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2018-04-22
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srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1601-2-2307/open-uri20130619-2-1dj8f1y />div classmt-6 sm:flex-1 sm:min-w-0 sm:flex sm:items-center sm:justify-end sm:space-x-6 sm:pb-1>div classsm:hidden md:block mt-6 md:mt-14 min-w-0 flex-1>h1 classtext-2xl font-bold text-gray-900 truncate>a href/>Laura Beltrán Villamizar/a>/h1>div classtext-sm font-medium text-gray-500 truncate>Copywriter & Multimedia Journalist/div>div classtext-sm font-medium text-gray-500 truncate>Amsterdam/div>div classmt-3 text-sm font-medium text-gray-500>I love slow food, slow travel and slow journalismPhotographer and writer romanticising cities and coffee out of proportion./div>/div>div classflex flex-row justify-stretch sm:space-x-4 sm:flex-wrap mt-3 sm:mt-14 sm:gap-0 gap-3>a hrefhttp://inthecityloop.wordpress.com/>svg classh-6 w-6 text-gray-500 hover:text-gray-900 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM21 12a9 9 0 01-9 9m9-9a9 9 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strokecurrentColor viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM20.447 20.452h-3.554v-5.569c0-1.328-.027-3.037-1.852-3.037-1.853 0-2.136 1.445-2.136 2.939v5.667H9.351V9h3.414v1.561h.046c.477-.9 1.637-1.85 3.37-1.85 3.601 0 4.267 2.37 4.267 5.455v6.286zM5.337 7.433c-1.144 0-2.063-.926-2.063-2.065 0-1.138.92-2.063 2.063-2.063 1.14 0 2.064.925 2.064 2.063 0 1.139-.925 2.065-2.064 2.065zm1.782 13.019H3.555V9h3.564v11.452zM22.225 0H1.771C.792 0 0 .774 0 1.729v20.542C0 23.227.792 24 1.771 24h20.451C23.2 24 24 23.227 24 22.271V1.729C24 .774 23.2 0 22.222 0h.003z />/svg>/a>/div>/div>/div>div classhidden sm:block md:hidden mt-6 min-w-0 flex-1>h1 classtext-2xl font-bold text-gray-900 truncate>Laura Beltrán Villamizar/h1>div classtext-sm font-medium text-gray-500 truncate>Copywriter & Multimedia Journalist/div>div classtext-sm font-medium text-gray-500 truncate>Amsterdam/div>div classmt-3 text-sm font-medium text-gray-500>I love slow food, slow travel and slow journalismPhotographer and writer romanticising cities and coffee out of proportion./div>/div>/div>/div>div classbg-gray-50 py-5 mt-5>div classmax-w-5xl mx-auto px-4 sm:px-6 lg:px-8 mt-6>ul classgrid grid-cols-1 gap-6 sm:grid-cols-2 md:grid-cols-3 lg:grid-cols-4 rolelist>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/open-uri20160401-3-13tcvuv />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.artparasites.com/the-coffee-cigarettes-cult-in-arts-and-literature/>The Coffee & Cigarettes Cult In Arts And Literature/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>“I thought of you yesterday… and the day before. I laid in bed, pondering about ma vie Bruxelloise. I wanted a fag, but I didn’t smoke it–since we all know that each cigarette will take two seconds of our lives–I would have preferred to dedicate at least those two seconds fucking each other’s minds instead, like Martín Haché once said.”./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.artparasites.com/the-coffee-cigarettes-cult-in-arts-and-literature/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Berlin Art Parasites/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCulture>Culture/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagArt>Art/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagDaily+Life>Daily Life/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/open-uri20160401-3-fefcub />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.artparasites.com/10-lessons-i-learned-while-travelling-the-world-alone/>10 Lessons I Learned While Travelling The World Alone/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>Many of us have had the chance of travelling, of broadening our horizons and exploring new cultures. As much as travelling in a group or with a travel buddy is life fulfilling, doing by yourself is life changing. Travelling solo brings a whole lot of layers to the experience whereby the journey is not only a cultural one but a voyage that will touch you deeply on a personal, spiritual and emotional level./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.artparasites.com/10-lessons-i-learned-while-travelling-the-world-alone/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Berlin Art Parasites/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCulture>Culture/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagDaily+Life>Daily Life/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagArt>Art/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg src/assets/story_default-f0de4f4ab6479a579ee4e52264e995a44345ba129080edea99cfb1cfc8b07e63.png />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.worldpressphoto.org/content/world-press-photo-announces-2014-multimedia-contest-winning-productions>WORLD PRESS PHOTO ANNOUNCES 2014 MULTIMEDIA CONTEST WINNING PRODUCTIONS/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>The international jury of the 2014 World Press Photo Multimedia Contest has awarded prizes in three categories: Short Feature, Long Feature and Interactive Documentary. Each category holds first, second and third prizes. View all the winners in the online gallery here: http://www.worldpressphoto.org/multimedia-gallery/2014-multimedia-contest.Main task: quotes and proofreading./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.worldpressphoto.org/content/world-press-photo-announces-2014-multimedia-contest-winning-productions>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>World Press Photo/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagPhotojournalism>Photojournalism/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagPress>Press/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg src/assets/story_default-f0de4f4ab6479a579ee4e52264e995a44345ba129080edea99cfb1cfc8b07e63.png />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.worldpressphoto.org/content/names-2014-joop-swart-masterclass-participants-announced>NAMES OF 2014 JOOP SWART MASTERCLASS PARTICIPANTS ANNOUNCED/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>World Press Photo announced the 12 young photographers who have been selected for the 21st edition of the annual World Press Photo Joop Swart Masterclass. The announcement was made during the Awards Days. During the six-day masterclass, to be held from 2- 8 November 2014 in Amsterdam, the participating photographers will interact with six prominent experts, discussing technical and visual aspects of their work, as well as their role as a photographer./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.worldpressphoto.org/content/names-2014-joop-swart-masterclass-participants-announced>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>World Press Photo/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagInterviews>Interviews/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagPhotography>Photography/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classrelative>p classabsolute top-0 right-0 px-4 bg-amber-200 rounded-full text-xs font-semibold uppercase tracking-wide text-gray-500 transform py-1.5 -translate-y-1/2> Featured/p>/div>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20131005-1940-2-8926/open-uri20131005-2-1jdxuox />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.amsterdo.com/film/international-documentary-film-festival-amsterdam-idfa>International Documentary Film Festival Amsterdam (IDFA)/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>One of the largest in its genre and arguably the most prestigious documentary film festival out there, IDFA is back and ready to take over the Dutch capital in all its glory. The 26 th edition of this mind-blowing event will be held from November 20 to December 1 and it promises, once gain, to premiere unseen gems and exceptional screenings of the documentary scene./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.amsterdo.com/film/international-documentary-film-festival-amsterdam-idfa>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Amsterdo/div>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20131005-1914-2-8584/Samira_Hodaei__Harem_of_the_Heart_Installation.jpg />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://islamicartsmagazine.com/magazine/view/persianesque_art_that_empowers_women_and_questions_reality/>SAMIRA HODAEI Persianesque Art that Empowers Women and Questions Reality/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>Born and raised in Teheran, the Iranian artist Samira Hodaei is relentlessly inspired by her home country. Daily experiences as a woman and as an artist in a country where both are constantly neglected and sometimes totally forgotten, serve as an unconscious drive for her to practice her art./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://islamicartsmagazine.com/magazine/view/persianesque_art_that_empowers_women_and_questions_reality/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Islamic Arts Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagArt>Art/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCulture>Culture/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20131001-1503-2-8926/open-uri20131001-2-1569mve />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.amsterdo.com/activities/the-amsterdam-dance-event-better-bigger-and-stronger>The Amsterdam Dance Event: better, bigger and stronger./a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>The Amsterdam Dance Event (ADE), the most prominent dance event in the world takes over the city once again. For five days, from 16 to 20 October the city of Amsterdam will become the greatest and biggest stage of electronic music. The ADE is indeed the moment of the year when this culturally loaded music phenomenon conquers the city and with more than 50 extra venues this year, the capital city underlines its status as the mecca of electronic music worldwide./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.amsterdo.com/activities/the-amsterdam-dance-event-better-bigger-and-stronger>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>AmsterDo/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagFestivals>Festivals/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCulture>Culture/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCities>Cities/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classrelative>p classabsolute top-0 right-0 px-4 bg-amber-200 rounded-full text-xs font-semibold uppercase tracking-wide text-gray-500 transform py-1.5 -translate-y-1/2> Featured/p>/div>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20131001-1455-2-4576/open-uri20131001-2-g3v4k6 />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttps://pressfolios-production.s3.amazonaws.com/uploads/story/story_pdf/40887/4088713806383932ZISiXWnS3axa9sEdhTp.pdf>The Canary Project/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>The Canary Projects is a research hub for artists with the goal of deepening pubic understanding of climate change. For this interview, I worked closely with the two minds behind this project, Susannah Sayler and Edward Morris. We discussed how contemporary art can be used to raise awareness about pressing environmental issues - a never-ending challenge./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttps://pressfolios-production.s3.amazonaws.com/uploads/story/story_pdf/40887/4088713806383932ZISiXWnS3axa9sEdhTp.pdf>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagPhotography>Photography/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagArt>Art/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagInterviews>Interviews/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagClimate>Climate/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCulture>Culture/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130704-0737-2-6623/open-uri20130704-2-qxjoz8 />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttps://pressfolios-production.s3.amazonaws.com/uploads/story/story_pdf/24239/user_upload_24239.pdf>Cape Verde- Gem of the Atlantic/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>The beautiful islands of Cape Verde lie scattered like pearls over the ocean, 500km off the coast of West Africa. An exotic mix of African, Brazilian and Portuguese influences, they are set to become a holiday hotspot./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttps://pressfolios-production.s3.amazonaws.com/uploads/story/story_pdf/24239/user_upload_24239.pdf>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>TIME Magazine/div>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classrelative>p classabsolute top-0 right-0 px-4 bg-amber-200 rounded-full text-xs font-semibold uppercase tracking-wide text-gray-500 transform py-1.5 -translate-y-1/2> Featured/p>/div>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130628-1903-2-4379/EPI-154.jpg />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.revolve-magazine.com/home/2013/05/30/the-energy-circle/>The Energy Circle: Recess, Electricity, Education/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>The ‘whirls’ created by Empower Playgrounds are fun for children and they provide actual energy that increases education, school attendance and social development in Africa. In a world where technologies are advancing rapidly, one could hardly imagine what life would be without electricity. This burden evidently has severe repercussions for general social progress in more rural areas across developing nations./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.revolve-magazine.com/home/2013/05/30/the-energy-circle/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagClimate>Climate/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCulture>Culture/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classrelative>p classabsolute top-0 right-0 px-4 bg-amber-200 rounded-full text-xs font-semibold uppercase tracking-wide text-gray-500 transform py-1.5 -translate-y-1/2> Featured/p>/div>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130620-1106-2-5096/open-uri20130620-2-b9zabu />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttps://pressfolios-production.s3.amazonaws.com/uploads/story/story_pdf/21933/user_upload_21933.pdf>The High Line Story/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>Elevated Urban GardensLaura recounts how an old piece of railroad running along the lower west side of Manhattan was brought back to life as an integral part of the city./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttps://pressfolios-production.s3.amazonaws.com/uploads/story/story_pdf/21933/user_upload_21933.pdf>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classrelative>p classabsolute top-0 right-0 px-4 bg-amber-200 rounded-full text-xs font-semibold uppercase tracking-wide text-gray-500 transform py-1.5 -translate-y-1/2> Featured/p>/div>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1615-2-0228/Moraza.IMG_3501-2-rs-300x400.jpg />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.revolve-magazine.com/home/2013/05/15/qa-juan-luis-moraza/>Q&A: Juan Luis Moraza/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>Nominated by the gallery Espacio Mínimo, Juan Luis Moraza won the Audermars Piguet prize for his project called “Arules” shown at ARCO Madrid 2013 (February 13-17). Laura Beltrán Villamizar asks the Basque sculptor about contemporary art in Spain, his sources of inspiration, and the future of art./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.revolve-magazine.com/home/2013/05/15/qa-juan-luis-moraza/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1614-2-7742/timthumb.php />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.revolve-magazine.com/home/2013/04/26/the-nyc-high-line/>The NYC High Line/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>The High Line is a park built on an historic high railroad lane. Two New Yorkers developed this project to save an old piece of infrastructure that runs along the lower west side of Manhattan. They brought it back to life by turning it into a fully functioning, ecological and contemporary piece of urban design. The NGO Friends of the High Line was founded in 1999 to provide economic and urban value to the elevated 13-mile high railroad line. Laura Beltrán Villamizar spent a month in New York City and was able to highlight the development of the urban elevated green area called The High Line Park./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.revolve-magazine.com/home/2013/04/26/the-nyc-high-line/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCities>Cities/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1614-2-9127/timthumb.php />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.revolve-magazine.com/home/2013/04/17/soweto-living-with-mine-waste/>Soweto: Living with Mine Waste/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>In South Africa, mining has been a blessing and a curse, particularly for those who were drawn to work on gold mines since the late 1880’s and the uranium mines since the late 1940’s. Once the industry was established, gold and uranium fields were settled in Soweto (South Western Townships). Beyond basic health issues related to mine waste management, dealing with dust storms from the mines, tailings and dumps can cause long-term health issues, such as asthma, skin and lung problems. This series is about combating contaminated dust, exposure to radiation and the destruction of eco-systems in areas surrounding uranium mines and their respective dumping areas./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.revolve-magazine.com/home/2013/04/17/soweto-living-with-mine-waste/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagPhotography>Photography/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagClimate>Climate/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1639-2-2357/open-uri20130619-2-1jtfayt />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.revolve-magazine.com/home/2012/11/22/antwerp-ambiguous-city/>Antwerp: Ambiguous City/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>As one of the winners of the Photo Academy Awards 2012 Serge Maes talks to Revolve about his work on Antwerp, dubbed “Ambiguous City”. This project was initially thought to be a personal project, turning into an ongoing quest for urban aesthetic spontaneity. “I take pictures that I would like to see in someone else’s exhibition, photos that I would like to find in a bookstore.”./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.revolve-magazine.com/home/2012/11/22/antwerp-ambiguous-city/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagCities>Cities/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagInterviews>Interviews/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagPhotography>Photography/a>/div>/div>/li>li classcol-span-1 flex flex-col text-center bg-white rounded-lg shadow-lg divide-y divide-gray-200>div classflex-1 flex flex-col>img classw-full h-32 flex-shrink-0 mx-auto object-cover rounded-t-lg srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1612-2-1730/9-Dancing-the-sharp-edge..jpg />div classp-3 pt-0 h-44 overflow-hidden>h3 classmt-6 text-gray-900 text-sm font-medium line-clamp-3>a hrefhttp://www.revolve-magazine.com/home/2012/11/09/samira-hodae/>Samira Hodaei – Dancing the Sharp Edge/a>/h3>div classmt-1 text-gray-500 text-sm text-left line-clamp-4>Born in Teheran, Samira Hodaei captures the viewers’ eye by representing the role of women in contemporary and historical times. In the Dancing the Sharp Edge series, she portraits imageries of women dancing in twisted or bended positions, all equipped with knives. Samira mentions danger, which is represented by the knives as a ubiquitous and a constant threat to womanhood./div>/div>div classpy-1 px-3 text-gray-500 text-xs flex flex-row-reverse justify-between>a hrefhttp://www.revolve-magazine.com/home/2012/11/09/samira-hodae/>svg classh-6 w-6 fillnone strokecurrentColor stroke-width2 viewbox0 0 24 24 xmlnshttp://www.w3.org/2000/svg>path dM10 6H6a2 2 0 00-2 2v10a2 2 0 002 2h10a2 2 0 002-2v-4M14 4h6m0 0v6m0-6L10 14 stroke-linecapround stroke-linejoinround />/svg>/a>div>Revolve Magazine/div>/div>div classflex flex-nowrap gap-1 overflow-x-auto pl-1 py-2>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagArt>Art/a>a classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none href/?tagInterviews>Interviews/a>/div>/div>/li>/ul>/div>div classmax-w-5xl mx-auto px-4 sm:px-6 lg:px-8 mt-6>nav classborder-t border-gray-200 px-4 flex items-center justify-between sm:px-0>div class-mt-px w-0 flex-1 flex justify-end>a classborder-t-2 border-transparent pt-4 pl-1 inline-flex items-center text-sm font-medium text-gray-500 hover:text-gray-700 hover:border-gray-300 href/?page2>More storiessvg aria-hiddentrue classml-3 h-5 w-5 text-gray-400 fillcurrentColor viewbox0 0 20 20 xmlnshttp://www.w3.org/2000/svg>path clip-ruleevenodd dM12.293 5.293a1 1 0 011.414 0l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414-1.414L14.586 11H3a1 1 0 110-2h11.586l-2.293-2.293a1 1 0 010-1.414z fill-ruleevenodd />/svg>/a>/div>/nav>/div>/div>div classbg-white overflow-hidden mt-10>div classrelative max-w-7xl mx-auto py-16 px-4 sm:px-6 lg:px-8>div classhidden lg:block bg-gray-50 absolute top-0 bottom-0 w-screen left-3/4>/div>div classmx-auto text-base max-w-prose lg:grid lg:grid-cols-2 lg:gap-8 lg:max-w-none>div>h2 classtext-base text-sky-600 font-semibold tracking-wide uppercase>About/h2>h3 classmt-2 text-3xl leading-8 font-extrabold tracking-tight text-gray-900 sm:text-4xl>Laura Beltrán Villamizar/h3>div classflex gap-1 mt-2 styleflex-wrap: wrap>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>photography/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>languages/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>coffee making/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>killer team spirit/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>copywriting/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>social media/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>CMS/div>div classpx-2 py-1 text-slate-800 text-xs font-medium bg-sky-100 rounded-full flex-none>CSR/div>/div>/div>/div>div classmt-8 lg:grid lg:grid-cols-2 lg:gap-8>div classrelative lg:row-start-1 lg:col-start-2>svg aria-hiddentrue classhidden lg:block absolute top-0 right-0 -mt-20 -mr-20 fillnone height384 viewbox0 0 404 384 width404>defs>pattern height20 idde316486-4a29-4312-bdfc-fbce2132a2c1 patternunitsuserSpaceOnUse width20 x0 y0>rect classtext-gray-200 fillcurrentColor height4 width4 x0 y0 />/pattern>/defs>rect fillurl(#de316486-4a29-4312-bdfc-fbce2132a2c1) height384 width404 />/svg>div classrelative text-base mx-auto max-w-prose lg:max-w-none>figure>img classrounded-lg shadow-lg object-cover object-center srchttps://pressfolios-production.s3.amazonaws.com/uploads/20130619-1601-2-2307/open-uri20130619-2-1dj8f1y />/figure>/div>/div>div classmt-8 lg:mt-0>div classmt-5 prose prose-sky text-gray-500 mx-auto lg:max-w-none lg:row-start-1 lg:col-start-1>p>Bogotá born, bred in The Hague, Buenos Aires, Brussels and Berlin, now conquering Amsterdam./p>p>I have been trained to evolve into multimedia journalism. Im a visual journalist who knows how to tell stories with narrative punch and nuance. Excellent narrative needs outstanding word, image and sound: three things I am passionate about. /p>p>I’m a constant explorer of the transformation of the media landscape. Which is why use the tools of my generation and the next one to engage people in all levels: the adaptability of online journalism, the amazing progress in design and innovation as well as the engaging role of social networking./p>p>I allow for serendipity, always./p>/div>/div>/div>/div>/div>/body>/html>
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2024-09-09
216.24.57.252
clementburge.pressfolios.com
2015-04-01
50.17.180.17
disulahe.pressfolios.com
2015-04-01
50.17.180.17
biespyzbarfie.pressfolios.com
2015-04-01
50.17.180.17
nanhie.pressfolios.com
2024-10-21
216.24.57.252
heathertuggle.pressfolios.com
2024-10-16
216.24.57.4
tonyecole.pressfolios.com
2015-04-01
50.17.180.17
www.shelleylittle.pressfolios.com
2025-01-10
216.24.57.252
katetuttle.pressfolios.com
2024-09-12
216.24.57.4
tanextcine.pressfolios.com
2015-04-01
50.17.180.17
katerope.pressfolios.com
2021-02-20
54.243.101.144
didilore.pressfolios.com
2015-04-01
50.17.180.17
madisonmaemoore.pressfolios.com
2024-09-28
216.24.57.252
cuicrosbalte.pressfolios.com
2015-04-01
50.17.180.17
davidalove.pressfolios.com
2024-09-23
216.24.57.4
lisatsering.pressfolios.com
2024-08-23
216.24.57.252
rhoneshabyng.pressfolios.com
2024-09-12
216.24.57.4
anetagrinberg.pressfolios.com
2024-09-16
216.24.57.252
petermeredith.pressfolios.com
2024-08-24
216.24.57.252
reattisuventh.pressfolios.com
2015-04-01
50.17.180.17
diannabai.pressfolios.com
2024-11-19
216.24.57.4
alelerchi.pressfolios.com
2015-04-01
50.17.180.17
claireberlinski.pressfolios.com
2024-09-02
216.24.57.252
mosmodimi.pressfolios.com
2015-04-01
50.17.180.17
youcefdahmani.pressfolios.com
2024-11-08
216.24.57.252
elizabethchoi.pressfolios.com
2024-09-17
216.24.57.252
amybizzarri.pressfolios.com
2024-09-13
216.24.57.252
recwanostri.pressfolios.com
2015-04-01
50.17.180.17
reidell.pressfolios.com
2021-02-18
54.197.239.129
clairemcneill.pressfolios.com
2024-09-28
216.24.57.4
billbarol.pressfolios.com
2021-02-20
23.21.204.8
bendavol.pressfolios.com
2024-11-26
216.24.57.252
wheretobuystallionxl.pressfolios.com
2024-09-06
216.24.57.252
lipcosetttram.pressfolios.com
2015-04-01
50.17.180.17
wildmiddtwitam.pressfolios.com
2015-04-01
50.17.180.17
estherkim.pressfolios.com
2024-08-03
216.24.57.4
qdepim.pressfolios.com
2024-09-12
216.24.57.4
dealershipperformancecrm.pressfolios.com
2024-09-12
216.24.57.4
artemism.pressfolios.com
2024-09-12
216.24.57.252
catireban.pressfolios.com
2015-04-01
50.17.180.17
reachdean.pressfolios.com
2024-09-11
216.24.57.4
susanharlan.pressfolios.com
2024-09-12
216.24.57.4
jordynholman.pressfolios.com
2024-10-21
216.24.57.4
sophiedoran.pressfolios.com
2024-09-12
216.24.57.252
cassieneiden.pressfolios.com
2024-09-20
216.24.57.4
anthemelen.pressfolios.com
2015-04-01
50.17.180.17
mylesdannhausen.pressfolios.com
2024-09-14
216.24.57.252
emmadibdin.pressfolios.com
2024-09-12
216.24.57.4
nionemeakin.pressfolios.com
2024-09-28
216.24.57.252
whitneypipkin.pressfolios.com
2025-01-01
216.24.57.252
rachellorin.pressfolios.com
2021-02-26
54.197.239.129
judithglynn.pressfolios.com
2024-09-04
216.24.57.252
stalchibeacon.pressfolios.com
2015-04-01
50.17.180.17
taevision.pressfolios.com
2015-04-01
50.17.180.17
marcellagiron.pressfolios.com
2024-08-27
216.24.57.252
maryaknighton.pressfolios.com
2024-09-12
216.24.57.252
mattmcclearn.pressfolios.com
2024-12-24
216.24.57.4
aidenstrawhun.pressfolios.com
2024-09-12
216.24.57.252
rosalaurajunco.pressfolios.com
2024-10-21
216.24.57.4
antoniopapaleo.pressfolios.com
2024-11-01
216.24.57.252
angietoribio.pressfolios.com
2024-09-13
216.24.57.252
jessicabenko.pressfolios.com
2024-09-09
216.24.57.252
faikitemo.pressfolios.com
2015-04-01
50.17.180.17
laurengambino.pressfolios.com
2024-09-28
216.24.57.4
faskierelcomp.pressfolios.com
2015-04-01
50.17.180.17
nachtnirutsupp.pressfolios.com
2015-04-01
50.17.180.17
hq.pressfolios.com
2024-09-30
216.24.57.252
amrithramkumar.pressfolios.com
2024-10-08
216.24.57.4
beltranvillamizar.pressfolios.com
2025-01-10
216.24.57.4
www.leenatrivedigrenier.pressfolios.com
2024-09-16
216.24.57.252
hazelbecker.pressfolios.com
2024-10-24
216.24.57.4
sethfreedwessler.pressfolios.com
2021-02-18
23.21.204.8
bethsheapalmer.pressfolios.com
2024-10-18
216.24.57.252
evanhalper.pressfolios.com
2024-11-02
216.24.57.4
twintipoper.pressfolios.com
2015-04-01
50.17.180.17
verenatoepper.pressfolios.com
2024-12-02
216.24.57.4
anitahawser.pressfolios.com
2024-09-02
216.24.57.4
maryjowebster.pressfolios.com
2024-09-09
216.24.57.252
laurieulster.pressfolios.com
2024-11-08
216.24.57.252
jeremyafuster.pressfolios.com
2024-09-02
216.24.57.252
rebeccasauer.pressfolios.com
2024-09-12
216.24.57.4
gaylemavor.pressfolios.com
2024-12-15
216.24.57.252
gregthomas.pressfolios.com
2024-09-12
216.24.57.252
nolamjames.pressfolios.com
2024-09-11
216.24.57.4
meredithcummings.pressfolios.com
2024-09-11
216.24.57.252
thursflecunis.pressfolios.com
2015-04-01
50.17.180.17
ninamartyris.pressfolios.com
2021-02-21
54.243.101.144
undyingstars.pressfolios.com
2024-11-23
216.24.57.4
annaclairevollers.pressfolios.com
2021-02-20
54.243.101.144
catherinehwoodiwiss.pressfolios.com
2024-09-26
216.24.57.4
kimhcross.pressfolios.com
2024-10-21
216.24.57.252
dowcopowersports.pressfolios.com
2024-09-15
216.24.57.4
entromecwus.pressfolios.com
2015-04-01
50.17.180.17
theplumberguys.pressfolios.com
2024-09-21
216.24.57.4
smokzaycobbprat.pressfolios.com
2015-04-01
50.17.180.17
folkpoundbikit.pressfolios.com
2015-04-01
50.17.180.17
thernothiwit.pressfolios.com
2015-04-01
50.17.180.17
dallasdentist.pressfolios.com
2024-10-21
216.24.57.252
dunwoodychildrensdentist.pressfolios.com
2024-08-17
216.24.57.4
www.samanthabrett.pressfolios.com
2024-12-06
216.24.57.4
gusandnorlau.pressfolios.com
2015-04-01
50.17.180.17
benjaminw.pressfolios.com
2024-09-21
216.24.57.4
www.pressfolios.com
2024-08-16
216.24.57.252
leejamesmurray.pressfolios.com
2024-09-13
216.24.57.4
robinrockey.pressfolios.com
2025-01-10
216.24.57.252
nataliestanley.pressfolios.com
2024-10-21
216.24.57.4
thomasgounley.pressfolios.com
2021-02-25
54.243.101.144
simpledaytradingstrategy.pressfolios.com
2024-10-13
216.24.57.4
colleenleahy.pressfolios.com
2024-09-26
216.24.57.252
caninecompany.pressfolios.com
2024-09-30
216.24.57.4
patrickdmccoy.pressfolios.com
2024-10-16
216.24.57.4
nicjoy.pressfolios.com
2024-08-19
216.24.57.4
victorperez.pressfolios.com
2025-01-10
216.24.57.252
carmenekuntz.pressfolios.com
2024-11-27
216.24.57.252
lexybcruz.pressfolios.com
2024-09-12
216.24.57.4
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