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Domain > asianethnology.org
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Date
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2017-09-02
66.45.231.178
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2024-10-21
64.20.52.235
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HTTP/1.1 200 OKServer: nginxContent-Type: text/html; charsetUTF-8Transfer-Encoding: chunkedConnection: keep-aliveVary: Accept-EncodingCache-Control: no-cache, privateDate: Mon, 21 Oct 2024 17:44:23 GMTSet-Cookie: XSRF-TOKENeyJpdiI6Ik9lUkErcjY2bVVNVU9iY1VuemhXZVE9PSIsInZhbHVlIjoiR1V6cXZldGFBN29IRmdoUzRLc3dkUGl1YmJUUDA4WUhZUGZvbkFITHRreFdESFo0UHVKcGpCNDFPQTVUa3J2NEg5T3ZoTGV2cWpOaUN1UlRmR0VJclVWaUp3NnFYZFdCa0E2ZXFqWXlSNDNLWTVSTzNBdGhSSFg4UEtLNGp6bksiLCJtYWMiOiJjMDEyNjEzMjA2ZWU0M2QyZDUwOTNiMDFhOGQ1YmFmYWFkYzM0NjVjNmQzYzZkYjc5YmIxOWRlOWQ2ZDVjMWIzIiwidGFnIjoiIn0%3D; expiresMon, 21-Oct-2024 19:44:23 GMT; Max-Age7200; path/Set-Cookie: ae_sessioneyJpdiI6ImRuZW5CT3RoSDhnQ21VT3VjOWVad3c9PSIsInZhbHVlIjoiTGZESGZTcEwyL1N6OXhPK3laOWIxQWtzN3QvSDc2YkU4QUFvVDZEWWxJSW1xbmIxZ1ZNbGpLWU9QZmhkeHRkaWRvdWFsQ3ExM0VkRFp4WFdjelpFM3FaVE44K2x4Z2JydFJMQXp0RVNhMHg5UnRvcXpkZkpOTzJKTEVZZmszMWMiLCJtYWMiOiIwNTIzYTEyNGJiMGI2YjU5NjRmNzUzZTViODhmZjQyYTZmZGNhODE4YWUzNDEyODFmOTJiMmU3NTZkYjFiYTlkIiwidGFnIjoiIn0%3D; expiresMon, 21-Oct-2024 19:44:23 GMT; Max-Age7200; path/; httponlyCache-Control: no-cache, no-store, must-revalidate !DOCTYPE html>html langen>head> meta charsetutf-8> meta nameviewport contentwidthdevice-width, initial-scale1> meta namecsrf-token contentjzhNuE3wIxwTk24EdDMd8WpQVdBBMPpRVWBS4EtH> title>Asian Ethnology/title> !-- favicon-x --> !-- Fonts --> link relstylesheet hrefhttps://fonts.googleapis.com/css2?familyNunito:wght@400;600;700&displayswap> !-- Styles --> link relstylesheet href/css/app.css?id069b1d6db3a2758f8ca0> !-- Scripts --> script src/js/app.js?idaa9c22176cfe421b14a4 defer>/script>/head>body>div classbg-white> div classrelative overflow-hidden> header classrelative> div classbg-red-900 pt-6 stylebackground: rgb(34,193,195); background: linear-gradient(0deg, rgba(235, 140, 61,1) 0%, rgba(253,29,29,1) 100%);> nav classrelative max-w-7xl mx-auto flex items-center justify-between px-4 sm:px-6 aria-labelGlobal> div classflex items-center flex-1> div classflex items-center justify-between w-full md:w-auto> a href/> span classsr-only>Asian Ethnology/span> span classtext-4xl font-extrabold text-white tracking-tighter>Aspan classtext-black>E/span>/span> /a>!-- div class-mr-2 flex items-center md:hidden> button typebutton classbg-gray-900 rounded-md p-2 inline-flex items-center justify-center text-gray-400 hover:bg-gray-800 focus:outline-none focus:ring-2 focus-ring-inset focus:ring-white aria-expandedfalse> span classsr-only>Open main menu/span> <!– Heroicon name: outline/menu –> svg classh-6 w-6 xmlnshttp://www.w3.org/2000/svg fillnone viewBox0 0 24 24 strokecurrentColor aria-hiddentrue> path stroke-linecapround stroke-linejoinround stroke-width2 dM4 6h16M4 12h16M4 18h16/> /svg> /button> /div>--> /div> div classspace-x-8 flex md:ml-10 sm:ml-2> a hrefhttps://asianethnology.org/volume/83-1 classtext-base font-medium text-white hover:text-gray-300>Current span classhidden md:inline>Issue/span>/a> a hrefhttps://asianethnology.org/volumes classtext-base font-medium text-white hover:text-gray-300>Volumes/a> a hrefhttps://asianethnology.org/pages/asian-journeys classtext-base font-medium text-white hover:text-gray-300>Asian Journeys/a> a href/page/podcast classtext-base font-medium text-white hover:text-gray-300>Podcast/a> a href/page/about classtext-base font-medium text-white hover:text-gray-300>About/a> a hrefhttps://asianethnology.org/announcements classtext-base font-medium text-white hover:text-gray-300>Announcements/a> a href/page/submissions classmd:hidden text-base font-medium text-white hover:text-gray-300>Submissions/a> /div> /div> div classflex items-center space-x-6 hidden md:block> a href/page/submissions classinline-flex items-center px-4 py-2 border border-transparent text-base font-medium rounded-md text-black bg-white hover:bg-white-50%> Submissions /a> /div> /nav> /div> !-- Mobile menu, show/hide based on menu open state. Entering: duration-150 ease-out From: opacity-0 scale-95 To: opacity-100 scale-100 Leaving: duration-100 ease-in From: opacity-100 scale-100 To: opacity-0 scale-95 -->!-- div classabsolute top-0 inset-x-0 p-2 transition transform origin-top md:hidden z-50> div classrounded-lg shadow-md bg-white ring-1 ring-black ring-opacity-5 overflow-hidden> div classpx-5 pt-4 flex items-center justify-between> div class-mr-2> button typebutton classbg-white rounded-md p-2 inline-flex items-center justify-center text-gray-400 hover:bg-gray-100 focus:outline-none focus:ring-2 focus:ring-inset focus:ring-cyan-600> span classsr-only>Close menu/span> <!– Heroicon name: outline/x –> svg classh-6 w-6 xmlnshttp://www.w3.org/2000/svg fillnone viewBox0 0 24 24 strokecurrentColor aria-hiddentrue> path stroke-linecapround stroke-linejoinround stroke-width2 dM6 18L18 6M6 6l12 12/> /svg> /button> /div> /div> div classpt-5 pb-6> div classpx-2 space-y-1> a hrefhttps://asianethnology.org/volume/83-1 classblock px-3 py-2 rounded-md text-base font-medium text-gray-900 hover:bg-gray-50>Current Issue/a> a hrefhttps://asianethnology.org/volumes classblock px-3 py-2 rounded-md text-base font-medium text-gray-900 hover:bg-gray-50>Volumes/a> a href/page/podcast classblock px-3 py-2 rounded-md text-base font-medium text-gray-900 hover:bg-gray-50>Podcast/a> a href/page/about classblock px-3 py-2 rounded-md text-base font-medium text-gray-900 hover:bg-gray-50>About/a> a href/page/submissions classblock px-3 py-2 rounded-md text-base font-medium text-gray-900 hover:bg-gray-50>Submissions/a> /div> <!– div classmt-6 px-5> a href# classblock text-center w-full py-3 px-4 rounded-md shadow bg-gradient-to-r from-teal-500 to-cyan-600 text-white font-medium hover:from-teal-600 hover:to-cyan-700>Start free trial/a> /div> div classmt-6 px-5> p classtext-center text-base font-medium text-gray-500>Existing customer? a href# classtext-gray-900 hover:underline>Login/a> /p> /div>–> /div> /div> /div>--> /header> main> !-- background:#EB8C3D; stylebackground: rgb(34,193,195); background: linear-gradient(0deg, rgba(255, 255, 255,1) 60%, rgba(235,140,61,1) 100%);--> div stylebackground: #EB8C3D; classpt-10 sm:pt-16 lg:pt-8 lg:pb-14 lg:overflow-hidden> div classmx-auto max-w-7xl lg:px-8> div classlg:grid lg:grid-cols-2 lg:gap-8> div classmx-auto max-w-md px-4 sm:max-w-2xl sm:px-6 sm:text-center lg:px-0 lg:text-left lg:flex lg:items-center> div classlg:py-24> a hrefhttps://asianethnology.org/volume/83-1 classinline-flex items-center text-white bg-black rounded-full p-1 pr-2 sm:text-base lg:text-sm xl:text-base hover:text-gray-200> span classpx-3 py-0.5 text-white text-xs font-semibold leading-5 uppercase tracking-wide bg-gradient-to-r from-teal-500 to-cyan-600 rounded-full>Latest /span> span classml-4 text-sm>Visit Volume 83 (1)/span> !-- Heroicon name: solid/chevron-right --> svg classml-2 w-5 h-5 text-gray-500 xmlnshttp://www.w3.org/2000/svg viewBox0 0 20 20 fillcurrentColor aria-hiddentrue> path fill-ruleevenodd dM7.293 14.707a1 1 0 010-1.414L10.586 10 7.293 6.707a1 1 0 011.414-1.414l4 4a1 1 0 010 1.414l-4 4a1 1 0 01-1.414 0z clip-ruleevenodd/> /svg> /a> h1 classmt-4 text-4xl tracking-tight font-extrabold text-white sm:mt-5 sm:text-6xl lg:mt-6 xl:text-6xl> span classblock>ASIAN/span> span classpb-3 text-black block bg-clip-text bg-gradient-to-r from-teal-200 to-cyan-400 sm:pb-5>ETHNOLOGY/span> /h1> p classtext-base text-white sm:text-xl lg:text-lg xl:text-xl> Asian Ethnology is dedicated to the promotion of scholarly research on the peoples and cultures of Asia. It began in China as Folklore Studies in 1942 and later moved to Japan where its name was changed to Asian Folklore Studies. It is edited and published at Nanzan University in Nagoya, Japan. /p> /div> /div> div classmt-12 -mb-16 sm:-mb-48 lg:m-0 lg:relative> div classmx-auto max-w-md px-4 sm:max-w-2xl sm:px-6 lg:max-w-none lg:px-0> !-- Illustration taken from Lucid Illustrations: https://lucid.pixsellz.io/ --> img classw-full lg:absolute lg:inset-y-0 lg:left-0 lg:h-full lg:w-auto lg:max-w-none src/images/background/faces1.png alt> /div> /div> /div> /div> /div> !-- This example requires Tailwind CSS v2.0+ --> div classpy-12 bg-white> div classmax-w-7xl mx-auto px-4 sm:px-6 lg:px-8> div classlg:text-center> a hrefhttps://asianethnology.org/announcements classmt-2 text-3xl leading-8 font-extrabold tracking-tight text-red-900 sm:text-4xl>Announcements/a> p classmt-4 max-w-2xl text-xl text-gray-500 lg:mx-auto>/p> /div> div classmt-10> dl classspace-y-10 md:space-y-0 md:grid md:grid-cols-2 md:gap-x-8 md:gap-y-10> div classrelative> dt> div classabsolute flex items-center justify-center h-12 w-12 rounded-md bg-red-500 text-white> !-- Heroicon name: outline/globe-alt --> svg classh-6 w-6 xmlnshttp://www.w3.org/2000/svg fillnone viewBox0 0 24 24 strokecurrentColor aria-hiddentrue> path stroke-linecapround stroke-linejoinround stroke-width2 dM3 21v-4m0 0V5a2 2 0 012-2h6.5l1 1H21l-3 6 3 6h-8.5l-1-1H5a2 2 0 00-2 2zm9-13.5V9/>/svg> /div> p classml-16 text-lg leading-6 font-medium text-gray-900>Latest issue (AE 83-1) published/p> /dt> dd classmt-2 ml-16 text-base text-gray-500>Download the individual articles of AE 83-1 from the "Current Issue" or "Volumes" pages. The full issue will be available for download. a classtext-red-700 hrefhttps://asianethnology.org/announcements/6>Read more/a> /dd> /div> div classrelative> dt> div classabsolute flex items-center justify-center h-12 w-12 rounded-md bg-red-500 text-white> !-- Heroicon name: outline/globe-alt --> svg classh-6 w-6 xmlnshttp://www.w3.org/2000/svg fillnone viewBox0 0 24 24 strokecurrentColor aria-hiddentrue> path stroke-linecapround stroke-linejoinround stroke-width2 dM3 21v-4m0 0V5a2 2 0 012-2h6.5l1 1H21l-3 6 3 6h-8.5l-1-1H5a2 2 0 00-2 2zm9-13.5V9/>/svg> /div> p classml-16 text-lg leading-6 font-medium text-gray-900>Delay in Response/p> /dt> dd classmt-2 ml-16 text-base text-gray-500>Thank you for your continued support of Asian Ethnology.Due to a large number of submissions, there is likely to be delay in response from the editorial team.Thank you for your understanding. a classtext-red-700 hrefhttps://asianethnology.org/announcements/9>Read more/a> /dd> /div> /dl> /div> /div> /div> !-- Blog section --> !-- stylebackground: rgb(34,193,195); background: linear-gradient(0deg, rgba(255, 255, 255,1) 60%, rgba(235,140,61,1) 100%);--> div classrelative bg-white py-32> div classrelative mt-6> div classtext-center mx-auto max-w-md px-4 sm:max-w-3xl sm:px-6 lg:px-8 lg:max-w-7xl> h2 classtext-base font-semibold tracking-wider text-cyan-600 uppercase>a hrefhttps://asianethnology.org/volume/83-1>Volume 83 (1)/a>/h2> p classmt-2 text-3xl font-extrabold text-gray-900 tracking-tight sm:text-4xl> Included in this Issue /p> p classmt-5 mx-auto max-w-prose text-xl text-gray-500>/p> /div> div classmt-12 mx-auto max-w-md px-4 grid gap-8 sm:max-w-lg sm:px-6 lg:px-8 lg:grid-cols-3 lg:max-w-7xl> div classflex flex-col rounded-lg shadow-lg overflow-hidden> div classflex-shrink-0> img classh-48 w-full object-cover srchttps://asianethnology.org/article/lMrYp7GKDfQAVqDHUxwWoKR7vXROkkFIVUkQwHXF.jpg alt> /div> div classflex-1 bg-white p-6 flex flex-col justify-between> div classflex-1> p classtext-sm font-medium text-cyan-600> a hrefhttps://asianethnology.org/articles/2454 classhover:underline> Article /a> /p> a hrefhttps://asianethnology.org/articles/2454 classblock mt-2> p classtext-lg font-semibold text-red-600 line-clamp-3> Circus Routes /p> p classmt-3 text-base text-gray-500 line-clamp-5> Indian big top circuses carry an ensemble of people, animals, and infrastructures over long distances. Interviews with circus managers and owners about their itineraries suggest their representations of India elude some regional conceptions of space that are widespread and prevalent in South Asian studies. While regions bind together nearby places with a history of exchanges and common practices, circus routes are one modality by which distant places and regions can be defined and connected through the history of the people traveling through them. This article surveys some of the spatial features that managers and owners consider when determining circus routes. Circus routes highlight dynamic and business-oriented ways of thinking about India’s territory, factoring in monsoons and droughts, ground availability and prices, and competition with other itinerant businesses. Building on ethnographic material, I show that business acumen in the circus community is primarily defined by a reading of space that successfully factors in this information. Ultimately, the development of circus geographies that do not readily map onto national, international, or subnational scales demonstrates how time and space can be configured in a specific way by one’s belonging to a professional community. /p> /a> /div> div classmt-6 flex items-center> div classml-3> p classtext-sm font-medium text-gray-900> Eléonore Rimbault /p> div classflex space-x-1 text-sm text-gray-500> time datetime2020-03-16> /time> /div> /div> /div> /div> /div> div classflex flex-col rounded-lg shadow-lg overflow-hidden> div classflex-shrink-0> img classh-48 w-full object-cover srchttps://asianethnology.org/article/p4UmJNm3KCslM7AZ4fwsmQ0iBUOFnqsbitYmC6fn.jpg alt> /div> div classflex-1 bg-white p-6 flex flex-col justify-between> div classflex-1> p classtext-sm font-medium text-cyan-600> a hrefhttps://asianethnology.org/articles/2456 classhover:underline> Article /a> /p> a hrefhttps://asianethnology.org/articles/2456 classblock mt-2> p classtext-lg font-semibold text-red-600 line-clamp-3> The Idea of Madhyadeśa in Early India /p> p classmt-3 text-base text-gray-500 line-clamp-5> In the premodern world, many communities believed that they were located in the center of the world. The Hindu community, too, invented the idea of Madhyadeśa (Middle Country) in the first millennium bce. This space was as much a physical landscape as a set of cultural markers. The people of Madhyadeśa were believed to speak a “pure” language, follow the norms of a patriarchal caste order, and perform the right set of rituals. These cultural markers were contrasted with those of the people of Mlecchadeśa (Land of Barbarians). In the initial phase, the physical space identified with Madhyadeśa was fluid and malleable. The cultural markers, however, stayed the same or changed ever more slowly. Those cultural markers and ideologies continue to resonate in the lives of people. These ideas define the grammar of most marriages and political formations today. This can be demonstrated by comparing the performance of Madhyadeśa and Mlecchadeśa along a grid of indicators. /p> /a> /div> div classmt-6 flex items-center> div classml-3> p classtext-sm font-medium text-gray-900> P. K. Basant /p> div classflex space-x-1 text-sm text-gray-500> time datetime2020-03-16> /time> /div> /div> /div> /div> /div> div classflex flex-col rounded-lg shadow-lg overflow-hidden> div classflex-shrink-0> img classh-48 w-full object-cover srchttps://asianethnology.org/article/jBQOlCWqx36mZBJerYaYMZjiUnCkyQmyhhXOqfmp.jpg alt> /div> div classflex-1 bg-white p-6 flex flex-col justify-between> div classflex-1> p classtext-sm font-medium text-cyan-600> a hrefhttps://asianethnology.org/articles/2460 classhover:underline> Article /a> /p> a hrefhttps://asianethnology.org/articles/2460 classblock mt-2> p classtext-lg font-semibold text-red-600 line-clamp-3> Female Collaboration at Regional Junctions /p> p classmt-3 text-base text-gray-500 line-clamp-5> This article examines the material culture of Urdu action heroine films released in the era of Pakistan’s Islamization (late 1970s through 1980s) by a woman-led company called Shamim Ara Productions, which was headed by the illustrious female star, director, and producer of the Urdu screen Shamim Ara. With titles such as em>Miss Hong Kong/em> (1979), em>Miss Colombo/em> (1984), em>Miss Singapore/em> (1985), em>Lady Smuggler/em> (1987), and em>Lady Commando/em> (1989), the action films released by Shamim Ara Productions bear the imprint of a traveling culture of production roving through urban South and Southeast Asia. Not only do we find here a mobile industry, headquartered in Lahore, fostering collaborations between small-scale film and tourism entrepreneurs strewn across South and Southeast Asian cities (Colombo, Dhaka, Manila, Hong Kong), but we also encounter a hybrid cinema led largely by women and cross-fertilized by global images of female action and public mobility flowing into Pakistani cities with the video trade and its piracy, and satellite television (video and VCR having come to the country in the late 1970s). In this article, I situate the gender politics of the ensemble heroine narrative em>Lady Smuggler/em> (1987) in its material culture of production and reception, with attention to the diverse locations of that culture. /p> /a> /div> div classmt-6 flex items-center> div classml-3> p classtext-sm font-medium text-gray-900> Esha Niyogi De /p> div classflex space-x-1 text-sm text-gray-500> time datetime2020-03-16> /time> /div> /div> /div> /div> /div> /div> /div> /div> /main> footer classbg-gray-50 aria-labelledbyfooter-heading> h2 idfooter-heading classsr-only>Footer/h2> div classmax-w-md mx-auto pt-12 px-4 sm:max-w-7xl sm:px-6 lg:pt-16 lg:px-8> div classxl:grid xl:grid-cols-3 xl:gap-8> div classmt-12 grid grid-cols-2 gap-8 xl:mt-0 xl:col-span-2> div classmd:grid md:grid-cols-2 md:gap-8> div> h3 classtext-sm font-semibold text-gray-400 tracking-wider uppercase> a href/page/contact>Contact/a> /h3> /div> div classmt-12 md:mt-0> h3 classtext-sm font-semibold text-gray-400 tracking-wider uppercase> a href/page/policies>Terms of Use/a> /h3> /div> /div> div classmd:grid md:grid-cols-2 md:gap-8> div> h3 classtext-sm font-semibold text-gray-400 tracking-wider uppercase> a href/page/submissions>Submissions/a> /h3> /div> div classmt-12 md:mt-0> h3 classtext-sm font-semibold text-gray-400 tracking-wider uppercase> a href/page/policies>CC BY-NC/a> /h3> /div> /div> /div> /div> div classmt-12 border-t border-gray-200 py-8> p classtext-base text-gray-400 xl:text-center> © 2021 Asian Ethnology. 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