drawing-board-for-digital-epigraphy target_self title>In many regards, Sketchboard Pro could be the ideal iPad drawing board for digital epigraphy/a> /h4> p>Either drawing in the field at the monuments or inking in the studio, creating steady lines and smooth curves requires a large drawing surface with lots of elbow room./p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttp://digital-epigraphy.com/tools/in-many-regards-sketchboard-pro-could-be-the-ideal-ipad-drawing-board-for-digital-epigraphy target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> /div> /div> div classswiper-button-prev tools-swiper-button-prev>/div> div classswiper-button-next tools-swiper-button-next>/div> /div> !-- END: Tools --> /div> div classcol-lg-4 px-0> aside classsidebar> div classsidebar-box> div classsidebar-box-content sidebar-box-content--slider> h3>Publications/h3> div classswiper publications-swiper> div classswiper-wrapper> div classswiper-slide> a hrefhttp://digital-epigraphy.com/publications/digital-epigraphy-second-edition-by-krisztian-vertes-and-the-epigraphic-survey target_self titleDigital Epigraphy (Second Edition)> figure> img srchttps://www.digital-epigraphy.com/storage/215/1.jpg alt /> /figure> h4>Digital Epigraphy (Second Edition)/h4> p>The chapter by chapter web version of the book, Digital Epigraphy, written by Krisztián Vértes in 2014, explaining the basic procedures of the Survey’s ever-changing digital documentation method,.../p> p classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/publications/the-mastabas-of-qar-and-idu-g-7101-and-7102-digitally-revised-and-enhanced-edition target_self titleThe Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition> figure> img srchttps://www.digital-epigraphy.com/storage/247/2.jpg alt /> /figure> h4>The Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition/h4> p>The chapter by chapter web version of the book, The Mastabas of Qar and Idu, written by William Kelly Simpson in 1976, with contributions or drawings by Dows Dunham, Suzanne Chapman, Hansmartin.../p> p classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> /div> div classswiper-button-prev publications-swiper-button-prev>/div> div classswiper-button-next publications-swiper-button-next>/div> /div> /div>/div> div classsidebar-box sidebar-box--non-slider> div classsidebar-box-content> h3>a hrefhttp://digital-epigraphy.com/snippets target_self titleEpigraphy Snippets>Epigraphy Snippets/a>/h3> div classrow> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/the-epigraphic-work-of-howard-carter-instagram target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2115/131.jpg altThe Epigraphic Work of Howard Carter classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/-the-outer-coffin-of-amuns-priest-nespaperennub-as-digitized-by-the-book-of-the-dead-in-3d-project-at-uc-berkeley target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2114/130.jpg alt The Outer Coffin of Amun's Priest Nespaperennub, as Digitized by the "Book of the Dead in 3D" Project at UC Berkeley classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/color-coded-greyscale-drawing-detail-from-tt-179-showing-part-of-a-large-pile-of-offerings target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2032/38.jpg altColor coded greyscale drawing detail from TT 179 showing part of a large pile of offerings classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/digitally-inking-the-mastaba-architrave-of-old-kingdom-scribe-idu target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2113/129.jpg altDigitally Inking the Mastaba Architrave of Old Kingdom Scribe, Idu classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/photoshop-shortcut-solutions-with-a-twist-two-recently-released-accessories-from-huion-and-xencelabs- target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2112/128.jpg altPhotoshop Shortcut Solutions with a Twist - Two Recently Released Accessories from Huion and Xencelabs classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/the-palace-area-at-medinet-habu-in-the-1920s-during-ransom-wiliams-chicago-house-occupation- target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2111/127.jpg altThe Palace Area at Medinet Habu in the 1920's During Ransom Wiliams' Chicago House Occupation classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/digital-watercolor-applied-in-procreate-to-create-a-visual-reconstruction-of-the-original-ptolemaic-paint-pattern target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2110/125.jpg altDigital Watercolor Applied in Procreate to Create a Visual Reconstruction of the Original Ptolemaic Paint Pattern classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/anonymous-outer-coffin-from-the-cache-of-bab-el-gasus-in-the-visual-interpretation-of-rogerio-souza target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2109/124.jpg altAnonymous Outer Coffin from the Cache of Bab el-Gasus in the Visual Interpretation of Rogério Souza classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttp://digital-epigraphy.com/snippets/documentation-work-and-digital-collation-in-progress-in-the-tomb-of-djehutihotep-as-carried-out-by-marleen-de-meyer-and-toon-sykora target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2108/123.jpg altDocumentation Work and Digital Collation in Progress in the Tomb of Djehutihotep, as carried out by Marleen De Meyer and Toon Sykora classw-100 h-auto /> /a> /div> /div> /div>/div> div classsidebar-box> div classsidebar-box-content sidebar-box-content--slider> h3>a hrefhttp://digital-epigraphy.com/3d-modell-collection target_self title3d modell collection>3d modell collection/a>/h3> div classswiper modell-swiper> div classswiper-wrapper> div classswiper-slide> a hrefhttp://digital-epigraphy.com/3d-modell-collection/the-book-of-the-dead-in-3d-digital-analysis-visualization-and-dissemination-of-the-funerary-culture-of-ancient-egypt- target_self titleThe Book of the Dead in 3D. Digital Analysis, Visualization and Dissemination of the Funerary Culture of Ancient Egypt > figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://sketchfab.com/models/f9d1b53bbbce4e0c9f0ce32e1951937b/embed width970>/iframe> /figure> h4>The Book of the Dead in 3D. Digital Analysis, Visualization and Dissemination of the Funerary Culture of Ancient Egypt /h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/3d-modell-collection/the-eighteenth-dynasty-temple-of-amada-at-lake-nasser target_self titleThe Eighteenth Dynasty Temple of Amada at Lake Nasser> figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://my.matterport.com/show/?mwpdMtL8MgHG&play1&title1&tourcta1&vrcoll0&dh1&mt1 width970>/iframe> /figure> h4>The Eighteenth Dynasty Temple of Amada at Lake Nasser/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/3d-modell-collection/a-virtual-tour-of-the-recently-discovered-old-kingdom-tomb-of-wahty-in-the-saqqara-necropolis target_self titleA virtual tour of the recently discovered Old Kingdom tomb of Wahty in the Saqqara necropolis> figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://my.matterport.com/show/?mBsXpwTSYSyN&help1&brand1&play1&hl1&ts2&title1&tourcta2&vrcoll0&dh1&lp1&wts1 width970>/iframe> /figure> h4>A virtual tour of the recently discovered Old Kingdom tomb of Wahty in the Saqqara necropolis/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/3d-modell-collection/walking-through-the-tomb-of-nefertari-today-and-in-the-past target_self titleWalking through the tomb of Nefertari today and in the past> figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://sketchfab.com/models/3b43f16e08a443cfbe6ffc46c072656b/embed?ui_controls1&ui_infos1&ui_inspector1&ui_stop1&ui_watermark1&ui_watermark_link1" frameborder"0" allow"autoplay; fullscreen; vr width970>/iframe> /figure> h4>Walking through the tomb of Nefertari today and in the past/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/3d-modell-collection/tomb-of-the-two-brothers-a-3d-tour-of-the-tomb-of-niankhkhnum-and-khnumhotep- target_self titleTomb of the Two Brothers – A 3D tour of the tomb of Niankhkhnum and Khnumhotep > figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://my.matterport.com/show/?mPKxweZaPG3P&help1&brand1&play1&hl1&ts2&title1&tourcta2&vrcoll0&dh1&lp1&wts1 width970>/iframe> /figure> h4>Tomb of the Two Brothers – A 3D tour of the tomb of Niankhkhnum and Khnumhotep /h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> /div> div classswiper-button-prev modell-swiper-button-prev>/div> div classswiper-button-next modell-swiper-button-next>/div> /div> /div>/div> div classsidebar-box> div classsidebar-box-content sidebar-box-content--slider> h3> a hrefhttp://digital-epigraphy.com/visual-documentations target_self titleVisual Documentation Database> Visual Documentation Database /a> /h3> div classswiper vdocumentation-swiper> div classswiper-wrapper> div classswiper-slide> a hrefhttp://digital-epigraphy.com/visual-documentations/saqqara-tomb-of-ptahemwia-wall-scene-sketches target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/766/conversions/184-box.jpg altSaqqara, Tomb of Ptahemwia, Wall scene sketches /> /figure> h4>Saqqara, Tomb of Ptahemwia, Wall scene sketches/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/visual-documentations/saqqara-tomb-of-ptahemwia-wooden-coffin-fragment target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/763/conversions/183-box.jpg altSaqqara, Tomb of Ptahemwia, Wooden coffin fragment /> /figure> h4>Saqqara, Tomb of Ptahemwia, Wooden coffin fragment/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/visual-documentations/saqqara-tomb-of-horemheb-faience-ushabti target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/760/conversions/182-box.jpg altSaqqara, Tomb of Horemheb, Faience ushabti /> /figure> h4>Saqqara, Tomb of Horemheb, Faience ushabti/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttp://digital-epigraphy.com/visual-documentations/karnak-the-edifice-of-taharqa-wall-relief target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/758/conversions/180-box.jpg altKarnak, The Edifice of Taharqa, Wall relief /> /figure> h4>Karnak, The Edifice of Taharqa, Wall relief/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a 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title3d modell collection>3d modell collection/a> a hrefhttps://digital-epigraphy.com/visual-documentations target_self titleVisual documentation database>Visual documentation database/a> a hrefhttps://digital-epigraphy.com/painted-hieroglyph target_self titlePainted hieroglyphs gallery>Painted hieroglyphs gallery/a> a hrefhttps://digital-epigraphy.com/pages/about-us target_self titleAbout us>About us/a>/nav> div classhome-slider> div classcontainer-fluid> div classrow> div classswiper home-swiper> div classswiper-wrapper> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttps://digital-epigraphy.com/projects/documenting-the-amenhotep-iii-wall-scene-ld177-at-luxor-temple-part-2-digital-inking-and-collating-on-the-ipad-pro target_self titleDocumenting the Amenhotep III wall scene LD177 at Luxor temple (Part 2) – digital "inking” and collating on the iPad Pro> Documenting the Amenhotep III wall scene LD177 at Luxor temple (Part 2) – digital "inking” and collating on the iPad Pro /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/projects>Project/a>/span> /div> span classdate>Aug 18, 2019/span> /div> p>In the following article, we shall continue exploring new ways of enhancing our traditional documentation techniques in a meaningful way, this time mostly concentrating on the artist’s work in the studio. /p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttps://digital-epigraphy.com/projects/documenting-the-amenhotep-iii-wall-scene-ld177-at-luxor-temple-part-2-digital-inking-and-collating-on-the-ipad-pro target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/142/210.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttps://digital-epigraphy.com/projects/the-imiseba-method-documenting-the-late-twentieth-dynasty-wall-paintings-in-theban-tomb-65 target_self titleThe "Imiseba method" - Documenting the late Twentieth Dynasty wall paintings in Theban Tomb 65> The "Imiseba method" - Documenting the late Twentieth Dynasty wall paintings in Theban Tomb 65 /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/projects>Project/a>/span> /div> span classdate>Sep 5, 2019/span> /div> p>To appreciate some of the attributes digitalEPIGRAPHY represents at its core, we would like to introduce a one of a kind epigraphic project focusing on the facsimile representation of the wall paintings in TT 65. /p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttps://digital-epigraphy.com/projects/the-imiseba-method-documenting-the-late-twentieth-dynasty-wall-paintings-in-theban-tomb-65 target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/146/215.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttps://digital-epigraphy.com/tutorials/developing-a-digital-color-code-pattern-based-on-traditional-hand-drawn-examples target_self titleDeveloping a digital color code pattern based on traditional, hand drawn examples> Developing a digital color code pattern based on traditional, hand drawn examples /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/tutorials>Tutorial/a>/span> /div> span classdate>Oct 4, 2019/span> /div> p>When we look at ancient Egyptian monuments, color is to be found everywhere. Documenting either tombs, temples or the smallest painted graffito, we must provide a reasonable solution for recording the painted remains of the surface./p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttps://digital-epigraphy.com/tutorials/developing-a-digital-color-code-pattern-based-on-traditional-hand-drawn-examples target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/148/217.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttps://digital-epigraphy.com/news/a-note-on-digitalepigraphys-first-birthday target_self titleA note on digitalEPIGRAPHY’s first birthday> A note on digitalEPIGRAPHY’s first birthday /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/news>News/a>/span> /div> span classdate>Nov 1, 2019/span> /div> p>I can’t believe that digitalEPIGRAPHY has already been around for a little over a year! Thinking back on the past 12 months, there are two conflicting feelings that come to mind.../p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttps://digital-epigraphy.com/news/a-note-on-digitalepigraphys-first-birthday target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/152/222.jpg alt /> /figure> /div>/div> div classswiper-slide> div classslide-content> div classslide-content-text> h3> span>In the spotlight/span> a hrefhttps://digital-epigraphy.com/tutorials/lets-talk-about-damage-representing-discontinuity-of-decorative-surfaces target_self titleLet's talk about... damage - representing discontinuity of decorative surfaces> Let's talk about... damage - representing discontinuity of decorative surfaces /a> /h3> div classd-flex align-items-center my-5> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/tutorials>Tutorial/a>/span> /div> span classdate>Nov 22, 2019/span> /div> p>Due to centuries of decay and abuse of the monuments, there is one apparent feature that stands out immediately when we look at tomb or temple walls today: the tremendous amount of loss of the original surface./p> div classinfo-row d-flex align-items-center justify-content-between> p>span> Krisztián Vértes/span>/p> /div> a hrefhttps://digital-epigraphy.com/tutorials/lets-talk-about-damage-representing-discontinuity-of-decorative-surfaces target_self titleRead more classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> figure> img srchttps://www.digital-epigraphy.com/storage/155/225.jpeg alt /> /figure> /div>/div> /div> div classswiper-pagination home-swiper-pagination>/div> div classswiper-button-prev home-swiper-button-prev>/div> div classswiper-button-next home-swiper-button-next>/div> /div> /div> /div> /div> div classcontainer-fluid> div classrow> div classcol-lg-8 px-0> !-- START: Latest Articles --> div classlatest-articles> div classsection-title> h2>Latest articles/h2> /div> div classarticle-container> div classarticle> div> a hrefhttps://digital-epigraphy.com/readings/the-epigraphic-work-of-howard-carter target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/214/conversions/318-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/readings>Reading/a>/span> /div> span classdate>Nov 23, 2022/span> /div> h3> a hrefhttps://digital-epigraphy.com/readings/the-epigraphic-work-of-howard-carter target_self title>The Epigraphic Work of Howard Carter/a> /h3> p>We would be remiss if digitalEPIGRAPHY did not commemorate Howard Carter in some way on the 100th anniversary of.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Written by Júlia Schmied/span>/p> a hrefhttps://digital-epigraphy.com/readings/the-epigraphic-work-of-howard-carter target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttps://digital-epigraphy.com/readings/ostraca-form-the-workmens-huts-in-the-valley-of-the-kings target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/213/conversions/317-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/readings>Reading/a>/span> /div> span classdate>Jun 30, 2022/span> /div> h3> a hrefhttps://digital-epigraphy.com/readings/ostraca-form-the-workmens-huts-in-the-valley-of-the-kings target_self title>Ostraca form the workmen’s huts in the Valley of the Kings/a> /h3> p>The Swiss archaeological mission "MISR: Mission Siptah-Ramses X." excavated the tombs of Siptah (KV 47) and Ramses X.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Précis and commentary by Júlia Schmied/span>/p> a hrefhttps://digital-epigraphy.com/readings/ostraca-form-the-workmens-huts-in-the-valley-of-the-kings target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttps://digital-epigraphy.com/reviews/grand-aspirations-in-a-slim-package-huion-kamvas-pro-24-4k-pen-display-review target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/212/conversions/316-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/reviews>Review/a>/span> /div> span classdate>Jan 20, 2022/span> /div> h3> a hrefhttps://digital-epigraphy.com/reviews/grand-aspirations-in-a-slim-package-huion-kamvas-pro-24-4k-pen-display-review target_self title>Grand Aspirations in a Slim Package – Huion Kamvas Pro 24 (4K) Pen Display Review/a> /h3> p>When transferring the Epigraphic Survey’s documentation procedure from traditional ink drawings to digitally.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/reviews/grand-aspirations-in-a-slim-package-huion-kamvas-pro-24-4k-pen-display-review target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttps://digital-epigraphy.com/reviews/digital-inking-on-the-move-part-1-xp-pen-artist-12-2nd-generation-review target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/211/conversions/315-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/reviews>Review/a>/span> /div> span classdate>Dec 22, 2021/span> /div> h3> a hrefhttps://digital-epigraphy.com/reviews/digital-inking-on-the-move-part-1-xp-pen-artist-12-2nd-generation-review target_self title>Digital Inking on the Move Part 1 - XP-PEN Artist 12 2nd Generation Review/a> /h3> p>The review of XP-PEN's 2nd Generation Artist 12 pen display is aimed at those colleagues not wanting to learn new.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/reviews/digital-inking-on-the-move-part-1-xp-pen-artist-12-2nd-generation-review target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttps://digital-epigraphy.com/reviews/nearly-uncompromised-digital-inking-on-the-budget-huion-inspiroy-dial-q620m target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/210/conversions/285-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/reviews>Review/a>/span> /div> span classdate>Oct 6, 2021/span> /div> h3> a hrefhttps://digital-epigraphy.com/reviews/nearly-uncompromised-digital-inking-on-the-budget-huion-inspiroy-dial-q620m target_self title>(Nearly) Uncompromised Digital Inking on the Budget – Huion Inspiroy Dial Q620M/a> /h3> p>The Q620M is one of the many screenless pen tablets Huion currently sells, and not the cheapest option at that..../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/reviews/nearly-uncompromised-digital-inking-on-the-budget-huion-inspiroy-dial-q620m target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> div classarticle> div> a hrefhttps://digital-epigraphy.com/readings/virtual-malqata-the-amenhotep-iii-palace-3d-reconstruction-project-accuracy-versus-authenticity- target_self title classoverlay> figure> img srchttps://www.digital-epigraphy.com/storage/208/conversions/280-list.jpg alt /> /figure> /a> div classd-flex align-items-center> div classtags me-3> span classtag>a hrefhttps://digital-epigraphy.com/readings>Reading/a>/span> /div> span classdate>Aug 1, 2021/span> /div> h3> a hrefhttps://digital-epigraphy.com/readings/virtual-malqata-the-amenhotep-iii-palace-3d-reconstruction-project-accuracy-versus-authenticity- target_self title>Virtual Malqata, the Amenhotep III Palace 3D Reconstruction Project – Accuracy Versus Authenticity /a> /h3> p>Franck Monnier and Paul François began the digital reconstruction of the palace of Amenhotep III at Malqata in 2016,.../p> /div> div classinfo-row d-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classmb-3 mb-xl-0>span>Précis and commentary by Júlia Schmied/span>/p> a hrefhttps://digital-epigraphy.com/readings/virtual-malqata-the-amenhotep-iii-palace-3d-reconstruction-project-accuracy-versus-authenticity- target_self titleRead moore classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> a hrefhttps://digital-epigraphy.com/latest target_self titleAll Articles classbtn>ALL ARTICLES/a> /div> !-- END: Latest Articles --> !-- START: Tutorials --> div classtutorials> div classsection-title> h2>Tutorials/h2> /div> div classswiper tutorials-swiper> div classswiper-wrapper> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttps://digital-epigraphy.com/tutorials/lets-talk-about-sun-and-shadow-a-fundamental-update-on-drawing-drop-shadow-transitions-in-photoshop target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/202/274.jpg alt /> /figure> /a> span classdate>Apr 29, 2021/span> h4> a hrefhttps://digital-epigraphy.com/tutorials/lets-talk-about-sun-and-shadow-a-fundamental-update-on-drawing-drop-shadow-transitions-in-photoshop target_self title>Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop/a> /h4> p>Started with the first epigraphical efforts in Egypt, it has been a natural desire to capture this attribute when represented on.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tutorials/lets-talk-about-sun-and-shadow-a-fundamental-update-on-drawing-drop-shadow-transitions-in-photoshop target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttps://digital-epigraphy.com/tutorials/tidbits-of-the-digital-chicago-method-part-7-introducing-the-surveys-new-sun-shadow-brushes target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/193/265.jpg alt /> /figure> /a> span classdate>Jan 14, 2021/span> h4> a hrefhttps://digital-epigraphy.com/tutorials/tidbits-of-the-digital-chicago-method-part-7-introducing-the-surveys-new-sun-shadow-brushes target_self title>Tidbits of the Digital Chicago Method Part 7 – Introducing the Survey's New Sun-Shadow Brushes/a> /h4> p>In this new tutorial of the Survey's "Tidbits…" series, digitalEPIGRAPHY would like to focus on one of the focal points in.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tutorials/tidbits-of-the-digital-chicago-method-part-7-introducing-the-surveys-new-sun-shadow-brushes target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttps://digital-epigraphy.com/tutorials/photoshop-one-on-one-how-to-remove-the-background-of-scanned-artworks-in-preparation-for-a-digital-takeover target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/190/262.jpg alt /> /figure> /a> span classdate>Dec 1, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tutorials/photoshop-one-on-one-how-to-remove-the-background-of-scanned-artworks-in-preparation-for-a-digital-takeover target_self title>Photoshop one-on-one – How to remove the background of scanned artworks in preparation for a digital takeover/a> /h4> p>In the following tutorial, we'd like to show you the main differences between several options to disintegrate certain types of.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tutorials/photoshop-one-on-one-how-to-remove-the-background-of-scanned-artworks-in-preparation-for-a-digital-takeover target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttps://digital-epigraphy.com/tutorials/a-photogrammetric-triple-constraint-time-distance-camera-cost target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/188/260.jpg alt /> /figure> /a> span classdate>Oct 26, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tutorials/a-photogrammetric-triple-constraint-time-distance-camera-cost target_self title>A Photogrammetric Triple Constraint: Time, Distance, Camera Cost/a> /h4> p>With the rise of photogrammetry in digital epigraphy, so has the ability to produce quality, to-scale photographs without.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Owen Murray/span>/p> a hrefhttps://digital-epigraphy.com/tutorials/a-photogrammetric-triple-constraint-time-distance-camera-cost target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttps://digital-epigraphy.com/tutorials/on-developing-a-digital-collation-process-for-the-epigraphic-surveys-current-digital-documentation-projects target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/183/255.jpeg alt /> /figure> /a> span classdate>Jul 28, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tutorials/on-developing-a-digital-collation-process-for-the-epigraphic-surveys-current-digital-documentation-projects target_self title>On Developing a Digital Collation Process for the Epigraphic Survey’s Current Digital Documentation Projects/a> /h4> p>Last year digitalEPIGRAPHY presented our first digital collation project. Since that time, we have continued to develop and.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Ariel W. Singer/span>/p> a hrefhttps://digital-epigraphy.com/tutorials/on-developing-a-digital-collation-process-for-the-epigraphic-surveys-current-digital-documentation-projects target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a hrefhttps://digital-epigraphy.com/tutorials/photoshop-one-on-one-general-functions-and-a-specific-use-case-of-the-updated-warp-tool target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/179/250.jpg alt /> /figure> /a> span classdate>Jun 19, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tutorials/photoshop-one-on-one-general-functions-and-a-specific-use-case-of-the-updated-warp-tool target_self title>Photoshop One-on-one – General functions and a specific use-case of the updated Warp Tool/a> /h4> p>The Warp Transform Tool has been part of Photoshop for a long time, and it had remained mostly unchanged since its introduction.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tutorials/photoshop-one-on-one-general-functions-and-a-specific-use-case-of-the-updated-warp-tool target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> /div> /div> div classswiper-button-prev tutorials-swiper-button-prev>/div> div classswiper-button-next tutorials-swiper-button-next>/div> /div> !-- END: Tutorials --> !-- START: Tools --> div classtools> div classsection-title> h2>Tools/h2> /div> div classswiper tools-swiper> div classswiper-wrapper> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/207/279.jpg alt /> /figure> /a> span classdate>Jul 20, 2021/span> h4> a hrefhttps://digital-epigraphy.com/tools/huions-new-inspiroy-keydial-k200-is-an-award-winning-all-in-one-solution-for-digital-artists target_self title>Huion’s New Inspiroy KeyDial K200 is an Award-Winning All-in-one Solution for Digital Artists/a> /h4> p>The well-established drawing tablet maker, Huion, recently launched a new pen tablet and keyboard combo, called the Inspiron KeyDial K200. With its innovative design, it is made for artists who are.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tools/huions-new-inspiroy-keydial-k200-is-an-award-winning-all-in-one-solution-for-digital-artists target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/194/266.jpg alt /> /figure> /a> span classdate>Jan 20, 2021/span> h4> a hrefhttps://digital-epigraphy.com/tools/get-on-your-feet-and-keep-drawing-with-the-ogawa-leband-electric-sit-stand-desk-converter target_self title>Get on Your Feet and Keep Drawing with the OGAWA Leband Electric Sit-Stand Desk Converter/a> /h4> p>It might seem unrelated to digital documentation, but digitalEPIGRAPHY would like to draw your attention to a device that has an impact not on your epigraphic product but on the way it is created. /p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tools/get-on-your-feet-and-keep-drawing-with-the-ogawa-leband-electric-sit-stand-desk-converter target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/187/259.jpg alt /> /figure> /a> span classdate>Oct 8, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tools/adonits-note-m-ipad-stylus-arrives-with-built-in-mouse-functions-teaching-you-a-trick-or-two-about-multitasking target_self title>Adonit’s Note-M iPad stylus arrives with built in mouse functions, teaching you a trick or two about multitasking/a> /h4> p>Until a couple of days ago I had rather conflicting feelings about Adonit’s latest iPad stylus, the appropriately named Note-M. The “M” moniker is supposed to stand for mouse, and indeed, the.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tools/adonits-note-m-ipad-stylus-arrives-with-built-in-mouse-functions-teaching-you-a-trick-or-two-about-multitasking target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/177/248.jpg alt /> /figure> /a> span classdate>Jun 11, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tools/move-over-paperlike-the-new-moshi-ivisor-provides-a-matte-drawing-surface-for-the-ipad-with-the-promise-of-reusability-and-easy-application target_self title>Move over PaperLike, the new Moshi iVisor provides a matte drawing surface for the iPad with the promise of reusability and easy application/a> /h4> p>One of the cornerstones of tablet usability in epigraphic work (or in any drawing-related activity, for that matter ) is how well we get accustomed to using a stylus on glass surfaces. If you’ve.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tools/move-over-paperlike-the-new-moshi-ivisor-provides-a-matte-drawing-surface-for-the-ipad-with-the-promise-of-reusability-and-easy-application target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/168/239.jpg alt /> /figure> /a> span classdate>Mar 23, 2020/span> h4> a hrefhttps://digital-epigraphy.com/tools/the-new-one-is-the-cheapest-among-wacoms-budget-conscious-drawing-displays target_self title>The new One is the cheapest among Wacom's budget-conscious drawing displays/a> /h4> p>With the just released Wacom One, digitalEPIGRAPHY revisits and compares Wacom's budget options to see if the new Cintiqs can be competitive enough in the well-established low-cost drawing display.../p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tools/the-new-one-is-the-cheapest-among-wacoms-budget-conscious-drawing-displays target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> div classswiper-slide> div classh-100 d-flex flex-column> div classflex-grow-1> a href# target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/149/218.jpg alt /> /figure> /a> span classdate>Oct 8, 2019/span> h4> a hrefhttps://digital-epigraphy.com/tools/in-many-regards-sketchboard-pro-could-be-the-ideal-ipad-drawing-board-for-digital-epigraphy target_self title>In many regards, Sketchboard Pro could be the ideal iPad drawing board for digital epigraphy/a> /h4> p>Either drawing in the field at the monuments or inking in the studio, creating steady lines and smooth curves requires a large drawing surface with lots of elbow room./p> /div> div classd-flex flex-column flex-xl-row align-items-start align-items-lg-center justify-content-between> p classauthor mb-3 mb-xl-0>span> Krisztián Vértes/span>/p> a hrefhttps://digital-epigraphy.com/tools/in-many-regards-sketchboard-pro-could-be-the-ideal-ipad-drawing-board-for-digital-epigraphy target_self title classreadmore ms-4> Read more span>i classfa-solid fa-arrow-right>/i>/span> /a> /div> /div> /div> /div> /div> div classswiper-button-prev tools-swiper-button-prev>/div> div classswiper-button-next tools-swiper-button-next>/div> /div> !-- END: Tools --> /div> div classcol-lg-4 px-0> aside classsidebar> div classsidebar-box> div classsidebar-box-content sidebar-box-content--slider> h3>Publications/h3> div classswiper publications-swiper> div classswiper-wrapper> div classswiper-slide> a hrefhttps://digital-epigraphy.com/publications/digital-epigraphy-second-edition-by-krisztian-vertes-and-the-epigraphic-survey target_self titleDigital Epigraphy (Second Edition)> figure> img srchttps://www.digital-epigraphy.com/storage/215/1.jpg alt /> /figure> h4>Digital Epigraphy (Second Edition)/h4> p>The chapter by chapter web version of the book, Digital Epigraphy, written by Krisztián Vértes in 2014, explaining the basic procedures of the Survey’s ever-changing digital documentation method,.../p> p classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttps://digital-epigraphy.com/publications/the-mastabas-of-qar-and-idu-g-7101-and-7102-digitally-revised-and-enhanced-edition target_self titleThe Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition> figure> img srchttps://www.digital-epigraphy.com/storage/247/2.jpg alt /> /figure> h4>The Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition/h4> p>The chapter by chapter web version of the book, The Mastabas of Qar and Idu, written by William Kelly Simpson in 1976, with contributions or drawings by Dows Dunham, Suzanne Chapman, Hansmartin.../p> p classreadmore> Read more span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> /div> div classswiper-button-prev publications-swiper-button-prev>/div> div classswiper-button-next publications-swiper-button-next>/div> /div> /div>/div> div classsidebar-box sidebar-box--non-slider> div classsidebar-box-content> h3>a hrefhttps://digital-epigraphy.com/snippets target_self titleEpigraphy Snippets>Epigraphy Snippets/a>/h3> div classrow> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/the-epigraphic-work-of-howard-carter-instagram target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2115/131.jpg altThe Epigraphic Work of Howard Carter classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/-the-outer-coffin-of-amuns-priest-nespaperennub-as-digitized-by-the-book-of-the-dead-in-3d-project-at-uc-berkeley target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2114/130.jpg alt The Outer Coffin of Amun's Priest Nespaperennub, as Digitized by the "Book of the Dead in 3D" Project at UC Berkeley classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/color-coded-greyscale-drawing-detail-from-tt-179-showing-part-of-a-large-pile-of-offerings target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2032/38.jpg altColor coded greyscale drawing detail from TT 179 showing part of a large pile of offerings classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/digitally-inking-the-mastaba-architrave-of-old-kingdom-scribe-idu target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2113/129.jpg altDigitally Inking the Mastaba Architrave of Old Kingdom Scribe, Idu classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/photoshop-shortcut-solutions-with-a-twist-two-recently-released-accessories-from-huion-and-xencelabs- target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2112/128.jpg altPhotoshop Shortcut Solutions with a Twist - Two Recently Released Accessories from Huion and Xencelabs classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/the-palace-area-at-medinet-habu-in-the-1920s-during-ransom-wiliams-chicago-house-occupation- target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2111/127.jpg altThe Palace Area at Medinet Habu in the 1920's During Ransom Wiliams' Chicago House Occupation classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/digital-watercolor-applied-in-procreate-to-create-a-visual-reconstruction-of-the-original-ptolemaic-paint-pattern target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2110/125.jpg altDigital Watercolor Applied in Procreate to Create a Visual Reconstruction of the Original Ptolemaic Paint Pattern classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/anonymous-outer-coffin-from-the-cache-of-bab-el-gasus-in-the-visual-interpretation-of-rogerio-souza target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2109/124.jpg altAnonymous Outer Coffin from the Cache of Bab el-Gasus in the Visual Interpretation of Rogério Souza classw-100 h-auto /> /a> /div> div classcol-4 px-0> a hrefhttps://digital-epigraphy.com/snippets/documentation-work-and-digital-collation-in-progress-in-the-tomb-of-djehutihotep-as-carried-out-by-marleen-de-meyer-and-toon-sykora target_blank relnoopener noreferrer> img srchttps://www.digital-epigraphy.com/storage/2108/123.jpg altDocumentation Work and Digital Collation in Progress in the Tomb of Djehutihotep, as carried out by Marleen De Meyer and Toon Sykora classw-100 h-auto /> /a> /div> /div> /div>/div> div classsidebar-box> div classsidebar-box-content sidebar-box-content--slider> h3>a hrefhttps://digital-epigraphy.com/3d-modell-collection target_self title3d modell collection>3d modell collection/a>/h3> div classswiper modell-swiper> div classswiper-wrapper> div classswiper-slide> a hrefhttps://digital-epigraphy.com/3d-modell-collection/the-book-of-the-dead-in-3d-digital-analysis-visualization-and-dissemination-of-the-funerary-culture-of-ancient-egypt- target_self titleThe Book of the Dead in 3D. Digital Analysis, Visualization and Dissemination of the Funerary Culture of Ancient Egypt > figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://sketchfab.com/models/f9d1b53bbbce4e0c9f0ce32e1951937b/embed width970>/iframe> /figure> h4>The Book of the Dead in 3D. Digital Analysis, Visualization and Dissemination of the Funerary Culture of Ancient Egypt /h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttps://digital-epigraphy.com/3d-modell-collection/the-eighteenth-dynasty-temple-of-amada-at-lake-nasser target_self titleThe Eighteenth Dynasty Temple of Amada at Lake Nasser> figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://my.matterport.com/show/?mwpdMtL8MgHG&play1&title1&tourcta1&vrcoll0&dh1&mt1 width970>/iframe> /figure> h4>The Eighteenth Dynasty Temple of Amada at Lake Nasser/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttps://digital-epigraphy.com/3d-modell-collection/a-virtual-tour-of-the-recently-discovered-old-kingdom-tomb-of-wahty-in-the-saqqara-necropolis target_self titleA virtual tour of the recently discovered Old Kingdom tomb of Wahty in the Saqqara necropolis> figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://my.matterport.com/show/?mBsXpwTSYSyN&help1&brand1&play1&hl1&ts2&title1&tourcta2&vrcoll0&dh1&lp1&wts1 width970>/iframe> /figure> h4>A virtual tour of the recently discovered Old Kingdom tomb of Wahty in the Saqqara necropolis/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttps://digital-epigraphy.com/3d-modell-collection/walking-through-the-tomb-of-nefertari-today-and-in-the-past target_self titleWalking through the tomb of Nefertari today and in the past> figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://sketchfab.com/models/3b43f16e08a443cfbe6ffc46c072656b/embed?ui_controls1&ui_infos1&ui_inspector1&ui_stop1&ui_watermark1&ui_watermark_link1" frameborder"0" allow"autoplay; fullscreen; vr width970>/iframe> /figure> h4>Walking through the tomb of Nefertari today and in the past/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttps://digital-epigraphy.com/3d-modell-collection/tomb-of-the-two-brothers-a-3d-tour-of-the-tomb-of-niankhkhnum-and-khnumhotep- target_self titleTomb of the Two Brothers – A 3D tour of the tomb of Niankhkhnum and Khnumhotep > figure> iframe stylewidth: 100%; height: 377px; frameborder0 scrollingno srchttps://my.matterport.com/show/?mPKxweZaPG3P&help1&brand1&play1&hl1&ts2&title1&tourcta2&vrcoll0&dh1&lp1&wts1 width970>/iframe> /figure> h4>Tomb of the Two Brothers – A 3D tour of the tomb of Niankhkhnum and Khnumhotep /h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> /div> div classswiper-button-prev modell-swiper-button-prev>/div> div classswiper-button-next modell-swiper-button-next>/div> /div> /div>/div> div classsidebar-box> div classsidebar-box-content sidebar-box-content--slider> h3> a hrefhttps://digital-epigraphy.com/visual-documentations target_self titleVisual Documentation Database> Visual Documentation Database /a> /h3> div classswiper vdocumentation-swiper> div classswiper-wrapper> div classswiper-slide> a hrefhttps://digital-epigraphy.com/visual-documentations/saqqara-tomb-of-ptahemwia-wall-scene-sketches target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/766/conversions/184-box.jpg altSaqqara, Tomb of Ptahemwia, Wall scene sketches /> /figure> h4>Saqqara, Tomb of Ptahemwia, Wall scene sketches/h4> p classreadmore> Details span>i classfa-solid fa-arrow-right>/i>/span> /p> /a> /div> div classswiper-slide> a hrefhttps://digital-epigraphy.com/visual-documentations/saqqara-tomb-of-ptahemwia-wooden-coffin-fragment target_self title> figure> img srchttps://www.digital-epigraphy.com/storage/763/conversions/183-box.jpg altSaqqara, Tomb of Ptahemwia, Wooden coffin fragment /> /figure> h4>Saqqara, Tomb of Ptahemwia, Wooden coffin fragment/h4> p 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