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HTTP/1.1 200 OKContent-Type: text/html; charsetUTF-8Expires: Sat, 02 Aug 2025 17:38:01 GMTDate: Sat, 02 Aug 2025 17:38:01 GMTCache-Control: private, max-age0Last-Modified: Sun, 16 Feb 2025 10:24:37 GMTX-Content-Type-Options: nosniffX-XSS-Protection: 1; modeblockServer: GSEAccept-Ranges: noneVary: Accept-EncodingTransfer-Encoding: chunked !DOCTYPE html>html dirltr>head>link hrefhttps://www.blogger.com/static/v1/widgets/55013136-widget_css_bundle.css relstylesheet typetext/css/>meta contenttext/html; charsetUTF-8 http-equivContent-Type/>meta contentblogger namegenerator/>link hrefhttp://blog.geismar.net/favicon.ico relicon typeimage/x-icon/>link hrefhttp://blog.geismar.net/ relcanonical/>link relalternate typeapplication/atom+xml titleJårg Geismar - Atom hrefhttp://blog.geismar.net/feeds/posts/default />link relalternate typeapplication/rss+xml titleJårg Geismar - RSS hrefhttp://blog.geismar.net/feeds/posts/default?altrss />link relservice.post typeapplication/atom+xml titleJårg Geismar - Atom hrefhttps://www.blogger.com/feeds/8263818804663745733/posts/default />!--Cant find substitution for tag blog.ieCssRetrofitLinks-->meta contenthttp://blog.geismar.net/ propertyog:url/>meta contentJårg Geismar propertyog:title/>meta content"from_me_to_you/message in a bottle" Jårg Geismar 2013 - Collection MAC Contemporary Art Museum Marseille, France propertyog:description/>title>Jårg Geismar/title>style idpage-skin-1 typetext/css>!--/** Blogger Template Style** Simple II* by Jason Sutter*/body {margin:0;font:normal bold 140% Arial, sans-serif;background:#ff0000;color:#000000;}a:link {color:#000000;text-decoration:none;}a:visited {color:#ffffff;text-decoration:none;}a:hover {color:#000000;text-decoration:underline;}a img {border-width:0;}#outer-wrapper {margin-top: 0px;margin-right: 3em;margin-bottom: 0;margin-left: 3em;}h1 {border-bottom:dotted 1px #000000;margin-bottom:0px;color: #000000;font: normal bold 610% Arial, Tahoma, Helvetica, FreeSans, sans-serif;}h1 a, h1 a:link, h1 a:visited {color: #000000;}h2 {margin:0px;padding: 0px;}#main .widget {padding-bottom:10px;margin-bottom:20px;border-bottom:dotted 1px #000000;clear: both;}#main .Header {border-bottom-width: 0px;}h2.date-header {padding-top:15px;color:#000000;padding-bottom:0px;margin-bottom:0px;font-size: 90%;}h3.post-title {font-size: 140%;color: #000000;}.post {padding-left:5%;padding-right:10%;}.post-footer {color:#000000;}#comments {padding-top:30px;color:#000000;padding-bottom:0px;margin-bottom:0px;font-weight:bold;}#comments .comment-footer {font-size:1em;font-weight:normal;color:#000000;margin-right:10px;display:inline;}.comment-author {margin-top: 3%;}.comment-body {font-size:1em;font-weight:normal;}.deleted-comment {font-style:italic;color:gray;}.comment-link {margin-left:.6em;}.feed-links {clear: both;line-height: 2.5em;}#blog-pager-newer-link {float: left;}#blog-pager-older-link {float: right;}#blog-pager {text-align: center;}.clear {clear: both;}.profile-img {float: left;margin-top: 0;margin-right: 5px;margin-bottom: 5px;margin-left: 0;}body#layout #outer-wrapper {margin-top: 0px;margin-right: 50px;margin-bottom: 0;margin-left: 50px;}-->/style>link hrefhttps://www.blogger.com/dyn-css/authorization.css?targetBlogID8263818804663745733&zx04adf5d1-61c7-4cf7-a33c-b8c6d246f98c medianone onloadif(media!'all')media'all' relstylesheet/>noscript>link hrefhttps://www.blogger.com/dyn-css/authorization.css?targetBlogID8263818804663745733&zx04adf5d1-61c7-4cf7-a33c-b8c6d246f98c relstylesheet/>/noscript>meta namegoogle-adsense-platform-account contentca-host-pub-1556223355139109/>meta namegoogle-adsense-platform-domain contentblogspot.com/>/head>body>div classnavbar section idnavbar>div classwidget Navbar data-version1 idNavbar1>script typetext/javascript> function setAttributeOnload(object, attribute, val) { if(window.addEventListener) { window.addEventListener(load, function(){ objectattribute val; }, false); } else { window.attachEvent(onload, function(){ objectattribute val; }); } } /script>div idnavbar-iframe-container>/div>script typetext/javascript srchttps://apis.google.com/js/platform.js>/script>script typetext/javascript> gapi.load(gapi.iframes:gapi.iframes.style.bubble, function() { if (gapi.iframes && gapi.iframes.getContext) { gapi.iframes.getContext().openChild({ url: https://www.blogger.com/navbar/8263818804663745733?origin\x3dhttp://blog.geismar.net, where: document.getElementById(navbar-iframe-container), id: navbar-iframe }); } }); /script>script typetext/javascript>(function() {var script document.createElement(script);script.type text/javascript;script.src //pagead2.googlesyndication.com/pagead/js/google_top_exp.js;var head document.getElementsByTagName(head)0;if (head) {head.appendChild(script);}})();/script>/div>/div>div idouter-wrapper>div classmain section idmain>div classwidget Text data-version1 idText1>h2 classtitle>NEXT TO PUBLIC/h2>div classwidget-content>a hrefhttp://blog.geismar.net/>/a>a hrefhttp://blog.geismar.net/>updated /a>April 2021br />pj.geismar@gmail.comdiv>p classMsoNormal styleline-height: normal; margin-bottom: 0cm;>span langEN-US>Copyright © 2021 by Jårg Geismaro:p>/o:p>/span>/p>p classMsoNormal styleline-height: normal; margin-bottom: 0cm;>span langEN-US stylefont-family:";>o:p>/o:p>/span>/p>p classMsoNormal styleline-height: normal; margin-bottom: 0cm;>span langEN-US stylefont-family:";>o:p>/o:p>/span>/p>br />br />br />/div>/div>div classclear>/div>/div>div classwidget Header data-version1 idHeader1>div idheader-inner stylebackground-image: url(https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijZbl-ERslxTGjrPuJsjFeb-Unif20Logi52szA-XmtxGGZyfQp-MWGaCBE6ru8Q7-OcW7QHhchjDxWaInFELJofRTCRkLjJvebskpPyFzHaH1x3plDCkPmGbp7QjC1OiIiI3G4IADXwg/s1386/001b_Geismar_Message_in_the_bottle_MAC_museum_Marseille_2013+%252836%2529.jpg); background-position: left; min-height: 700px; _height: 700px; background-repeat: no-repeat; >div classtitlewrapper stylebackground: transparent>h1 classtitle stylebackground: transparent; border-width: 0px>Jårg Geismar/h1>/div>div classdescriptionwrapper>p classdescription>span>from_me_to_you/message in a bottle Jårg Geismar 2013 - Collection MAC Contemporary Art Museum Marseille, France/span>/p>/div>/div>/div>div classwidget Blog data-version1 idBlog1>div classblog-posts hfeed> div classdate-outer> div classdate-posts> div classpost-outer>div classpost hentry uncustomized-post-template itempropblogPost itemscopeitemscope itemtypehttp://schema.org/BlogPosting>meta contenthttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_sxUgwGv4947l0a8YXZt_0XwesXRSkl8B1e5JzSB4jqmVHWqUhQfJfe2s7BKwYSsQdVsj5pNA-3saYWHjUSmjVdoiP9GcS_sd7Saor7H2KlsJ5ANNSqwmn2feulMpEeEm_uGWnkf9iXo/s640/inviteemail.jpg itempropimage_url/>meta content8263818804663745733 itempropblogId/>meta content6212645653382448328 itemproppostId/>a name6212645653382448328>/a>h3 classpost-title entry-title itempropname>a hrefhttp://blog.geismar.net/2018/06/invitation-discrete-jarg-geismar-and.html>Exhibition -discrete -Jårg Geismar and Johan Röing at Olseröds Konsthall, Olseröd, Sweden Opening August 3, 2-5pm - until September 30, 2018./a>/h3>div classpost-header>div classpost-header-line-1>/div>/div>div classpost-body entry-content idpost-body-6212645653382448328 itempropdescription articleBody>br />div classseparator styleclear: both; 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return false; target_blank titleBlogThis!>span classshare-button-link-text>BlogThis!/span>/a>a classgoog-inline-block share-button sb-twitter hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID2200935211030073043&targettwitter target_blank titleShare to X>span classshare-button-link-text>Share to X/span>/a>a classgoog-inline-block share-button sb-facebook hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID2200935211030073043&targetfacebook onclickwindow.open(this.href, _blank, height430,width640); return false; target_blank titleShare to Facebook>span classshare-button-link-text>Share to Facebook/span>/a>a classgoog-inline-block share-button sb-pinterest hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID2200935211030073043&targetpinterest target_blank titleShare to Pinterest>span classshare-button-link-text>Share to Pinterest/span>/a>/div>/div>div classpost-footer-line post-footer-line-2>span classpost-labels>/span>/div>div classpost-footer-line post-footer-line-3>span classpost-location>/span>/div>/div>/div>/div> /div>/div> div classdate-outer> div classdate-posts> div classpost-outer>div classpost hentry uncustomized-post-template itempropblogPost itemscopeitemscope itemtypehttp://schema.org/BlogPosting>meta content8263818804663745733 itempropblogId/>meta content8368743163663802246 itemproppostId/>a name8368743163663802246>/a>h3 classpost-title entry-title itempropname>a hrefhttp://blog.geismar.net/2018/03/nice-text-and-review-by-emil-memon-on.html>Nice text and review by Emil Memon on COME CLOSER2 at Nässjö Konsthall, Sweden/a>/h3>div classpost-header>div classpost-header-line-1>/div>/div>div classpost-body entry-content idpost-body-8368743163663802246 itempropdescription articleBody>br />div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>JÅRG GEISMAR / COME CLOSER 2o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>Recently had a conversation with my friend and colleague Jårg Geismar,touching base on our lives , what we are working on and stuff in general. Thiswas just after I spent a week of more than usual Art consumption in NYC duringArmory Week. He presented me with “Come Closer 2” his latest Art exposition inNässjö Kunsthall, Sweden. Looking at the works, it brought back memories of ourNew York Art collaborations as fellow artists and curators. It also struck me howrelevant and timely his work is for our times, specially after seeingincredible amount of Art; Art Fares as aggregators of Art, something parallelto social media concentration ofo:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>information, incomprehensive as well comprehensive compressed overload,where money is the driving force trough which order is enforced on creativity.You know is wrong in indulging in that spectacle but you cant help it. Afterthis suddenly Jårg offering me his images and guiding me trough his thought processworked like some sort of a medicine , it was a perfect counterpoint to what isArt Market’s Imperial stand in the world’s capital of commerce.o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>This is Jårg at his best, it brought me back to “Sites of Intolerance “a PS1 , New York, 1992 Art show where he participated with his installationwork. Thematically this two exhibitions have a similar political premisesdealing with intolerance and tolerance. They also share his mastery of thespace with poetic light touches (trademark of Jårg’s work) with affinity toethos of Arte Povera objects and materials like red roses, plastic redairplanes, cellophane, glass, aluminum ,light of film projections, …, there’s amusicality to it all achieved with color and rhythm of placed items in space.He has a good sense of Architecture of the space that informs him how to createso it becomes a conveyer, communication tool for his idea as good ConceptualArt ,from where his work derives from, does. In “Come Closer 2” materials he isusing , cellophane, aluminum ,glass and drawings and words written in a mannerthat his physical presence is felt in the space, 5 red squares on glass wallsof the museum that interact with the outside landscape, projections of filmimages from the cities that are part of Jårg’s life,o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>the personal, public, nature , universal …merges and communicates witheach other and charges itself with the meaning in a manner not dissimilar toJoseph Beuys’s work. The fact that Jårg is alumni of Düsseldorf ‘s Academy ofThe Art is felt in the DNA of this exhibition. There’s also time based elementin this, the light as another ingredient of this clear mindedo:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>alchemy, it is a present medium in a square of the film projection andit is flooding the room trough large glass walls interacting beautifully withthe translucent red color of red squares bringing in the rhythm of nature,changing light of the day turning into night and Winter turning into Spring. Itis very poetic and elegant if I can use this therm. So are glass panels placedover aluminum on the gallery floor like some sort of energy generating machines. Standing on the glass evokes nature outside the gallery walls, ice on afrozen lake in a cold Swedish winter.o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>Large drawing on cellophane sheets facing the red rectangular on glasswall and the outside changing landscape has a monumental quality to it. It is acode to be deciphered, like a page from Leonardo’s codex , with drawing ofobjects and words in reverse, introducing language and with it mentalgymnastics viewer must involve herself or himself.o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>Thinking is the key to it all in this show, as we are surrounded by eazystimuli of our Hyper- Capitalism merged with new technologies that are erasingprivate space , mind space, space of thinking , space where critical thoughtcan be formed ,aggressively turning us in data commodity to be sold this Jårg’swork is precious and valuable. Time passed between his PS1 show, unthinkablechanges happened since then, in that show theres a sense of times to come, nowwe are in the middle of it, where are we as societies going is nowquestionable.o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>span langEN-US stylefont-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US;>What Geismar provides us with this exhibition is the space where we canstop, restore our self and face what is in front of us with a critical eye andstand that can change things and that what good Art does.o:p>/o:p>/span>/div>div classMsoNormal styleline-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;>br />/div>div classMsoNormal styleline-height: normal; 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text-align: center;>a hrefhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjUBGKOZ9D4pVBkDl4snzeBx6AZXigOyOO1FCq7rwIYHP1a5LbXrseJ35aHmd7bT32Zubv618xtNFLggQ7LGUI0C9ZZ7n-DAwCAACLS3_UiQlIyQ6v7ZUD3_aBHHQCSk2i8LtV5KgY6YI/s1600/jarg_geismar_BOOK.jpg imageanchor1 styleclear: left; float: left; margin-bottom: 1em; margin-right: 1em;>br />/a>/div>br />br />br />table aligncenter cellpadding0 cellspacing0 classtr-caption-container stylefloat: left; margin-right: 1em; text-align: left;>tbody>tr>td styletext-align: center;>a hrefhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjUBGKOZ9D4pVBkDl4snzeBx6AZXigOyOO1FCq7rwIYHP1a5LbXrseJ35aHmd7bT32Zubv618xtNFLggQ7LGUI0C9ZZ7n-DAwCAACLS3_UiQlIyQ6v7ZUD3_aBHHQCSk2i8LtV5KgY6YI/s1600/jarg_geismar_BOOK.jpg imageanchor1 styleclear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;>img border0 height400 srchttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjUBGKOZ9D4pVBkDl4snzeBx6AZXigOyOO1FCq7rwIYHP1a5LbXrseJ35aHmd7bT32Zubv618xtNFLggQ7LGUI0C9ZZ7n-DAwCAACLS3_UiQlIyQ6v7ZUD3_aBHHQCSk2i8LtV5KgY6YI/s400/jarg_geismar_BOOK.jpg width305 />/a>/td>/tr>tr>td classtr-caption styletext-align: center;>span stylefont-family: "arial" , "helvetica" , sans-serif;>b>THE RED LINE Book 2013/b>/span>/td>/tr>/tbody>/table>b>span langEN-GB stylefont-family: "arial" , "sans-serif";>/span>/b>br />b>span langEN-GB stylefont-family: "arial" , "sans-serif";>/span>/b>b>span langEN-GB stylefont-family: "arial" , "sans-serif";>br />/span>/b>b>span langEN-GB stylefont-family: "arial" , "sans-serif";>THE RED LINE/span>/b>br />div classMsoNoSpacing>span langEN-GB stylefont-family: "arial" , "sans-serif"; mso-ansi-language: EN-GB;>Hatje Cantz Publishero:p>/o:p>/span>/div>div classMsoNoSpacing>span stylefont-family: "arial" , sans-serif;>Texts by Noemi Smolik and KennySchachter/span>/div>div classMsoNoSpacing>br />br />span stylefont-family: "arial" , sans-serif;>German/English/French/span>/div>div classMsoNoSpacing>span langEN-US stylefont-family: "arial" , "sans-serif";>304pages., 329 pictures, o:p>/o:p>/span>/div>div classMsoNoSpacing>span langEN-US stylefont-family: "arial" , "sans-serif";>21,st1:date day7 lstrans month10 w:ston year28>7 x 28/st1:date> cm, i>Linen embossed/i> hard cover/span>/div>div classMsoNoSpacing>span langEN-US stylefont-family: "arial" , "sans-serif";>€45,– o:p>/o:p>/span>/div>div classMsoNoSpacing>span langEN-US stylefont-family: "arial" , "sans-serif";>ISBN978-3-7757-3633-6o:p>/o:p>/span>/div>div classMsoNoSpacing>span langEN-US stylefont-family: "arial" , "sans-serif";>May2013/span>br />span langEN-US stylefont-family: "arial" , "sans-serif";>br />/span>span langEN-US stylefont-family: "arial" , "sans-serif";>br />/span>/div>div classMsoNormal>span langEN-US stylefont-family: "arial" , "sans-serif";>br />/span>span langEN-US stylefont-family: "arial" , "sans-serif";>br />/span>span langEN-US stylefont-family: "arial" , "sans-serif";>br />/span>span stylefont-family: "arial" , "helvetica" , sans-serif;>span langEN-US>a hrefhttp://blog.geismar.net/>Jårg/a>/span>span langEN-US stylefont-family: "arial" , "sans-serif"; mso-fareast-font-family: "Times New Roman";>a hrefhttp://blog.geismar.net/>Geismar’s/a> art is often unwieldy and generally difficult tocategorize. He creates objects and images, as well as ephemeral installationsand temporary interventions, which cannot be pigeonholed and are not made firstand foremost for the market – the opposite of much of which characterizes thehighly commodified, global contemporary art world on the threshold of the newmillennium. His art transcends the normal ambitions and aspirations of many acontemporary artist, and his highly individual position occupies a verypersonal space, while at the same time addressing issues with a universalmessage. a hrefhttp://roveprojects.com/kenny-schachter.html>Kenny Schachter/a> and a hrefhttp://www.artblogcologne.com/tag/noemi-smolik/>Noemi Smolik/a> delve into Geismar’s fascinatingworld of art and socio-cultural interaction from two highly divergent startingpoints and open new perspectives and ways of seeing.o:p>/o:p>/span>/span>/div>div classMsoNormal>span stylefont-family: "arial" , "helvetica" , sans-serif;>span langEN-US>Sincethe 1980s, the Swedish-born, German artist – a veritable globetrotter, who haslived for extended periods in both Japan and the United States – has beensilently creating various trends within the contemporary art scenes at home andabroad. Transparency and ambiguity, tension and balance, lights and projectors,photographs and videos, drawings on carbon paper and cellophane, as well asactions and interventions involving cuisine and fashion, have all becometrademarks of sorts. THE RED LINE reveals how Jårg Geismartransforms his inspiration taken from daily life and journeys into local neighborhoodsaround the world into his own unique and thought-provoking art. Geismar takesthe viewer on a virtual journey into the self and helps to /span>span langEN-US stylefont-family: "arial" , "sans-serif"; mso-fareast-font-family: "Times New Roman";>decode the often convoluted world that surrounds us.o:p>/o:p>/span>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>span langEN-US stylefont-family: "arial" , "sans-serif"; mso-fareast-font-family: "Times New Roman";>br />/span>span langEN-US stylefont-family: "arial" , "sans-serif"; mso-fareast-font-family: "Times New Roman";>You can purchase at a hrefhttp://www.hatjecantz.de/jrg-geismar-5663-1.html>Hatje Cantz/a>, a hrefhttp://www.amazon.de/J%C3%A5rg-Geismar-Line-Hrsg-Prangtip/dp/3775736336/refsr_1_1?ieUTF8&qid1423059234&sr8-1&keywordsthe+red+line+geismar>amazon/a> or with a hrefmailto:jpgeismar@aol.com target_blank>Jårg Geismar/a>./span>/span>/div>div styleclear: both;>/div>/div>div classpost-footer>div classpost-footer-line post-footer-line-1>span classpost-author vcard>/span>span 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contenthttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiLQAXU01YxOjxKQpakT6kJPFoVc2bcUZlGtu_GhmkMHx7SEIe4OScPR4ZpNyXQwjvb4GCM5n9XyP2P3ef0wI96qPest03KxxaJeMR83w9G4TGsoFiZm5wxOqO0ZDR84h9JcJj_qUVgcU/s640/L1290133.JPG itempropimage_url/>meta content8263818804663745733 itempropblogId/>meta content5306738906443652649 itemproppostId/>a name5306738906443652649>/a>div classpost-header>div classpost-header-line-1>/div>/div>div classpost-body entry-content idpost-body-5306738906443652649 itempropdescription articleBody>span stylefont-family: "arial" , "helvetica" , sans-serif;>br />/span>span stylefont-family: "arial" , "helvetica" , sans-serif;>br />/span>span stylefont-family: "arial" , "helvetica" , sans-serif;>br />/span>span stylefont-family: "arial" , "helvetica" , sans-serif;>Hidden Agenda, Solo Project/span>br />div classseparator styleclear: both; text-align: center;>/div>div classseparator styleclear: both; text-align: center;>a hrefhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiLQAXU01YxOjxKQpakT6kJPFoVc2bcUZlGtu_GhmkMHx7SEIe4OScPR4ZpNyXQwjvb4GCM5n9XyP2P3ef0wI96qPest03KxxaJeMR83w9G4TGsoFiZm5wxOqO0ZDR84h9JcJj_qUVgcU/s1600/L1290133.JPG imageanchor1 styleclear: left; float: left; margin-bottom: 1em; margin-right: 1em;>img border0 height426 srchttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiLQAXU01YxOjxKQpakT6kJPFoVc2bcUZlGtu_GhmkMHx7SEIe4OScPR4ZpNyXQwjvb4GCM5n9XyP2P3ef0wI96qPest03KxxaJeMR83w9G4TGsoFiZm5wxOqO0ZDR84h9JcJj_qUVgcU/s640/L1290133.JPG width640 />/a>/div>div classseparator styleclear: both; text-align: left;>span stylefont-family: "arial" , "helvetica" , sans-serif;>View from street level into the exhibition space, /span>/div>div classseparator styleclear: both; text-align: left;>span stylefont-family: "arial" , "helvetica" , sans-serif;>first room with something might happen 2016/span>/div>div classseparator styleclear: both; text-align: left;>span stylefont-family: "arial" , "helvetica" , sans-serif;>(garbage cans, clothes line, lacquer, hooks)/span>/div>div classseparator styleclear: both; text-align: center;>br />/div>div classseparator styleclear: both; text-align: center;>br />/div>span stylefont-family: "arial" , "helvetica" , sans-serif;>Exhibition - /span>span stylefont-family: "arial" , "helvetica" , sans-serif;>November 4 - December 2, 2016/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>Opening hours - Tuesday - Sun 12 -7pm/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>Tel - +49 (0)221 1699 3647/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://popup68.com/ target_blank>Projectroom Ruttkowski68, Gallery, Cologne, Bismarkstr 68/a>/span>br />br />div styleclear: both;>/div>/div>div classpost-footer>div classpost-footer-line post-footer-line-1>span classpost-author vcard>/span>span classpost-timestamp>/span>span classpost-comment-link>/span>span classpost-icons>/span>div classpost-share-buttons goog-inline-block>a classgoog-inline-block share-button sb-email hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5306738906443652649&targetemail target_blank titleEmail This>span classshare-button-link-text>Email This/span>/a>a classgoog-inline-block share-button sb-blog hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5306738906443652649&targetblog onclickwindow.open(this.href, _blank, height270,width475); return false; target_blank titleBlogThis!>span classshare-button-link-text>BlogThis!/span>/a>a classgoog-inline-block share-button sb-twitter hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5306738906443652649&targettwitter target_blank titleShare to X>span classshare-button-link-text>Share to X/span>/a>a classgoog-inline-block share-button sb-facebook hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5306738906443652649&targetfacebook 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hrefhttp://blog.geismar.net/2008/07/selected-exhibitions-with-photos-films.html>CLICK ON THE FOLLOWING LINKS FOR MORE INFORMATION ON SELECTED EXHIBITIONS:/a>/h3>div classpost-header>div classpost-header-line-1>/div>/div>div classpost-body entry-content idpost-body-3455362260713866342 itempropdescription articleBody>div classMsoNormal stylemargin-left: 0cm;>div>div>span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>br />/span>span stylefont-family: "arial" , "helvetica" , sans-serif;>b>2018/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>a hrefhttps://discrete2018.blogspot.com/>discrete, Olseröd Konsthallen, Degeberga, Sweden /a>/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>FLY ME TO THE MOON Ruttkowski68, Cologne, Germany/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>a hrefhttps://comecloser2geismar.blogspot.de/>COME CLOSER 2 Nässjö Kunsthall, Nässjö, Sweden/a>/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>a hrefhttps://fairytalesgeismar.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>fairytales /span>span langEN-GB styleline-height: 115%;>Gallery Ravne, Slovenj Gradec, Slovenia/span>/a>/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>2017/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>I read I write Vamlingbo Bolaget, Gotland, Sweden/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>#infiniteflowersI-III , PLUS ONE Gallery Antwerpen/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>Belgium/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>Mixed Pickles Ruttkowski68, Cologne, Germany/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>b>2016/b>/span>br />div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://hiddenagendageismar.blogspot.de/ stylefont-family: "Times New Roman";>span stylefont-family: "arial" , "helvetica" , sans-serif;>b>Hidden Agenda, Projectroom,/b>/span>span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;> Ruttkowski 68, Cologne/span>/a>/span>/div>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismarbackyard.blogspot.de/>Smoking and Talking Hajenius, Amsterdam/a>/span>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>AKKU1 Sitespecific installation, Düsseldorf/span>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2015/span>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismardelights.blogspot.de/>Delights Gallery Fagerstedt, Stockholm, Sweden/a>/span>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismarbackyard.blogspot.de/2015/10/smoking-and-talking-at-linzbach-in.html>Smoking and Talking Linzbach Düsseldorf/a>/span>/div>div stylefont-weight: normal;>b>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://walkingandtalking2015.blogspot.de/>Walking and Talking Venice, Italy/a>/span>/b>/div>/div>b>a hrefhttp://geismarpiccolocinema.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Piccolo Cinema curated by Martin Leyer-Pritzkow, Düsseldorf, Germany/span>/a>/b>br />div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2014/span>/div>div stylefont-weight: bold;>a hrefhttp://onceuponadreamgeismar.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>once upon a dream, TZR Gallery Kai Brückner, Düsseldorf, Germany/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://observationsstockholm.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Observations Gallery Fagerstedt, Stockholm, Sweden/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://feelingmyownbloodgeismar.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>feeling my own blood, Jiri Svestka Gallery, Berlin, Germany/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://tongueinfacegeismar.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>tongue in face, C&H Art Space, Amsterdam, Holland/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://japanonismincontemporaryart.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Japonism in Contemporary Art at The Nippon Gallery at The Nippon Club, New York, USA/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://japanonismincontemporaryart.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>curated by Kyoko Sato Ono and Emil Memon/span>/a>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2013/span>br />a hrefhttp://unpredictabletour.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>unpredictable tour , Bangkok, Thailand, Seoul, Korea, Hong Kong, Macao, Shanghai, Beijing, China, Taipei, Taiwan, Singapore, Tokyo, Nagoya, Yamaguchi, Japan/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://cinemageismar.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>CINEMA, Galerie am Karlplatz, Düsseldorf/span>/a>/div>div stylefont-weight: bold;>a hrefhttp://geismarfrommetoyou.blogspot.fr/>span stylefont-family: "arial" , "helvetica" , sans-serif;>from_me_to_you (mac) Contemporary Art Museum Marseille, Cultural Capital of Europe MP/Marseille -Provence 2013 /span>/a>/div>div stylefont-weight: bold;>a hrefhttp://paternoster-gh.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>paternoster dok25a, Düsseldorf, Germany/span>/a>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2012/span>/div>div stylefont-weight: bold;>a hrefhttp://geismarthesecretroom.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>The Secret Room 2012, Uppsala Konstmuseum, Uppsala, Sweden /span>/a>/div>div stylefont-weight: bold;>a hrefhttp://geismarlifeinabottle.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Life in a bottle 2012, TZR Gallery Kai Brückner, Düssseldorf, Germany /span>/a>/div>div stylefont-weight: bold;>a hrefhttp://geismarblumenderfremde.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Die Blumen der FremdeFlandernbunker, Kiel, Germany /span>/a>/div>div stylefont-weight: bold;>a hrefhttp://geismarstudiogotland.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Studio Gotland Burgsvik, Gotland, Sweden (2011-2016) /span>/a>/div>div stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2011/span>/div>div stylefont-weight: bold;>a hrefhttp://crisisandmodernartmanner.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Crisis and Modern Art MannerTokyo Wonder Site at Bethanien, Berlin, Germany /span>/a>/div>div stylefont-weight: bold;>a hrefhttp://essencegeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>ESSENCE, 2011 C&H Art Space, Amsterdam, Holland /span>/a>/div>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://unpredictablegeismar.blogspot.com/>unpredictable-nepredvidljivo/a>a hrefhttp://unpredictablegeismar.blogspot.com/>, 2011 Fine Arts Gallery, Slovenj Gradec, Slovenia/a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://atthemarketplace.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>at the market place 2011, TZR Gallery Kai Brückner, Düsseldorf, Germany/span>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>2010/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://geismaraccidentalmeeting.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>accidental meeting 2010 at GEMAK, The Hague, The Netherlands/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://geismarblindtrust.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Blind Trust II, 2010 at Coup de Ville Sint Niklaas, Belgium/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://geismargenerations.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>generations, 2010 together with Ruud van Empel, TZR Gallery Kai Brückner, Düsseldorf, Germany/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://geismarchaussuresdumonde.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Chaussures du Monde2010 Freemen Gallery, Aardenburg, Holland/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2009/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismaraquarium.blogspot.com/>AQUARIUM/a>a hrefhttp://geismaraquarium.blogspot.com/> 2009/2010/a>a hrefhttp://geismaraquarium.blogspot.com/> JDZB Japanese-German Center Berlin /a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://comeclosergeismar.blogspot.com/>COME CLOSER life inside the car, 2009 AUDI FORUM Tokyo, Japan/a>br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://itsonlydailylivejansengeismar.blogspot.com/>Its only daily life 2009 Foundation by Jårg Geismar and Bernd Jansen/a>br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://tokyosubwayballett.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Tokyo Subway Ballett 2008-2009 NEXT TO PUBLIC, Subways, Tokyo/Japan/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2008br />/span>/div>div classMsoNormal stylemargin-left: 0cm;>div stylefont-weight: bold;>a hrefhttp://geismarunterwegs.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>unterwegs - contemporary future 2008 Embassy of the Federal Republic of Germany, Tokyo/Japan/span>/a>/div>b>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismarsharingandcaring.blogspot.de/>SHARING AND CARING 2008, Tokyo/Japan/a>/span>/b>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismarbychance.blogspot.com/>by chance -life is not a shadow2008 Gallery Hashimoto, Tokyo/Japan/a>br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://everybodyalonegeismar.blogspot.com/>/a>a hrefhttp://everybodyalonegeismar.blogspot.com/>everybody alone 2008 ITCA Triennale Prague/Czech Republic/a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://withlovefromjarggeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>with love from... 2008 Gallery HAM, Nagoya/Japan/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2007/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://iloveyouasiam.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>I love you as I am 2007 CAMK/Contemporary Art Museum Kumamoto/Japan/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://followmeordont.blogspot.com/>follow me or dont 2007 PM Gallery Zagreb/Croatia/a>br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://nothingfitseverythinggoesjarggeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>nothing fits, everything goes 2007 Jiri Svestka Gallery, Prague/Czech Republic/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://phantasygeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Phantasy, 2007 TZR Gallery Kai Brueckner, Duesseldorf/Germany/span>/a>br />a hrefhttp://privateviewergeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Private Viewer, 2007 Gallery GEN, Tokyo/Japan /span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2006/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://lostinberlinlostintokyo.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>lost in Berlin, lost in Tokyo 2006 A.R.T., Ebisu/Tokyo/Japan/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://senseofmindgeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Sense of Mind 2006 Kunsthalle Duesseldorf/Germany/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>2005/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://www.blogger.com/goog_1500155739>/a>a hrefhttp://byfeet.blogspot.com/>by feet, 2005/06 , 7hours/Haus 19, Berlin/Germany/a>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>2004/span>br />a hrefhttp://daydreaminggeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>daydreaming 2004 Jiri Svestka Gallery, Prague/Czech Republic/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://unwissenistdiephantasiedeswissen.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Unwissen ist die phantasie des Wissens 2004 Gallery Gabriele Rivet, Cologne/Germany/span>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>2003 /span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://geismarcinema.blogspot.com/>/a>a hrefhttp://theoptimistsgeismar2003.blogspot.com/> /a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://theoptimistsgeismar2003.blogspot.com/>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>THE OPTIMISTS 2003 Liljevalchs Konsthall, Stockholm/Sweden/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;> 2002/span>br />span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://withoutyougeismar.blogspot.com/>without you 2002 L.A.Gallery Lothar Albrecht, Frankfurt/Germany/a>br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://stillegeismar.blogspot.com/>Stille, 2002, 7hours/TURM/Maerkisches Museum, Berlin/Germany/a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://jagarfoddharochminfardoghar.blogspot.com/>Jag aer foedd haer och min far dog haer 2002 BAC, Visby, Gotland/Sweden/a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span stylefont-family: "arial" , "helvetica" , sans-serif;>span langDE>span stylecolor: black;>/span>/span>span langDE> 2000/span>/span>br />a hrefhttp://doingbyhandslookingbyfeet.blogspot.com/>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>doing by hands looking by feet 2000 Werkstadt Graz, Steirischer Herbst/Austriabr />/span>/a>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://futurebyfeet.blogspot.com/>Future by feet and www.geismar.net 2000, Swiss Pavillon, 7. Architecture Biennial Venice/Italy/a>br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://wemeetin.blogspot.com/>WE MEET IN::: 2000 The Prefecture Yamaguchi Museum of Art, Yamaguchi/Japan/a>/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;>1999br />/span>/div>div classMsoNormal stylefont-weight: bold; margin-left: 0cm;>a hrefhttp://iloveyouasiam.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;> /span>/a>/div>a hrefhttp://futureinmindgeismar.blogspot.com/ stylefont-weight: bold;>span langDE stylefont-family: "arial" , "helvetica" , sans-serif;> Future in Mind 1999 The National Gallery Bangkok/Thailand/span>/a>br />b>a hrefhttp://livinglovinganddoing.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>living, loving and doing 1999 Konstcentrum Gaevle/Sweden and , the Zambia National Visual Arts Council, Lusaka and the Mbala Art Center 2000/both Zambia/span>/a>/b>br />a hrefhttp://diebanaleintellektualitaet.blogspot.com/>b>span stylefont-family: "arial" , "helvetica" , sans-serif;>Die banale Intellektualitaet 1999, Paleis Thurn und Taxis, Bregenz/Austria/span>/b>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1998/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>a hrefhttp://lowbudgetgoeteborg.blogspot.de/>LOW BUDGET 1998, Konsthallen Göteborg, Sweden/a>/span>br />a hrefhttp://spirit104.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>SPIRIT 104 1998, Hallwylska Museum, ARKIPELAG, Stockholm Cultural Capital of Europe/Sweden/span>/a>br />a hrefhttp://youcomeandyougo.blogspot.com/>b>span stylefont-family: "arial" , "helvetica" , sans-serif;>You come and you go as part of MEDIALIZATION in Sweden and Estonia curated by Joseph Backstein /span>/b>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>span stylefont-weight: bold;>1997/span>a hrefhttp://womenmendogsandchildren.blogspot.com/ stylefont-weight: bold;>br />WOMEN, MEN, CHILDREN AND DOGS 1997 IASPIS and Fylkingen, Stockholm/Swede/a>a hrefhttp://womenmendogsandchildren.blogspot.com/ stylefont-weight: bold;>n/a>/span>br />a hrefhttp://lowbudgetgeismar.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>LOW BUDGET 1997 Kunsthalle zu Kiel/Germany/span>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1996/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>a hrefhttp://ithasnothingtodowithjeannine.blogspot.de/>IT HAS NOTHING TO DO WITH JEANNINE Bejinhof Hasselt, Belgium/a>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>a hrefhttp://geismartheanonyms.blogspot.de/>Die verlorene Idee von der Ordnung der Dinge, Atatürk Cultural Center, Istanbul, Turkey and Kunstpalast Dusseldorf, Germany/a>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1995/span>br />a hrefhttp://nichtsneuesimwesten.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>Im Westen Nichts Neues 1995 Staedtische Ausstellungshalle Am Hawerkamp, Muenster/Germany/span>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1994/span>br />a hrefhttp://publiccopyright.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>PUBLIC COPYRIGHT 1994 Kunstverein fuer die Rheinlande und Westfalen, Duesseldorf/Germany/span>/a>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>MEN 1994 Natalie Rivera, New York/USA/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>If you cant come in smile as you go by Thomas Taubert, Düsseldorf/Germany/span>/b>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1993/span>br />a hrefhttp://geismarinbetween.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>INBETWEEN 1993 together with Adem Yilmaz LXV Biennial Venice, Italy/span>/a>br />a hrefhttp://myhomeisyourhomegeismar1993.blogspot.de/>b>span stylefont-family: "arial" , "helvetica" , sans-serif;>My home is your home Construction in Process, Lodz, Poland 1993/span>/b>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif;>span stylefont-weight: bold;>1992/span>a hrefhttp://jointventuregeismar.blogspot.com/ stylefont-weight: bold;>br />span langDE stylefont-weight: bold;>Joint Venture 1992 PS1, The Contemporary Art Instut New York/USA/span>/a>/span>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>Unlimited 1992 Limited Littman Gallery, Basel/Switzerland/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>a hrefhttp://cablesgeismar.blogspot.de/>CABLES 1992 Gallery Gabriele Rivet, Cologne/a>/span>/b>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1991/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>a hrefhttp://women1991geismar.blogspot.de/>WOMEN 1991 Natalie Rivera, New York/USA/a>/span>br />b>a hrefhttp://moneymoneycometome.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Money money come to me 1991 Avtosavodskaja Saal, Moscow/Russia/span>/a>/b>br />b>a hrefhttp://vespageismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>span langDE> /span>VESPA 1991 Espai 13, Joan Miro Fundacion Barcelona/Spain/span>/a>/b>br />b>a hrefhttp://geismarfemmefatale.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Femme Fatale 1991 NEXT TO PUBLIC, Basel/ Switzerland/span>/a>/b>br />b>a hrefhttp://clothesmakepeople.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Clothes Make People, 1991 Sagacho Exhibit Space, Tokyo/Japan/span>/a>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>Food and People 1990 Le Magasin, Grenoble/France/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>1990/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>Midnight-Express 1990 Kunstmuseum Düsseldorf/span>/b>br />b>a hrefhttp://geismarphilips.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>PHILIPS 1990 De Fabriek, Eindhoven, The Netherlands/span>/a>/b>br />b>a hrefhttp://diamondsgeismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Diamonds 1990 Sandra Gering Gallery, New York/USA/span>/a>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>Decorative Things1990 Offermann Gallery, Cologne/Germany/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>1989 /span>/b>br />b>a hrefhttp://rosemary1989.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Rosemary 1989 Offermann Gallery, Cologne/Germany/span>/a>/b>br />b>a hrefhttp://futureisbasedontrust.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Future is based on Trust Littmann Gallery, Basel/Switzerland /span>/a>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>Red 1989 Stückfärberei Basel/Switzerland/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>NY-Istanbul 1989 Hannover subway stations, Hannover/Germany/span>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>New York Art Made in Japan 1989 Shingu/Japan/span>/b>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1988/span>br />a hrefhttp://newyorkmadeinjapan1988.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>New York Art Made in Japan 1988 Yamazaki/Japan /span>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1987 /span>br />a hrefhttp://action-geismar-action-rees.blogspot.com/ stylefont-weight: bold;>span stylefont-family: "arial" , "helvetica" , sans-serif;>Action/Geismar-Action/Rees 1987 Canalstreet, New York/USA/span>/a>br />b>a hrefhttp://ny-raw-roh-geismar.blogspot.com/>span stylefont-family: "arial" , "helvetica" , sans-serif;>NY/RAW/ROH 1987 Thomas Krings-Ernst Gallery, Cologne/Germany/span>/a>/b>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1986/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>b>a hrefhttp://geismarstandortdusseldorf1984.blogspot.com/>Standort Düsseldorf 1986 Kunsthalle Düsseldorf /Germany/a>/b>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>b>a hrefhttp://unausgewogen.blogspot.de/>unausgewogen 1986 Kölnischer Kunstverein, Cologne/Germany /a>/b>/span>br />a hrefhttp://geismarcity.blogspot.de/>b>span stylefont-family: "arial" , "helvetica" , sans-serif;>CITY 020, 1986 Kunstakademie Düsseldorf/Germany/span>/b>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>1984/span>br />a hrefhttp://opat1984.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>span stylefont-weight: bold;>OPAT /span>span stylefont-weight: bold;>Paleis, /span>span stylefont-weight: bold;>Arnhem, The Netherlands 1984/span>/span>/a>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>a hrefhttp://denboschgeismar.blogspot.de/>Den Bosch ARTIS, sHertogenbosch, The Netherlands 1984/a>/span>br />span stylefont-family: "arial" , "helvetica" , sans-serif; font-weight: bold;>a hrefhttp://kyocologne.blogspot.de/>kyo Stollwerk, Cologne, Germany 1984/a>/span>br />b>a hrefhttp://geismarprojektionen.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Projektionen 1984 Künstlerhaus Hamburg/Germany/span>/a>/b>br />b>span stylefont-family: "arial" , "helvetica" , sans-serif;>1980-84/span>/b>br />b>a hrefhttp://228-dusseldorf.blogspot.de/>span stylefont-family: "arial" , "helvetica" , sans-serif;>Room 228 , Kunstakademie Düsseldorf/Germany/span>/a>/b>br />br />span langDE stylefont-weight: bold;>a hrefhttp://nothingfitseverythinggoesjarggeismar.blogspot.com/>/a>/span>div styleclear: both;>/div>/div>div classpost-footer>div classpost-footer-line post-footer-line-1>span classpost-author vcard>/span>span classpost-timestamp>/span>span classpost-comment-link>/span>span classpost-icons>/span>div classpost-share-buttons goog-inline-block>a classgoog-inline-block share-button sb-email hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID3455362260713866342&targetemail target_blank titleEmail This>span classshare-button-link-text>Email This/span>/a>a classgoog-inline-block share-button sb-blog hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID3455362260713866342&targetblog onclickwindow.open(this.href, _blank, height270,width475); 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Started in 1988 in Japan. There have been more then 26 projects until today in Asia, USA and Europe./span>br />div classseparator styleclear: both; text-align: center;>a hrefhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ3jq-R5nJZwqFRBa2_Mcd0R57hMmTaUDhdu574m1V4hH56gLrcZZJqx43H2MCd_Oy_gNwEwsY6QDe1amPp4nT5r-h7ZbH3r2QfFvMb14Eaes_OpiDmLZ30bqoi19ewQqE0dV4krf4xfI/s1600/IMG_20130902_0004_NEWtextFish_in_a_bottleemail.jpg imageanchor1 stylemargin-left: 1em; margin-right: 1em;>img border0 height288 srchttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ3jq-R5nJZwqFRBa2_Mcd0R57hMmTaUDhdu574m1V4hH56gLrcZZJqx43H2MCd_Oy_gNwEwsY6QDe1amPp4nT5r-h7ZbH3r2QfFvMb14Eaes_OpiDmLZ30bqoi19ewQqE0dV4krf4xfI/s640/IMG_20130902_0004_NEWtextFish_in_a_bottleemail.jpg width640 />/a>/div>span stylefont-family: "arial" , "helvetica" , sans-serif;>Invitation card Fish in a bottle Restaurant Mes Amis Nr. 23 at /span>La Cite de la Radieuse, Le Corbusier, Marseille, France 2013, Part of Cultural Capital of Europe MP Marseille-Provence 2013, Collection MAC Contemporary Art Museum Marseille, Francebr />br />br />span stylefont-family: "arial" , "helvetica" , sans-serif;>/span>br />div>br />/div>div styleclear: both;>/div>/div>div classpost-footer>div classpost-footer-line post-footer-line-1>span classpost-author vcard>/span>span classpost-timestamp>/span>span classpost-comment-link>/span>span classpost-icons>/span>div classpost-share-buttons goog-inline-block>a classgoog-inline-block share-button sb-email hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5254787466091854194&targetemail target_blank titleEmail This>span classshare-button-link-text>Email This/span>/a>a classgoog-inline-block share-button sb-blog hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5254787466091854194&targetblog onclickwindow.open(this.href, _blank, height270,width475); return false; target_blank titleBlogThis!>span classshare-button-link-text>BlogThis!/span>/a>a classgoog-inline-block share-button sb-twitter hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5254787466091854194&targettwitter target_blank titleShare to X>span classshare-button-link-text>Share to X/span>/a>a classgoog-inline-block share-button sb-facebook hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5254787466091854194&targetfacebook onclickwindow.open(this.href, _blank, height430,width640); return false; target_blank titleShare to Facebook>span classshare-button-link-text>Share to Facebook/span>/a>a classgoog-inline-block share-button sb-pinterest hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID5254787466091854194&targetpinterest target_blank titleShare to Pinterest>span classshare-button-link-text>Share to Pinterest/span>/a>/div>/div>div classpost-footer-line post-footer-line-2>span classpost-labels>/span>/div>div classpost-footer-line post-footer-line-3>span classpost-location>/span>/div>/div>/div>/div> /div>/div> div classdate-outer> div classdate-posts> div classpost-outer>div classpost hentry uncustomized-post-template itempropblogPost itemscopeitemscope itemtypehttp://schema.org/BlogPosting>meta contenthttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIr7zDL4yQUILT5Fue9jEq0EuoSDD_KSiiqrBq3oFH-M2wDbLwgzZO6Dheu7Kv-uo87izwaEnuNmwvNtNdzEq5yZnR-Tk57_JKxdt1tTxOGbRMcTctz6cHXeJxm79fzsMyDD0J__qHUwo/s200/ATWWORLD.GIF itempropimage_url/>meta content8263818804663745733 itempropblogId/>meta content3459147711963701684 itemproppostId/>a name3459147711963701684>/a>div classpost-header>div classpost-header-line-1>/div>/div>div classpost-body entry-content idpost-body-3459147711963701684 itempropdescription articleBody>br />div classseparator styleclear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;>img border0 height200 srchttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIr7zDL4yQUILT5Fue9jEq0EuoSDD_KSiiqrBq3oFH-M2wDbLwgzZO6Dheu7Kv-uo87izwaEnuNmwvNtNdzEq5yZnR-Tk57_JKxdt1tTxOGbRMcTctz6cHXeJxm79fzsMyDD0J__qHUwo/s200/ATWWORLD.GIF width200 />/div>br />br />a hrefhttp://atwgeismar1985.blogspot.de/>A.T.W. - Around the World - interactive forum for different and overlapping media since 1986./a> Partipiciants from various professions and media, simultaneous exhibitions, projects and publications on different continents. Acting offices in Düsseldorf, New York and Tokyo since 1985. Today in Düsseldorf.br />br />br />br />a hrefhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKB0c7tFNvi3S2lTIjr6km9BN9fYaBWtW1Pnt-kr5HaC9-rOcSDjVUD3yKfGYKRrcT-jAfYGbYGp7lmgKdq1Ouik0Qoc2WTsiorwUowUuw8dAVuLlq_Rg5SBnreoeeM3H5GIChwQvfA3c/s1600/PPF+PS1+Museum+New+York+USA+1991.jpg imageanchor1 stylemargin-left: 1em; margin-right: 1em;>A.T.W. PAST PRESENT FUTURE a retrospective worldwide exhibition and presentation./a>br />a hrefhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKB0c7tFNvi3S2lTIjr6km9BN9fYaBWtW1Pnt-kr5HaC9-rOcSDjVUD3yKfGYKRrcT-jAfYGbYGp7lmgKdq1Ouik0Qoc2WTsiorwUowUuw8dAVuLlq_Rg5SBnreoeeM3H5GIChwQvfA3c/s1600/PPF+PS1+Museum+New+York+USA+1991.jpg imageanchor1 stylemargin-left: 1em; margin-right: 1em;>img border0 height320 srchttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKB0c7tFNvi3S2lTIjr6km9BN9fYaBWtW1Pnt-kr5HaC9-rOcSDjVUD3yKfGYKRrcT-jAfYGbYGp7lmgKdq1Ouik0Qoc2WTsiorwUowUuw8dAVuLlq_Rg5SBnreoeeM3H5GIChwQvfA3c/s320/PPF+PS1+Museum+New+York+USA+1991.jpg width225 />/a>br />PS.1 Museum, New York, USA 1991div styleclear: both;>/div>/div>div classpost-footer>div classpost-footer-line post-footer-line-1>span classpost-author vcard>/span>span classpost-timestamp>/span>span classpost-comment-link>/span>span classpost-icons>/span>div classpost-share-buttons goog-inline-block>a classgoog-inline-block share-button sb-email hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID3459147711963701684&targetemail target_blank titleEmail This>span classshare-button-link-text>Email This/span>/a>a classgoog-inline-block share-button sb-blog hrefhttps://www.blogger.com/share-post.g?blogID8263818804663745733&postID3459147711963701684&targetblog onclickwindow.open(this.href, _blank, height270,width475); 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Rheinische Post, Düsseldof, February 19, 2015br />iframe height480 srchttps://drive.google.com/file/d/0B2K0bBYiVpsiUGVzOXNXMjRNWDg/preview width640>/iframe>br />br />br />a hrefhttp://berlin.positive-magazine.com/2014/05/21/interview-with-jarg-geismar-feeling-my-own-blood/>span stylefont-family: inherit; line-height: 1.3;>Interview with Jårg Geismar – “Feeling my own blood by Maria Nitulescu on the occasion of the solo exhibition at Jiri Svestka Gallery Berlin May 2 - June 14, 2014 /span>span stylefont-family: "bitter" , serif; line-height: 1.3;>- /span>span styleline-height: 1.3;>span stylefont-family: inherit;>Positive Magazine Berlin 2014/span>/span>/a>br />iframe height480 srchttps://drive.google.com/file/d/0B2K0bBYiVpsiV2tQWDlZV1BVNDQ/preview width640>/iframe>br />br />Review The red line inbetween art and life on the exhibition Delights at Galerie Fagerstedt in Cora, Stockholm 2015 by Cristina Karlstam. in Swedishbr />iframe height480 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