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Date
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2019-07-23
74.220.215.84
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2024-07-13
67.20.76.235
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Port 80
HTTP/1.1 301 Moved PermanentlyDate: Sat, 13 Jul 2024 17:49:42 GMTServer: ApacheLocation: https://autonomousmemoryfront.org/Content-Length: 242Content-Type: text/html; charsetiso-8859-1 !DOCTYPE HTML PUBLIC -//IETF//DTD HTML 2.0//EN>html>head>title>301 Moved Permanently/title>/head>body>h1>Moved Permanently/h1>p>The document has moved a hrefhttps://autonomousmemoryfront.org/>here/a>./p>/body>/html>
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HTTP/1.1 200 OKDate: Sat, 13 Jul 2024 17:49:42 GMTServer: ApacheUpgrade: h2,h2cConnection: UpgradeLast-Modified: Sun, 02 Feb 2014 19:48:28 GMTAccept-Ranges: bytesContent-Length: 22259Vary: Accept-EncodingContent-Type: text/html !doctype html>!--if lt IE 7> html classno-js lt-ie9 lt-ie8 lt-ie7 langen> !endif-->!--if IE 7> html classno-js lt-ie9 lt-ie8 langen> !endif-->!--if IE 8> html classno-js lt-ie9 langen> !endif-->html classno-js langen> head> meta charsetutf-8> meta http-equivX-UA-Compatible contentIEedge,chrome1> title>Reverberate/title> meta namedescription content> meta nameviewport contentwidthdevice-width>style> #bgimage { width:100%; min-height:500px; display:block; padding:10px 10px 10px 10px; background: #ffffff; } #bgimage0 { width:100%; min-height:900px; display:block; background-image: url(reverb2.gif); background-size:cover; background-repeat:no-repeat; } #bgimage1 { width:100%; min-height:500px; display:block; color:#ffffff; padding:10px 10px 10px 10px; background:#182178; } #bgimage2 { width:100%; min-height:500px; display:block; color:#ffffff; padding:10px 10px 10px 10px; background-image: url(blueletter.gif); background-size:cover; background-repeat:no-repeat; } #bgimage3 { width:100%; min-height:500px; display:block; color:#ffffff; padding:10px 10px 10px 10px; background:#353e94; } #bgimage4 { width:100%; min-height:500px; display:block; color:#ffffff; padding:10px 10px 10px 10px; background-image: url(inthemargins2.gif); background-size:cover; background-repeat:no-repeat; } #bgimage5 { width:100%; min-height:500px; display:block; color:#ffffff; padding:10px 10px 10px 10px; background:#a2a5c8; } #bgimage6 { width:100%; min-height:800px; display:block; color:#ffffff; padding:10px 10px 10px 10px; background-image: url(blur.gif); background-size:cover; background-repeat:no-repeat; } a:link { color:#bac0ff; text-decoration:none; } a:visited { color:#bac0ff; } a:hover { color:#353e94; } /style> link hrefhttp://fonts.googleapis.com/css?familySpecial+Elite relstylesheet typetext/css> script> window.brunch window.brunch || {}; /script> script> $(document).ready( function() { $(.subMenu).smint({ scrollSpeed : 1000 });}); /script> script languageJavaScript>function PlaySound(soundobj) { var thissounddocument.getElementById(soundobj); thissound.play();}function StopSound(soundobj) { var thissounddocument.getElementById(soundobj); thissound.pause(); thissound.currentTime 0;}function MM_popupMsg(msg) { //v1.0 alert(msg);}/script> link relstylesheet hrefcss/appX.css> script srcjs/vendor.js>/script> script srcjs/app.js >/script> style> body { font-family: Special Elite; } .main { font-family: Special Elite; }/style> /head> body classmain data-spyscroll data-targetnav data-offset70> div idwrapper> div idcontainer classcontainer> div idhome classslide data slide-1 > div idbgimage>br> p>Few of us disclose what happened.br>br>For those of us who do, we often wait years -- decades -- to speak out. It took me 25 years. br>br>I was the 1 in 10.br>br>I was alone, surrounded by a hypothetical group of nine people, who were somehow unaffected. br>br>As a woman I am less distinct. I was alone in the company of three. I was only one of four. Those are official statistics, but I might as well be one of, or maybe one in, a Gazillion. Its hard to know. br>br>I didnt want to be alone, but its a hard truth to want to share. So for years I let myself be just one.br>br> This kind of measuring hides our stories.br>It leaves our communities undefined. It ignores the impact of childhood sexual abuse on our family and friends.br>br>But disclosure does not have to be a static isolating moment if we embrace the unpredictable potential of trauma to catalyze healing, connection and resistance. /p>br/>/div> /div> /div>!-- slide1 --> header classmain header bar top> nav classnavbar> ul classnav navbar> li>a href#home>Home/a>/li> li>a href#instinct>Instinct/a>/li> li>a href#archive>Archive/a>/li> li>a href#contribute>Contribute/a>/li> li>a href#myEntries>My Entries/a>/li> li>a href#resources>Resources/a>/li> li>a href#experience>Experience/a>/li> li>a href#theFront>The Front/a>/li> /ul> /nav> /header> div idbgimage0> div idinstinct classslide slide-7 talk> /div> /div> div idbgimage1>!-- slide 7 --> div idarchive classslide slide-8 read > br/> h2>The Autonomous Memory Project/h2> p>is a collective archive of individual responses to childhood sexual abuse. The archive takes recordings of our thoughts and plays them back reassembled as a collage of voices./p> p>It refuses to let trauma reside alone in the abused body. It gives us a way to hear how violence reverberates and how resilience echoes through us all./p> p>Each word submitted to the archive helps illustrate the pervasive impact of childhood sexual abuse on survivors and their communities; the acute need to do something about this epidemic; and the power we have to overcome sexual violence as a collective force./p> p>This archive is the result of a lengthy creative and collaborative process that helped me to finally confront the gymnastics coach who was my abuser./p> p>The first entries into the archive are mine, but it is not my voice alone. Starting on October 10, 2010 I began recording conversations with my dad for an assignment in my MFA program asking me to evoke being haunted. I used the project to turn the presence of trauma in my life into something I could actively and collaboratively engage with as opposed to something that was happening to me alone./p> p>Im offering this archive as a tool to help us all move through loneliness, pain, guilt or whatever youre feeling and get somewhere together./p>br/> /div>/div> div idbgimage2> !-- slide 8 --> div idcontribute classslide slide-9 act> br/> h2>Call the automated hotline to contribute:br>518-314-9675/h2> p>Do it because you want to help me with my art project. Or do it because youre ready to let it go. Your words will become collective, but your intention is all your own. Even if you dont call I hope it helps knowing that its there./p> p>Who can submit?/p> p>Anybody. This affects us all./p> p>What happens to my submission?/p>p>Your message is transcribed by voice recognition software. As the archivist I listen to your submission and review the transcript to ensure the integrity of the message. Then your recording is broken down word-by-word and archived as individual audio files. Your submission is then automatically reassembled into what Im calling a reverberation using words spoken by other contributors. Well only hear your voice if youre the first person to submit that word to the archive. As the scope of the archive enhances the reverberations it produces will become more and more collective./p>p>What should I say?/p> p>Because trauma can be unspeakable and unrepresentable and because it is marked by forgetting and dissociation, it often seems to leave behind no records at all. It thus demands an unusual archive. - Ann Cvetkovich/p> p>So you could . . .br>*read something from a book or recite a poembr>*deposit a thought that needs a home outside your headbr>*speak something youve never said beforebr> *share a thought about this project . . ./p>p>Submission guidelines:/p>p>*Dont say “Hi Tennessee” or introduce yourself. Just start talking.br> *Dont say anything youre not ready for someone else to hear. br>Its ok if you need more time. br>* Call from a quiet place and speak slowly and clearly. br>*If the hotline cuts you off just call back. You can leave as many 3-minute submissions as you want. /p>p>Where can I access all thats being shared?/p>p>The reverberations will air in batches on collaborating radio stations accompanied by an explanation of the Autonomous Memory Project. They will also be part of physical installations of the archive, allowing visitors to more deeply explore the evolving nature of the reverberations over time and the opportunity to read a curated collection of the transcripts./p> br/>/div> /div> !-- slide 9 --> div idbgimage3> div idmyEntries classslide slide-10 join> br/> h1>First Recorded Moments of Disclosure/h1> p> img srccitationwaveform.png width600; height60; usemap#Map border0/>map nameMap idMap> area shaperect coords0,13,63,50 onmouseoverPlaySound(sound1) onmouseoutStopSound(sound1) />audio idsound1>source srcaudio/sound1.ogg typeaudio/ogg> source srcaudio/sound1.mp3 typeaudio/mpeg> area shaperect coords62,13,99,50 onmouseoverPlaySound(sound2) onmouseoutStopSound(sound2) />audio idsound2>source srcaudio/sound2.ogg typeaudio/ogg>source srcaudio/sound2.mp3 typeaudio/mpeg> area shaperect coords99,12,124,50 onmouseoverPlaySound(sound3) onmouseoutStopSound(sound3) />audio idsound3> source srcaudio/sound3.ogg typeaudio/ogg>source 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typeaudio/mpeg> area shaperect coords352,14,376,48 onmouseoverPlaySound(sound14) onmouseoutStopSound(sound14) />audio idsound14> source srcaudio/sound14.ogg typeaudio/ogg>source srcaudio/sound14.mp3 typeaudio/mpeg> area shaperect coords375,14,399,48 onmouseoverPlaySound(sound15) onmouseoutStopSound(sound15) />audio idsound15> source srcaudio/sound15.ogg typeaudio/ogg>source srcaudio/sound15.mp3 typeaudio/mpeg> area shaperect coords398,14,424,48 onmouseoverPlaySound(sound16) onmouseoutStopSound(sound16) />audio idsound16> source srcaudio/sound16.ogg typeaudio/ogg>source srcaudio/sound16.mp3 typeaudio/mpeg> area shaperect coords424,13,448,50 onmouseoverPlaySound(sound17) onmouseoutStopSound(sound17) />audio idsound17> source srcaudio/sound17.ogg typeaudio/ogg>source srcaudio/sound17.mp3 typeaudio/mpeg> area shaperect coords447,17,474,50 onmouseoverPlaySound(sound18) onmouseoutStopSound(sound18) />audio idsound18> source srcaudio/sound18.ogg typeaudio/ogg>source srcaudio/sound18.mp3 typeaudio/mpeg> area shaperect coords473,16,490,50 onmouseoverPlaySound(sound19) onmouseoutStopSound(sound19) />audio idsound19> source srcaudio/sound19.ogg typeaudio/ogg>source srcaudio/sound19.mp3 typeaudio/mpeg> area shaperect coords489,16,510,50 onmouseoverPlaySound(sound20) onmouseoutStopSound(sound20) />audio idsound20> source srcaudio/sound20.ogg typeaudio/ogg>source srcaudio/sound20.mp3 typeaudio/mpeg> area shaperect coords510,16,522,50 onmouseoverPlaySound(sound21) onmouseoutStopSound(sound21) />audio idsound21> source srcaudio/sound21.ogg typeaudio/ogg>source srcaudio/sound21.mp3 typeaudio/mpeg> area shaperect coords521,15,538,50 onmouseoverPlaySound(sound22) onmouseoutStopSound(sound22) />audio idsound22> source srcaudio/sound22.ogg typeaudio/ogg>source srcaudio/sound22.mp3 typeaudio/mpeg> area shaperect coords538,15,551,49 onmouseoverPlaySound(sound23) onmouseoutStopSound(sound23) />audio idsound23> source srcaudio/sound23.ogg typeaudio/ogg>source srcaudio/sound23.mp3 typeaudio/mpeg> area shaperect coords550,16,600,48 onmouseoverPlaySound(sound24) onmouseoutStopSound(sound24) />audio idsound24> source srcaudio/sound24.ogg typeaudio/ogg>source srcaudio/sound24.mp3 typeaudio/mpeg> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /audio> /map> /p>p>9:34 pm 10/09/2010 until around 1:30 am 10/10/2010br>Conversation with my dad. After dinner in Scott Circle Park, Washington, DC.Driving in the car with my dad to where I used to do gymnastics in Virginia./p> p>12:00 pm 02/09/2013br>Pep talk with my friend Sam in her truck outside the gym before going in.Conversation with the gymnastics instructor. At the gym. Virginia./p>p>11:00 am 02/22/2103br>Conversation with the gymnastics instructor. At the gym. Virginia./p>p>6:54 am until around 11:00 am 09/27/2013br>Conversation with my dad walking around and eating breakfast. Portland, Maine/p>br/> /div> /div> !-- slide 10 --> div idbgimage4> div idresources classslide slide-11 donate> br/> h2>Catalysts and Solace:/h2> p>a hrefhttp://www.safehorizon.org/index/get-help-8/for-child-abuse-38/child-advocacy-centers-6.html>Child Advocacy Centers/a>, provide support, prevent violence, and promote justice for victims of crime and abuse, their families, and communities./p>p>Chun, Wendy. a hrefhttps://muse.jhu.edu/journals/differences/v011/11.1chun.html>Unbearable Witness: Toward a Politics of Listening./a> Ed. Nancy K. Miller and Jason Daniel. Tougaw. em>Extremities: Trauma, Testimony, and Community/em>. Urbana: University of Illinois, 2002. Print. /p>p>a hrefhttp://www.anncvetkovich.com/>Cvetkovich, Ann./a> An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures. Durham, NC: Duke UP, 2003. Print. /p> p>a hrefhttp://www.generationfive.org/>Generation Five/a>, a movement to end child sexual abuse in five generations through survivor leadership, community organization and public action./p>p>a hrefhttp://connects.catalyst.harvard.edu/Profiles/display/Person/58637>Herman, Judith./a> “Justice from the Victim’s Perspective.” em>Violence Against Women, /em>11: 571-602. 2005. /p>p>Lorde, Audre. A Litany for Survival, in The Black Unicorn. New York: W.W. Norton, 1978. By way of a hrefhttp://brokenbeautiful.wordpress.com/>BrokenBeautiful Press/a>/p>p>a hrefhttp://www.dianeramos.com/>Ramos, Diane./a> em>Aftermath. /em>2008. 16 11x14 Silver Gelatin Prints./p>p>Shaykh, Hanān. em>One Thousand and One Nights: A Sparkling Retelling of the Beloved Classic/em>. New York: Pantheon, 2011. Print. /p>p>Speak Out Portion of a hrefhttp://takebackthenight.org/>Take Back the Night/a>, March 2000, Colby College, Waterville, ME. /p>p>Woolf, Virginia, and Jeanne Schulkind. Moments of Being. San Diego: Harcourt Brace Jovanovich, 1985. Print./p>br/>/div> /div> !-- slide 11 --> div idbgimage5> div idexperience classslide slide-12 rsvp> br/> h2>Hear the Reverberation/h2> p>Tune into these radio stations:br>February 20, 2014 8 pm Resonance 104.4fm London, UK/p> p>iframe src//player.vimeo.com/video/85274998 width500 height281 frameborder0 webkitallowfullscreen mozallowfullscreen allowfullscreen>/iframe>/p>br/> /div> /div> !-- slide 12 --> div idbgimage6> div idtheFront classslide slide-13 apply> br/> h2>Who is The Autonomous Memory Front?/h2> p>Dreamed up by a hrefmailto:tennessee.watson@gmsil.com?SubjectAutonomousMemoryFront%20again target_new>Tennessee Watson/a>/p>p>in collaboration with:br> Yeshe Parks--software designbr>Kate Ryan--emotional/theoretical strategybr>Sam Malone--reconnaissancebr>Bill Watson--copy edits/p> br/>p>Thanks to a hrefhttp://bfamfaphd.com target_new>bfamfaphd.com/a> and a hrefhttp://erinremick.com/ target_new>Evan Remick/a> for design inspiration, to a hrefhttp://graysonearle.com/ target_new>Grayson Earle/a> for hosting the site and to a hrefhttp://jessiereyes.net target_new>Jessie Reyes/a>br>for sharing your technical expertise./p> p>*Thesis for Integrated Media Arts MFA, Hunter College, 2013*br>My sincere gratitude goes to my advisors Marty Lucas, Rachel Stevens and Ros Petchesky; to the program director Andrew Lund; to the Program Coordinator Gayathri Iyer; and to Jonny Farrow, Ricardo Miranda, Sha Sha Feng, and Dean Moss, in whose classes I was able to shape the practice of embracing trauma./p>/div>/div> /div> /body>/html>
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