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!DOCTYPE html>html langen>head>  title>Angel Lam/title>  meta nameviewport contentwidthdevice-width, initial-scale1>  link relicon hrefimg/tabLogo.png typeimage/x-icon>  link relstylesheet hrefcss/main.bundle.css>  script srchttps://kit.fontawesome.com/4e5a72c756.js>/script>/head>body>  section classhero is-primary>    div classhero-body>      div classcontainer>        div classlevel>          div classlevel-item has-text-centered>            figure classimage is-128x128>              img classis-rounded srcimg/angel.png>            /figure>          /div>        /div>        div classcolumns has-text-centered>          div classcolumn>            h1 classtitle is-1>              Angel Lam            /h1>            h2 classsubtitle>              Software Engineer, Tools and Graphics            /h2>            p>              div classtop-contact>                a hrefdocs/resume.pdf classicon has-text-light target_blank>                  i classfas fa-file-word>/i> strong>Resume/strong>                /a>                a hrefhttps://www.linkedin.com/in/luchchalam classicon has-text-light target_blank>                  i classfab fa-linkedin-in>/i>strong>LinkedIn/strong>                /a>              /div>            /p>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>About Me/h1>      hr />      div classcard>        div classcard-content>          p>Hello! Im Angel (Luchcha) Lam — a lifelong learner driven by a passion for computer graphics and the intersection of art and technology. With half a decade of experience in the animation and games industry, I hope to push the boundaries of interactive and immersive storytelling. My goal is to create meaningful, joyful, innovative and visually compelling experiences through graphics-driven technology. Originally from Bangkok, Thailand, I bring a global perspective and a curious spirit to everything I do. Outside of work, youll likely find me on a mission to discover the best ice-creams, indulging in 75% dark chocolate, or balancing it all out with a game of ultimate frisbee, thai boxing, or getting some fresh air outdoors./p>        /div>        /div>      /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Experience/h1>      hr />      div classcard>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-48x48>                img srcimg/activision_logo.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>Microsoft Xbox - Activision Blizzard/p>              p classsubtitle is-6>Software Engineer – time datetime2018-1>July 2023/time> - time                  datetime2025-6>Present/time> /p>            /div>          /div>          div classcontent>            p>Our team does everything capture related for teams across Activision, Blizzard, and Xbox Game Studios. I develop tools that support our end-to-end capture pipelines — including facial, motion, and material capture — to enhance both the efficiency of production workflows and the visual quality of our games. I also work with R&D engineers to integrate the latest graphics research into our pipeline to improve the qualities of our scans. Below are the titles Ive worked on./p>            ul>              li>Call of Duty Black Ops 6 - 2025/li>              li>Call of Duty Modern Warfare 3 - 2024/li>              li>Call of Duty Modern Warfare 2 - 2023/li>            /ul>            div classcolumns is-mobile is-multiline>              div classcolumn is-one-third>                  img srcimg/lightstage.jpeg altImage 1>              /div>              div classcolumn is-one-third>                  img srcimg/bodyrig.jpeg altImage 2>              /div>              div classcolumn is-one-third>                  img srcimg/mocap.jpeg altImage 3>              /div>            /div>            div classcolumns is-mobile is-multiline>              div classcolumn is-one-third>                  img srcimg/mw2.jpg altImage 1>              /div>              div classcolumn is-one-third>                  img srcimg/mw3.png altImage 2>              /div>              div classcolumn is-one-third>                  img srcimg/blackops6.png altImage 3>              /div>            /div>            div classtags>              span classtag>C++/span>              span classtag>Python/span>              span classtag>PyQT/span>              span classtag>FBXSDK/span>              span classtag>Photogrammetry/span>              span classtag>Motion Capture/span>              span classtag>Digital Humans/span>            /div>          /div>        /div>      /div>      div classcard card-gap>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-48x48>                img srcimg/monk_logo.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>The Monk Studios/p>              p classsubtitle is-6>Pipeline Technical Director – time datetime2019-9>September 2019/time> - time                  datetime2021-9>2021/time>/p>            /div>          /div>          div classcontent>            p>As a Pipeline Technical Director, I maintained and developed tools, both standalone and as plugins for DCC tools such as Autodesk Maya and Toonboom Harmony.              I collaborated with IT to set up a 2D render farm and established a streamlined and trackable pipeline for 2D productions from pre to post production.              I enjoyed learning new softwares such as Harmony through collaborating with Harmonys support team and from our artists to create tools that artists would want to use.              The public projects I supported were:            /p>            ul>              li>Netflixs Sea of Love - Thailands first Netflix kids series/li>            /ul>            img srcimg/sea_of_love.png altImage 1>            div classtags>              span classtag>Python/span>              span classtag>2D/3D Animation/span>              span classtag>HTML/span>              span classtag>SQL/span>              span classtag>PyQT/span>            /div>          /div>        /div>      /div>      div classcard card-gap>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-48x48>                img srcimg/nickelodeon_logo.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>Nickelodeon/p>              p classsubtitle is-6>Animation Engineer – time datetime2018-10>October 2018/time> - time                  datetime2019-10>2019/time>/p>            /div>          /div>          div classcontent>            p>At Nickelodeon, I wrote tools to support different departments within Nickelodeon animation.              I Collaborated with the production team on a tool to process deliveries from vendor studios into our local file server and the Shotgun/Shotgrid/Flow database using Python and the Shotgrid API.              I worked with the Archiving Team to expedite their archiving process using Python, setup a database and wrote a tool that tracks and enable other teams to request archived assets.            /p>            div classtags>              span classtag>Python/span>              span classtag>2D/3D Animation/span>              span classtag>SQL/span>            /div>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Projects/h1>      hr />      div classtile is-ancestor>        div classtile is-vertical is-12>          div classtile>            div classtile is-parent modal-trigger data-targetproject-1-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/jello.jpg>                /figure>                p classtitle is-4>Real-Time Jello/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-2-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/pathtracer.png>                /figure>                p classtitle is-4>Path Tracer/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-3-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/shader.png>                /figure>                p classtitle is-4>Non-Photorealistic SPH/p>              /article>            /div>          /div>        /div>      /div>      div classtile is-ancestor>        div classtile is-vertical is-12>          div classtile>            div classtile is-parent modal-trigger data-targetproject-4-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/ml_style.jpg>                /figure>                p classtitle is-4>Machine Learning/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-5-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/unreal_vp.png>                /figure>                p classtitle is-4>Unreal/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-6-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/ramen_rig.jpg>                /figure>                p classtitle is-4>Animation Tools/p>              /article>            /div>          /div>        /div>      /div>      div classtile is-ancestor>        div classtile is-vertical is-12>          div classtile>            div classtile is-parent modal-trigger data-targetproject-7-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/opengl.jpg>                /figure>                p classtitle is-4>OpenGL 3D Space/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-8-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/wearthese.jpg>                /figure>                p classtitle is-4>Wear These/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-9-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/cooking_disaster.png>                /figure>                p classtitle is-4>Art and Animation/p>              /article>            /div>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Education / Training/h1>      hr />      div classcard>        div classcard-content>            div classmedia>              div classmedia-left>                figure classimage is-48x48>                  img srcimg/purdue.jpg altPlaceholder image>                /figure>              /div>              div classmedia-content>                p classtitle is-4>Purdue University/p>                p classsubtitle is-6>Masters in Computer Graphics Technology – time datetime2021-9>September 2021/time> - time                    datetime2023-6>June 2023/time>/p>              /div>            /div>          div classcontent>            GPA: 4.0            Relevant Coursework:            ul>              li>Artificial Intelligence for Computer Graphics/li>              li>Computer Graphics Programming/li>              li>Game Development/li>              li>Linear Algebra and Its Application/li>              li>Deep Learning/li>            /ul>          /div>        /div>      /div>      div classcard card-gap>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-96x48>                img srcimg/Brown-RISD.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>Rhode Island School of Design / Brown University/p>              p classsubtitle is-6>Bachelors in Film/Animation/Video. Concentration in Computation – time datetime2014-9>September 2014/time> - time                  datetime2018-6>June 2018/time>/p>            /div>          /div>          div classcontent>            Relevant Coursework:            ul>              li>Object-Oriented Programming/li>              li>Data Structure and Algorithm/li>            /ul>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Publications/h1>      hr />      a hrefhttps://dl.acm.org/doi/abs/10.1145/3605495.3605791 target_blank>        div classcard>          div classcard-content>            div classcontent>              p classtitle is-4>Effects of Body Type and Voice Pitch on Perceived Audio-Visual Correspondence and Believability of Virtual Characters/p>              p classsubtitle is-6>Purdue University – time datetime2023-8>August 2023/time>/p>            /div>            div classcontent>              As part of our labs research on AI-driven STEM educational videos, my Masters thesis explored the realism of virtual characters.            /div>          /div>        /div>      /a>      div classcard card-gap>        a hrefhttps://dl.acm.org/doi/abs/10.1145/3663548.3675610 target_blank>          div classcard>            div classcard-content>              div classcontent>                p classtitle is-4>“Not Only Annoying but Dangerous”: Devising an Ecology of Protections for Photosensitive Social Media Users/p>                p classsubtitle is-6>Purdue University – time datetime2024-10>October 2024/time>/p>              /div>              div classcontent>                Prototyped real-time device-level protection in Android Studio to detect flashing/strobing visual patterns, enhancing digital safety for users with photosensitive epilepsy or migraines.              /div>            /div>          /div>        /a>      /div>      div classcard card-gap>        a hrefhttps://journals.sagepub.com/doi/10.1177/07356331231213932 target_blank>          div classcard>            div classcard-content>              div classcontent>                p classtitle is-4>Recognizing and Relating to the Race/Ethnicity and Gender of Animated Pedagogical Agents/p>                p classsubtitle is-6>Purdue University – time datetime2023-11>November 2023/time>/p>              /div>              div classcontent>                Created AI-driven emotionally intelligent avatars for STEM education videos, increasing engagement and retention among K–12 students.              /div>            /div>          /div>        /a>      /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Contact/h1>      hr />      nav classlevel>        div classlevel-item has-text-centered>          div>            a hrefhttps://github.com/angellam278 classicon is-large target_blank>              i classfab fa-2x fa-github>/i>            /a>            p classheading>a hrefhttps://github.com/angellam278 target_blank>github.com/angellam278/a>/p>          /div>        /div>        div classlevel-item has-text-centered>          div>            a href/cdn-cgi/l/email-protection#42232c25272e2e232f70757a02252f232b2e6c212d2f classicon is-large>              i classfas fa-2x fa-envelope>/i>            /a>            p classheading>a href/cdn-cgi/l/email-protection#93f2fdf4f6fffff2fea1a4abd3f4fef2faffbdf0fcfe>span class__cf_email__ data-cfemail4a2b242d2f26262b27787d720a2d272b232664292527>email protected/span>/a>/p>          /div>        /div>        div classlevel-item has-text-centered>          div>            a hrefhttps://www.linkedin.com/in/luchchalam classicon is-large target_blank>              i classfab fa-2x fa-linkedin-in>/i>            /a>            p classheading>a hrefhttps://www.linkedin.com/in/luchchalam target_blank>linkedin/a>/p>          /div>        /div>      /nav>    /div>  /section>  !-- Modals -->  div idproject-1-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Real-Time Jello/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-1-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/jello.gif>          /figure>          figure classimage carousel-cell>            img srcimg/jello_debug.gif>          /figure>          figure classimage carousel-cell>            img srcimg/jello_physics.gif>          /figure>        /div>        div classcontent>          p>As part of a two-person team, I developed a real-time jello simulation using OpenGL and C++. My primary responsibilities included implementing the underlying physics and interactive behaviors. The simulation models the jello as a mass-spring system, utilizing both Euler and fourth-order Runge-Kutta integration methods for numerical stability and accuracy. To simulate translucency, we applied Beers Law for light attenuation through the material. Performance was optimized using OpenMP for parallel computation./p>          p>b>Future Improvements:/b>            br>- Implement per-vertex lighting to eliminate the appearance of flat, triangulated surfaces when the jello mesh is rendered at low resolution.            br>- Add a skybox or dynamic background to replace the solid color and better showcase the material properties and translucency of the jello.            br>- Accelerate the simulation using compute shaders by offloading physics calculations to the GPU for improved performance and real-time interactivity.            br>- Allow the jello to freely jiggle off the plate and interact dynamically with other objects within the bounding box.          /p>          p>a hrefhttps://github.com/angellam278/Jello target_blank>Checkout the Github project here!/a>/p>          div classtags>            span classtag>C++/span>            span classtag>Simulation/span>          /div>        /div>      /section>    /div>  /div>  div idproject-2-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Path Tracer/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-2-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/pathtracer.gif>          /figure>          figure classimage carousel-cell>            img srcimg/purdue_pathtracer.jpg>          /figure>        /div>        div classcontent>          p>As part of a two-person team, we developed a CPU-based Monte Carlo Path Tracer in C++. The renderer supports loading and rendering of .obj models and simulates a variety of materials—including diffuse, specular, glossy, and glass—using bidirectional reflectance distribution functions (BRDFs). To improve performance, we implemented bounding volume hierarchies (BVH) for spatial acceleration and leveraged OpenMP for parallel processing. We conducted performance benchmarking across scenes with varying triangle counts and material properties, with detailed results available on our GitHub repository./p>          p>            b>Future Improvements:/b>            br>- Implement a built in denoiser to reduce the noise in our output            br>- Accelerate compute time using importance sampling and CUDA          /p>          p>a hrefhttps://github.com/JCSaltFish/PBRPathTracer target_blank>Checkout the Github project here!/a>/p>          div classtags>            span classtag>C++/span>            span classtag>Rendering/span>          /div>        /div>      /section>    /div>  /div>  div idproject-3-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Non-PhotoRealistic SPH/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-3-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/shader.gif>          /figure>          figure classimage carousel-cell>            img srcimg/shader.png>          /figure>        /div>        div classcontent>          p>As part of a two-person team, we developed an interactive application demonstrating non-photorealistic rendering techniques combined with smoothed-particle hydrodynamics (SPH). My teammate focused on implementing the SPH-based fluid simulation, while I was responsible for the visual design and shading. The program features a customizable non-photorealistic shader that allows users to adjust outline, background, and tone colors in real time. Users can also modify particle sizes and switch between different 3D models for visualization./p>          p>a hrefhttps://github.com/angellam278/NPR-SPH target_blank>Checkout the Github project here!/a>/p>          div classtags>            span classtag>OpenGL/span>            span classtag>Simulation/span>            span classtag>ImGUI/span>          /div>        /div>      /section>    /div>  /div>  div idproject-4-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Machine Learning/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-4-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/ml_style.jpg>          /figure>          figure classimage carousel-cell>            img srcimg/ml_voxel.jpg>          /figure>        /div>        div classcontent>          p>            b>Pixel to Style/b>            br>I read a a href srchttps://arxiv.org/abs/2008.00951>paper/a> and was intrigued by the StyleGAN architecture and decided to train a StyleGAN with the MetFaces database (consisting of paintings and sculptures) which resulted in painterly portraits rather than and realistic portrait. I also did some inference tests with the pertained Pixel2Style2Pixel (pSp) framework to get Toonified faces, faces from sketches and faces from segmentation./p>            b>Pixel to Voxel/b>            br>I explored the use of deep learning in 3D workflows and stumbled upon a a href srchttps://dl.acm.org/doi/10.1145/3203197>paper/a> that predicts voxels from sketches. I drew a 3D “P”, used a pre-trained model, created with the Caffe framework, to output a volumetric prediction matrix and visualized the voxels using MatPlotLib.            div classtags>            span classtag>PyTorch/span>            span classtag>Python/span>          /div>        /div>      /section>    /div>  /div>  div idproject-5-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Unreal/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-5-modal-carousel classcarousel>          figure classcarousel-cell>            div classvideo-container>              iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/1097376273?ha0b6e67add allowfullscreen>/iframe>            /div>          /figure>          figure classimage carousel-cell>            img srcimg/unreal_material.jpg>          /figure>          figure classimage carousel-cell>            img srcimg/unreal_vp.png>          /figure>        /div>        div classcontent>          p>My experience with Unreal Engine includes developing an interactive VR experience, where I gained hands-on knowledge of gameplay mechanics using Blueprints and scene optimization techniques. This project also required addressing common VR user experience challenges such as motion sickness and intuitive navigation. In addition, Ive worked with Unreals material and instance systems, terrain tools, and lighting workflows. I further expanded my skills through a course at Gnomon on creating environments for Virtual Production, which emphasized the relationship between virtual and physical spaces, as well as planning for camera movement within those environments./p>            div classtags>            span classtag>Unreal/span>            span classtag>Virtual Production/span>            span classtag>Game Design/span>          /div>        /div>      /section>    /div>  /div>  div idproject-6-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Animation Tools/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        figure classcarousel-cell>          div classvideo-container>            iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/315978886?ha0b6e67add allowfullscreen>/iframe>          /div>        /figure>        div classcontent>          p>With a background in animation, I enjoy developing tools within digital content creation software such as Maya to enhance artist workflows and improve production efficiency. Im particularly fascinated by the mechanics of movement and rigging systems that empower animators to bring characters to life. My experience as an artist allows me to better anticipate the needs of creative teams and design tools that are both intuitive and enjoyable to use./p>          div classtags>            span classtag>Maya/span>            span classtag>Rigging/span>            span classtag>Python/span>            span classtag>Animation/span>          /div>        /div>      /section>    /div>  /div>  div idproject-7-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>OpenGL 3D Space/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        figure classcarousel-cell>          div classvideo-container>            iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/658593085?ha0b6e67add allowfullscreen>/iframe>          /div>        /figure>        div classcontent>          p>            In a team of 2, we wanted to learn Qt and complement our OpenGL implementation with a nice UI so we decided to create a 3D space for users to play with using Qt, Qt’s OpenGL framework and C++. We also utilized external libraries such as Assimp, IFreeImage and IrrKlang to assist in loading 3D models, textures and audio.          /p>          p>            b>Future Improvements:/b>            br>- Add enhanced user controls, such as uniform scaling and the ability to drag and drop objects directly to the cursor’s position.            br>- Implement instancing to improve rendering performance and memory efficiency.            br>- Explore alternative graphics APIs, such as Vulkan, to gain finer control over performance and resource management.          /p>          div classtags>            span classtag>OpenGL/span>            span classtag>Qt/span>            span classtag>C++/span>          /div>        /div>      /section>    /div>  /div>  div idproject-8-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Wear These/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        figure classimage is-4by3 carousel-cell>          img srcimg/wearthese.jpg>        /figure>        div classcontent>          p>            For Hack at Brown in 2017, my team designed a device to aid the visually impaired with transportation. The device sends haptic signals to the user when they approach any obstacle. Within 48 hours, we learned how to code and hardware hack the Arduino. As a group of RISD and Brown students with completely different background and no engineering knowledge, we designed the mock up as well as making a working prototype to present to other groups. We won the first time hacker award.          /p>          div classtags>            span classtag>Arduino/span>            span classtag>Python/span>            span classtag>Wearable Tech/span>          /div>        /div>      /section>    /div>  /div>  div idproject-9-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Art and Animation/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-9-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/cooking_disaster.png>          /figure>          figure classimage carousel-cell>            img srcimg/dog_portraits.png>          /figure>          figure classimage carousel-cell>            img srcimg/bone.png>          /figure>          figure classimage carousel-cell>            img srcimg/lobster_spa.png>          /figure>          figure classcarousel-cell>            div classvideo-container>              iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/270980749?title0&byline0&portrait0 allowfullscreen>/iframe>            /div>          /figure>          figure classcarousel-cell>            div classvideo-container>              iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/236813028?title0&byline0&portrait0 allowfullscreen>/iframe>            /div>          /figure>        /div>        div classcontent>          p>Outside of programming, I enjoy drawing, painting and making animations.          br>          br>1. Cooking Disaster (watercolor and digital painting)          br>2. Dog Portraits (acrylic on canvas)          br>3. When Bone Meets Meat (digital painting)          br>4. Lobster Spa (watercolor)          br>5. According To Plan          br>6. 2D Shorts          /p>          div classtags>            span classtag>2D/3D Animation/span>            span classtag>Fine Art/span>            span classtag>Design/span>          /div>        /div>      /section>    /div>  /div>  canvas idbackground-canvas>/canvas>  footer classfooter>    div classcontent has-text-centered>      p>© 2025 Angel Lam/p>    /div>  /footer>  script data-cfasyncfalse src/cdn-cgi/scripts/5c5dd728/cloudflare-static/email-decode.min.js>/script>script srcjs/bundle.js>/script>  script srcjs/animation.js>/script>/body>/html>

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!DOCTYPE html>html langen>head>  title>Angel Lam/title>  meta nameviewport contentwidthdevice-width, initial-scale1>  link relicon hrefimg/tabLogo.png typeimage/x-icon>  link relstylesheet hrefcss/main.bundle.css>  script srchttps://kit.fontawesome.com/4e5a72c756.js>/script>/head>body>  section classhero is-primary>    div classhero-body>      div classcontainer>        div classlevel>          div classlevel-item has-text-centered>            figure classimage is-128x128>              img classis-rounded srcimg/angel.png>            /figure>          /div>        /div>        div classcolumns has-text-centered>          div classcolumn>            h1 classtitle is-1>              Angel Lam            /h1>            h2 classsubtitle>              Software Engineer, Tools and Graphics            /h2>            p>              div classtop-contact>                a hrefdocs/resume.pdf classicon has-text-light target_blank>                  i classfas fa-file-word>/i> strong>Resume/strong>                /a>                a hrefhttps://www.linkedin.com/in/luchchalam classicon has-text-light target_blank>                  i classfab fa-linkedin-in>/i>strong>LinkedIn/strong>                /a>              /div>            /p>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>About Me/h1>      hr />      div classcard>        div classcard-content>          p>Hello! Im Angel (Luchcha) Lam — a lifelong learner driven by a passion for computer graphics and the intersection of art and technology. With half a decade of experience in the animation and games industry, I hope to push the boundaries of interactive and immersive storytelling. My goal is to create meaningful, joyful, innovative and visually compelling experiences through graphics-driven technology. Originally from Bangkok, Thailand, I bring a global perspective and a curious spirit to everything I do. Outside of work, youll likely find me on a mission to discover the best ice-creams, indulging in 75% dark chocolate, or balancing it all out with a game of ultimate frisbee, thai boxing, or getting some fresh air outdoors./p>        /div>        /div>      /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Experience/h1>      hr />      div classcard>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-48x48>                img srcimg/activision_logo.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>Microsoft Xbox - Activision Blizzard/p>              p classsubtitle is-6>Software Engineer – time datetime2018-1>July 2023/time> - time                  datetime2025-6>Present/time> /p>            /div>          /div>          div classcontent>            p>Our team does everything capture related for teams across Activision, Blizzard, and Xbox Game Studios. I develop tools that support our end-to-end capture pipelines — including facial, motion, and material capture — to enhance both the efficiency of production workflows and the visual quality of our games. I also work with R&D engineers to integrate the latest graphics research into our pipeline to improve the qualities of our scans. Below are the titles Ive worked on./p>            ul>              li>Call of Duty Black Ops 6 - 2025/li>              li>Call of Duty Modern Warfare 3 - 2024/li>              li>Call of Duty Modern Warfare 2 - 2023/li>            /ul>            div classcolumns is-mobile is-multiline>              div classcolumn is-one-third>                  img srcimg/lightstage.jpeg altImage 1>              /div>              div classcolumn is-one-third>                  img srcimg/bodyrig.jpeg altImage 2>              /div>              div classcolumn is-one-third>                  img srcimg/mocap.jpeg altImage 3>              /div>            /div>            div classcolumns is-mobile is-multiline>              div classcolumn is-one-third>                  img srcimg/mw2.jpg altImage 1>              /div>              div classcolumn is-one-third>                  img srcimg/mw3.png altImage 2>              /div>              div classcolumn is-one-third>                  img srcimg/blackops6.png altImage 3>              /div>            /div>            div classtags>              span classtag>C++/span>              span classtag>Python/span>              span classtag>PyQT/span>              span classtag>FBXSDK/span>              span classtag>Photogrammetry/span>              span classtag>Motion Capture/span>              span classtag>Digital Humans/span>            /div>          /div>        /div>      /div>      div classcard card-gap>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-48x48>                img srcimg/monk_logo.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>The Monk Studios/p>              p classsubtitle is-6>Pipeline Technical Director – time datetime2019-9>September 2019/time> - time                  datetime2021-9>2021/time>/p>            /div>          /div>          div classcontent>            p>As a Pipeline Technical Director, I maintained and developed tools, both standalone and as plugins for DCC tools such as Autodesk Maya and Toonboom Harmony.              I collaborated with IT to set up a 2D render farm and established a streamlined and trackable pipeline for 2D productions from pre to post production.              I enjoyed learning new softwares such as Harmony through collaborating with Harmonys support team and from our artists to create tools that artists would want to use.              The public projects I supported were:            /p>            ul>              li>Netflixs Sea of Love - Thailands first Netflix kids series/li>            /ul>            img srcimg/sea_of_love.png altImage 1>            div classtags>              span classtag>Python/span>              span classtag>2D/3D Animation/span>              span classtag>HTML/span>              span classtag>SQL/span>              span classtag>PyQT/span>            /div>          /div>        /div>      /div>      div classcard card-gap>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-48x48>                img srcimg/nickelodeon_logo.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>Nickelodeon/p>              p classsubtitle is-6>Animation Engineer – time datetime2018-10>October 2018/time> - time                  datetime2019-10>2019/time>/p>            /div>          /div>          div classcontent>            p>At Nickelodeon, I wrote tools to support different departments within Nickelodeon animation.              I Collaborated with the production team on a tool to process deliveries from vendor studios into our local file server and the Shotgun/Shotgrid/Flow database using Python and the Shotgrid API.              I worked with the Archiving Team to expedite their archiving process using Python, setup a database and wrote a tool that tracks and enable other teams to request archived assets.            /p>            div classtags>              span classtag>Python/span>              span classtag>2D/3D Animation/span>              span classtag>SQL/span>            /div>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Projects/h1>      hr />      div classtile is-ancestor>        div classtile is-vertical is-12>          div classtile>            div classtile is-parent modal-trigger data-targetproject-1-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/jello.jpg>                /figure>                p classtitle is-4>Real-Time Jello/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-2-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/pathtracer.png>                /figure>                p classtitle is-4>Path Tracer/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-3-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/shader.png>                /figure>                p classtitle is-4>Non-Photorealistic SPH/p>              /article>            /div>          /div>        /div>      /div>      div classtile is-ancestor>        div classtile is-vertical is-12>          div classtile>            div classtile is-parent modal-trigger data-targetproject-4-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/ml_style.jpg>                /figure>                p classtitle is-4>Machine Learning/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-5-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/unreal_vp.png>                /figure>                p classtitle is-4>Unreal/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-6-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/ramen_rig.jpg>                /figure>                p classtitle is-4>Animation Tools/p>              /article>            /div>          /div>        /div>      /div>      div classtile is-ancestor>        div classtile is-vertical is-12>          div classtile>            div classtile is-parent modal-trigger data-targetproject-7-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/opengl.jpg>                /figure>                p classtitle is-4>OpenGL 3D Space/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-8-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/wearthese.jpg>                /figure>                p classtitle is-4>Wear These/p>              /article>            /div>            div classtile is-parent modal-trigger data-targetproject-9-modal>              article classtile is-child>                figure classimage is-3by2>                  img srcimg/cooking_disaster.png>                /figure>                p classtitle is-4>Art and Animation/p>              /article>            /div>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Education / Training/h1>      hr />      div classcard>        div classcard-content>            div classmedia>              div classmedia-left>                figure classimage is-48x48>                  img srcimg/purdue.jpg altPlaceholder image>                /figure>              /div>              div classmedia-content>                p classtitle is-4>Purdue University/p>                p classsubtitle is-6>Masters in Computer Graphics Technology – time datetime2021-9>September 2021/time> - time                    datetime2023-6>June 2023/time>/p>              /div>            /div>          div classcontent>            GPA: 4.0            Relevant Coursework:            ul>              li>Artificial Intelligence for Computer Graphics/li>              li>Computer Graphics Programming/li>              li>Game Development/li>              li>Linear Algebra and Its Application/li>              li>Deep Learning/li>            /ul>          /div>        /div>      /div>      div classcard card-gap>        div classcard-content>          div classmedia>            div classmedia-left>              figure classimage is-96x48>                img srcimg/Brown-RISD.jpg altPlaceholder image>              /figure>            /div>            div classmedia-content>              p classtitle is-4>Rhode Island School of Design / Brown University/p>              p classsubtitle is-6>Bachelors in Film/Animation/Video. Concentration in Computation – time datetime2014-9>September 2014/time> - time                  datetime2018-6>June 2018/time>/p>            /div>          /div>          div classcontent>            Relevant Coursework:            ul>              li>Object-Oriented Programming/li>              li>Data Structure and Algorithm/li>            /ul>          /div>        /div>      /div>    /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Publications/h1>      hr />      a hrefhttps://dl.acm.org/doi/abs/10.1145/3605495.3605791 target_blank>        div classcard>          div classcard-content>            div classcontent>              p classtitle is-4>Effects of Body Type and Voice Pitch on Perceived Audio-Visual Correspondence and Believability of Virtual Characters/p>              p classsubtitle is-6>Purdue University – time datetime2023-8>August 2023/time>/p>            /div>            div classcontent>              As part of our labs research on AI-driven STEM educational videos, my Masters thesis explored the realism of virtual characters.            /div>          /div>        /div>      /a>      div classcard card-gap>        a hrefhttps://dl.acm.org/doi/abs/10.1145/3663548.3675610 target_blank>          div classcard>            div classcard-content>              div classcontent>                p classtitle is-4>“Not Only Annoying but Dangerous”: Devising an Ecology of Protections for Photosensitive Social Media Users/p>                p classsubtitle is-6>Purdue University – time datetime2024-10>October 2024/time>/p>              /div>              div classcontent>                Prototyped real-time device-level protection in Android Studio to detect flashing/strobing visual patterns, enhancing digital safety for users with photosensitive epilepsy or migraines.              /div>            /div>          /div>        /a>      /div>      div classcard card-gap>        a hrefhttps://journals.sagepub.com/doi/10.1177/07356331231213932 target_blank>          div classcard>            div classcard-content>              div classcontent>                p classtitle is-4>Recognizing and Relating to the Race/Ethnicity and Gender of Animated Pedagogical Agents/p>                p classsubtitle is-6>Purdue University – time datetime2023-11>November 2023/time>/p>              /div>              div classcontent>                Created AI-driven emotionally intelligent avatars for STEM education videos, increasing engagement and retention among K–12 students.              /div>            /div>          /div>        /a>      /div>  /section>  section classsection>    div classcontainer>      h1 classtitle>Contact/h1>      hr />      nav classlevel>        div classlevel-item has-text-centered>          div>            a hrefhttps://github.com/angellam278 classicon is-large target_blank>              i classfab fa-2x fa-github>/i>            /a>            p classheading>a hrefhttps://github.com/angellam278 target_blank>github.com/angellam278/a>/p>          /div>        /div>        div classlevel-item has-text-centered>          div>            a href/cdn-cgi/l/email-protection#1978777e7c757578742b2e21597e74787075377a7674 classicon is-large>              i classfas fa-2x fa-envelope>/i>            /a>            p classheading>a href/cdn-cgi/l/email-protection#d1b0bfb6b4bdbdb0bce3e6e991b6bcb0b8bdffb2bebc>span class__cf_email__ data-cfemaildabbb4bdbfb6b6bbb7e8ede29abdb7bbb3b6f4b9b5b7>email protected/span>/a>/p>          /div>        /div>        div classlevel-item has-text-centered>          div>            a hrefhttps://www.linkedin.com/in/luchchalam classicon is-large target_blank>              i classfab fa-2x fa-linkedin-in>/i>            /a>            p classheading>a hrefhttps://www.linkedin.com/in/luchchalam target_blank>linkedin/a>/p>          /div>        /div>      /nav>    /div>  /section>  !-- Modals -->  div idproject-1-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Real-Time Jello/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-1-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/jello.gif>          /figure>          figure classimage carousel-cell>            img srcimg/jello_debug.gif>          /figure>          figure classimage carousel-cell>            img srcimg/jello_physics.gif>          /figure>        /div>        div classcontent>          p>As part of a two-person team, I developed a real-time jello simulation using OpenGL and C++. My primary responsibilities included implementing the underlying physics and interactive behaviors. The simulation models the jello as a mass-spring system, utilizing both Euler and fourth-order Runge-Kutta integration methods for numerical stability and accuracy. To simulate translucency, we applied Beers Law for light attenuation through the material. Performance was optimized using OpenMP for parallel computation./p>          p>b>Future Improvements:/b>            br>- Implement per-vertex lighting to eliminate the appearance of flat, triangulated surfaces when the jello mesh is rendered at low resolution.            br>- Add a skybox or dynamic background to replace the solid color and better showcase the material properties and translucency of the jello.            br>- Accelerate the simulation using compute shaders by offloading physics calculations to the GPU for improved performance and real-time interactivity.            br>- Allow the jello to freely jiggle off the plate and interact dynamically with other objects within the bounding box.          /p>          p>a hrefhttps://github.com/angellam278/Jello target_blank>Checkout the Github project here!/a>/p>          div classtags>            span classtag>C++/span>            span classtag>Simulation/span>          /div>        /div>      /section>    /div>  /div>  div idproject-2-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Path Tracer/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-2-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/pathtracer.gif>          /figure>          figure classimage carousel-cell>            img srcimg/purdue_pathtracer.jpg>          /figure>        /div>        div classcontent>          p>As part of a two-person team, we developed a CPU-based Monte Carlo Path Tracer in C++. The renderer supports loading and rendering of .obj models and simulates a variety of materials—including diffuse, specular, glossy, and glass—using bidirectional reflectance distribution functions (BRDFs). To improve performance, we implemented bounding volume hierarchies (BVH) for spatial acceleration and leveraged OpenMP for parallel processing. We conducted performance benchmarking across scenes with varying triangle counts and material properties, with detailed results available on our GitHub repository./p>          p>            b>Future Improvements:/b>            br>- Implement a built in denoiser to reduce the noise in our output            br>- Accelerate compute time using importance sampling and CUDA          /p>          p>a hrefhttps://github.com/JCSaltFish/PBRPathTracer target_blank>Checkout the Github project here!/a>/p>          div classtags>            span classtag>C++/span>            span classtag>Rendering/span>          /div>        /div>      /section>    /div>  /div>  div idproject-3-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Non-PhotoRealistic SPH/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-3-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/shader.gif>          /figure>          figure classimage carousel-cell>            img srcimg/shader.png>          /figure>        /div>        div classcontent>          p>As part of a two-person team, we developed an interactive application demonstrating non-photorealistic rendering techniques combined with smoothed-particle hydrodynamics (SPH). My teammate focused on implementing the SPH-based fluid simulation, while I was responsible for the visual design and shading. The program features a customizable non-photorealistic shader that allows users to adjust outline, background, and tone colors in real time. Users can also modify particle sizes and switch between different 3D models for visualization./p>          p>a hrefhttps://github.com/angellam278/NPR-SPH target_blank>Checkout the Github project here!/a>/p>          div classtags>            span classtag>OpenGL/span>            span classtag>Simulation/span>            span classtag>ImGUI/span>          /div>        /div>      /section>    /div>  /div>  div idproject-4-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Machine Learning/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-4-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/ml_style.jpg>          /figure>          figure classimage carousel-cell>            img srcimg/ml_voxel.jpg>          /figure>        /div>        div classcontent>          p>            b>Pixel to Style/b>            br>I read a a href srchttps://arxiv.org/abs/2008.00951>paper/a> and was intrigued by the StyleGAN architecture and decided to train a StyleGAN with the MetFaces database (consisting of paintings and sculptures) which resulted in painterly portraits rather than and realistic portrait. I also did some inference tests with the pertained Pixel2Style2Pixel (pSp) framework to get Toonified faces, faces from sketches and faces from segmentation./p>            b>Pixel to Voxel/b>            br>I explored the use of deep learning in 3D workflows and stumbled upon a a href srchttps://dl.acm.org/doi/10.1145/3203197>paper/a> that predicts voxels from sketches. I drew a 3D “P”, used a pre-trained model, created with the Caffe framework, to output a volumetric prediction matrix and visualized the voxels using MatPlotLib.            div classtags>            span classtag>PyTorch/span>            span classtag>Python/span>          /div>        /div>      /section>    /div>  /div>  div idproject-5-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Unreal/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-5-modal-carousel classcarousel>          figure classcarousel-cell>            div classvideo-container>              iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/1097376273?ha0b6e67add allowfullscreen>/iframe>            /div>          /figure>          figure classimage carousel-cell>            img srcimg/unreal_material.jpg>          /figure>          figure classimage carousel-cell>            img srcimg/unreal_vp.png>          /figure>        /div>        div classcontent>          p>My experience with Unreal Engine includes developing an interactive VR experience, where I gained hands-on knowledge of gameplay mechanics using Blueprints and scene optimization techniques. This project also required addressing common VR user experience challenges such as motion sickness and intuitive navigation. In addition, Ive worked with Unreals material and instance systems, terrain tools, and lighting workflows. I further expanded my skills through a course at Gnomon on creating environments for Virtual Production, which emphasized the relationship between virtual and physical spaces, as well as planning for camera movement within those environments./p>            div classtags>            span classtag>Unreal/span>            span classtag>Virtual Production/span>            span classtag>Game Design/span>          /div>        /div>      /section>    /div>  /div>  div idproject-6-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Animation Tools/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        figure classcarousel-cell>          div classvideo-container>            iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/315978886?ha0b6e67add allowfullscreen>/iframe>          /div>        /figure>        div classcontent>          p>With a background in animation, I enjoy developing tools within digital content creation software such as Maya to enhance artist workflows and improve production efficiency. Im particularly fascinated by the mechanics of movement and rigging systems that empower animators to bring characters to life. My experience as an artist allows me to better anticipate the needs of creative teams and design tools that are both intuitive and enjoyable to use./p>          div classtags>            span classtag>Maya/span>            span classtag>Rigging/span>            span classtag>Python/span>            span classtag>Animation/span>          /div>        /div>      /section>    /div>  /div>  div idproject-7-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>OpenGL 3D Space/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        figure classcarousel-cell>          div classvideo-container>            iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/658593085?ha0b6e67add allowfullscreen>/iframe>          /div>        /figure>        div classcontent>          p>            In a team of 2, we wanted to learn Qt and complement our OpenGL implementation with a nice UI so we decided to create a 3D space for users to play with using Qt, Qt’s OpenGL framework and C++. We also utilized external libraries such as Assimp, IFreeImage and IrrKlang to assist in loading 3D models, textures and audio.          /p>          p>            b>Future Improvements:/b>            br>- Add enhanced user controls, such as uniform scaling and the ability to drag and drop objects directly to the cursor’s position.            br>- Implement instancing to improve rendering performance and memory efficiency.            br>- Explore alternative graphics APIs, such as Vulkan, to gain finer control over performance and resource management.          /p>          div classtags>            span classtag>OpenGL/span>            span classtag>Qt/span>            span classtag>C++/span>          /div>        /div>      /section>    /div>  /div>  div idproject-8-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Wear These/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        figure classimage is-4by3 carousel-cell>          img srcimg/wearthese.jpg>        /figure>        div classcontent>          p>            For Hack at Brown in 2017, my team designed a device to aid the visually impaired with transportation. The device sends haptic signals to the user when they approach any obstacle. Within 48 hours, we learned how to code and hardware hack the Arduino. As a group of RISD and Brown students with completely different background and no engineering knowledge, we designed the mock up as well as making a working prototype to present to other groups. We won the first time hacker award.          /p>          div classtags>            span classtag>Arduino/span>            span classtag>Python/span>            span classtag>Wearable Tech/span>          /div>        /div>      /section>    /div>  /div>  div idproject-9-modal classmodal>    div classmodal-background>/div>    div classmodal-card>      header classmodal-card-head>        p classmodal-card-title>Art and Animation/p>        button classdelete aria-labelclose>/button>      /header>      section classmodal-card-body>        div idproject-9-modal-carousel classcarousel>          figure classimage carousel-cell>            img srcimg/cooking_disaster.png>          /figure>          figure classimage carousel-cell>            img srcimg/dog_portraits.png>          /figure>          figure classimage carousel-cell>            img srcimg/bone.png>          /figure>          figure classimage carousel-cell>            img srcimg/lobster_spa.png>          /figure>          figure classcarousel-cell>            div classvideo-container>              iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/270980749?title0&byline0&portrait0 allowfullscreen>/iframe>            /div>          /figure>          figure classcarousel-cell>            div classvideo-container>              iframe stylewidth: 100%; height: 100%; srchttps://player.vimeo.com/video/236813028?title0&byline0&portrait0 allowfullscreen>/iframe>            /div>          /figure>        /div>        div classcontent>          p>Outside of programming, I enjoy drawing, painting and making animations.          br>          br>1. Cooking Disaster (watercolor and digital painting)          br>2. Dog Portraits (acrylic on canvas)          br>3. When Bone Meets Meat (digital painting)          br>4. Lobster Spa (watercolor)          br>5. According To Plan          br>6. 2D Shorts          /p>          div classtags>            span classtag>2D/3D Animation/span>            span classtag>Fine Art/span>            span classtag>Design/span>          /div>        /div>      /section>    /div>  /div>  canvas idbackground-canvas>/canvas>  footer classfooter>    div classcontent has-text-centered>      p>© 2025 Angel Lam/p>    /div>  /footer>  script data-cfasyncfalse src/cdn-cgi/scripts/5c5dd728/cloudflare-static/email-decode.min.js>/script>script srcjs/bundle.js>/script>  script srcjs/animation.js>/script>/body>/html>

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Domain > angell.am

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