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Domain > andreaspetrossiants.com
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More information on this domain is in
AlienVault OTX
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DNS Resolutions
Date
IP Address
2024-04-06
198.12.236.207
(
ClassC
)
2024-09-12
192.124.249.61
(
ClassC
)
Port 80
HTTP/1.1 301 Moved PermanentlyServer: Sucuri/CloudproxyDate: Thu, 12 Sep 2024 08:17:11 GMTContent-Type: text/htmlContent-Length: 162Connection: keep-aliveX-Sucuri-ID: 11011Location: https://andreaspetrossiants.com/ html>head>title>301 Moved Permanently/title>/head>body>center>h1>301 Moved Permanently/h1>/center>hr>center>nginx/center>/body>/html>
Port 443
HTTP/1.1 200 OKServer: Sucuri/CloudproxyDate: Thu, 12 Sep 2024 08:17:11 GMTContent-Type: text/htmlContent-Length: 8942Connection: keep-aliveX-Sucuri-ID: 11011X-XSS-Protection: 1; modeblockX-Frame-Options: SAMEORIGINX-Content-Type-Options: nosniffContent-Security-Policy: upgrade-insecure-requests;Last-Modified: Wed, 20 Mar 2024 16:46:48 GMTETag: 428e7a-22ee-6141a5630ae00Vary: Accept-EncodingX-Sucuri-Cache: EXPIREDAccept-Ranges: bytes !DOCTYPE html>!-- ANDY-->html>head> !-- Google tag (gtag.js) --> script async srchttps://www.googletagmanager.com/gtag/js?idG-4EFSRZ02N2>/script> script> window.dataLayer window.dataLayer || ; function gtag(){dataLayer.push(arguments);} gtag(js, new Date()); gtag(config, G-4EFSRZ02N2); /script> title>Andreas Petrossiants/title> meta nameDescription contentAndreas Petrossiants is a writer and editor living in New York.> meta http-equivcontent-type contenttext/html; charsetutf-8> meta nameviewport contentwidthdevice-width, initial-scale1.0> meta propertyog:title contentAndreas Petrossiants> meta propertyog:image contenteruptionn.jpg> link relshortcut icon typeimage/x-icon href/icons8-heart-94.png> link relicon href/icons8-heart-94.png typeimage/x-icon> style> body { margin: 60px 60px 60px 60px; letter-spacing: 1px; -webkit-text-stroke: .5px; font-family: serif; font-size: 20px; } p { width: 800px; } img { margin-top: 10px; width: 50px; height: auto; } a:link, a:visited, a:active { color: #0066ff; text-decoration: none; } a:hover { color: black; } @media only screen and (max-width: 800px) { p, img { width: 100%; } } h1 { font-size: 30px; } h2 { font-size: 25px; } /style>/head>body> h1> Andreas Petrossiants/h1> p> br> is a writer and editor living in Brooklyn. br> br> He is the associate editor at a hrefhttps://www.e-flux.com/journal/ target_blank>e-flux journal/a>, br> a PhD candidate in a hrefhttps://tisch.nyu.edu/performance-studies/phd-students/andreas-petrossiants target_blank>Performance Studies/a> at NYU, br> and the publisher of a hrefhttps://twitter.com/dvrstyofesthtix target_blank> Diversity of Aesthetics/a>. br/>br/> He plays football for a hrefhttps://stop-cop-city-united.medium.com/ targetblank>Stop Cop City United/a>. br/>br/> andreas12x at gmail dot com br/> br/> font size+10> ☟/font> br/>br/> b>Essays & Reviews /b> br/>br/> a hrefhttps://www.academia.edu/109407427/Value_on_the_Rack_Waiting_for_Abolition target_blank>Value on the Rack, Waiting for Abolition/a>, essay in i>Viscose/i>, 2023. br/>br/> a hrefhttps://socialtextjournal.org/class-composition-in-the-arts-operaist-art-history/ target_blank>Class Composition in the Arts: Operaist Art History/a>, essay in i>Social Text/i> online, 2023. br/>br/> a hrefhttps://www.e-flux.com/criticism/493805/m-e-o-brien-and-eman-abdelhadi-s-everything-for-everyone target_blank>M. E. O’Brien and Eman Abdelhadi’s i>Everything For Everyone/i>/a>, book review in i>e-flux criticism/i>, 2023. br/>br/> a hrefhttps://www.bookforum.com/politics/the-memoirs-of-italian-footballer-paolo-sollier-24980 target_blank>A Radical Leftist in the Midfield/a>, book review in i>Bookforum/i>, 2023. br/>br/> a hrefhttps://www.ajplus.net/stories/article-an-abolitionists-message-to-activists target_blank>An Abolitionist’s Message to Activists/a>, book review in i>Al Jazeera Subtext/i>, 2022. br/>br/> a hrefhttps://www.frieze.com/article/unhomeless-nyc-kingsborough-art-museum-2022-review target_blank>“UnHomeless NYC” Calls Into Question the Exceptionality of Artistic Practice/a>, exhibition review in i>Frieze/i>, 2022. br/>br/> a hrefhttps://www.e-flux.com/journal/121/424221/under-etna-s-shadow-pier-paolo-pasolini-and-the-volcano/ target_blank>Under Etna’s Shadow: Pier Paolo Pasolini and the Volcano/a>, essay in i>e-flux journal/i>, 2021. br/>br/> a hrefhttps://www.e-flux.com/journal/110/335739/inside-and-out-the-edges-to-critique/ target_blank>Inside and Out: The Edges to Critique/a>, essay in i>e-flux journal/i>, 2020. br/> br/> font size+10> ☟/font> br/> br/> b>Academic Writing/b> br/>br/> a hrefhttps://read.dukeupress.edu/social-text target_blank>Preliminary Notes Toward a Destituent Art/a>, i>Social Text/i> 42, no. 2 (forthcoming 2024). br/>br/> a hrefhttps://brill.com/view/journals/powr/3/1/article-p63_004.xml target_blank>Subaltern Composition: On the Unrealized 1970 Gela Insurrection/a>, i>Notebooks: The Journal for Studies on Power 3 /i>, 2023. br/>br/> The Ashes of Eurocommunism: On Pasolini’s Relevance, in i>Figurative Fulminations: Pier Paolo Pasolini and the History of Art/i>, ed. Ara H. Merjian (Manchester University Press, forthcoming). br/>br/> a hrefhttps://www.pismowidok.org/assets/files/article-pdf/issue-21/petrossiants.pdf target_blank>Mierle Laderman Ukeles’ Maintenance and/as (Art) Work/a>, i>View: Theories and Practices of Visual Culture/i>, no. 21, 2019. br/>br/> font size+10> ☟/font> br/> br/> b>Interviews/b> br/>br/> with Ciarán Finlayson, a hrefhttps://www.e-flux.com/podcasts/595064/ciarn-finlayson-on-perpetual-slavery target_blank>e-flux podcast/a>, 2023. br/> br/> with Andreas Malm, a hrefhttps://thenewinquiry.com/gentle-protests-an-interview-with-andreas-malm/ target_blank>Gentle Protests: An Interview with Andreas Malm/a>, i>New Inquiry/i> online, 2021. br/> br/> with Marina Vishmidt, a hrefhttps://www.historicalmaterialism.org/interviews/spaces-speculation-movement-politics-infrastructure target_blank>Spaces of Speculation: Movement Politics in the Infrastructure/a>, i>Historical Materialism/i> online, 2020. br/> br/> with Hal Foster, a hrefhttps://www.versobooks.com/en-gb/blogs/news/4889-tragedy-and-farce-interview-with-hal-foster target_blank>Tragedy and Farce: Interview with Hal Foster/a>, Verso blog, 2020. br/>br/> font size+10> ☟/font> br/> br/> b>Translations/b> br/>br/> Mario Tronti, a hrefhttps://illwill.com/on-destituent-power target_blank>On Destituent Power/a>, i>Ill Will Editions/i>, 2022. br/>br/> a hrefhttps://roarmag.org/essays/italian-student-movement-la-lupa/ target_blank>Italian students are rising up against exploitation/a>, i>Roar Magazine/i>, 2022. br/>br/> Franco Bifo Berardi, a hrefhttps://www.e-flux.com/journal/125/454088/war-and-senile-dementia/ target_blank>War and (Senile) Dementia/a>, i>e-flux journal/i>, 2022. br/> br/>br/> img srcsoccer.jpg/> br/>br/> /p> br/>br/> script srcpreload.js>/script> !-- Default Statcounter code for Andreas http://www.andreaspetrossiants.com -->script typetext/javascript>var sc_project12962313;var sc_invisible1;var sc_security33711857;/script>script typetext/javascript srchttps://www.statcounter.com/counter/counter.js async>/script>noscript>div classstatcounter>a titlefree web stats hrefhttps://statcounter.com/ target_blank>img classstatcounter srchttps://c.statcounter.com/12962313/0/33711857/1/ altfree web stats referrerPolicyno-referrer-when-downgrade>/a>/div>/noscript>!-- End of Statcounter Code -->/body>/html>
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