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Domain > cinemaapkpc.com
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2020-01-01
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2024-10-24
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Music journalist and TV presenter Kylie Olsson started a YouTube channel during the pandemic lockdown, teaching herself how to play guitar and reaching out to famous guitarists that she she knew./p> !--div addthis:urlhttps://postperspective.com/posting-life-in-six-strings-with-kylie-olsson/ addthis:titlePosting i>Life in Six Strings With Kylie Olsson/i> classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-76.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-77.html relcategory tag>Cinematography/a>, a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-81.html reltag>color grading/a>, a hrefindex-82.html reltag>editing/a>, a hrefindex-83.html reltag>Firebelly Films/a>, a hrefindex-84.html reltag>Hangman Films/a>, a hrefindex-85.html reltag>James Tonkin/a>, a hrefindex-86.html reltag>Leigh Brooks/a>, a hrefindex-87.html reltag>Life in Six Strings/a> on a hrefindex-76.html title7:03 pm relbookmark>time classentry-date datetime2024-03-20T19:03:35-04:00>March 20, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads mobile-only> a onclickjavascript:_gaq.push(_trackEvent,outbound-ads,NBCUni 9.5.23); hrefhttps://postper.info/45VmpUA target_blank>img classimage-ad-mobile stylemargin-bottom:30px altNBCUni 9.5.23 srcimages/nbcu-new-location-ads_studiopost_728-x-90.gif>/a> br/> /div>!-- .ads widget --> article idpost-73975 classevenpost post-73975 post type-post status-publish format-standard has-post-thumbnail hentry category-a-i category-color-grading category-editing category-hpa category-post-production category-vfx tag-ai tag-charles-poynton tag-hpa-tech-retreat tag-las-vegas-sphere tag-post-production> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-89.html>img width624 height416 srcimages/hpa-main-image-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/HPA-main-image-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/HPA-main-image-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/HPA-main-image.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73986 data-permalinkhttps://postperspective.com/hpa-tech-retreat-2024-networking-and-tech-in-the-desert/hpa-main-image/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/HPA-main-image.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"1.5","credit":"","camera":"iPhone 13 Pro","caption":"","created_timestamp":"1708620297","copyright":"","focal_length":"5.7","iso":"50","shutter_speed":"0.00052603892688059","title":"","orientation":"1"} data-image-titleHPA main image data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/HPA-main-image-300x200.jpg data-large-fileimages/hpa-main-image.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 14, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-89.html relbookmark>HPA Tech Retreat 2024: Networking and Tech in the Desert/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Randi Altman/p>p>Late last month, many of the smartest brains in production and post descended on the Westin Rancho Mirage Golf Resort & Spa in Palm Springs for the annual a hrefhttps://hpaonline.com/event/2024-hpa-tech-retreat/?taboverview target_blank relnoopener>HPA Tech Retreat/a>. This conference is built for learning and networking; it’s what it does best, and it starts early./p> !--div addthis:urlhttps://postperspective.com/hpa-tech-retreat-2024-networking-and-tech-in-the-desert/ addthis:titleHPA Tech Retreat 2024: Networking and Tech in the Desert classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-89.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-90.html relcategory tag>A.I./a>, a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-91.html relcategory tag>HPA/a>, a hrefindex-80.html relcategory tag>post production/a>, a hrefindex-92.html relcategory tag>VFX/a> and tagged a hrefindex-93.html reltag>AI/a>, a hrefindex-94.html reltag>Charles Poynton/a>, a hrefindex-95.html reltag>HPA Tech Retreat/a>, a hrefindex-96.html reltag>Las Vegas Sphere/a>, a hrefindex-97.html reltag>post production/a> on a hrefindex-89.html title4:41 pm relbookmark>time classentry-date datetime2024-03-14T16:41:23-04:00>March 14, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads desktop-only> div stylemargin-bottom:30px >a hrefhttps://postper.info/3UXkYm7 target_blank>img classaligncenter wp-image-19408 size-full srcimages/pp_survey_728x90.png alt width728 height90 />/a>/div> br/> /div>!-- .ads widget --> article idpost-73953 classoddpost post-73953 post type-post status-publish format-standard has-post-thumbnail hentry category-cameras category-cinematography category-color-grading category-post-production tag-action-camera tag-akaso-brave-7 tag-cinematography tag-color tag-gopro-hero-12-black> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-98.html>img width624 height416 srcimages/max-lens-mod-2.0_-hero12-black-624x416.png classattachment-post-thumbnail size-post-thumbnail wp-post-image altGoPro Hero12 decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/Max-Lens-Mod-2.0_-HERO12-Black-624x416.png 624w, https://postperspective.com/wp-content/uploads/2024/03/Max-Lens-Mod-2.0_-HERO12-Black-300x200.png 300w, https://postperspective.com/wp-content/uploads/2024/03/Max-Lens-Mod-2.0_-HERO12-Black.png 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73956 data-permalinkhttps://postperspective.com/review-gopro-hero-12-black-action-camera/max-lens-mod-2-0_-hero12-black-2/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/Max-Lens-Mod-2.0_-HERO12-Black.png data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"} data-image-titleMax-Lens-Mod-2.0_ HERO12-Black data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/Max-Lens-Mod-2.0_-HERO12-Black-300x200.png data-large-fileimages/max-lens-mod-2.0_-hero12-black.png />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 14, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-98.html relbookmark>Review: GoPro Hero12 Black Action Camera/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Brady Betzel/p>p>The updated a hrefhttps://gopro.com/en/us/shop/cameras/hero12-black/CHDHX-121-master.html target_blank relnoopener>GoPro Hero12 Black/a> introduces a few features that make it a must-buy for very specific professional-level users. I love it when GoPro releases updates to its cameras and software. It’s always a step forward in quality and features while keeping the familiar form factor that has made GoPro the go-to action camera for years./p> !--div addthis:urlhttps://postperspective.com/review-gopro-hero-12-black-action-camera/ addthis:titleReview: GoPro Hero12 Black Action Camera classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-98.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-99.html relcategory tag>Cameras/a>, a hrefindex-77.html relcategory tag>Cinematography/a>, a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-100.html reltag>action camera/a>, a hrefindex-101.html reltag>Akaso Brave 7/a>, a hrefindex-102.html reltag>cinematography/a>, a hrefindex-103.html reltag>color/a>, a hrefindex-104.html reltag>GoPro Hero 12 Black/a> on a hrefindex-98.html title4:15 pm relbookmark>time classentry-date datetime2024-03-14T16:15:47-04:00>March 14, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads mobile-only> br/> /div>!-- .ads widget --> article idpost-73923 classevenpost post-73923 post type-post status-publish format-standard has-post-thumbnail hentry category-apple-tv category-cinematography category-color-grading category-editing category-on-set category-post-production category-tv-series category-vfx tag-apple-tv tag-cinematography tag-color-grading tag-directing tag-dp-jac-fitzgerald tag-editing tag-masters-of-the-air tag-post-production tag-vfx> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-105.html>img width624 height415 srcimages/masters_of_the_air_photo_010105-1-624x415.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/Masters_Of_The_Air_Photo_010105-1-624x415.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/Masters_Of_The_Air_Photo_010105-1-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/Masters_Of_The_Air_Photo_010105-1.jpg 930w sizes(max-width: 624px) 100vw, 624px data-attachment-id73935 data-permalinkhttps://postperspective.com/masters-of-the-air-directors-and-dp-talk-shoot-vfx-and-grade/masters_of_the_air_photo_010105-2/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/Masters_Of_The_Air_Photo_010105-1.jpg data-orig-size930,619 data-comments-opened1 data-image-meta{"aperture":"0","credit":"Robert Viglasky","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleMasters_Of_The_Air_Photo_010105 data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/Masters_Of_The_Air_Photo_010105-1-300x200.jpg data-large-fileimages/masters_of_the_air_photo_010105-1.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 14, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-105.html relbookmark>i>Masters of the Air/i>: Directors and DP Talk Shoot, VFX and Grade/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Iain Blair/p>p>World War II drama em>Masters of the Air/em> is a nine-episode Apple TV+ limited series that follows the men of the 100th Bomb Group as they conduct perilous bombing raids over Nazi Germany and grapple with the frigid conditions, the lack of oxygen and the sheer terror of combat at 25,000 feet in the air./p> !--div addthis:urlhttps://postperspective.com/masters-of-the-air-directors-and-dp-talk-shoot-vfx-and-grade/ addthis:titlei>Masters of the Air/i>: Directors and DP Talk Shoot, VFX and Grade classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-105.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-106.html relcategory tag>Apple TV+/a>, a hrefindex-77.html relcategory tag>Cinematography/a>, a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-107.html relcategory tag>on-set/a>, a hrefindex-80.html relcategory tag>post production/a>, a hrefindex-108.html relcategory tag>TV Series/a>, a hrefindex-92.html relcategory tag>VFX/a> and tagged a hrefindex-109.html reltag>Apple TV+/a>, a hrefindex-102.html reltag>cinematography/a>, a hrefindex-81.html reltag>color grading/a>, a hrefindex-110.html reltag>Directing/a>, a hrefindex-111.html reltag>DP Jac Fitzgerald/a>, a hrefindex-82.html reltag>editing/a>, a hrefindex-112.html reltag>Masters of the Air/a>, a hrefindex-97.html reltag>post production/a>, a hrefindex-113.html reltag>VFX/a> on a hrefindex-105.html title11:02 am relbookmark>time classentry-date datetime2024-03-14T11:02:50-04:00>March 14, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads desktop-only> div stylemargin-bottom:30px >a hrefhttps://postper.info/3Sed3PF target_blank>img classaligncenter wp-image-19408 size-full srcimages/mpts_2024_728x90.jpg alt width728 height90 />/a>/div> br/> /div>!-- .ads widget --> article idpost-73878 classoddpost post-73878 post type-post status-publish format-standard has-post-thumbnail hentry category-cinematography category-documentary category-editing category-post-production tag-cinematography tag-documentary-short tag-editing tag-life-in-tandem tag-post-production> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-114.html>img width624 height416 srcimages/tandem-main-624x416.png classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/Tandem-main-624x416.png 624w, https://postperspective.com/wp-content/uploads/2024/03/Tandem-main-300x200.png 300w, https://postperspective.com/wp-content/uploads/2024/03/Tandem-main.png 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73887 data-permalinkhttps://postperspective.com/life-in-tandem/tandem-main/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/Tandem-main.png data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"} data-image-titleTandem main data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/Tandem-main-300x200.png data-large-fileimages/tandem-main.png />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 13, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-114.html relbookmark>i>Life in Tandem/i>: Making an Unexpected Documentary/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>Though poignant and beautiful, this wasn’t the documentary the filmmakers originally set out to make. Here we talk with one of the directors, a hrefhttps://www.grimesmedia.com/ target_blank relnoopener>Mia Grimes/a>, about how the film unfolded and the process of making it./p>p>strong>How did you come up with the idea for the short?/strong>br />My co-director Joe Litzinger discovered a viral YouTube video of Marc Ornstein performing a canoe dancing routine to “Lady in Red” as well as a video of Stephen Colbert poking fun at it./p> !--div addthis:urlhttps://postperspective.com/life-in-tandem/ addthis:titlei>Life in Tandem/i>: Making an Unexpected Documentary classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-114.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-77.html relcategory tag>Cinematography/a>, a hrefindex-115.html relcategory tag>documentary/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-102.html reltag>cinematography/a>, a hrefindex-116.html reltag>documentary short/a>, a hrefindex-82.html reltag>editing/a>, a hrefindex-117.html reltag>Life in Tandem/a>, a hrefindex-97.html reltag>post production/a> on a hrefindex-114.html title5:08 pm relbookmark>time classentry-date datetime2024-03-13T17:08:15-04:00>March 13, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-118.html titleView all posts by Ashley Haley relauthor>Ashley Haley/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads mobile-only> br/> /div>!-- .ads widget --> article idpost-73833 classevenpost post-73833 post type-post status-publish format-standard has-post-thumbnail hentry category-audio-mixing category-auio-post-production category-composing category-documentary category-music category-music-creation category-netflix category-post-production tag-audio-post tag-composer-zach-robinson tag-music tag-musical-composition tag-musical-score tag-netflix-wrestlers> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-119.html>img width624 height416 srcimages/wrestlers_s1_e3_00_35_26_12_v-1-624x416.png classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/Wrestlers_S1_E3_00_35_26_12_v-1-624x416.png 624w, https://postperspective.com/wp-content/uploads/2024/03/Wrestlers_S1_E3_00_35_26_12_v-1-300x200.png 300w, https://postperspective.com/wp-content/uploads/2024/03/Wrestlers_S1_E3_00_35_26_12_v-1.png 950w sizes(max-width: 624px) 100vw, 624px data-attachment-id73847 data-permalinkhttps://postperspective.com/zach-robinson-on-scoring-netflixs-wrestlers-docuseries/wrestlers_s1_e3_00_35_26_12_v-2/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/Wrestlers_S1_E3_00_35_26_12_v-1.png data-orig-size950,633 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"} data-image-titleWrestlers_S1_E3_00_35_26_12_v data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/Wrestlers_S1_E3_00_35_26_12_v-1-300x200.png data-large-fileimages/wrestlers_s1_e3_00_35_26_12_v-1.png />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 7, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-119.html relbookmark>Zach Robinson on Scoring Netflix’s i>Wrestlers/i> Docuseries/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>No one can deny the attraction of “entertainment” wrestling. From WWE to NXT to AEW, there is no shortage of muscular people holding other muscular people above their heads and dropping them to the ground. And there is no shortage of interest in the wrestlers and their journeys to the big leagues./p>p>That is just one aspect of Netflix’s docuseries em>Wrestlers/em>,/p> !--div addthis:urlhttps://postperspective.com/zach-robinson-on-scoring-netflixs-wrestlers-docuseries/ addthis:titleZach Robinson on Scoring Netflix’s i>Wrestlers/i> Docuseries classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-119.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-120.html relcategory tag>Audio Mixing/a>, a hrefindex-121.html relcategory tag>Audio Post Production/a>, a hrefindex-122.html relcategory tag>Composing/a>, a hrefindex-115.html relcategory tag>documentary/a>, a hrefindex-123.html relcategory tag>Music/a>, a hrefindex-124.html relcategory tag>Music Creation/a>, a hrefindex-125.html relcategory tag>Netflix/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-126.html reltag>audio post/a>, a hrefindex-127.html reltag>Composer Zach Robinson/a>, a hrefindex-128.html reltag>music/a>, a hrefindex-129.html reltag>musical composition/a>, a hrefindex-130.html reltag>Musical Score/a>, a hrefindex-131.html reltag>Netflix Wrestlers/a> on a hrefindex-119.html title4:20 pm relbookmark>time classentry-date datetime2024-03-07T16:20:54-05:00>March 7, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads desktop-only> a onclickjavascript:_gaq.push(_trackEvent,outbound-ads,Podcast 12.4); hrefhttps://postper.info/3ZhXxTe target_blank>img classimage-ad stylemargin-bottom:30px altPodcast 12.4 srcimages/postperspective-podcast_puget-systems_970x90_with-border.jpg>/a> br/> /div>!-- .ads widget --> article idpost-73813 classoddpost post-73813 post type-post status-publish format-standard has-post-thumbnail hentry category-post-production category-vfx tag-dumb-money-movie tag-greenscreen tag-paul-dano tag-vfx tag-vfx-supervisor-sam-ohare tag-visual-effects> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-132.html>img width624 height416 srcimages/main-dumb-money-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/Main-Dumb-Money-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/Main-Dumb-Money-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/Main-Dumb-Money.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73814 data-permalinkhttps://postperspective.com/vfx-supervisor-sam-ohare-on-craig-gillespies-dumb-money/main-dumb-money/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/Main-Dumb-Money.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleMain Dumb Money data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/Main-Dumb-Money-300x200.jpg data-large-fileimages/main-dumb-money.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 7, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-132.html relbookmark>VFX Supervisor Sam O’Hare on Craig Gillespie’s i>Dumb Money/i>/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Randi Altman/p>p>Remember when GameStop, the aging brick-and-mortar video game retailer, caused a stir on Wall Street thanks to a stock price run-up that essentially resulted from a pump-and-dump scheme?/p>p>Director Craig Gillespie took on this crazy but true story in em>Dumb Money,/em> which follows Keith Gill (Paul Dano),/p> !--div addthis:urlhttps://postperspective.com/vfx-supervisor-sam-ohare-on-craig-gillespies-dumb-money/ addthis:titleVFX Supervisor Sam O’Hare on Craig Gillespie’s i>Dumb Money/i> classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-132.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-80.html relcategory tag>post production/a>, a hrefindex-92.html relcategory tag>VFX/a> and tagged a hrefindex-133.html reltag>Dumb Money movie/a>, a hrefindex-134.html reltag>greenscreen/a>, a hrefindex-135.html reltag>Paul Dano/a>, a hrefindex-113.html reltag>VFX/a>, a hrefindex-136.html reltag>VFX supervisor Sam OHare/a>, a hrefindex-137.html reltag>visual effects/a> on a hrefindex-132.html title11:34 am relbookmark>time classentry-date datetime2024-03-07T11:34:54-05:00>March 7, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> div classtext-center main-content-ads mobile-only> a onclickjavascript:_gaq.push(_trackEvent,outbound-ads,Podcast 12.4); hrefhttps://postper.info/3ZhXxTe target_blank>img classimage-ad-mobile stylemargin-bottom:30px altPodcast 12.4 srcimages/postperspective-podcast_puget-systems_970x90_with-border.jpg>/a> br/> /div>!-- .ads widget --> article idpost-73667 classevenpost post-73667 post type-post status-publish format-standard has-post-thumbnail hentry category-auio-post-production category-color-grading category-director category-editing category-on-set category-oscar-awards category-post-production category-vfx tag-celine-song tag-color-grading tag-directing tag-editing tag-oscar-awards tag-past-lives tag-vfx> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-138.html>img width624 height416 srcimages/pastlives_still236_r-1-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/PastLives_Still236_R-1-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/02/PastLives_Still236_R-1-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/02/PastLives_Still236_R-1.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73672 data-permalinkhttps://postperspective.com/writer-director-celine-song-talks-post-on-oscar-nominated-past-lives/past-lives-2023-4/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/PastLives_Still236_R-1.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"Courtesy of Twenty Years Rights\/","camera":"","caption":"","created_timestamp":"1676986254","copyright":"\u00a9 Twenty Years Rights LLC","focal_length":"0","iso":"0","shutter_speed":"0","title":"PAST LIVES (2023)","orientation":"1"} data-image-titlePAST LIVES (2023) data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/PastLives_Still236_R-1-300x200.jpg data-large-fileimages/pastlives_still236_r-1.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>March 1, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-138.html relbookmark>Writer/Director Celine Song Talks Post on Oscar-Nominated i>Past Lives/i>/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Iain Blair/p>p>In her directorial film debut,em> Past Lives/em>, South Korean-born playwright Celine Song has made a romantic and deceptively simple film that is intensely personal and autobiographical yet universal, with its themes of love, loss and what might have been. em>Past Lives /em>is broken into three parts spanning countries and decades./p> !--div addthis:urlhttps://postperspective.com/writer-director-celine-song-talks-post-on-oscar-nominated-past-lives/ addthis:titleWriter/Director Celine Song Talks Post on Oscar-Nominated i>Past Lives/i> classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-138.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-121.html relcategory tag>Audio Post Production/a>, a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-139.html relcategory tag>Director/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-107.html relcategory tag>on-set/a>, a hrefindex-140.html relcategory tag>Oscar Awards/a>, a hrefindex-80.html relcategory tag>post production/a>, a hrefindex-92.html relcategory tag>VFX/a> and tagged a hrefindex-141.html reltag>Celine Song/a>, a hrefindex-81.html reltag>color grading/a>, a hrefindex-110.html reltag>Directing/a>, a hrefindex-82.html reltag>editing/a>, a hrefindex-142.html reltag>Oscar Awards/a>, a hrefindex-143.html reltag>Past Lives/a>, a hrefindex-113.html reltag>VFX/a> on a hrefindex-138.html title9:00 am relbookmark>time classentry-date datetime2024-03-01T09:00:42-05:00>March 1, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73752 classoddpost post-73752 post type-post status-publish format-standard has-post-thumbnail hentry category-color-grading category-editing category-post-production category-review category-vfx category-workstations tag-brady-betzel tag-hp-mobile-workstation tag-review> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-144.html>img width624 height415 srcimages/dell-review-copy-624x415.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/Dell-Review-copy-624x415.jpg 624w, https://postperspective.com/wp-content/uploads/2024/02/Dell-Review-copy-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/02/Dell-Review-copy.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73754 data-permalinkhttps://postperspective.com/review-hp-zbook-fury-16-g10-mobile-workstation/dell-review-copy/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/Dell-Review-copy.jpg data-orig-size1000,665 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleDell Review copy data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/Dell-Review-copy-300x200.jpg data-large-fileimages/dell-review-copy.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 29, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-144.html relbookmark>Review: HP ZBook Fury 16 G10 Mobile Workstation/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Brady Betzel/p>p>HP has been at the forefront of computer workstations that target M&E for multiple decades. To keep up with the high-pressure workloads, HP offers enterprise-level workstations with components that will run 24 hours a day, 7 days a week, 365 days a year. And if they don’t, HP will replace the parts and/or system fast — the 24/7/265 uptime is what makes “workstations” unique when compared to off-the-shelf,/p> !--div addthis:urlhttps://postperspective.com/review-hp-zbook-fury-16-g10-mobile-workstation/ addthis:titleReview: HP ZBook Fury 16 G10 Mobile Workstation classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-144.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-80.html relcategory tag>post production/a>, a hrefindex-8.html relcategory tag>Review/a>, a hrefindex-92.html relcategory tag>VFX/a>, a hrefindex-145.html relcategory tag>Workstations/a> and tagged a hrefindex-146.html reltag>Brady Betzel/a>, a hrefindex-147.html reltag>HP mobile workstation/a>, a hrefindex-148.html reltag>Review/a> on a hrefindex-144.html title4:45 pm relbookmark>time classentry-date datetime2024-02-29T16:45:02-05:00>February 29, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73740 classevenpost post-73740 post type-post status-publish format-standard has-post-thumbnail hentry category-color-grading category-colorist-chat category-post-production tag-colorist tag-colorist-chat tag-colorist-yoomin-lee tag-company-3-london tag-post-production> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-149.html>img width624 height416 srcimages/yoomin-lee-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/Yoomin-Lee-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/02/Yoomin-Lee-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/02/Yoomin-Lee.jpg 935w sizes(max-width: 624px) 100vw, 624px data-attachment-id73741 data-permalinkhttps://postperspective.com/colorist-chat-company-3-colorist-yoomin-lee/yoomin-lee/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/Yoomin-Lee.jpg data-orig-size935,623 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleYoomin Lee data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/Yoomin-Lee-300x200.jpg data-large-fileimages/yoomin-lee.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 29, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-149.html relbookmark>Colorist Chat: Company 3 Colorist Yoomin Lee/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>Yoomin Lee is a colorist at a hrefhttps://www.company3.com/artists/yoomin-lee/ target_blank relnoopener>Company 3 London/a>, a global company providing post services across feature films, episodic television, commercials, gaming and more. “The freedom to work on all sorts of projects, big or small, is a major thing that attracts talent to work for them,” Lee says./p>p>We reached out to Lee to find out more about how she works and what inspires her./p> !--div addthis:urlhttps://postperspective.com/colorist-chat-company-3-colorist-yoomin-lee/ addthis:titleColorist Chat: Company 3 Colorist Yoomin Lee classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-149.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-10.html relcategory tag>Colorist Chat/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-150.html reltag>Colorist/a>, a hrefindex-151.html reltag>Colorist Chat/a>, a hrefindex-152.html reltag>Colorist Yoomin Lee/a>, a hrefindex-153.html reltag>Company 3 London/a>, a hrefindex-97.html reltag>post production/a> on a hrefindex-149.html title12:22 pm relbookmark>time classentry-date datetime2024-02-29T12:22:55-05:00>February 29, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73683 classoddpost post-73683 post type-post status-publish format-standard has-post-thumbnail hentry category-color-grading category-on-set category-oscar-awards category-post-production tag-cinematography tag-color-grading tag-oscars tag-post-production> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-154.html>img width624 height416 srcimages/anatomy-of-a-fall-still-2-possible-main-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/Anatomy-Of-A-Fall-Still-2-POSSIBLE-MAIN-624x416.jpeg 624w, https://postperspective.com/wp-content/uploads/2024/02/Anatomy-Of-A-Fall-Still-2-POSSIBLE-MAIN-300x200.jpeg 300w, https://postperspective.com/wp-content/uploads/2024/02/Anatomy-Of-A-Fall-Still-2-POSSIBLE-MAIN.jpeg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73697 data-permalinkhttps://postperspective.com/getting-the-right-lookfor-oscar-nominated-anatomy-of-a-fall/_anatomy-of-a-fall-still-2-possible-main/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/Anatomy-Of-A-Fall-Still-2-POSSIBLE-MAIN.jpeg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"1682344564","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-title_Anatomy Of A Fall – Still 2 POSSIBLE MAIN data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/Anatomy-Of-A-Fall-Still-2-POSSIBLE-MAIN-300x200.jpeg data-large-fileimages/anatomy-of-a-fall-still-2-possible-main.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 27, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-154.html relbookmark>Getting the Right Look for Oscar-Nominated i>Anatomy of a Fall/i>/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>Securing the Palme d’Or at the Cannes Film Festival and clinching five Oscar nominations, em>Anatomy of a Fall/em> is a gripping family saga unraveling the startling collapse of an ordinary household. Under the helm of Justine Triet, her fourth directorial venture paints a dizzying portrayal of a woman accused of her husband’s murder,/p> !--div addthis:urlhttps://postperspective.com/getting-the-right-lookfor-oscar-nominated-anatomy-of-a-fall/ addthis:titleGetting the Right Look for Oscar-Nominated i>Anatomy of a Fall/i> classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-154.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-107.html relcategory tag>on-set/a>, a hrefindex-140.html relcategory tag>Oscar Awards/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-102.html reltag>cinematography/a>, a hrefindex-81.html reltag>color grading/a>, a hrefindex-155.html reltag>Oscars/a>, a hrefindex-97.html reltag>post production/a> on a hrefindex-154.html title7:28 pm relbookmark>time classentry-date datetime2024-02-27T19:28:03-05:00>February 27, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-118.html titleView all posts by Ashley Haley relauthor>Ashley Haley/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73626 classevenpost post-73626 post type-post status-publish format-standard has-post-thumbnail hentry category-audio-mixing category-auio-post-production category-post-production category-vfx tag-ai tag-audio-post-production tag-dean-zupancic tag-director-gareth-edwards tag-erik-aadahl tag-ethan-van-der-ryn tag-post-production tag-production-sound-mixer-ian-voigt tag-sound-design tag-sound-mixing tag-the-creator tag-tom-ozanich> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-156.html>img width624 height416 srcimages/daee401e98a129087be761aacc135665_3276x4096_31e63a10-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/daee401e98a129087be761aacc135665_3276x4096_31e63a10-624x416.jpeg 624w, https://postperspective.com/wp-content/uploads/2024/02/daee401e98a129087be761aacc135665_3276x4096_31e63a10-300x200.jpeg 300w, https://postperspective.com/wp-content/uploads/2024/02/daee401e98a129087be761aacc135665_3276x4096_31e63a10.jpeg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73629 data-permalinkhttps://postperspective.com/oscars-creating-new-and-old-sounds-for-the-creator/daee401e98a129087be761aacc135665_3276x4096_31e63a10/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/daee401e98a129087be761aacc135665_3276x4096_31e63a10.jpeg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titledaee401e98a129087be761aacc135665_3276x4096_31e63a10 data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/daee401e98a129087be761aacc135665_3276x4096_31e63a10-300x200.jpeg data-large-fileimages/daee401e98a129087be761aacc135665_3276x4096_31e63a10.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 26, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-156.html relbookmark>Oscars: Creating New and Old Sounds for i>The Creator/i>/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Randi Altman/p>p>Director Gareth Edwards’ em>The Creator /em>takes place in 2055 and tells the story of a war between the human race and artificial intelligence. It follows Joshua Taylor (John David Washington), a former special forces agent who is recruited to hunt down and kill The Creator, who is building an AI super weapon that takes the form of a child./p> !--div addthis:urlhttps://postperspective.com/oscars-creating-new-and-old-sounds-for-the-creator/ addthis:titleOscars: Creating New and Old Sounds for i>The Creator/i> classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-156.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-120.html relcategory tag>Audio Mixing/a>, a hrefindex-121.html relcategory tag>Audio Post Production/a>, a hrefindex-80.html relcategory tag>post production/a>, a hrefindex-92.html relcategory tag>VFX/a> and tagged a hrefindex-93.html reltag>AI/a>, a hrefindex-157.html reltag>audio post production/a>, a hrefindex-158.html reltag>Dean Zupancic/a>, a hrefindex-159.html reltag>Director Gareth Edwards/a>, a hrefindex-160.html reltag>Erik Aadahl/a>, a hrefindex-161.html reltag>Ethan Van der Ryn/a>, a hrefindex-97.html reltag>post production/a>, a hrefindex-162.html reltag>production sound mixer Ian Voigt/a>, a hrefindex-163.html reltag>sound design/a>, a hrefindex-164.html reltag>sound mixing/a>, a hrefindex-165.html reltag>The Creator/a>, a hrefindex-166.html reltag>Tom Ozanich/a> on a hrefindex-156.html title6:06 pm relbookmark>time classentry-date datetime2024-02-26T18:06:12-05:00>February 26, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73600 classoddpost post-73600 post type-post status-publish format-standard has-post-thumbnail hentry category-cinematography category-color-grading category-editing category-oscar-awards category-alist tag-cinematography tag-dp-robbie-ryan tag-editing tag-iain-blair tag-oscar-awards tag-poor-things tag-yorgos-blackfish-mavropsaridis> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-167.html>img width624 height416 srcimages/poor-things-main-ish-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/Poor-Things-main-ish-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/02/Poor-Things-main-ish-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/02/Poor-Things-main-ish.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73605 data-permalinkhttps://postperspective.com/poor-things-oscar-nominated-dp-robbie-ryan-and-editor-yorgos-mavropsaridis/poor-things-main-ish/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/Poor-Things-main-ish.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"Emma Stone in Poor Things. Photo Courtesy of Searchight Pictures.\u00a9 2023 Searchlight Pictures All Rights Reserved.","created_timestamp":"1700061143","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titlePoor Things main ish data-image-description data-image-caption<p>Emma Stone in Poor Things. Photo Courtesy of Searchight Pictures.© 2023 Searchlight Pictures All Rights Reserved.</p> data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/Poor-Things-main-ish-300x200.jpg data-large-fileimages/poor-things-main-ish.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 21, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-167.html relbookmark>i>Poor Things/i>‘ Oscar-Nominated Cinematographer and Editor/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>By Iain Blair/p>p>Lavish, audacious and visually stunning, Yorgos Lanthimos’ em>Poor Things/em> tells the fantastical story of Bella Baxter (Emma Stone), a young woman brought back to life by the brilliant, daring scientist Dr. Godwin Baxter (Willem Dafoe). The film just won five BAFTAs and scored an impressive 11 Oscar nominations,/p> !--div addthis:urlhttps://postperspective.com/poor-things-oscar-nominated-dp-robbie-ryan-and-editor-yorgos-mavropsaridis/ addthis:titlei>Poor Things/i>‘ Oscar-Nominated Cinematographer and Editor classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-167.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-77.html relcategory tag>Cinematography/a>, a hrefindex-78.html relcategory tag>Color Grading/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-140.html relcategory tag>Oscar Awards/a>, a hrefindex-7.html relcategory tag>The A List/a> and tagged a hrefindex-102.html reltag>cinematography/a>, a hrefindex-168.html reltag>DP Robbie Ryan/a>, a hrefindex-82.html reltag>editing/a>, a hrefindex-169.html reltag>Iain Blair/a>, a hrefindex-142.html reltag>Oscar Awards/a>, a hrefindex-170.html reltag>Poor Things/a>, a hrefindex-171.html reltag>Yorgos Blackfish Mavropsaridis:/a> on a hrefindex-167.html title8:08 pm relbookmark>time classentry-date datetime2024-02-21T20:08:31-05:00>February 21, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73556 classevenpost post-73556 post type-post status-publish format-standard has-post-thumbnail hentry category-behind-the-title-2 category-editing category-post-production tag-editing tag-london-alley tag-post-production> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-172.html>img width624 height416 srcimages/luiscarazapeimbert-1-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/LuisCarazaPeimbert-1-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/02/LuisCarazaPeimbert-1-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/02/LuisCarazaPeimbert-1.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73561 data-permalinkhttps://postperspective.com/behind-the-title-london-alley-editor-luis-caraza-peimbert/luiscarazapeimbert-2/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/LuisCarazaPeimbert-1.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"16","credit":"","camera":"Canon EOS 5D Mark III","caption":"","created_timestamp":"1604393076","copyright":"","focal_length":"50","iso":"250","shutter_speed":"0.01","title":"","orientation":"1"} data-image-titleLuisCarazaPeimbert data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/LuisCarazaPeimbert-1-300x200.jpg data-large-fileimages/luiscarazapeimbert-1.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 20, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-172.html relbookmark>Behind the Title: London Alley Editor Luis Caraza Peimbert/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>Luis Caraza Peimbert is an editor at a hrefhttps://londonalley.com/ target_blank relnoopener>London Alley/a>, a creative production studio with music and entrepreneurial creativity at its core. Based in Los Angeles, the studio helps brands engage with consumers and make content that resonates, often enlisting the help of the world’s most well-known celebrities and brands. Some of London Alley’s notable artist collaborations include Ariana Grande,/p> !--div addthis:urlhttps://postperspective.com/behind-the-title-london-alley-editor-luis-caraza-peimbert/ addthis:titleBehind the Title: London Alley Editor Luis Caraza Peimbert classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-172.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-9.html relcategory tag>Behind the Title/a>, a hrefindex-79.html relcategory tag>Editing/a>, a hrefindex-80.html relcategory tag>post production/a> and tagged a hrefindex-82.html reltag>editing/a>, a hrefindex-173.html reltag>London Alley/a>, a hrefindex-97.html reltag>post production/a> on a hrefindex-172.html title7:18 pm relbookmark>time classentry-date datetime2024-02-20T19:18:46-05:00>February 20, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73530 classoddpost post-73530 post type-post status-publish format-standard has-post-thumbnail hentry category-cinematography category-dp-chat-posts category-sundance tag-cinematography tag-horror-film tag-in-a-violent-nature tag-sundance-film-festival> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-174.html>img width597 height398 srcimages/a_violent_nature-still1_newzoom.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image altPierce Derks decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/A_Violent_Nature-Still1_newzoom.jpg 597w, https://postperspective.com/wp-content/uploads/2024/02/A_Violent_Nature-Still1_newzoom-300x200.jpg 300w sizes(max-width: 597px) 100vw, 597px data-attachment-id73535 data-permalinkhttps://postperspective.com/sundance-dp-pierce-derks-on-in-a-violent-nature/a_violent_nature-still1_newzoom/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/02/A_Violent_Nature-Still1_newzoom.jpg data-orig-size597,398 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"A still from In A Violent Nature by Chris Nash, an official selection of the Midnight program at the 2024 Sundance Film Festival. Courtesy of Sundance Institute.","created_timestamp":"0","copyright":"All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute pro","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleA_Violent_Nature-Still1_newzoom data-image-description data-image-caption<p>A still from In A Violent Nature by Chris Nash, an official selection of the Midnight program at the 2024 Sundance Film Festival. Courtesy of Sundance Institute.</p> data-medium-filehttps://postperspective.com/wp-content/uploads/2024/02/A_Violent_Nature-Still1_newzoom-300x200.jpg data-large-fileimages/a_violent_nature-still1_newzoom.jpg />/a> /div> !--time itempropdatePublished classentry-date date-flushed stylemargin-top: 0px>February 16, 2024/time>--> h1 classentry-title two-line-clamp> a hrefindex-174.html relbookmark>Sundance: DP Pierce Derks on i>In a Violent Nature/i>/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>Writer/director Chris Nash’s horror film em>In a Violent Nature/em>, which screened at the 2024 Sundance Film Festival, tracks a ravenous zombie creature as it moves through a secluded forest. Produced by Shudder Films, it’s a twist on typical slasher movies in that the audience walks with the killer, not the victims, and therefore gets an unexpected perspective./p> !--div addthis:urlhttps://postperspective.com/sundance-dp-pierce-derks-on-in-a-violent-nature/ addthis:titleSundance: DP Pierce Derks on i>In a Violent Nature/i> classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-174.html classtext-right mb-3 pe-3 d-block>Continue reading span classmeta-nav>→/span>/a> !-- .entry-content --> footer classentry-meta> This entry was posted in a hrefindex-77.html relcategory tag>Cinematography/a>, a hrefindex-11.html relcategory tag>DP Chat/a>, a hrefindex-175.html relcategory tag>Sundance/a> and tagged a hrefindex-102.html reltag>cinematography/a>, a hrefindex-176.html reltag>Horror film/a>, a hrefindex-177.html reltag>In a Violent Nature/a>, a hrefindex-178.html reltag>Sundance Film Festival/a> on a hrefindex-174.html title4:41 pm relbookmark>time classentry-date datetime2024-02-16T16:41:59-05:00>February 16, 2024/time>/a>span classby-author> by span classauthor vcard>a classurl fn n hrefindex-88.html titleView all posts by Randi Altman relauthor>Randi Altman/a>/span>/span>. /footer>!-- .entry-meta --> /article>!-- #post --> article idpost-73511 classevenpost post-73511 post type-post status-publish format-standard has-post-thumbnail hentry category-behind-the-title-2 category-color-grading category-editing category-post-production> header classentry-header> div classentry-img-container main-blog-list> a hrefindex-179.html>img width624 height416 srcimages/brandon-kraemer-624x416.jpg classattachment-post-thumbnail size-post-thumbnail wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/02/Brandon-Kraemer-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/02/Brandon-Kraemer-300x200.jpg 300w, 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hrefindex-179.html relbookmark>Behind the Title: Treatment TD and Post Pro Brandon Kraemer/a> /h1> /header>!-- .entry-header --> div classentry-content is-not-search-excerpts five-line-clamp> p>Brandon Kraemer is a technical director at a hrefhttps://www.treatmentstudio.com/ target_blank relnoopener>Treatment/a>, which is a creative content design studio that specializes in live music and large scale multi-media experiences./p>p>While his primary role is technical director on larger projects like em>U2:UV/em> at MSG Sphere, he is also part of the creative team and works in the disciplines of animation,/p> !--div addthis:urlhttps://postperspective.com/behind-the-title-treatment-td-and-post-pro-brandon-kraemer/ addthis:titleBehind the Title: Treatment TD and Post Pro Brandon Kraemer classaddthis_toolbox addthis_default_style> a classaddthis_counter addthis_pill_style>/a> a classaddthis_button_print>/a> /div>--> /div> a hrefindex-179.html classtext-right mb-3 pe-3 d-block>Continue reading 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The series,… span classpis-more>a classpis-more-link hrefindex-182.html relbookmark>Read More…/a>/span>/p> /li> li classpis-li pis-post-74050> p classpis-title>a classpis-title-link hrefindex-183.html relbookmark>Telestream to Intro AI-Powered Tools at NAB 2024/a>/p> p classpis-excerpt>a classpis-thumbnail-link hrefindex-183.html relbookmark>img styledisplay: inline; float: left; margin-right: 15px; width624 height416 srcimages/telestream-main-624x416.jpg classpis-thumbnail-img alignleft wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/TELESTREAM-MAIN-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/TELESTREAM-MAIN-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/TELESTREAM-MAIN.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id74051 data-permalinkhttps://postperspective.com/telestream-to-intro-ai-powered-tools-at-nab/telestream-main/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/TELESTREAM-MAIN.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleTELESTREAM MAIN data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/TELESTREAM-MAIN-300x200.jpg data-large-fileimages/telestream-main.jpg />/a>At NAB 2024, Telestream will introduce a new AI-powered suite of media processing tools designed to change how media pros… span classpis-more>a classpis-more-link hrefindex-183.html relbookmark>Read More…/a>/span>/p> /li>/ul>!-- Generated by Posts in Sidebar v4.16.3 -->/aside>!-- End Posts in Sidebar - pis_posts_in_sidebar-2 -->aside idadrotate_widgets-7 classwidget adrotate_widgets>div classa-single a-11>a hrefhttps://postper.info/3ZhXxTe target_blank onclickjavascript:_gaq.push(_trackEvent,outbound-ads,Xytech 10-2);>img srcimages/postperspective-podcast_puget-systems_300x250-2.jpg>/a>/div>/aside>!-- Start Posts in Sidebar - pis_posts_in_sidebar-6 -->aside idpis_posts_in_sidebar-6 classwidget posts-in-sidebar> ul idul_pis_posts_in_sidebar-6 classpis-ul> li classpis-li pis-post-74038> p classpis-title>a classpis-title-link hrefindex-184.html relbookmark>ColorNation Adds Colorists Mary Perrino and Ana Rita/a>/p> p classpis-excerpt>a classpis-thumbnail-link hrefindex-184.html relbookmark>img width624 height416 srcimages/colornation_perrino_rita_color-624x416.jpg classpis-thumbnail-img alignleft wp-post-image altPerinno decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/ColorNation_Perrino_Rita_COLOR-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/ColorNation_Perrino_Rita_COLOR-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/ColorNation_Perrino_Rita_COLOR.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id74042 data-permalinkhttps://postperspective.com/colornation-adds-colorists-mary-perrino-and-ana-rita/colornation_perrino_rita_color/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/ColorNation_Perrino_Rita_COLOR.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleColorNation_Perrino_Rita_COLOR data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/ColorNation_Perrino_Rita_COLOR-300x200.jpg data-large-fileimages/colornation_perrino_rita_color.jpg />/a>Remote color service ColorNation has added two new colorists to its roster — Mary Perrino and Ana Rita. Perrino is… span classpis-more>a classpis-more-link hrefindex-184.html relbookmark>Read more…/a>/span>/p> /li> li classpis-li pis-post-73997> p classpis-title>a classpis-title-link hrefindex-185.html relbookmark>Rodeo FX Adds Ana Escorse To Lead New Color Suite/a>/p> p classpis-excerpt>a classpis-thumbnail-link hrefindex-185.html relbookmark>img width624 height416 srcimages/ana-e-624x416.jpg classpis-thumbnail-img alignleft wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/ana-e-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/ana-e-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/ana-e.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73998 data-permalinkhttps://postperspective.com/rodeo-fx-adds-ana-escorse-to-lead-new-color-suite/ana-e/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/ana-e.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"Copyright 2024. All rights reserved.","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titleana e data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/ana-e-300x200.jpg data-large-fileimages/ana-e.jpg />/a>VFX, post production, animation and experiential services provider Rodeo FX has added senior colorist Ana Escorse to lead its new… span classpis-more>a classpis-more-link hrefindex-185.html relbookmark>Read more…/a>/span>/p> /li> li classpis-li pis-post-73946> p classpis-title>a classpis-title-link hrefindex-186.html relbookmark>Foundry Intros Modo 17.0, Bundles With Otoy OctaneRender/a>/p> p classpis-excerpt>a classpis-thumbnail-link hrefindex-186.html relbookmark>img width624 height416 srcimages/beanie-624x416.jpg classpis-thumbnail-img alignleft wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/beanie-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/beanie-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/beanie.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id74000 data-permalinkhttps://postperspective.com/foundry-intros-modo-17-0-bundles-with-otoy-octanerender/beanie/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/beanie.jpg data-orig-size1000,666 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titlebeanie data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/beanie-300x200.jpg data-large-fileimages/beanie.jpg />/a>Foundry has released Modo 17.0, an update to its 3D software that overhauls internal systems to provide performance increases. These… span classpis-more>a classpis-more-link hrefindex-186.html relbookmark>Read more…/a>/span>/p> /li> li classpis-li pis-post-73908> p classpis-title>a classpis-title-link hrefindex-187.html relbookmark>Colorfront’s New SDR to-Dolby Vision HDR Conversion Process/a>/p> p classpis-excerpt>a classpis-thumbnail-link hrefindex-187.html relbookmark>img width624 height416 srcimages/colorfront-news-sized-624x416.jpg classpis-thumbnail-img alignleft wp-post-image alt decodingasync loadinglazy srcsethttps://postperspective.com/wp-content/uploads/2024/03/colorfront-news-sized-624x416.jpg 624w, https://postperspective.com/wp-content/uploads/2024/03/colorfront-news-sized-300x200.jpg 300w, https://postperspective.com/wp-content/uploads/2024/03/colorfront-news-sized.jpg 1000w sizes(max-width: 624px) 100vw, 624px data-attachment-id73910 data-permalinkhttps://postperspective.com/colorfront-engines-new-sdr-to-dolby-vision-hdr-conversion-process/colorfront-news-sized/ data-orig-filehttps://postperspective.com/wp-content/uploads/2024/03/colorfront-news-sized.jpg data-orig-size1000,667 data-comments-opened1 data-image-meta{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"} data-image-titlecolorfront news sized data-image-description data-image-caption data-medium-filehttps://postperspective.com/wp-content/uploads/2024/03/colorfront-news-sized-300x200.jpg data-large-fileimages/colorfront-news-sized.jpg />/a>At the 2024 HPA Tech Retreat at the end of last month, Colorfront demo’d the Colorfront Engines new Dolby Vision conversion… span classpis-more>a classpis-more-link hrefindex-187.html relbookmark>Read more…/a>/span>/p> /li>/ul>!-- Generated by Posts in Sidebar v4.16.3 -->/aside>!-- End Posts in Sidebar - pis_posts_in_sidebar-6 -->aside idtext-17 classwidget widget_text> div classtextwidget>p aligncenter>a hrefindex-188.html 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margin-left: 5px !important;}, head document.head || document.getElementsByTagName(head)0, style document.createElement(style); head.appendChild(style); if (style.styleSheet){ // This is required for IE8 and below. style.styleSheet.cssText css; } else { style.appendChild(document.createTextNode(css)); }/script>script>var css .sfsibeforpstwpr .sfsiplus_norm_row.sfsi_plus_wDivothr .sfsi_plus_wicons, .sfsiaftrpstwpr .sfsiplus_norm_row.sfsi_plus_wDivothr .sfsi_plus_wicons, .sfsiaftrpstwpr .sfsiplus_norm_row.sfsi_plus_wDivothr .sfsi_plus_wicons .sficn1, .sfsibeforpstwpr .sfsiplus_norm_row.sfsi_plus_wDivothr .sfsi_plus_wicons .sficn1 {width: 40px !important;height: 40px !important; margin-left: 5px !important;}, head document.head || document.getElementsByTagName(head)0, style document.createElement(style); head.appendChild(style); if (style.styleSheet){ // This is required for IE8 and below. style.styleSheet.cssText css; } else { style.appendChild(document.createTextNode(css)); }/script>!--script typetext/javascript src/wp-includes/js/jquery/masonry.pkgd.min.js>/script>script typetext/javascript> jQuery(window).load(function() { jQuery(#content).masonry({ columnWidth: 400, gutter: 40 }); 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