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Domain > autodiscover.andystatman.org
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2024-12-27
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HTTP/1.1 200 date: Fri, 27 Dec 2024 13:15:54 GMTcontent-type: text/htmltransfer-encoding: chunkedvary: Accept-Encodingserver: Apachex-provided-by: StackCDNlast-modified: Thu, 13 Feb 2020 18:23:55 GMTetag: W/babd-59e79311144c0vary: Accept-Encodingx-origin-cache-status: MISSx-cdn-cache-status: MISSx-via: SEA1 !DOCTYPE html>html prefixog: http://ogp.me/ns#>head>meta charsetUTF-8>title>The Andy Statman Trio/title>meta namereferrer contentorigin-when-cross-origin>link relcanonical hrefhttp://www.AndyStatman.org/>meta nametwitter:card contentsummary>meta propertyog:title contentThe Andy Statman Trio>meta propertyog:type contentwebsite>meta propertyog:url contenthttp://www.AndyStatman.org/>meta nameviewport contentwidth960>style>.anim{visibility:hidden}/style>style>body{-webkit-text-size-adjust:none}@font-face{font-family:Lato;src:url(css/Lato-Hairline.woff2) format(woff2),url(css/Lato-Hairline.woff) format(woff);font-weight:100}@font-face{font-family:Lato;src:url(css/Lato-Black.woff2) 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(min-width:960px) {.fx2{background-image:url(images/andy_statman_trio0214-1200.jpg);background-attachment:fixed}}@media (min-width:1200px) {.fx2{background-image:url(images/andy_statman_trio0214-1600.jpg);background-attachment:fixed}}@media (min-width:1600px) {.fx2{background-image:url(images/andy_statman_trio0214-2000.jpg);background-attachment:fixed}}/style>script>(function(i,s,o,g,r,a,m){iGoogleAnalyticsObjectr;irir||function(){(ir.qir.q||).push(arguments)},ir.l1*new Date();as.createElement(o),ms.getElementsByTagName(o)0;a.async1;a.srcg;m.parentNode.insertBefore(a,m)})(window,document,script,//www.google-analytics.com/analytics.js,ga);ga(create,,auto);ga(set,forceSSL,true);ga(send,pageview);/script>link asstyle onloadthis.onloadnull;this.relstylesheet relpreload hrefcss/site.20200213132348.css>noscript>link relstylesheet hrefcss/site.20200213132348.css>/noscript>!--if lte IE 7>link relstylesheet hrefcss/site.20200213132348-lteIE7.css typetext/css>!endif-->!--if lte IE 8>link relstylesheet hrefcss/site.20200213132348-lteIE8.css typetext/css>!endif-->!--if gte IE 9>link relstylesheet hrefcss/site.20200213132348-gteIE9.css typetext/css>!endif-->script>!function(t){var e!1;try{et.document.createElement(link).relList.supports(preload)}catch(t){}if(!e)for(var nt.document.getElementsByTagName(link),a0;an.length;a++){var ona;preloado.rel&&styleo.getAttribute(as)&&function(t){function e(){if(!t.getAttribute(data-l)){t.setAttribute(data-l,!0),t.addEventListener?t.removeEventListener(load,e):t.attachEvent&&t.detachEvent(onload,e),t.setAttribute(onload,null),t.mediaall;var nwindow.location.hash;n.length>1&&setTimeout(function(){var tdocument.querySelectorAll(name+n.slice(1)+)0,e0;if(t.offsetParent)do{e+t.offsetTop}while(tt.offsetParent);window.scrollTo(0,e)},100)}}t.addEventListener?t.addEventListener(load,e):t.attachEvent&&t.attachEvent(onload,e),setTimeout(function(){t.relstylesheet,t.medianl x}),setTimeout(e,3e3)}(o)}}(this);/script>/head>body idb>div classv7 ps70 s79 c56>div classfbk c57 s80 fx2 data-fbkfx2>/div>div classps71 v8 s81>div classv7 ps72 s82 c58>div classv7 ps73 s83 w2>div classanim zoomIn js v7 ps74 s84 c59>h1 classp5 f41>ANDY span classf42>S/span>span classf43>TATMAN/span>/h1>h1 classp5 f44>THE ANDY STATMAN TRIO/h1>h1 classp5 f45>JIM WHITNEY LARRY EAGLE/h1>/div>div classv7 ps75 s85 c60>/div>/div>div classv7 ps76 s86 c61>a href#listen classf46 btn2 v9 s87>RECORDINGS/a>/div>div classv7 ps77 s88 c62>a href#about classf47 btn3 v9 s89>ABOUT/a>/div>div classv7 ps78 s90 w2>div classanim slideInRight js2 v10 ps79 s91 c63>p classp6 f48>“span classf49>S/span>tatman is the real thing - /p>p classp6 f48>a musician’s musician”/p>p classp6 f50>the new yorker/p>p classp6 f50>br>/p>p classp6 f48>“span classf49>M/span>odern span classf49>A/span>merican music with /p>p classp6 f48>ancient mysteries at the core...”/p>p classp6 f50>the new york times/p>p classp6 f50>br>/p>p classp6 f48>“span classf49>A/span>ndy’s music is not bound by denominations, but is a beautiful sound full of heat, heart and /p>p classp6 f48>a love of god...”/p>p classp6 f50>rolling stone/p>p classp6 f50>br>/p>p classp6 f48>“span classf49>I/span>n span classf49>S/span>tatman’s versatile hands is a music that’s full of surprises, sophisticated and completely accessible at once”/p>p classp6 f50>the new york daily news/p>/div>div classv7 ps80 s92 c58>div classv7 ps79 s93 w2>div classv7 ps79 s94 c64>a href#quotes classf46 btn4 v9 s95>QUOTESbr>/a>/div>div classv7 ps81 s96 c65>a href#video classf51 btn5 v9 s95>VIDEO/a>/div>/div>div classv7 ps79 s93 w2>div classv7 ps79 s94 c66>a href#contact classf52 btn6 v9 s95>IN CONCERT/a>/div>div classv7 ps82 s94 c67>a href#contact classf46 btn6 v9 s95>CONTACTbr>/a>/div>/div>/div>/div>div classv7 ps83 s97 c68>/div>/div>/div>/div>div classps84 v8 s98>div classv7 ps85 s99 c69>/div>a nameabout classv7 ps86 s100>/a>div classv7 ps87 s101 c58>div classv7 ps79 s102 w2>div classanim slideInRight js3 v7 ps79 s103 c70>p classp7 f53>about/p>/div>div classv ps s c>div classv ps2 s w>div classv ps2 s2 c>div classv ps2 s2 w>div classv ps2 s2 c2>/div>div classv ps3 s3 c3>/div>/div>/div>div classjs4 v ps4 s4 c4 ga>div classslider>div>a hrefimages/andy_statman_trio0199-1200.jpg classa js18>picture classs5>source srcsetimages/andy_statman_trio0199-340-1.jpg 1x, images/andy_statman_trio0199-680-1.jpg 2x>img classslide0 srcimages/andy_statman_trio0199-340-1.jpg>/picture>/a>/div>div>a hrefimages/andy_statman_trio0217-1200.jpg classa js19>picture classs5>source data-srcsetimages/andy_statman_trio0217-340-1.jpg 1x, images/andy_statman_trio0217-680-1.jpg 2x>img classslide1 data-srcimages/andy_statman_trio0217-340-1.jpg>/picture>/a>/div>div>a hrefimages/andy_statman_trio0142-1800.jpg classa js20>picture classs5>source data-srcsetimages/andy_statman_trio0142-340-1.jpg 1x, images/andy_statman_trio0142-680-1.jpg 2x>img classslide2 data-srcimages/andy_statman_trio0142-340-1.jpg>/picture>/a>/div>div>a hrefimages/andy_statman_trio0310-1200.jpg classa js21>picture classs5>source data-srcsetimages/andy_statman_trio0310-340-1.jpg 1x, images/andy_statman_trio0310-680-1.jpg 2x>img classslide3 data-srcimages/andy_statman_trio0310-340-1.jpg>/picture>/a>/div>div>a hrefimages/unadjustednonraw_thumb_c05d-768.jpg classa js22>picture classs5>source data-srcsetimages/unadjustednonraw_thumb_c05d-340-1.jpg 1x, images/unadjustednonraw_thumb_c05d-680-1.jpg 2x>img classslide4 data-srcimages/unadjustednonraw_thumb_c05d-340-1.jpg>/picture>/a>/div>div>a hrefimages/unadjustednonraw_thumb_79ba-768.jpg classa js23>picture classs5>source data-srcsetimages/unadjustednonraw_thumb_79ba-340-1.jpg 1x, images/unadjustednonraw_thumb_79ba-680-1.jpg 2x>img classslide5 data-srcimages/unadjustednonraw_thumb_79ba-340-1.jpg>/picture>/a>/div>/div>/div>/div>/div>div classv ps5 s6 c>div classv ps2 s6 w>div classanim fadeIn js5 v ps6 s7 c5>p classp f>“There are those who know span classf2>Andy Statman /span>as the virtuoso klezmer clarinetist - violinist span classf2>Itzhak Perlman/span>, for instance, who chose Statman to lead his klezmer album. There are those who know span classf2>Andy Statman/span> as the down-home mandolin player with a stack of straight-up bluegrass albums to his credit. In Statmans versatile hands is a music thats full of surprises, sophisticated and completely accessible at once." /p>p classp2 f3>The New York Daily News/p>/div>div classv ps7 s8 c6>/div>/div>/div>/div>div classshape anim slideInRight js6 v2 ps8 s9 c7>div classshm>/div>div classshm2>/div>div classshm3>/div>div classshm4>/div>p classp3 f4>the music/p>/div>div classanim slideInLeft js7 v ps9 s10 c8>p classp4 f5>recordings/p>/div>div classv ps10 s11 w>div classv ps11 s12 c9>a href# classf6 btn v3 s13>/a>/div>div classanim slideInRight js8 v4 ps12 s14 c10>p classp f7>Sound of His Soul/p>p classp f8>His virtuosity is legendary, his versatility stunning. /p>p classp f8>And as always, Andy Statmans roots are showing./p>p classp f9>adapted from Sara Eisen’s essay in the Jerusalem Report/p>p classp f10>br>/p>p classp f11>br>/p>p classp>span classf12>HAD THERE BEEN /span>span classf13>a planetarium in 19th-century Galicia, or a kosher deli in Depression-era Kentucky, Andy Statmans music might have been playing in the background. Meandering through time, geography and culture, the man and his inimitable hybrid sound move freely among the before, the after, and the present./span>/p>p classp f13>br>/p>p classp f13>Andy Statman, one of his generations premier mandolinists and clarinetists, thinks of his compositions and performances as "spontaneous/p>p classp f13>American-roots music and personal, prayerful hasidic music, by way of avant-garde jazz." This modest man takes for granted that a performer/p>p classp f13>might embody several worlds in his art, and seems humbled by the fact that his music, like his story, is extraordinary./p>p classp f13>br>/p>p classp f13>Andys musical journey began early, when he was a child in Queens, not far from his current home in Flatbush, Brooklyn. Born into a family with a long line of cantors and some well-known professional musicians in the family tree, Andy grew up singing hasidic melodies in the afternoon Jewish school his parents sent him to, and listening to show tunes, klezmer, and classics - along with every other variety of music playing within earshot./p>p classp f13>br>/p>p classp f13>Indeed, young Andy had ravenous ears, absorbing the early sounds of rock and roll and the beginnings of the folk revival. But after his brother brought home a vintage record by Lester Flatt and Earl Scruggs, Andy became obsessed with bluegrass, which he would tune into via shortwave radio from West Virginia. He sent away for a method booklet, and picked up the guitar and banjo on his own. Eventually he would discover his love for the mandolin. (scroll for more)/p>p classp f13>br>/p>p classp f13>In 1965, Andy found mandolin master David Grisman, in a Greenwich Village teeming with young musicians at the heart of the resurgence of folk culture, and asked him for lessons. David, with whom Andy would record and coproduce "Songs of Our Fathers" 30 years later, says that Andy was the best student he ever had. "The kid just gobbled up everything," says David, himself a Grammy-nominated bluegrass-folkjazz musician. "I always tell people that if the only thing I ever did was give Andy his first mandolin lesson, it would have been a life well spent." Andys virtuosity and passion led him into the progressive bluegrass band Breakfast Special, and into the company, as a session man, of folk superhero Bob Dylan and other celebrated performers such as folkie David Bromberg, bluegrass fiddler Vassar Clements, and roots-rock musician Jerry Garcia./p>p classp f13>br>/p>p classp f13>br>/p>p classp f13>"Im very lucky," says Andy. "The guys Ive studied with have treated me as an apprentice in the Old World sense. Im probably from the last generation that had a chance to learn from the greats."/p>p classp f13>br>/p>p classp f13>In fact, his next significant mentorship after Grisman, with little-known jazz-saxophone virtuoso Richard Grando, turned out to be life-changing. Feeling a tug away from bluegrass during his late teens, Andy found himself compelled to master the saxophone, stirred by John Coltrane and the experimental jazz happening at the time. But his first lesson, as he tells it, was actually a discussion, one about whether or not God exists. Grando was something of a renaissance man, as interested in spirituality, anthropology and psychology as he was in music. Andys zest for learning did not stop at his ears; he started soaking up Native American mysticism, the I Ching, and Jungs theories on synchronicity and the "miracles in coincidence." Musically, Andy was attracted to all things ethnic, in addition to jazz. In the spirit of Jung, his was a kind of quest for what the collective unconscious might sound like./p>p classp f13>br>/p>p classp f13>Thats when lightning struck: "I realized that I was born a Jew," says Andy, "and that it wasnt by accident. I needed to find my own spirituality in my music, and in my life my own roots, not someone elses."/p>p classp f13>br>/p>p classp f13>Andys search for his heritage progressed slowly, met by small, incremental changes in his everyday practice - the laying of tefillin, a prayer service here, a traditional Sabbath there. And there were those nigunim from his childhood. It all made Andy wonder: Why was no one playing (professionally, at least) the instrumental music to accompany this living hasidic tradition? Whatever happened to that great Old World Jewish music he had heard as a boy? He took it as a personal challenge to unearth this musical tradition, what we now call klezmer. This would ultimately help him unearth his own roots./p>p classp f13>br>/p>p classp f13>True to character, the young apprentice, now in his early 20s, set off to seek another master. The mentor he found was no less than master klezmer clarinetist Dave Tarras, "the most successful immigrant-era Yiddish musician," in the words of music writer Seth Rogovoy./p>p classp f13>br>/p>p classp f13>While Andy Statman the musician was playing the clarinet, Andy Statman the Jew was discovering his history, rejoicing in the sound and the feel of being a person with a rich ancestral past. He felt revived - as did Tarras - who himself was rediscovered and recorded once again. Tarras (who died in 1989) bequeathed his clarinets to Andy, his greatest protégé - and made him the next link in the chain. Hence Andy became known primarily as one of the key klezmer revivalists of the 70s and early 80s, among the musicians who launched a great wave to reclaim the music of the Old World./p>p classp f13>br>/p>p classp f13>To Andy, klezmer music ultimately became more than reclaiming cultural roots. It was about ecstatic devotion and recreating transcendent prayer, the Baal Shem Tov - which he was engaging in more regularly as he grew closer to Orthodox life. David Grisman, who is himself Jewish, notes that "it was the music that led Andy into observance. And then he got deeper into the music by going deeper into its source." In fact, Andy says that he began to see klezmer as a living form of music mostly in the context of a religious life. But the irony here is rich: Once he fully embraced religion - today he lives as a conspicuously devout modern Orthodox hasid (white shirt, black pants and velvet yarmulke) - he no longer felt the need to play klezmer music. By the time his roots were both deeply planted and fully exposed, Andy pulled back toward jazz and its exploration of contemplative, wandering, deep-space spirituality./p>p classp f14>br>/p>p classp f13>br>/p>p classp f13>Since his divergence from mainstream klezmer in the mid-90s, Andys journey has taken him, once again, to new places hes somehow been before. Hes recorded a number of traditional Jewish-inspired albums, including "Songs of Our Fathers" with David Grisman, who says that the emotional Jewish connection he feels with Andy ("my rabbi") is as strong as the bond he feels with him musically. In addition, there is his classical klezmer sensation "In the Fiddlers House", which he recorded with Itzhak Perlman in 1996. He has also produced more bluegrass inspired work, including the acclaimed "Andys Ramble" in 1994./p>p classp f13>br>/p>p classp f13>Its a journey Andy says he now revisits with his trio each time they perform: "Were creating an experience between the audience and us," with their unconstrained meditations on hasidic music and groove-driven explorations of American-roots music. His collaborators include bassist Jim Whitney and percussionist Larry Eagle. They perform frequently at the Charles Street Synagogue, in the West Village. "At a certain point, were just talking, just having a three-way conversation." /p>p classp f13>br>/p>p classp f15>br>/p>p classp f13>This "conversation" changes each time they take the stage, with no melody sounding quite the same as it did before. A totally unselfconscious performer, Andy Statman leaves audiences elated and at times mystified, having experienced a musical performance unlike any other./p>p classp f13>br>/p>p classp f13>Its unabashedly American music, Andy says, proud of his U.S. roots, and the spirit of individuality, creativity and compassion it embodies. Or its deeply religious hasidic prayer, intended to embrace his Jewish heritage, he explains in a soft voice. And its jazz, hed say, on its lonely search for the spirit of lost worlds. Its all of those things, because, although they may seem worlds apart, "They all come together in me. If youre in touch with your Judaism," Andy says, his voice cracking, "you experience things..." He is misty by now, and it is clear that this is a man who always speaks and plays from the very roots of his soul./p>/div>div classv ps13 s15 c11>p classp>span classf16>a hrefdownload/profile-new-2020-reduced5.pdf target_blank relnoopener>Download/a>/span>span classf17> our one page “Artist Profile”/span>/p>/div>div classv ps14 s16 c>div classshape2 anim slideInLeft js9 v2 ps15 s17 c12>div classshm5>/div>div classshm6>/div>div classshm7>/div>div classshm8>/div>p classp f18>listen/p>/div>a namelisten classv ps16 s18>/a>div classv ps17 s12 c13>a href# classf6 btn v3 s13>/a>/div>/div>/div>/div>/div>div classv ps18 s19 c14>div classfbk c15 s20 fx data-fbkfx>/div>div classps19 v5 s21>div classjs10 v ps20 s22 c16 ga>div classslider slider-nav stylez-index:1>div>picture classs31>source srcsetimages/thumb-518uufsw7bl-110.jpg 1x, images/thumb-518uufsw7bl-220.jpg 2x>img classslide0 srcimages/thumb-518uufsw7bl-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-71f2iwpydal-110.jpg 1x, images/thumb-71f2iwpydal-220.jpg 2x>img classslide1 data-srcimages/thumb-71f2iwpydal-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-61rm6bker3l-110.jpg 1x, images/thumb-61rm6bker3l-220.jpg 2x>img classslide2 data-srcimages/thumb-61rm6bker3l-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-51envlncjvl-110.jpg 1x, images/thumb-51envlncjvl-220.jpg 2x>img classslide3 data-srcimages/thumb-51envlncjvl-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-519ztff-s8l-110.jpg 1x, images/thumb-519ztff-s8l-220.jpg 2x>img classslide4 data-srcimages/thumb-519ztff-s8l-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-41smhoon-bl-110.jpg 1x, images/thumb-41smhoon-bl-220.jpg 2x>img classslide5 data-srcimages/thumb-41smhoon-bl-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-51eso-iggfl-110.jpg 1x, images/thumb-51eso-iggfl-220.jpg 2x>img classslide6 data-srcimages/thumb-51eso-iggfl-110.jpg>/picture>/div>/div>div classslider slider-for>div>a hrefhttps://amzn.to/2UKnu03 target_blank relnoopener classa>picture classs23>source srcsetimages/518uufsw7bl-650-1.jpg 1x, images/518uufsw7bl-1300-1.jpg 2x>img classslide0 srcimages/518uufsw7bl-650-1.jpg>/picture>/a>div classv4 ps21 s24 c>h1 classp f19>Our most recent recording on Shefa, this project is a tribute to the father of bluegrass music and features Andy’s original compositions. Here the trio is joined by special guests Michael Cleveland, Glenn Patscha, Michael Daves and others/h1>/div>/div>div>a hrefhttps://amzn.to/2UCnv6l target_blank relnoopener classa>picture classs23>source data-srcsetimages/71f2iwpydal-650-1.jpg 1x, images/71f2iwpydal-1300-1.jpg 2x>img classslide1 data-srcimages/71f2iwpydal-650-1.jpg>/picture>/a>div classv4 ps22 s25 c>h1 classp f20>a two-disc set of original and cover material featuring the trio with guests including Ricky Skaggs, Bela Fleck, Paul Shaffer, Byron Berline, actor John Goodman (and quite a few others)/h1>/div>/div>div>a hrefhttps://amzn.to/2HeLD7c target_blank relnoopener classa>picture classs23>source data-srcsetimages/61rm6bker3l-650-1.jpg 1x, images/61rm6bker3l-1300-1.jpg 2x>img classslide2 data-srcimages/61rm6bker3l-650-1.jpg>/picture>/a>div classv ps23 s26 c>h1 classp f21>A quartet album featuring interpretations /h1>h1 classp f21>of devotional and celebratory melodies closely associated with the Lubavitch Chassidim/h1>/div>/div>div>a hrefhttps://amzn.to/3boJvHI target_blank relnoopener classa>picture classs23>source data-srcsetimages/51envlncjvl-650-1.jpg 1x>img classslide3 data-srcimages/51envlncjvl-650-1.jpg>/picture>/a>div classv ps24 s27 c>h1 classp f22>a quintet recording featuring Andy, Jim, and Larry along with/h1>h1 classp f22>Tim O’Brien and /h1>h1 classp f22>Michael Cleveland/h1>/div>/div>div>a hrefhttps://amzn.to/3boJvHI target_blank relnoopener classa>picture classs23>source data-srcsetimages/519ztff-s8l-650-1.jpg 1x, images/519ztff-s8l-1300-1.jpg 2x>img classslide4 data-srcimages/519ztff-s8l-650-1.jpg>/picture>/a>div classv ps25 s28 c>h1 classp f23>This trio album of mandolin music includes our Grammy nominated version of Bill Monroe’s “Rawhide”/h1>/div>/div>div>a hrefhttps://amzn.to/2tKBCeD target_blank relnoopener classa>picture classs23>source data-srcsetimages/41smhoon-bl-650-1.jpg 1x, images/41smhoon-bl-1300-1.jpg 2x>img classslide5 data-srcimages/41smhoon-bl-650-1.jpg>/picture>/a>div classv ps26 s29 c17>h1 classp f24>An exciting, rare gem, this album was recorded live in concert for Radio Bremen in Germany/h1>/div>/div>div>a hrefhttps://amzn.to/38navWk target_blank relnoopener classa>picture classs23>source data-srcsetimages/51eso-iggfl-650-1.jpg 1x, images/51eso-iggfl-1300-1.jpg 2x>img classslide6 data-srcimages/51eso-iggfl-650-1.jpg>/picture>/a>div classv ps27 s30 c>h1 classp f25>A trio album of clarinet-based Jewish music, recorded almost entirely at Greenwich Village’s Charles Street/h1>h1 classp f25>Synagogue/h1>/div>/div>/div>/div>/div>/div>a namequotes classv ps28 s32>/a>div classps29 v6 s33>div classanim slideInLeft js11 v ps30 s34 c18>p classp f26>quotes/p>/div>/div>div classv ps31 s35 c19>div classps32 v6 s21>div classv ps2 s36 c>div classv ps2 s36 w>div classv ps2 s37 c>div classv ps2 s38 c20>/div>div classv ps33 s12 c21>a href# classf6 btn v3 s13>/a>/div>/div>div classv ps34 s39 c22>a hrefimages/les-pic-1417.jpg classa2 js24>picture classi2 js25>source data-srcsetimages/les-pic-960.jpg 1x, images/les-pic-1920.jpg 2x>img data-srcimages/les-pic-960.jpg alt classjs12 anim zoomIn i>/picture>/a>/div>/div>/div>/div>/div>div classps35 v6 s33>div classv ps36 s40 c>div classv ps2 s41 c23>a hrefimages/andy_statman_trio0196-1800.jpg classa2 js26>picture classi4>source srcsetimages/andy_statman_trio0196-250.jpg 1x, images/andy_statman_trio0196-500.jpg 2x>img srcimages/andy_statman_trio0196-250.jpg alt classjs13 i3>/picture>/a>/div>div classv4 ps37 s42 c24>p classp>span classf27>"/span>span classf28>One of the most influential musicians in modern acoustic music ... He helped invent the language of progressive bluegrass and went on to rediscover klezmer music and reintroduce it to the world." /span>/p>p classp f29>The Rocky Mountain Newsspan classf28> /span>/p>p classp f28>"A master of two idioms linked only by their demand for virtuosity and their down-home origins ... " /p>p classp f29>The New York Timesspan classf30> /span>/p>p classp f28>" ... One of the most important Jewish creative artists of the postwar era." /p>p classp f29>The Jerusalem Post/p>p classp f28>"Bill Monroe and John Coltrane poured into one person. .. He plays all those just great crazy jazz kind of licks, but with the heart and fire of Bill Monroe ... I dont know anyone else that approaches the mandolin the way he does." /p>p classp f29>Ricky Skaggs, NPR/p>p classp f28>"One of the greatest mandolinists of this - or any - era ... He thinks at the speed of light and can play whatever he thinks of. As an improviser, he is fearless, and his musical vocabulary has no limitations." /p>p classp f29>Chicago Tribune/p>/div>/div>/div>div classv ps32 s43 c25>div classps32 v6 s21>div classjs14 v ps2 s44 c26 ga>div classslider>div>picture classs45>source srcsetimages/trio-joes-pub-960.jpg 1x, images/trio-joes-pub-1920.jpg 2x>img classslide0 srcimages/trio-joes-pub-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/andy-joes-pub2-960.jpg 1x, images/andy-joes-pub2-1920.jpg 2x>img classslide1 data-srcimages/andy-joes-pub2-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/mando-shul2-960.jpg 1x, images/mando-shul2-1920.jpg 2x>img classslide2 data-srcimages/mando-shul2-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/jim-shul2-960.jpg 1x, images/jim-shul2-1920.jpg 2x>img classslide3 data-srcimages/jim-shul2-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/lpe-shul-960.jpg 1x, images/lpe-shul-1920.jpg 2x>img classslide4 data-srcimages/lpe-shul-960.jpg>/picture>/div>/div>/div>/div>/div>div classps38 v6 s33>div classv ps39 s46 c>div classanim slideInLeft js15 v ps2 s10 c27>p classp f5>video/p>/div>a namevideo classv ps40 s47>/a>div classv ps41 s48 c28>iframe srchttps://www.youtube.com/embed/dRneFzWOCRs?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd>/iframe>/div>div classv ps42 s12 c29>a href# classf6 btn v3 s13>/a>/div>/div>/div>div classv ps43 s49 c30>/div>div classps44 v6 s33>div classv ps36 s50 c>div classv ps2 s51 c31>div classc32 s20>/div>div classv ps45 s52 c33>p classp f31>In December of 2019 we celebrated the 20th anniversary of our residency at the Charles Street Synagogue in NYC’s Greenwich Village. The concert included music from devotional Jewish melodies to traditional bluegrass to interpretations of Andy’s original compositions for clarinet and mandolin./p>p classp f31>br>/p>p classp f31>Here’s a small taste of the music we performed that day, including a rousing sendoff featuring guest performers span classf32>a hrefhttp://www.tonytrischka.com target_blank relnoopener>Tony Trischka/a>/span>, span classf32>a hrefhttp://michaeldaves.com target_blank relnoopener>Michael Daves/a>/span>, span classf32>a hrefhttp://www.cynthiasayer.com target_blank relnoopener>Cynthia Sayer/a>/span>, span classf32>a hrefhttp://www.alexhargreaves.net target_blank relnoopener>Alex Hargreaves/a>/span> and Charlie Giordano /p>p classp f31>(span classf32>a hrefhttps://westerncaravan2.com target_blank relnoopener>Western Caravan/a>/span>’s “Thirsty Dave” Hansen joined us earlier as well)./p>p classp f31>br>/p>p classp f31>br>/p>p classp f31>Music recorded and mixed by Ed Haber/p>p classp f31>br>/p>p classp f31>br>/p>p classp f31>br>/p>p classp f31>many recent video clips on span classf32>a hrefhttps://www.facebook.com/The.Andy.Statman.Trio/ target_blank relnoopener>our Facebook page/a>/span>/p>p classp f31>and on span classf32>a hrefhttps://www.youtube.com/channel/UClsfwSSNxQbAHRayW0_DsUw target_blank relnoopener>our YouTube channel/a>/span>/p>/div>/div>div classv ps46 s53 w>div classv ps2 s54 c34>iframe srchttps://www.youtube.com/embed/U-Wm8_4bAg4?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd2>/iframe>/div>div classv ps47 s55 c35>iframe srchttps://www.youtube.com/embed/jVyn95SHFUo?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd3>/iframe>/div>/div>/div>div classv ps48 s56 c>div classv ps49 s57 c36>/div>div classv ps50 s58 c37>p classp f17>Here’s the title track of our latest release “span classf33>Monroe Bus/span>”…/p>/div>div classv ps51 s59 c38>iframe srchttps://www.youtube.com/embed/II2U1MplvTA?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd4>/iframe>/div>/div>div classv ps52 s12 c39>a href# classf6 btn v3 s13>/a>/div>a namecontact classv ps53 s32>/a>/div>div classv ps32 s60 c40>div classc41 s20>/div>div classps54 v6 s21>div classv ps2 s61 c>div classanim slideInRight js16 v ps55 s62 c42>p classp3 f34>Contact/p>/div>div classv ps56 s63 c43>div classc44 s20>/div>div classv ps57 s64 c>div classv ps2 s64 w>div classv ps58 s65 c>div classv ps2 s66 c45>a hrefhttps://www.facebook.com/The.Andy.Statman.Trio/ classa3>img srcimages/fb.svg altFacebook classi5 js27>/a>/div>div classv ps59 s67 c46>a hrefhttps://twitter.com/rcanipper classa4>img srcimages/twitter.svg altTwitter @rcanipper classi6 js28>/a>/div>/div>div classv ps60 s68 c47>p classp>span classf35>a hrefjavascript:em1();>EMAIL/a>/span>span classf35> US/span>/p>p classp f36>br>/p>p classp>span classf35>a hreftel:+1347927-1737>CALL OUR MESSAGE LINE/a>/span>/p>p classp>span classf35>br>/span>/p>p classp>span classf35>JOIN OUR EMAIL LIST/span>/p>/div>/div>/div>div classv ps61 s69 c48>div classwrapper>!-- Begin Mailchimp Signup Form -->link href//cdn-images.mailchimp.com/embedcode/slim-10_7.css relstylesheet typetext/css>style typetext/css> #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; } /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. *//style>div idmc_embed_signup>form actionhttps://AndyStatman.us7.list-manage.com/subscribe/post?u4088450f369576f58e498a578&iddd9acbbc0c methodpost idmc-embedded-subscribe-form namemc-embedded-subscribe-form classvalidate target_blank novalidate> div idmc_embed_signup_scroll> label formce-EMAIL>Subscribe/label> input typeemail value nameEMAIL classemail idmce-EMAIL placeholderemail address required> !-- real people should not fill this in and expect good things - do not remove this or risk form bot signups--> div styleposition: absolute; left: -5000px; aria-hiddentrue>input typetext nameb_4088450f369576f58e498a578_dd9acbbc0c tabindex-1 value>/div> div classclear>input typesubmit valueSubscribe namesubscribe idmc-embedded-subscribe classbutton>/div> /div>/form>/div>!--End mc_embed_signup-->/div>/div>/div>div classv ps62 s70 w>div classv ps63 s71 c>div classv ps2 s71 w>div classv ps6 s72 c49>p classp2 f37>a hrefhttps://pixabay.com/en/photos/?catanimals>Performance Calendar/a>/p>/div>div classanim fadeIn js17 v ps64 s73 c50>p classp f38>Our longtime residency at the span classf39>a hrefhttps://greenwichvillagesynagogue.org target_blank relnoopener>Charles Street Synagogue/a>/span> in Manhattan’s West Village continues with performances on the second and fourth Thursdays of each month - music begins at 8pm (span classf40>but always check our calendar to make sure!/span>)./p>p classp f38>The trio also appears in Brooklyn at span classf39>a hrefhttps://www.barbesbrooklyn.com target_blank relnoopener>Barbés/a>/span> on the first Wednesday of each month at 8pm./p>/div>/div>/div>div classv ps65 s74 c51>/div>div classv ps66 s75 c52>div classwrapper2>iframe srchttps://calendar.google.com/calendar/b/1/embed?height400&wkst1&bgcolor%23AD1457&ctzAmerica%2FNew_York&srcdGhlYW5keXN0YXRtYW50cmlvQGdtYWlsLmNvbQ&color%234285F4&showNav0&modeAGENDA&showTitle0&showDate0&showPrint0&showTabs0&showCalendars0&showTz0 styleborder-width:0 width400 height400 frameborder0 scrollingno>/iframe>/div>/div>a nameanchor4 classv ps60 s76>/a>/div>/div>/div>/div>div classv ps67 s77 c53>div classv ps68 s78 c54>/div>div classv ps69 s78 c55>/div>/div>div classshape-device>/div>script>shapesData {shape:0,0,128,0,429,31,shape2:0,0,145,0,324,8};/script>script>!function(){var sjs/fixed.min.js,js/woolite.js,js/jquery.js,js/slick.js,js/lightbox.js,js/unveil.js,js/shapes.js,js/index.20200213132348.js,n{},j0,efunction(e){var onew XMLHttpRequest;o.open(GET,se,!0),o.onloadfunction(){if(neo.responseText,8++j)for(var t in s){var idocument.createElement(script);i.textContentnt,document.body.appendChild(i)}},o.send()};for(var o in s)e(o)}();/script>script typetext/javascript>var verRegExp(/Mozilla\/5\.0 \(Linux; .; Android (\d.+)/).exec(navigator.userAgent);if(ver&&parseFloat(ver1)5){document.getElementsByTagName(body)0.className+ whitespacefix;}/script>/body>/html>
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(min-width:960px) {.fx2{background-image:url(images/andy_statman_trio0214-1200.jpg);background-attachment:fixed}}@media (min-width:1200px) {.fx2{background-image:url(images/andy_statman_trio0214-1600.jpg);background-attachment:fixed}}@media (min-width:1600px) {.fx2{background-image:url(images/andy_statman_trio0214-2000.jpg);background-attachment:fixed}}/style>script>(function(i,s,o,g,r,a,m){iGoogleAnalyticsObjectr;irir||function(){(ir.qir.q||).push(arguments)},ir.l1*new Date();as.createElement(o),ms.getElementsByTagName(o)0;a.async1;a.srcg;m.parentNode.insertBefore(a,m)})(window,document,script,//www.google-analytics.com/analytics.js,ga);ga(create,,auto);ga(set,forceSSL,true);ga(send,pageview);/script>link asstyle onloadthis.onloadnull;this.relstylesheet relpreload hrefcss/site.20200213132348.css>noscript>link relstylesheet hrefcss/site.20200213132348.css>/noscript>!--if lte IE 7>link relstylesheet hrefcss/site.20200213132348-lteIE7.css typetext/css>!endif-->!--if lte IE 8>link 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s79 c56>div classfbk c57 s80 fx2 data-fbkfx2>/div>div classps71 v8 s81>div classv7 ps72 s82 c58>div classv7 ps73 s83 w2>div classanim zoomIn js v7 ps74 s84 c59>h1 classp5 f41>ANDY span classf42>S/span>span classf43>TATMAN/span>/h1>h1 classp5 f44>THE ANDY STATMAN TRIO/h1>h1 classp5 f45>JIM WHITNEY LARRY EAGLE/h1>/div>div classv7 ps75 s85 c60>/div>/div>div classv7 ps76 s86 c61>a href#listen classf46 btn2 v9 s87>RECORDINGS/a>/div>div classv7 ps77 s88 c62>a href#about classf47 btn3 v9 s89>ABOUT/a>/div>div classv7 ps78 s90 w2>div classanim slideInRight js2 v10 ps79 s91 c63>p classp6 f48>“span classf49>S/span>tatman is the real thing - /p>p classp6 f48>a musician’s musician”/p>p classp6 f50>the new yorker/p>p classp6 f50>br>/p>p classp6 f48>“span classf49>M/span>odern span classf49>A/span>merican music with /p>p classp6 f48>ancient mysteries at the core...”/p>p classp6 f50>the new york times/p>p classp6 f50>br>/p>p classp6 f48>“span classf49>A/span>ndy’s music is not bound by denominations, but is a beautiful sound full of heat, heart and /p>p classp6 f48>a love of god...”/p>p classp6 f50>rolling stone/p>p classp6 f50>br>/p>p classp6 f48>“span classf49>I/span>n span classf49>S/span>tatman’s versatile hands is a music that’s full of surprises, sophisticated and completely accessible at once”/p>p classp6 f50>the new york daily news/p>/div>div classv7 ps80 s92 c58>div classv7 ps79 s93 w2>div classv7 ps79 s94 c64>a href#quotes classf46 btn4 v9 s95>QUOTESbr>/a>/div>div classv7 ps81 s96 c65>a href#video classf51 btn5 v9 s95>VIDEO/a>/div>/div>div classv7 ps79 s93 w2>div classv7 ps79 s94 c66>a href#contact classf52 btn6 v9 s95>IN CONCERT/a>/div>div classv7 ps82 s94 c67>a href#contact classf46 btn6 v9 s95>CONTACTbr>/a>/div>/div>/div>/div>div classv7 ps83 s97 c68>/div>/div>/div>/div>div classps84 v8 s98>div classv7 ps85 s99 c69>/div>a nameabout classv7 ps86 s100>/a>div classv7 ps87 s101 c58>div classv7 ps79 s102 w2>div classanim slideInRight js3 v7 ps79 s103 c70>p classp7 f53>about/p>/div>div classv ps s c>div classv ps2 s w>div classv ps2 s2 c>div classv ps2 s2 w>div classv ps2 s2 c2>/div>div classv ps3 s3 c3>/div>/div>/div>div classjs4 v ps4 s4 c4 ga>div classslider>div>a hrefimages/andy_statman_trio0199-1200.jpg classa js18>picture classs5>source srcsetimages/andy_statman_trio0199-340-1.jpg 1x, images/andy_statman_trio0199-680-1.jpg 2x>img classslide0 srcimages/andy_statman_trio0199-340-1.jpg>/picture>/a>/div>div>a hrefimages/andy_statman_trio0217-1200.jpg classa js19>picture classs5>source data-srcsetimages/andy_statman_trio0217-340-1.jpg 1x, images/andy_statman_trio0217-680-1.jpg 2x>img classslide1 data-srcimages/andy_statman_trio0217-340-1.jpg>/picture>/a>/div>div>a hrefimages/andy_statman_trio0142-1800.jpg classa js20>picture classs5>source data-srcsetimages/andy_statman_trio0142-340-1.jpg 1x, images/andy_statman_trio0142-680-1.jpg 2x>img classslide2 data-srcimages/andy_statman_trio0142-340-1.jpg>/picture>/a>/div>div>a hrefimages/andy_statman_trio0310-1200.jpg classa js21>picture classs5>source data-srcsetimages/andy_statman_trio0310-340-1.jpg 1x, images/andy_statman_trio0310-680-1.jpg 2x>img classslide3 data-srcimages/andy_statman_trio0310-340-1.jpg>/picture>/a>/div>div>a hrefimages/unadjustednonraw_thumb_c05d-768.jpg classa js22>picture classs5>source data-srcsetimages/unadjustednonraw_thumb_c05d-340-1.jpg 1x, images/unadjustednonraw_thumb_c05d-680-1.jpg 2x>img classslide4 data-srcimages/unadjustednonraw_thumb_c05d-340-1.jpg>/picture>/a>/div>div>a hrefimages/unadjustednonraw_thumb_79ba-768.jpg classa js23>picture classs5>source data-srcsetimages/unadjustednonraw_thumb_79ba-340-1.jpg 1x, images/unadjustednonraw_thumb_79ba-680-1.jpg 2x>img classslide5 data-srcimages/unadjustednonraw_thumb_79ba-340-1.jpg>/picture>/a>/div>/div>/div>/div>/div>div classv ps5 s6 c>div classv ps2 s6 w>div classanim fadeIn js5 v ps6 s7 c5>p classp f>“There are those who know span classf2>Andy Statman /span>as the virtuoso klezmer clarinetist - violinist span classf2>Itzhak Perlman/span>, for instance, who chose Statman to lead his klezmer album. There are those who know span classf2>Andy Statman/span> as the down-home mandolin player with a stack of straight-up bluegrass albums to his credit. In Statmans versatile hands is a music thats full of surprises, sophisticated and completely accessible at once." /p>p classp2 f3>The New York Daily News/p>/div>div classv ps7 s8 c6>/div>/div>/div>/div>div classshape anim slideInRight js6 v2 ps8 s9 c7>div classshm>/div>div classshm2>/div>div classshm3>/div>div classshm4>/div>p classp3 f4>the music/p>/div>div classanim slideInLeft js7 v ps9 s10 c8>p classp4 f5>recordings/p>/div>div classv ps10 s11 w>div classv ps11 s12 c9>a href# classf6 btn v3 s13>/a>/div>div classanim slideInRight js8 v4 ps12 s14 c10>p classp f7>Sound of His Soul/p>p classp f8>His virtuosity is legendary, his versatility stunning. /p>p classp f8>And as always, Andy Statmans roots are showing./p>p classp f9>adapted from Sara Eisen’s essay in the Jerusalem Report/p>p classp f10>br>/p>p classp f11>br>/p>p classp>span classf12>HAD THERE BEEN /span>span classf13>a planetarium in 19th-century Galicia, or a kosher deli in Depression-era Kentucky, Andy Statmans music might have been playing in the background. Meandering through time, geography and culture, the man and his inimitable hybrid sound move freely among the before, the after, and the present./span>/p>p classp f13>br>/p>p classp f13>Andy Statman, one of his generations premier mandolinists and clarinetists, thinks of his compositions and performances as "spontaneous/p>p classp f13>American-roots music and personal, prayerful hasidic music, by way of avant-garde jazz." This modest man takes for granted that a performer/p>p classp f13>might embody several worlds in his art, and seems humbled by the fact that his music, like his story, is extraordinary./p>p classp f13>br>/p>p classp f13>Andys musical journey began early, when he was a child in Queens, not far from his current home in Flatbush, Brooklyn. Born into a family with a long line of cantors and some well-known professional musicians in the family tree, Andy grew up singing hasidic melodies in the afternoon Jewish school his parents sent him to, and listening to show tunes, klezmer, and classics - along with every other variety of music playing within earshot./p>p classp f13>br>/p>p classp f13>Indeed, young Andy had ravenous ears, absorbing the early sounds of rock and roll and the beginnings of the folk revival. But after his brother brought home a vintage record by Lester Flatt and Earl Scruggs, Andy became obsessed with bluegrass, which he would tune into via shortwave radio from West Virginia. He sent away for a method booklet, and picked up the guitar and banjo on his own. Eventually he would discover his love for the mandolin. (scroll for more)/p>p classp f13>br>/p>p classp f13>In 1965, Andy found mandolin master David Grisman, in a Greenwich Village teeming with young musicians at the heart of the resurgence of folk culture, and asked him for lessons. David, with whom Andy would record and coproduce "Songs of Our Fathers" 30 years later, says that Andy was the best student he ever had. "The kid just gobbled up everything," says David, himself a Grammy-nominated bluegrass-folkjazz musician. "I always tell people that if the only thing I ever did was give Andy his first mandolin lesson, it would have been a life well spent." Andys virtuosity and passion led him into the progressive bluegrass band Breakfast Special, and into the company, as a session man, of folk superhero Bob Dylan and other celebrated performers such as folkie David Bromberg, bluegrass fiddler Vassar Clements, and roots-rock musician Jerry Garcia./p>p classp f13>br>/p>p classp f13>br>/p>p classp f13>"Im very lucky," says Andy. "The guys Ive studied with have treated me as an apprentice in the Old World sense. Im probably from the last generation that had a chance to learn from the greats."/p>p classp f13>br>/p>p classp f13>In fact, his next significant mentorship after Grisman, with little-known jazz-saxophone virtuoso Richard Grando, turned out to be life-changing. Feeling a tug away from bluegrass during his late teens, Andy found himself compelled to master the saxophone, stirred by John Coltrane and the experimental jazz happening at the time. But his first lesson, as he tells it, was actually a discussion, one about whether or not God exists. Grando was something of a renaissance man, as interested in spirituality, anthropology and psychology as he was in music. Andys zest for learning did not stop at his ears; he started soaking up Native American mysticism, the I Ching, and Jungs theories on synchronicity and the "miracles in coincidence." Musically, Andy was attracted to all things ethnic, in addition to jazz. In the spirit of Jung, his was a kind of quest for what the collective unconscious might sound like./p>p classp f13>br>/p>p classp f13>Thats when lightning struck: "I realized that I was born a Jew," says Andy, "and that it wasnt by accident. I needed to find my own spirituality in my music, and in my life my own roots, not someone elses."/p>p classp f13>br>/p>p classp f13>Andys search for his heritage progressed slowly, met by small, incremental changes in his everyday practice - the laying of tefillin, a prayer service here, a traditional Sabbath there. And there were those nigunim from his childhood. It all made Andy wonder: Why was no one playing (professionally, at least) the instrumental music to accompany this living hasidic tradition? Whatever happened to that great Old World Jewish music he had heard as a boy? He took it as a personal challenge to unearth this musical tradition, what we now call klezmer. This would ultimately help him unearth his own roots./p>p classp f13>br>/p>p classp f13>True to character, the young apprentice, now in his early 20s, set off to seek another master. The mentor he found was no less than master klezmer clarinetist Dave Tarras, "the most successful immigrant-era Yiddish musician," in the words of music writer Seth Rogovoy./p>p classp f13>br>/p>p classp f13>While Andy Statman the musician was playing the clarinet, Andy Statman the Jew was discovering his history, rejoicing in the sound and the feel of being a person with a rich ancestral past. He felt revived - as did Tarras - who himself was rediscovered and recorded once again. Tarras (who died in 1989) bequeathed his clarinets to Andy, his greatest protégé - and made him the next link in the chain. Hence Andy became known primarily as one of the key klezmer revivalists of the 70s and early 80s, among the musicians who launched a great wave to reclaim the music of the Old World./p>p classp f13>br>/p>p classp f13>To Andy, klezmer music ultimately became more than reclaiming cultural roots. It was about ecstatic devotion and recreating transcendent prayer, the Baal Shem Tov - which he was engaging in more regularly as he grew closer to Orthodox life. David Grisman, who is himself Jewish, notes that "it was the music that led Andy into observance. And then he got deeper into the music by going deeper into its source." In fact, Andy says that he began to see klezmer as a living form of music mostly in the context of a religious life. But the irony here is rich: Once he fully embraced religion - today he lives as a conspicuously devout modern Orthodox hasid (white shirt, black pants and velvet yarmulke) - he no longer felt the need to play klezmer music. By the time his roots were both deeply planted and fully exposed, Andy pulled back toward jazz and its exploration of contemplative, wandering, deep-space spirituality./p>p classp f14>br>/p>p classp f13>br>/p>p classp f13>Since his divergence from mainstream klezmer in the mid-90s, Andys journey has taken him, once again, to new places hes somehow been before. Hes recorded a number of traditional Jewish-inspired albums, including "Songs of Our Fathers" with David Grisman, who says that the emotional Jewish connection he feels with Andy ("my rabbi") is as strong as the bond he feels with him musically. In addition, there is his classical klezmer sensation "In the Fiddlers House", which he recorded with Itzhak Perlman in 1996. He has also produced more bluegrass inspired work, including the acclaimed "Andys Ramble" in 1994./p>p classp f13>br>/p>p classp f13>Its a journey Andy says he now revisits with his trio each time they perform: "Were creating an experience between the audience and us," with their unconstrained meditations on hasidic music and groove-driven explorations of American-roots music. His collaborators include bassist Jim Whitney and percussionist Larry Eagle. They perform frequently at the Charles Street Synagogue, in the West Village. "At a certain point, were just talking, just having a three-way conversation." /p>p classp f13>br>/p>p classp f15>br>/p>p classp f13>This "conversation" changes each time they take the stage, with no melody sounding quite the same as it did before. A totally unselfconscious performer, Andy Statman leaves audiences elated and at times mystified, having experienced a musical performance unlike any other./p>p classp f13>br>/p>p classp f13>Its unabashedly American music, Andy says, proud of his U.S. roots, and the spirit of individuality, creativity and compassion it embodies. Or its deeply religious hasidic prayer, intended to embrace his Jewish heritage, he explains in a soft voice. And its jazz, hed say, on its lonely search for the spirit of lost worlds. Its all of those things, because, although they may seem worlds apart, "They all come together in me. If youre in touch with your Judaism," Andy says, his voice cracking, "you experience things..." He is misty by now, and it is clear that this is a man who always speaks and plays from the very roots of his soul./p>/div>div classv ps13 s15 c11>p classp>span classf16>a hrefdownload/profile-new-2020-reduced5.pdf target_blank relnoopener>Download/a>/span>span classf17> our one page “Artist Profile”/span>/p>/div>div classv ps14 s16 c>div classshape2 anim slideInLeft js9 v2 ps15 s17 c12>div classshm5>/div>div classshm6>/div>div classshm7>/div>div classshm8>/div>p classp f18>listen/p>/div>a namelisten classv ps16 s18>/a>div classv ps17 s12 c13>a href# classf6 btn v3 s13>/a>/div>/div>/div>/div>/div>div classv ps18 s19 c14>div classfbk c15 s20 fx data-fbkfx>/div>div classps19 v5 s21>div classjs10 v ps20 s22 c16 ga>div classslider slider-nav stylez-index:1>div>picture classs31>source srcsetimages/thumb-518uufsw7bl-110.jpg 1x, images/thumb-518uufsw7bl-220.jpg 2x>img classslide0 srcimages/thumb-518uufsw7bl-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-71f2iwpydal-110.jpg 1x, images/thumb-71f2iwpydal-220.jpg 2x>img classslide1 data-srcimages/thumb-71f2iwpydal-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-61rm6bker3l-110.jpg 1x, images/thumb-61rm6bker3l-220.jpg 2x>img classslide2 data-srcimages/thumb-61rm6bker3l-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-51envlncjvl-110.jpg 1x, images/thumb-51envlncjvl-220.jpg 2x>img classslide3 data-srcimages/thumb-51envlncjvl-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-519ztff-s8l-110.jpg 1x, images/thumb-519ztff-s8l-220.jpg 2x>img classslide4 data-srcimages/thumb-519ztff-s8l-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-41smhoon-bl-110.jpg 1x, images/thumb-41smhoon-bl-220.jpg 2x>img classslide5 data-srcimages/thumb-41smhoon-bl-110.jpg>/picture>/div>div>picture classs31>source data-srcsetimages/thumb-51eso-iggfl-110.jpg 1x, images/thumb-51eso-iggfl-220.jpg 2x>img classslide6 data-srcimages/thumb-51eso-iggfl-110.jpg>/picture>/div>/div>div classslider slider-for>div>a hrefhttps://amzn.to/2UKnu03 target_blank relnoopener classa>picture classs23>source srcsetimages/518uufsw7bl-650-1.jpg 1x, images/518uufsw7bl-1300-1.jpg 2x>img classslide0 srcimages/518uufsw7bl-650-1.jpg>/picture>/a>div classv4 ps21 s24 c>h1 classp f19>Our most recent recording on Shefa, this project is a tribute to the father of bluegrass music and features Andy’s original compositions. Here the trio is joined by special guests Michael Cleveland, Glenn Patscha, Michael Daves and others/h1>/div>/div>div>a hrefhttps://amzn.to/2UCnv6l target_blank relnoopener classa>picture classs23>source data-srcsetimages/71f2iwpydal-650-1.jpg 1x, images/71f2iwpydal-1300-1.jpg 2x>img classslide1 data-srcimages/71f2iwpydal-650-1.jpg>/picture>/a>div classv4 ps22 s25 c>h1 classp f20>a two-disc set of original and cover material featuring the trio with guests including Ricky Skaggs, Bela Fleck, Paul Shaffer, Byron Berline, actor John Goodman (and quite a few others)/h1>/div>/div>div>a hrefhttps://amzn.to/2HeLD7c target_blank relnoopener classa>picture classs23>source data-srcsetimages/61rm6bker3l-650-1.jpg 1x, images/61rm6bker3l-1300-1.jpg 2x>img classslide2 data-srcimages/61rm6bker3l-650-1.jpg>/picture>/a>div classv ps23 s26 c>h1 classp f21>A quartet album featuring interpretations /h1>h1 classp f21>of devotional and celebratory melodies closely associated with the Lubavitch Chassidim/h1>/div>/div>div>a hrefhttps://amzn.to/3boJvHI target_blank relnoopener classa>picture classs23>source data-srcsetimages/51envlncjvl-650-1.jpg 1x>img classslide3 data-srcimages/51envlncjvl-650-1.jpg>/picture>/a>div classv ps24 s27 c>h1 classp f22>a quintet recording featuring Andy, Jim, and Larry along with/h1>h1 classp f22>Tim O’Brien and /h1>h1 classp f22>Michael Cleveland/h1>/div>/div>div>a hrefhttps://amzn.to/3boJvHI target_blank relnoopener classa>picture classs23>source data-srcsetimages/519ztff-s8l-650-1.jpg 1x, images/519ztff-s8l-1300-1.jpg 2x>img classslide4 data-srcimages/519ztff-s8l-650-1.jpg>/picture>/a>div classv ps25 s28 c>h1 classp f23>This trio album of mandolin music includes our Grammy nominated version of Bill Monroe’s “Rawhide”/h1>/div>/div>div>a hrefhttps://amzn.to/2tKBCeD target_blank relnoopener classa>picture classs23>source data-srcsetimages/41smhoon-bl-650-1.jpg 1x, images/41smhoon-bl-1300-1.jpg 2x>img classslide5 data-srcimages/41smhoon-bl-650-1.jpg>/picture>/a>div classv ps26 s29 c17>h1 classp f24>An exciting, rare gem, this album was recorded live in concert for Radio Bremen in Germany/h1>/div>/div>div>a hrefhttps://amzn.to/38navWk target_blank relnoopener classa>picture classs23>source data-srcsetimages/51eso-iggfl-650-1.jpg 1x, images/51eso-iggfl-1300-1.jpg 2x>img classslide6 data-srcimages/51eso-iggfl-650-1.jpg>/picture>/a>div classv ps27 s30 c>h1 classp f25>A trio album of clarinet-based Jewish music, recorded almost entirely at Greenwich Village’s Charles Street/h1>h1 classp f25>Synagogue/h1>/div>/div>/div>/div>/div>/div>a namequotes classv ps28 s32>/a>div classps29 v6 s33>div classanim slideInLeft js11 v ps30 s34 c18>p classp f26>quotes/p>/div>/div>div classv ps31 s35 c19>div classps32 v6 s21>div classv ps2 s36 c>div classv ps2 s36 w>div classv ps2 s37 c>div classv ps2 s38 c20>/div>div classv ps33 s12 c21>a href# classf6 btn v3 s13>/a>/div>/div>div classv ps34 s39 c22>a hrefimages/les-pic-1417.jpg classa2 js24>picture classi2 js25>source data-srcsetimages/les-pic-960.jpg 1x, images/les-pic-1920.jpg 2x>img data-srcimages/les-pic-960.jpg alt classjs12 anim zoomIn i>/picture>/a>/div>/div>/div>/div>/div>div classps35 v6 s33>div classv ps36 s40 c>div classv ps2 s41 c23>a hrefimages/andy_statman_trio0196-1800.jpg classa2 js26>picture classi4>source srcsetimages/andy_statman_trio0196-250.jpg 1x, images/andy_statman_trio0196-500.jpg 2x>img srcimages/andy_statman_trio0196-250.jpg alt classjs13 i3>/picture>/a>/div>div classv4 ps37 s42 c24>p classp>span classf27>"/span>span classf28>One of the most influential musicians in modern acoustic music ... He helped invent the language of progressive bluegrass and went on to rediscover klezmer music and reintroduce it to the world." /span>/p>p classp f29>The Rocky Mountain Newsspan classf28> /span>/p>p classp f28>"A master of two idioms linked only by their demand for virtuosity and their down-home origins ... " /p>p classp f29>The New York Timesspan classf30> /span>/p>p classp f28>" ... One of the most important Jewish creative artists of the postwar era." /p>p classp f29>The Jerusalem Post/p>p classp f28>"Bill Monroe and John Coltrane poured into one person. .. He plays all those just great crazy jazz kind of licks, but with the heart and fire of Bill Monroe ... I dont know anyone else that approaches the mandolin the way he does." /p>p classp f29>Ricky Skaggs, NPR/p>p classp f28>"One of the greatest mandolinists of this - or any - era ... He thinks at the speed of light and can play whatever he thinks of. As an improviser, he is fearless, and his musical vocabulary has no limitations." /p>p classp f29>Chicago Tribune/p>/div>/div>/div>div classv ps32 s43 c25>div classps32 v6 s21>div classjs14 v ps2 s44 c26 ga>div classslider>div>picture classs45>source srcsetimages/trio-joes-pub-960.jpg 1x, images/trio-joes-pub-1920.jpg 2x>img classslide0 srcimages/trio-joes-pub-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/andy-joes-pub2-960.jpg 1x, images/andy-joes-pub2-1920.jpg 2x>img classslide1 data-srcimages/andy-joes-pub2-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/mando-shul2-960.jpg 1x, images/mando-shul2-1920.jpg 2x>img classslide2 data-srcimages/mando-shul2-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/jim-shul2-960.jpg 1x, images/jim-shul2-1920.jpg 2x>img classslide3 data-srcimages/jim-shul2-960.jpg>/picture>/div>div>picture classs45>source data-srcsetimages/lpe-shul-960.jpg 1x, images/lpe-shul-1920.jpg 2x>img classslide4 data-srcimages/lpe-shul-960.jpg>/picture>/div>/div>/div>/div>/div>div classps38 v6 s33>div classv ps39 s46 c>div classanim slideInLeft js15 v ps2 s10 c27>p classp f5>video/p>/div>a namevideo classv ps40 s47>/a>div classv ps41 s48 c28>iframe srchttps://www.youtube.com/embed/dRneFzWOCRs?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd>/iframe>/div>div classv ps42 s12 c29>a href# classf6 btn v3 s13>/a>/div>/div>/div>div classv ps43 s49 c30>/div>div classps44 v6 s33>div classv ps36 s50 c>div classv ps2 s51 c31>div classc32 s20>/div>div classv ps45 s52 c33>p classp f31>In December of 2019 we celebrated the 20th anniversary of our residency at the Charles Street Synagogue in NYC’s Greenwich Village. The concert included music from devotional Jewish melodies to traditional bluegrass to interpretations of Andy’s original compositions for clarinet and mandolin./p>p classp f31>br>/p>p classp f31>Here’s a small taste of the music we performed that day, including a rousing sendoff featuring guest performers span classf32>a hrefhttp://www.tonytrischka.com target_blank relnoopener>Tony Trischka/a>/span>, span classf32>a hrefhttp://michaeldaves.com target_blank relnoopener>Michael Daves/a>/span>, span classf32>a hrefhttp://www.cynthiasayer.com target_blank relnoopener>Cynthia Sayer/a>/span>, span classf32>a hrefhttp://www.alexhargreaves.net target_blank relnoopener>Alex Hargreaves/a>/span> and Charlie Giordano /p>p classp f31>(span classf32>a hrefhttps://westerncaravan2.com target_blank relnoopener>Western Caravan/a>/span>’s “Thirsty Dave” Hansen joined us earlier as well)./p>p classp f31>br>/p>p classp f31>br>/p>p classp f31>Music recorded and mixed by Ed Haber/p>p classp f31>br>/p>p classp f31>br>/p>p classp f31>br>/p>p classp f31>many recent video clips on span classf32>a hrefhttps://www.facebook.com/The.Andy.Statman.Trio/ target_blank relnoopener>our Facebook page/a>/span>/p>p classp f31>and on span classf32>a hrefhttps://www.youtube.com/channel/UClsfwSSNxQbAHRayW0_DsUw target_blank relnoopener>our YouTube channel/a>/span>/p>/div>/div>div classv ps46 s53 w>div classv ps2 s54 c34>iframe srchttps://www.youtube.com/embed/U-Wm8_4bAg4?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd2>/iframe>/div>div classv ps47 s55 c35>iframe srchttps://www.youtube.com/embed/jVyn95SHFUo?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd3>/iframe>/div>/div>/div>div classv ps48 s56 c>div classv ps49 s57 c36>/div>div classv ps50 s58 c37>p classp f17>Here’s the title track of our latest release “span classf33>Monroe Bus/span>”…/p>/div>div classv ps51 s59 c38>iframe srchttps://www.youtube.com/embed/II2U1MplvTA?rel0 frameborder0 allowfullscreen webkitallowfullscreen mozallowfullscreen classvd4>/iframe>/div>/div>div classv ps52 s12 c39>a href# classf6 btn v3 s13>/a>/div>a namecontact classv ps53 s32>/a>/div>div classv ps32 s60 c40>div classc41 s20>/div>div classps54 v6 s21>div classv ps2 s61 c>div classanim slideInRight js16 v ps55 s62 c42>p classp3 f34>Contact/p>/div>div classv ps56 s63 c43>div classc44 s20>/div>div classv ps57 s64 c>div classv ps2 s64 w>div classv ps58 s65 c>div classv ps2 s66 c45>a hrefhttps://www.facebook.com/The.Andy.Statman.Trio/ classa3>img srcimages/fb.svg altFacebook classi5 js27>/a>/div>div classv ps59 s67 c46>a hrefhttps://twitter.com/rcanipper classa4>img srcimages/twitter.svg altTwitter @rcanipper classi6 js28>/a>/div>/div>div classv ps60 s68 c47>p classp>span classf35>a hrefjavascript:em1();>EMAIL/a>/span>span classf35> US/span>/p>p classp f36>br>/p>p classp>span classf35>a hreftel:+1347927-1737>CALL OUR MESSAGE LINE/a>/span>/p>p classp>span classf35>br>/span>/p>p classp>span classf35>JOIN OUR EMAIL LIST/span>/p>/div>/div>/div>div classv ps61 s69 c48>div classwrapper>!-- Begin Mailchimp Signup Form -->link href//cdn-images.mailchimp.com/embedcode/slim-10_7.css relstylesheet typetext/css>style typetext/css> #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; } /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. *//style>div idmc_embed_signup>form actionhttps://AndyStatman.us7.list-manage.com/subscribe/post?u4088450f369576f58e498a578&iddd9acbbc0c methodpost idmc-embedded-subscribe-form namemc-embedded-subscribe-form classvalidate target_blank novalidate> div idmc_embed_signup_scroll> label formce-EMAIL>Subscribe/label> input typeemail value nameEMAIL classemail idmce-EMAIL placeholderemail address required> !-- real people should not fill this in and expect good things - do not remove this or risk form bot signups--> div styleposition: absolute; left: -5000px; aria-hiddentrue>input typetext nameb_4088450f369576f58e498a578_dd9acbbc0c tabindex-1 value>/div> div classclear>input typesubmit valueSubscribe namesubscribe idmc-embedded-subscribe classbutton>/div> /div>/form>/div>!--End mc_embed_signup-->/div>/div>/div>div classv ps62 s70 w>div classv ps63 s71 c>div classv ps2 s71 w>div classv ps6 s72 c49>p classp2 f37>a hrefhttps://pixabay.com/en/photos/?catanimals>Performance Calendar/a>/p>/div>div classanim fadeIn js17 v ps64 s73 c50>p classp f38>Our longtime residency at the span classf39>a hrefhttps://greenwichvillagesynagogue.org target_blank relnoopener>Charles Street Synagogue/a>/span> in Manhattan’s West Village continues with performances on the second and fourth Thursdays of each month - music begins at 8pm (span classf40>but always check our calendar to make sure!/span>)./p>p classp f38>The trio also appears in Brooklyn at span classf39>a hrefhttps://www.barbesbrooklyn.com target_blank relnoopener>Barbés/a>/span> on the first Wednesday of each month at 8pm./p>/div>/div>/div>div classv ps65 s74 c51>/div>div classv ps66 s75 c52>div classwrapper2>iframe srchttps://calendar.google.com/calendar/b/1/embed?height400&wkst1&bgcolor%23AD1457&ctzAmerica%2FNew_York&srcdGhlYW5keXN0YXRtYW50cmlvQGdtYWlsLmNvbQ&color%234285F4&showNav0&modeAGENDA&showTitle0&showDate0&showPrint0&showTabs0&showCalendars0&showTz0 styleborder-width:0 width400 height400 frameborder0 scrollingno>/iframe>/div>/div>a nameanchor4 classv ps60 s76>/a>/div>/div>/div>/div>div classv ps67 s77 c53>div classv ps68 s78 c54>/div>div classv ps69 s78 c55>/div>/div>div classshape-device>/div>script>shapesData {shape:0,0,128,0,429,31,shape2:0,0,145,0,324,8};/script>script>!function(){var sjs/fixed.min.js,js/woolite.js,js/jquery.js,js/slick.js,js/lightbox.js,js/unveil.js,js/shapes.js,js/index.20200213132348.js,n{},j0,efunction(e){var onew XMLHttpRequest;o.open(GET,se,!0),o.onloadfunction(){if(neo.responseText,8++j)for(var t in s){var idocument.createElement(script);i.textContentnt,document.body.appendChild(i)}},o.send()};for(var o in s)e(o)}();/script>script typetext/javascript>var verRegExp(/Mozilla\/5\.0 \(Linux; .; Android (\d.+)/).exec(navigator.userAgent);if(ver&&parseFloat(ver1)5){document.getElementsByTagName(body)0.className+ whitespacefix;}/script>/body>/html>
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