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Domain > christianvanhorn.com
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Date
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2025-04-13
172.67.132.196
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Port 80
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Port 443
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20.5>use xlink:hrefhttps://christianvanhorn.com/wp-content/themes/christian-van-horn/dist/svg.svg?v1.1.3#youtube>/use>/svg>span classhidden>Watch on Youtube/span>/a>/li>/ul>/nav> /div> div classnav__img> /div> /div>/section> section idpage-header classpage-header > div classpage-header__content> div> p classpage-header__before_title data-srfade-slide>CVH/p> h1 classpage-header__title page-header__title--large data-srfade-slide>Christian Van Horn/h1> p classpage-header__description data-srfade-slide>Bass-Baritone, Podcaster/p> p classpage-header__quote data-srfade-slide>Long may he reign in hell/p> p classpage-header__quote-author data-srfade-slide>New York Times/p> /div> /div> div classpage-header__image> picture> source media(max-width: 560px) srcsethttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header-1120x1200.jpg> source media(max-width: 640px) srcsethttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header-1288x1380.jpg> source media(max-width: 768px) srcsethttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header-1540x1650.jpg> source media(max-width: 1023px) srcsethttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header.jpg> source media(max-width: 1280px) srcsethttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header-2048x1866.jpg> source media(max-width: 1536px) srcsethttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header.jpg> img srchttps://christianvanhorn.com/wp-content/uploads/2025/01/home_header.jpg alt loadinglazy classpage-header__image styleobject-position: top center> /picture> /div> /section> article idpost-178> section classcontent-highlight> div classcontent-highlight__wrapper> div classcontent-highlight__content> h2 classcontent-highlight__title>About Christian/h2> div classcontent-highlight__subtitle bold underline-after> With a voice that can shake the heavens (em>Opera Today/em>), American bass-baritone Christian Van Horn is known for his compelling and charismatic stage presence, powerful instrument, and his unwavering authenticity, both on and off the stage. /div> div classcontent-highlight__text> p stylefont-weight: 400>In the 2025/26 season, Van Horn returns to The Metropolitan Opera, bowing as Giorgio Walton in a new production of Bellini’s em>I Puritani/em>, which will be part of The Met’s Live in HD series, and as Escamillo in Bizet’s em>Carmen. /em>He also sings Escamillo at the Wiener Staatsoper later in the season. Van Horn returns to the Théâtre des Champs-Elysées as Méphistophélès in Berlioz’s em>La Damnation de Faust/em>, and sings Filippo II in Verdi’s em>Don Carlo/em> at The Dallas Opera, a role he debuted last season in the opera’s French version. He brings his “chilling” (Operawire) interpretation of the title role in Bartók’s em>Bluebeard’s Castle/em> to Canadian Opera Company, and closes his season as Timur in Puccini’s em>Turandot/em> at the Bayerische Staatsoper. On the concert stage, Van Horn will join the LA Phil for Mozart’s em>Requiem/em>, performed at the Hollywood Bowl./p>p stylefont-weight: 400>Last season, Van Horn returned to The Metropolitan Opera, starring as the Four Villains in Offenbach’s em>Les contes d’Hoffmann/em>, which received a Live in HD broadcast. He made his role debut as Philippe II in em>Don Carlos/em> at Opéra national de Paris, a performance Bachtrack praised, saying “the American bass-baritone reflects in his singing and his acting the multiple facets of this complex character that is Philippe II, and delivers a high-quality ‘Elle ne m’aime pas,’ with remarkable control.” Van Horn also sang the title role in em>Bluebeard’s Castle/em> with the Chicago Symphony Orchestra and Esa-Pekka Salonen, returned to the role of Escamillo in em>Carmen/em> for both San Francisco Opera and at the Royal Opera House, made his title role debut in Verdi’s em>Attila/em> presented in concert at the Teatro Real, and returned to the Arena di Verona for Verdi’s em>Nabucco./em> He also joined Opera Baltimore for their 2025 Opera Gala, and returned to the Lyric Opera of Chicago for a special concert celebrating the Life of Sir Andrew Davis./p>p stylefont-weight: 400>Van Horn is a beloved presence on the world’s greatest stages. Throughout his career, Van Horn has performed more than one hundred times each at The Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, and Bayerische Staatsoper. He has thrilled global audiences through the Met’s popular Live in HD series, including star turns in em>Wozzeck, Lucia di Lammermoor, Die Zauberflöte, Falstaff /em>and em>The Exterminating Angel/em>. In these broadcasts, The Guardian hailed him as “a revelation.”/p>p stylefont-weight: 400>“A bass-baritone of uncommon agility and power,” (The New York Times), Van Horn has stepped into the shoes of opera’s greatest villains and anti-heroes, including several iterations of the Devil himself. As Méphistophélès in Gounod’s em>Faust, /em>Van Horn has brought his “sinister debonair charm” (Bachtrack) to Opéra National de Paris, Lyric Opera of Chicago, and others. At The Metropolitan Opera, he has sung the tempting Nick Shadow in em>The Rake’s Progress, /em>as well as the title role in Boito’s rarely performed em>Mefistofele,/em> which led The New York Times to proclaim, “Long may he reign in hell.”/p>p stylefont-weight: 400>em>Les contes d’Hoffmann/em>’s Four Villains has become a signature for the bass-baritone, and he has performed it on some of the world’s preeminent stages, including The Metropolitan Opera, Opéra national de Paris, the Salzburg Festival, San Francisco Opera, LA Opera, and the Bayerische Staatsoper. Of his performances in Paris, Bachtrack said, “Van Horn’s laugh said it all – he savored every moment as the saboteur to Hoffmann’s joy and happiness … Van Horn sang with intense firmness throughout the night. He exuded confidence with every single note.”/p>p stylefont-weight: 400>While miscreant roles in Mozart’s em>Don Giovanni /em>and em>Bluebeard’s Castle/em> populate his resume, Van Horn’s versatility also allows him to play nice as Escamillo in em>Carmen, /em>Raimondo in em>Lucia di Lammermoor/em>, Colline in em>La bohème, /em>and the title role in Massenet’s em>Don Quichotte/em>, a performance Operawire called “A true portrait of a tormented hero.”/p>p stylefont-weight: 400>Van Horn has dazzled international audiences with his concert performances, and he has collaborated with renowned orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Chicago Symphony Orchestra, and the Berlin Philharmonic, gracing prestigious venues from Carnegie Hall to the Salzburg Festival. His rich instrument has shone in recorded music as well, including the title role inem> Le Nozze di Figaro/em> on Sony Classical. His many accolades include the 2018 Richard Tucker Award and top honors in the Metropolitan Opera National Council competition./p>p stylefont-weight: 400>Born in Rockville Centre, New York, Van Horn earned his Bachelor of Music from the State University of New York at Stony Brook before attending the Yale School of Music, where he received both his Master’s degree and Artist Diploma. He is also an alumnus of the prestigious Lyric Opera of Chicago Ryan Opera Center./p> /div> a hrefhttps://www.dropbox.com/scl/fo/99p0s4unwibi078lhs6ml/ANY9GbAlMCn0otT1psgpSC0?rlkeyjyt33xaojjfhh5yor2gw41fm5&st4jxsqcyn&dl0 classbtn btn__primary target_blank>Digital Press Pack span classbtn__arrow>svg data-iconbutton_arrow viewBox0 0 18 11.1>use xlink:hrefhttps://christianvanhorn.com/wp-content/themes/christian-van-horn/dist/svg.svg?v1.1.3#button_arrow>/use>/svg>/span>/a> /div> div classcontent-highlight__image> img srchttps://christianvanhorn.com/wp-content/uploads/2025/01/CVH_0206@ChrisGonz-724x1038.jpg alt loadinglazy> /div> /div>/section>section classlatest-video >article idpost-178 classvideo-item video-item--single content-post > a hrefhttps://www.youtube.com/watch?vQ1pbNkiUleU classvideo-lightbox content-video relgallery> div classcontent-post__image-wrapper content-post__content--image> div classcontent-post__image-overlay> span classcontent-post__play-icon>svg data-iconplay viewBox0 0 20 20>use xlink:hrefhttps://christianvanhorn.com/wp-content/themes/christian-van-horn/dist/svg.svg?v1.1.3#play>/use>/svg>/span> span classcontent-post__play-text>Play Video/span> /div> picture> img srchttps://christianvanhorn.com/wp-content/uploads/2025/01/CVH_1697@ChrisGonz.jpg alt loadinglazy classcontent-post__image> /picture> /div> /a>/article>/section>section classcontent-highlight content-highlight__album stylebackground-image: url(https://christianvanhorn.com/wp-content/uploads/2025/01/CVH-podcasts-home-2878x1886.png)>div classwrapper wrapper--wide>h2 classcontent-highlight__heading underline-after>The CVH Podcast/h2>div classcontent-highlight__wrapper>div classcontent-highlight__content>div classcontent-highlight__excerpt>A very funny sit down with my good friend and incredible mezzo-soprano Eve-Maud Hubeaux. Tall people issues abound!/div>h4 classcontent-highlight__title>Latest Episode/h4>/div> div classcontent-highlight__image> iframe data-testidembed-iframe styleborder-radius:12px srchttps://open.spotify.com/embed/episode/6cCey2GoIt5n6S9neUcDQM?utm_sourcegenerator width100% height352 frameBorder0 allowfullscreen allowautoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture loadinglazy>/iframe> /div>a href/podcasts classbtn btn__primary target_self>View all podcasts span classbtn__arrow>svg data-iconbutton_arrow viewBox0 0 18 11.1>use xlink:hrefhttps://christianvanhorn.com/wp-content/themes/christian-van-horn/dist/svg.svg?v1.1.3#button_arrow>/use>/svg>/span>/a>/div>/div>/section>section classlatest-press>div classwrapper wrapper--wide> div data-slick{ infinite: true, slidesToShow: 1, slidesToScroll: 1, dots: true, arrows: true, prevArrow: button class\slick-prev\>svg width\10\ height\19\ viewBox\0 0 10 19\ fill\none\ xmlns\http://www.w3.org/2000/svg\>path d\M0.00455465 9.61023C0.0310222 9.8501 0.134544 10.0766 0.30146 10.2588L7.73444 18.4829C7.93209 18.7602 8.24501 18.9444 8.59484 18.9894C8.94468 19.0343 9.29792 18.9355 9.56621 18.7181C9.83452 18.5005 9.99225 18.1847 9.99972 17.8501C10.0072 17.5153 9.86376 17.1936 9.60549 16.9653L2.85663 9.4999L9.60549 2.0345V2.0347C9.86376 1.80637 10.0072 1.48472 9.99972 1.1499C9.99225 0.81529 9.83452 0.499489 9.56621 0.281891C9.29791 0.0644845 8.94466 -0.0343031 8.59484 0.0106365C8.245 0.0555756 7.93208 0.239786 7.73444 0.517109L0.30146 8.74118C0.0828911 8.98105 -0.0240451 9.29443 0.00455465 9.61023Z\ fill\black\/>/svg>/button>, nextArrow: button class\slick-next\>svg width\10\ height\19\ viewBox\0 0 10 19\ fill\none\ xmlns\http://www.w3.org/2000/svg\>path d\M9.99544 9.38977C9.96898 9.1499 9.86545 8.92338 9.69854 8.74118L2.26556 0.517108C2.06791 0.239779 1.75499 0.0555751 1.40516 0.0106361C1.05532 -0.0343029 0.70208 0.0644825 0.433788 0.28189C0.165483 0.499497 0.00774797 0.815288 0.000277866 1.1499C-0.00719224 1.48471 0.136243 1.80637 0.39451 2.0347L7.14337 9.5001L0.394511 16.9655L0.394511 16.9653C0.136239 17.1936 -0.0071956 17.5153 0.000279326 17.8501C0.00775044 18.1847 0.165484 18.5005 0.433789 18.7181C0.702093 18.9355 1.05534 19.0343 1.40516 18.9894C1.755 18.9444 2.06792 18.7602 2.26556 18.4829L9.69854 10.2588C9.91711 10.0189 10.024 9.70557 9.99544 9.38977Z\ fill\black\/>/svg>/button>, loop: true, rows: 0, autoplay: false, autoplaySpeed: 6000, adaptiveHeight: true } classevent-items__list slick-slider> div idpost-395 classevent-item event-item--press> div classevent-item__content> div classevent-item__excerpt> “immediate authority and an uncommon degree of nuance” /div> /div> div classevent-item__location>Washington Classical Review/div> /div>div idpost-258 classevent-item event-item--press> div classevent-item__content> div classevent-item__excerpt> “a bass-baritone of uncommon agility and power” /div> /div> div classevent-item__location>The New York Times/div> /div>div idpost-257 classevent-item event-item--press> div classevent-item__content> div classevent-item__excerpt> “In an enviable state of vocal health and with a virile physical presence” /div> /div> div classevent-item__location>Platea Magazine/div> /div>div idpost-259 classevent-item event-item--press> div classevent-item__content> div classevent-item__excerpt> “powerful voice embodied in a huge persona” /div> /div> div classevent-item__location>Opera Today/div> /div>/div>/div>/section>section classnewsletter idmc_embed_shell> div classnewsletter__wrapper idmc_embed_signup> div classnewsletter__image> img srchttps://christianvanhorn.com/wp-content/uploads/2025/01/CVH_1045@ChrisGonz-724x1038.jpg alt loadinglazy> /div> div idmc_embed_signup_scroll classnewsletter__content> h2 classnewsletter__heading underline-after>Newsletter Signup/h2> div classnewsletter__subtitle bold> Sign up for the latest news, events and much more! /div> form actionhttps://lennysstudio.us7.list-manage.com/subscribe/post?u01d2512f65a37f179cf54b0ee&id31fcb3733f&f_id004ba2e4f0 methodpost idmc-embedded-subscribe-form namemc-embedded-subscribe-form classvalidate email-signup__form target_blank> div classmc-field-group stylewidth:100%> input classemail-signup__input typeemail idmce-EMAIL nameEMAIL placeholderEmail address* required stylecolor:#fff;width:100%> /div> div aria-hiddentrue styleposition: absolute; left: -5000px;>input typetext nameb_01d2512f65a37f179cf54b0ee_31fcb3733f tabindex-1 value>/div> div classclear>input typesubmit classbutton btn btn__primary namesubscribe valueSubscribe idmc-embedded-subscribe styletext-align: center;>/div> /form> div idmce-responses classclear> div classresponse idmce-error-response styledisplay: none;>/div> div classresponse idmce-success-response styledisplay: none;>/div> /div> div classnewsletter__privacy> p>You can unsubscribe from these communications at any time. 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