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Domain > artisthinker.felsimages.com
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More information on this domain is in
AlienVault OTX
Is this malicious?
Yes
No
Whois
Property
Value
NameServer
NS2.BLUEHOST.COM
Created
2013-04-09 00:00:00
Changed
2016-05-08 00:00:00
Expires
2017-04-09 00:00:00
Registrar
TUCOWS DOMAINS INC.
DNS Resolutions
Date
IP Address
2019-07-14
69.195.124.109
(
ClassC
)
2025-11-03
50.87.253.44
(
ClassC
)
Port 80
HTTP/1.1 301 Moved PermanentlyDate: Mon, 03 Nov 2025 07:44:36 GMTServer: ApacheLocation: https://artisthinker.felsimages.com/Cache-Control: max-age604800Expires: Mon, 10 Nov 2025 07:44:36 GMTContent-Length: 244Content-Type: text/html; charsetiso-8859-1 !DOCTYPE HTML PUBLIC -//IETF//DTD HTML 2.0//EN>html>head>title>301 Moved Permanently/title>/head>body>h1>Moved Permanently/h1>p>The document has moved a hrefhttps://artisthinker.felsimages.com/>here/a>./p>/body>/html>
Port 443
HTTP/1.1 200 OKDate: Mon, 03 Nov 2025 07:44:36 GMTServer: ApacheUpgrade: h2,h2cConnection: UpgradeLast-Modified: Fri, 16 May 2025 19:30:22 GMTAccept-Ranges: bytesContent-Length: 12725Cache-Control: max-age604800Expires: Mon, 10 Nov 2025 07:44:36 GMTVary: Accept-Encodinghost-header: c2hhcmVkLmJsdWVob3N0LmNvbQContent-Type: text/html !DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Transitional//EN http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd />html xmlnshttp://www.w3.org/1999/xhtml>head>meta http-equivContent-Type contenttext/html; charsetUTF-8>title>Donald Fels/title>meta namedescription content />meta namekeywords content />meta nameRobots contentall />meta nameSubject contentArt />meta namecopyright content(c) Copyright 2011, Donald Fels. All rights reserved. />meta nameDesigner contentTodd Lininger, http://toddlininger.com/ />meta namedistribution contentglobal />meta namerating contentgeneral />meta nameresource-type contentdocument />link typetext/css relstylesheet hreffels.css />script typetext/javascript srcfels.js>/script>/head>body classhomepage>div idwrapper> div idheader> h1 classlogo>Donald Fels/h1> ul classnav> li classfirst>a href./>Home/a>/li> li>a hrefprojects/>Projects/a>/li> li>a hrefbio/>Bio/a>/li> li>a hrefmailto:donatofels@gmail.com>Contact/a>/li> li classlast>a hrefhttp://felsimages.com/ target_blank>FelsImages.com/a>/li> /ul> /div> div idprojectMap> ul classprojectMapCol1> img srcimages/topic_names.gif altNarrative, Community, Looking, Commodities, Water width76 height548 /> /ul> ul classprojectMapCol2> li>div idprojectMapLines>img srcimages/spacer.gif altConnections width96 height548 />/div>/li> /ul> ul classprojectMapCol3> li idprojectMapName-Atlas classdoubleLine>a hrefprojects/atlas.html onmouseoverswapImages(Atlas,1); onmouseoutresetImages(null,1);>span>House/Atlas, New Orleans/span>/a>/li> li idprojectMapName-Alum>a hrefprojects/alum.html onmouseoverswapImages(Alum,1); onmouseoutresetImages(null,1);>span>Alum Project/span>/a>/li> li idprojectMapName-WaterPlant classdoubleLine>a hrefprojects/waterplant.html onmouseoverswapImages(WaterPlant,1); onmouseoutresetImages(null,1);>span>Seattle Wastewater Treatment Plant/span>/a>/li> li idprojectMapName-Waterlines>a hrefprojects/waterlines.html onmouseoverswapImages(Waterlines,1); onmouseoutresetImages(null,1);>span>Waterlines/span>/a>/li> li idprojectMapName-Sime classtripleLine>a hrefprojects/sime.html onmouseoverswapImages(Sime,1); onmouseoutresetImages(null,1);>span>Sime Darby & Rubber Research Institute, Malaysia/span>/a>/li> li idprojectMapName-Cathedral>a hrefprojects/cathedralpark.html onmouseoverswapImages(Cathedral,1); onmouseoutresetImages(null,1);>span>Cathedral Park/span>/a>/li> li idprojectMapName-Bellevue classdoubleLine>a hrefprojects/bellevue.html onmouseoverswapImages(Bellevue,1); onmouseoutresetImages(null,1);>span>Bellevue Art Museum/span>/a>/li> li idprojectMapName-RedEarthPlay>a hrefprojects/redearthplay.html onmouseoverswapImages(RedEarthPlay,1); onmouseoutresetImages(null,1);>span>Red Earth/span>/a>/li> li idprojectMapName-ExILVA classdoubleLine>a hrefprojects/ex.html onmouseoverswapImages(ExILVA,1); onmouseoutresetImages(null,1);>span>Ex-ILVA Steelworks/span>/a>/li> li idprojectMapName-Courtland>a hrefprojects/courtland.html onmouseoverswapImages(Courtland,1); onmouseoutresetImages(null,1);>span>Courtland Place/span>/a>/li> li idprojectMapName-MOHAI classtripleLine>a hrefprojects/mohai.html onmouseoverswapImages(MOHAI,1); onmouseoutresetImages(null,1);>span>Museum of History and Industry/span>/a>/li> li idprojectMapName-MarieLouie>a hrefprojects/marielouie.html onmouseoverswapImages(MarieLouie,1); onmouseoutresetImages(null,1);>span>Marie Louie/span>/a>/li> li idprojectMapName-Vasco classdoubleLine>a hrefprojects/vasco.html onmouseoverswapImages(Vasco,1); onmouseoutresetImages(null,1);>span>Vasco da Gama, South India/span>/a>/li> li idprojectMapName-Everything classdoubleLine>a hrefprojects/everything.html onmouseoverswapImages(Everything,1); onmouseoutresetImages(null,1);>span>Everything, Chicago/span>/a>/li> li idprojectMapName-Peripheral>a hrefprojects/peripheralvision.html onmouseoverswapImages(Peripheral,1); onmouseoutresetImages(null,1);>span>Peripheral Vision/span>/a>/li> /ul> /div> div idcontent> ul idhomeImageGrid> li idimageGrid-Atlas>a hrefprojects/atlas.html onmouseoverswapImages(Atlas,1); onmouseoutresetImages(null,1);>span>House/Atlas, New Orleans/span>/a>/li> li idimageGrid-Alum>a hrefprojects/alum.html onmouseoverswapImages(Alum,1); onmouseoutresetImages(null,1);>span>Alum Project/span>/a>/li> li idimageGrid-WaterPlant>a hrefprojects/waterplant.html onmouseoverswapImages(WaterPlant,1); onmouseoutresetImages(null,1);>span>Seattle Wastewater Treatment Plant/span>/a>/li> li idimageGrid-Waterlines>a hrefprojects/waterlines.html onmouseoverswapImages(Waterlines,1); onmouseoutresetImages(null,1);>span>Waterlines/span>/a>/li> li idimageGrid-Sime>a hrefprojects/sime.html onmouseoverswapImages(Sime,1); onmouseoutresetImages(null,1);>span>Sime Darby & Rubber Research Institute, Malaysia/span>/a>/li> li idimageGrid-Cathedral>a hrefprojects/cathedralpark.html onmouseoverswapImages(Cathedral,1); onmouseoutresetImages(null,1);>span>Cathedral Park/span>/a>/li> li idimageGrid-Bellevue>a hrefprojects/bellevue.html onmouseoverswapImages(Bellevue,1); onmouseoutresetImages(null,1);>span>Bellevue Art Museum/span>/a>/li> li idimageGrid-RedEarthPlay>a hrefprojects/redearthplay.html onmouseoverswapImages(RedEarthPlay,1); onmouseoutresetImages(null,1);>span>Earth Play/span>/a>/li> li idimageGrid-ExILVA>a hrefprojects/ex.html onmouseoverswapImages(ExILVA,1); onmouseoutresetImages(null,1);>span>Ex-ILVA Steelworks/span>/a>/li> li idimageGrid-Courtland>a hrefprojects/courtland.html onmouseoverswapImages(Courtland,1); onmouseoutresetImages(null,1);>span>Courtland Place/span>/a>/li> li idimageGrid-MOHAI>a hrefprojects/mohai.html onmouseoverswapImages(MOHAI,1); onmouseoutresetImages(null,1);>span>Museum of History and Industry/span>/a>/li> li idimageGrid-MarieLouie>a hrefprojects/marielouie.html onmouseoverswapImages(MarieLouie,1); onmouseoutresetImages(null,1);>span>Marie Louie/span>/a>/li> li idimageGrid-Vasco>a hrefprojects/vasco.html onmouseoverswapImages(Vasco,1); onmouseoutresetImages(null,1);>span>Vasco da Gama, South India/span>/a>/li> li idimageGrid-Everything>a hrefprojects/everything.html onmouseoverswapImages(Everything,1); onmouseoutresetImages(null,1);>span>Everything, Chicago/span>/a>/li> li idimageGrid-Peripheral>a hrefprojects/peripheralvision.html onmouseoverswapImages(Peripheral,1); onmouseoutresetImages(null,1);>span>Peripheral Vision/span>/a>/li> /ul> div idhomepageText> h1>Thinking in Public/h1> p classlarge bold orange>For artist Donald Fels, the network is the medium. His work explores the routes that connect people with commodities, institutions with their environments, places with the ideas that have defined them./p> p stylemargin-top: 30px; classbold>Fels builds art out of research, developing what he learns by delving deeply into narratives that spread out and back into the network from which they have come./p> p>For five decades the work Fels has shown in galleries, museums and written about has focused on commodities: ubiquitous materials, like rubber, tin, fish, alum, wood, olives, pigments and steel – the stuff out of which everyday life is constructed, yet whose complex articulations over time and space are largely invisible./p> p>The identities of commodities are often difficult to see because they’re embodied in movement: in actions that are generated, things produced, people and places that are changed through large-scale, increasingly global, production. Their very utility makes one forget that they are sites of significant articulation. The rubber tree (the subject of years of research in South-east Asia and an exhibition at the Tacoma Art Museum), the research hospital (the place of a 2004 residency), a water-treatment plant (a 2010 collaboration resulting in a working sculpture) or a factory in Mumbai which manufacturers the major share of phthalo blue, the world’s most used color (Bombay installation in 2016)./p> p>Through collaborations centered on the widely varied elements involved, Fels uncoils the lines patterns and trajectories that lead into and out from the matters at hand and communicates the distinct cultures that are created therein./p> p>To create a narrative, finding ways to tell stories, is to create connections between the past and present of a place, between what lies buried and what’s visible on the outside. In some cases, the conversations that Fels facilitates are both research and primary product; performances of a sort, staged between people sitting down to talk, which he guides into events where people end up thinking over things they hadn’t considered. The conversations generate a map of the inherent characteristics of a place or institution, introducing new directions for thought and action./p> p>Projects have also resulted in works of non-fiction, sculpture, series of paintings, a play, installations, detailed proposals for future endeavors, and collaborations with performers and poets, scientists, visual artists, and other institutions. Currently, he co-leads a team composed of an archeologist and geographer, mapping the natural shoreline of Seattle as a way of drawing up an idea of its present. He is working North and South along the Adriatic Sea, in Trieste and Lecce, looking into ancient links with silk dyers. And he is examining and writing about the relationship of the first Boeing planes to the people and materials of the Pacific Northwest./p> p>Fels views seeing as the primary role of the artist, using that vision to make the complex clear by breaking it down into communicable forms. In order for a pattern to be legible the relationship between component parts must become evident – at a certain point, a line must intersect another, a shape must be echoed in the form of a distant curve./p> p>Fels searches out and puts concentrated energy into nodes and points of intersection. The value he creates in his art practice lies in the connections he brokers. The process is structural – he builds framework for his art through a steady growth of connective tissue. Often done while working collaboratively, the process is risky, ungainly and almost always surprising. This inherently unpredictable element has become essential to the dynamics and success of his work./p> /div> /div> div idfooter> p classcopyright>© 2011 Donald Fels, a Triple Fels production./p> p classcredits>Site Design a hrefhttps://www.richardsonfels.com target_blank classbold>r+f/a> & a hrefhttps://toddlininger.com target_blank classbold titleTodd Lininger Design, LLC>tld/a>/p> /div>/div>/body>/html>
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